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Author : Ludwig Van Beethoven
Publisher : CreateSpace
Page : 28 pages
File Size : 46,8 Mb
Release : 2014-05-28
Category : Music
ISBN : 1499704801
Piano Sonata No.15, Op.28 by Ludwig van Beethoven. This sonata consists of 4 movements: I. Allegro II. Andante III. Scherzo: Allegro vivace IV. Rondo: Allegro ma non troppo
Author : Ludwig van Beethoven
Publisher : Unknown
Page : 46 pages
File Size : 40,6 Mb
Release : 2008
Category : Piano music
ISBN : UOM:39015082700207
Author : Wolfgang Amadeus Mozart
Publisher : Unknown
Page : 22 pages
File Size : 52,7 Mb
Release : 1892
Category : Electronic
ISBN : BSB:BSB11510852
Author : Robert Taub
Publisher : Amadeus
Page : 0 pages
File Size : 54,5 Mb
Release : 2009
Category : Sonatas (Piano)
ISBN : 1574671782
Acclaimed pianist Robert Taub offers the insights of a passionate musician who performs all 32 of Beethoven's well-loved piano sonatas in concert worldwide bringing a fresh perspective on Beethoven as the ÊNew York TimesÊ put it. In this book he shares his intimate understanding of these works with listeners and players alike.
Author : Ludwig van Beethoven,Stewart Gordon
Publisher : Alfred Music
Page : 192 pages
File Size : 41,8 Mb
Release : 2005-09-19
Category : Music
ISBN : 9781457421174
Beethoven wrote 32 sonatas for piano. Volume 2, edited by Stewart Gordon, includes Sonatas 9--15 (Op. 14, Nos. 1--2; Op. 22; Op. 26; Op. 27, Nos. 1--2; and Op. 28), written between 1798 and 1801 and published shortly after they were written. Of the sonatas in this volume, autographs exist for Op. 26; Op. 27, No. 2 (the first and final pages are missing); and Op. 28. This edition is based on the existing autographs and the first editions, published by various Viennese engravers. Dr. Gordon discusses a variety of topics including Beethoven's life; the pianos of his time and their limitations; Beethoven's use of articulation, ornamentation, tempo; and the age-old challenge of attempting to determine the definitive interpretation of Beethoven's music. Valuable performance recommendations, helpful fingering suggestions and ornament realizations are offered in this comprehensive critical body of Beethoven's sonatas. Where performance options are open to interpretation, other editors' conclusions are noted, enabling students and teachers to make informed performance decisions.
Author : Wolfgang Amadeus Mozart,Béla Bartók
Publisher : Alfred Music
Page : 308 pages
File Size : 50,7 Mb
Release : 1996-02-01
Category : Music
ISBN : 1457475634
This collection includes a preface by Alexander Lipsky. Contents: * Sonata No. 1 in C Major * Sonata No. 2 in G Major * Sonata No. 3 in C Major * Sonata No. 4 in F Major * Sonata No. 5 in C Major * Sonata No. 6 in F Major * Sonata No. 7 in F Major * Sonata No. 8 in B-Flat Major * Sonata No. 9 in A Major * Sonata No. 10 in B-Flat Major * Sonata No. 11 in C Major * Sonata No. 12 in B-Flat Major * Sonata No. 13 in D Major * Sonata No. 14 in D Major * Sonata No. 15 in D Major * Sonata No. 16 in A Minor * Sonata No. 17 in F Major * Fantasia and Sonata No. 18 in C Minor * Sonata No. 19 in E-Flat Major * Sonata No. 20 in B-Flat Major
Author : Ludwig van Beethoven
Publisher : Alfred Music
Page : 144 pages
File Size : 53,7 Mb
Release : 1996-02-01
Category : Music
ISBN : 1457472376
This "Urtext Edition" of Beethoven's Piano Sonatas, Nos. 8-15, includes editorial and performance notes by Carl Krebs (Berlin, March 1898). Titles: * Sonata No. 8, Op. 13 ("Pathetique") * Sonata No. 9, Op. 14, No. 1 * Sonata No. 10, Op. 14, No. 2 * Sonata No. 11, Op. 22 * Sonata No. 12, Op. 26 * Sonata No. 13, Op. 27, No. 1, (Quasi Fantasia) * Sonata No. 14, Op. 27, No. 2, (Quasi Fantasia, "Moonlight Sonata") * Sonata No. 15, Op. 28, (Pastorale)
Author : Bruno Monsaingeon
Publisher : Princeton University Press
Page : 465 pages
File Size : 51,5 Mb
Release : 2002-09-15
Category : Biography & Autobiography
ISBN : 9780691095493
"Sviatoslav Richter was a dazzling performer but an intensely private man. Though world famous and revered by classical music lovers everywhere, he guarded himself and his thoughts as carefully as his talent. Fascinated, author and filmmaker Bruno Monsaingeon tried vainly for years to interview the enigmatic pianist. Richter eventually yielded, granting Monsaingeon hours of taped conversation, unlimited access to his diaries and notebooks, and, ultimately his friendship. This book is the product of that friendship. It offers readers the sizable pleasure of lingering in the thoughts and words of one of the most important pianists of the twentieth century. Sviatoslav Richter belongs on the shelves of everyone with a classical music collection and will also appeal to lovers of autobiography and admirers of Russian musical culture." -- Back cover
Author : Hal Leonard Corp.
Publisher : Hal Leonard Corporation
Page : 1004 pages
File Size : 41,6 Mb
Release : 1993-01-01
Category : Music
ISBN : 9781458491985
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.
Author : Wolfgang Amadeus Mozart,Maurice Hinson
Publisher : Alfred Music
Page : 28 pages
File Size : 43,5 Mb
Release : 2006-02-17
Category : Music
ISBN : 9781457422539
Mozart's orchestral-inspired Sonata in D Major, K. 311 contains elaborate pianistic treatment and an exciting sonata-rondo finale with a cadenza worthy of one of Mozart's concertos. The flashy third movement is full of many contrasts involving dynamics, mood and texture. Throughout the sonata, the left hand becomes a true partner in all aspects of the composition, and thematic material is spread over different registers of the keyboard.
Author : Eric Wen
Publisher : Rowman & Littlefield
Page : 390 pages
File Size : 43,6 Mb
Release : 2019-02-14
Category : Music
ISBN : 9781538104675
This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.
Author : Janet Schmalfeldt
Publisher : Oxford University Press
Page : 344 pages
File Size : 49,7 Mb
Release : 2017-02-03
Category : Music
ISBN : 9780190656126
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Author : Ludwig van Beethoven
Publisher : Alfred Music
Page : 136 pages
File Size : 40,5 Mb
Release : 1996-02-01
Category : Music
ISBN : 1457472368
This "Urtext Edition" of Beethoven's Piano Sonatas, Nos. 1-7, includes editorial and performance notes by Carl Krebs (Berlin, March 1898). Titles: * Sonata No. 1, Op. 2, No. 1 * Sonata No. 2, Op. 2, No. 2 * Sonata No. 3, Op. 2, No. 3 * Sonata No. 4, Op. 7 * Sonata No. 5, Op. 10, No. 1 * Sonata No. 6, Opus 10, No. 2 * Sonata No. 7, Opus 10, No. 3
Author : Joseph Haydn
Publisher : Courier Corporation
Page : 227 pages
File Size : 43,8 Mb
Release : 2013-02-26
Category : Music
ISBN : 9780486311883
Volume I of two-volume set of excellent Breitkopf & Hartel edition includes Hoboken Nos. 1-29 arranged in chronological sequence: Sonata No. 1 in C Major (before 1760) through Sonata No. 29 in F Major (ca 1774-1776).
Author : Ronald Herder
Publisher : Courier Corporation
Page : 244 pages
File Size : 52,5 Mb
Release : 1996-01-01
Category : Music
ISBN : 0486291529
Treasury of 83 best-loved pieces in authoritative editions: Beethoven's Für Elise, Chopin's "Minute" Waltz and Polonaise "Militaire," Debussy's Clair de Lune, Liszt's Liebestraum No. 3, Mozart's Turkish Rondo, Ravel's Pavane for a Dead Princess, plus works by Grieg, Granados, Haydn, Satie, Tchaikovsky, and many more. Most pieces fairly brief, well within reach of intermediate players.