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Chinese student Song Lan is at first reluctant to join the protest movement in Beijing but as the demonstrations increase starts to join the protests. She soon finds herself in Tiananmen Square where she meets the journalist P J O'Connor. When the soldiers move in, using machine guns and tanks against the young people, Song and O'Connor are separated and in the chaos of events around the massacre O'Connor searches for Song but to no avail. He is arrested and expelled from China but just before his expulsion there is one last surprise.
A “memorable series of portraits of the working class people who defended Tiananmen Square” (The New York Review of Books) during the protests from the award-winning poet, dissident, and “one of the most original and remarkable Chinese writers of our time” (Philip Gourevitch). Much has been written about the Tiananmen Square protests, but very little exists in the words of those who were actually there. For over seven years, Liao Yiwu—a master of contemporary Chinese literature, imprisoned and persecuted as a counter-revolutionary until he fled the country in 2011—secretly interviewed survivors of the devastating 1989 Tiananmen Square massacre. Tortured, imprisoned, and forced into silence and the margins of Chinese society for thirty years, their harrowing and unforgettable stories are now finally revealed in this “indispensable historical document” (Kirkus Reviews, starred review).
Author : Robert Hariman,John Louis Lucaites Publisher : University of Chicago Press Page : 432 pages File Size : 53,6 Mb Release : 2007-06 Category : Art ISBN : 9780226316062
No Caption Needed by Robert Hariman,John Louis Lucaites Pdf
A gaunt woman stares into the bleakness of the Great Depression. An exuberant sailor plants a kiss on a nurse in the heart of Times Square. A naked Vietnamese girl runs in terror from a napalm attack. An unarmed man stops a tank in Tiananmen Square. These and a handful of other photographs have become icons of public culture: widely recognized, historically significant, emotionally resonant images that are used repeatedly to negotiate civic identity. But why are these images so powerful? How do they remain meaningful across generations? What do they expose--and what goes unsaid? InNo Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. As these iconic images are reproduced and refashioned by governments, commercial advertisers, journalists, grassroots advocates, bloggers, and artists, their alterations throw key features of political experience into sharp relief. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and a crucial resource for critical reflection. Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society.No Caption Neededis a compelling demonstration of photojournalism's vital contribution to public life.
China Witness is the personal testimony of a generation whose stories have not yet been told. Here the grandparents and great-grandparents of today sum up in their own words - for the first and perhaps the last time - the vast changes that have overtaken China's people over a century. The book is at once a journey by the author through time and place, and a memorial to those who have lived through war and civil war, persecution, invasion, revolution, famine, modernization, Westernization - and have survived into the 21st century. We meet everyday heroes, now in their seventies, eighties and nineties, from across this vast country - a herb woman at a market, retired teachers, a legendary 'double-gun woman', Red Guards, oil pioneers, an acrobat, a female general, a lantern maker, taxi drivers, and more- those whose voices, as Xinran says, 'will help our future understand our past'.
Performing the Socialist State by Xiaomei Chen Pdf
Performing the Socialist State offers an innovative account of the origins, evolution, and legacies of key trends in twentieth-century Chinese theater. Instead of seeing the Republican, high socialist, and postsocialist periods as radically distinct, it identifies key continuities in theatrical practices and shared aspirations for the social role and artistic achievements of performance across eras. Xiaomei Chen focuses on the long and remarkable careers of three founders of modern Chinese theater and film, Tian Han, Hong Shen, and Ouyang Yuqian, and their legacy, which helped shape theater cultures into the twenty-first century. They introduced Western plays and theories, adapted traditional Chinese operas, and helped develop a tradition of leftist theater in the Republican period that paved the way for the construction of a socialist canon after 1949. Chen investigates how their visions for a free, democratic China fared in the initial years after the founding of the People’s Republic, briefly thriving only to founder as artists had to adapt to the Communist Party’s demand to produce ideologically correct works. Bridging the faith play and “antiparty plays” of the 1950s, the “red classics” of the 1960s, and their reincarnations in the postsocialist period, she considers the transformations of the depictions of women, peasants, soldiers, scientists, and revolutionary history in plays, operas, and films and examines how the market economy, collective memories, star culture, social networks, and state sponsorship affected dramatic productions. Countering the view that state interference stifles artistic imagination, Chen argues that theater professionals have skillfully navigated shifting ruling ideologies to create works that are politically acceptable yet aesthetically ingenious. Emphasizing the power, dynamics, and complexities of Chinese performance cultures, Performing the Socialist State has implications spanning global theater, comparative literature, political and social histories, and Chinese cultural studies.
The Oxford Handbook of Modern Chinese Literatures by Carlos Rojas,Andrea Bachner Pdf
With over forty original essays, The Oxford Handbook of Modern Chinese Literatures offers an in-depth engagement with the current analytical methodologies and critical practices that are shaping the field in the twenty-first century. Divided into three sections--Structure, Taxonomy, and Methodology--the volume carefully moves across approaches, genres, and forms to address a rich range topics that include popular culture in Late Qing China, Zhang Guangyu's Journey to the West in Cartoons, writings of Southeast Asian migrants in Taiwan, the Chinese Anglophone Novel, and depictions of HIV/AIDS in Chu T'ien-wen's Notes of a Desolate Man.
This forward-thinking collection brings together over sixty essays that invoke images to summon, interpret, and argue with visual studies and its neighboring fields such as art history, media studies, visual anthropology, critical theory, cultural studies, and aesthetics. The product of a multi-year collaboration between graduate students from around the world, spearheaded by James Elkins, this one-of-a-kind anthology is a truly international, interdisciplinary point of entry into cutting-edge visual studies research. The book is fluid in relation to disciplines; it is frequently inventive in relation to guiding theories; it is unpredictable in its allegiance and interest in the past of the discipline--reflecting the ongoing growth of visual studies.
From the universally admired, National Book Award-winning, bestselling author of Waiting—a timely novel that follows a famous Chinese singer severed from his country, as he works to find his way in the United States At the end of a U.S. tour with his state-supported choir, popular singer Yao Tian takes a private gig in New York to pick up some extra cash for his daughter’s tuition fund, but the consequences of his choice spiral out of control. On his return to China, Tian is informed that the sponsors of the event were supporters of Taiwan’s secession, and that he must deliver a formal self-criticism. When he is asked to forfeit his passport to his employer, Tian impulsively decides instead to return to New York to protest the government’s threat to his artistic integrity. With the help of his old friend Yabin, Tian’s career begins to flourish in the United States. But he is soon placed on a Chinese government blacklist and thwarted by the state at every turn, and it becomes increasingly clear that he may never return to China unless he denounces the freedoms that have made his new life possible. Tian nevertheless insists on his identity as a performer, refusing to give up his art. Moving, important, and strikingly relevant to our times, A Song Everlasting is a story of hope in the face of hardship from one of our most celebrated authors.
Champion of Chinese classics and the growth of the Chinese poetic tradition, Song Lin is one of China’s most innovative poets. When the Tiananmen protest exploded in Beijing in June 1989, Song led student demonstrations in Shanghai and was imprisoned for almost a year before leaving China soon afterwards. This selection of poems, made by the translator Dong Li and the poet himself, spans four decades of poetic exploration, with a focus on poems written during the poet’s long stay in France, Singapore, Argentina, and more recently, his return to China. As a result of his wanderings, Song Lin may be thought of as an international poet, open to an unusual extent to influences – though informed by the classics and a thorough study of the Chinese language, his poetry weaves through American, French, and Latin-American traditions. His influences are the modernists, the surrealists, the romantics, the deep imagists and the objectivists—but what distinguishes Song is his ability to absorb them all, and make them his own. From the experience of displacement and exile, his poetry continues to open and expand its horizons.
Wanted Undead or Alive: by Jonathan Maberry,Janice Gable Bashman Pdf
Discover the nature of Evil. . . and how to kick its butt! These days you can't swing an undead lycanthrope without hitting a Minion of Evil. They're everywhere--TV, film, the basement. . .right behind you! It's never been more important to know what you can do to keep them at bay. Garlic? silver bullets? holy water? torch-wielding mob? From today's foremost experts on nightmares-come-to-life, this indispensible guide identifies and describes mankind's enemies--supernatural beasts, ghosts, vampires, serial killers, etc.--and unearths effective time-proven responses to each horrific threat. • Separate fact from fiction, the deadly from the merely creepy. • Learn when to stand your ground and when to run screaming for your life. • Determine which monster-specific heroes to call and their likelihood of success. • Consider your own potential as a Champion for Good, Conqueror of the Damned. Whether we're talking ancient vampire hunters or modern-day FBI profilers, it's good to know someone's got your back in the eternal struggle between Good and Evil. And this book, with over fifty illustrations, as well as commentary from luminaries like filmmaker John Carpenter, author Peter Straub, and the legendary Stan Lee, provides all the information and reassurance you need to sleep soundly at night. Just not too soundly. With 8 pages of color art
"We want neither gods nor emperors", went the words from the Chinese version of The Internationale. Students sang the old socialist song as they gathered in Beijing's Tiananmen Square in the Spring of 1989. Craig Calhoun, a sociologist who witnessed the monumental event, offers a vivid, carefully crafted analysis of the student movement, its complex leadership, its eventual suppression, and its continuing legacy.
Carried by a donkey during the People’s Liberation Army’s triumphant march to Beijing in 1948-49, a newborn at the birth of New China. Spent her formative years in an idyllic showcase boarding kindergarten, sometimes sitting on the lap of frequent visitor Ho Chi Minh. Daughter of a cabinet minister and member of the communist elite, she saw up-close the power struggles as the turbulent years unfolded: purges, the Great Leap Forward, the Cultural Revolution, and reform attempts. Marched with Che Guevara through Tiananmen Square while in middle school. Faced a crowd of thousands calling her names during the Cultural Revolution. She was forced to watch her mother being tortured by Red Guards. Treated ailing villagers as a barefoot doctor in a commune. Swam across the Yangtze with a rifle on her back when she was a soldier in the People’s Liberation Army. Defied the commissars by folk-dancing in England when she was a government exchange student and under tight control. Trekked the roof of the world in Tibet and Nepal as a tour guide, and savored a high-altitude romance with her mountaineering French lover. Interpreted for Chinese delegations in UN and private meetings with George H. W. Bush, Ronald Reagan, Ferdinand Marcos, and Pope John Paul II. Entered UC Berkeley and earned a master’s and a Ph.D. in comparative legal studies. Saw her dreams for China dashed as students in Tiananmen Square fell under gunfire in June 1989. She refused to back down when the Chinese consulate confiscated her passport for her pro-democracy activities, and stood up to a false accusation that she was a double agent. Survived a vicious frame-up and million-dollar lawsuit. She seized opportunity from adversity and founded Human Harmony ADR, the Bay Area’s first Chinese-English bilingual mediation service. Endured abortion, miscarriage, and acquaintance rape. She raised two good sons as a single mother. Her memoir intertwines intimate personal experience with major events in modern China. Unflagging in her idealism, she never stopped searching for something new to believe in after Mao. Politically active, spiritually grounded, and enjoying soul-satisfying relationships, Sonia Song now lives in Marin County, California and continues to pursue her dream of being a bridge between East and West, China and America. She offers this memoir to her hometown at the time of the Olympics in Beijing. Donkey Baby is her story.
Beijing is a city of opportunity and danger when cancer specialist Wally Frith arrives there from Sydney. Chance encounters have life-changing consequences. As the doctor's journey spirals back into his own family story, memories and ghosts shadow the seductions of the present.
The son of a celebrated Hollywood director emerges from his father's shadow to claim his own place as a visionary force in American culture. George Stevens, Jr. tells an intimate and moving tale of his relationship with his Oscar-winning father and his own distinguished career in Hollywood and Washington. Fascinating people, priceless stories and a behind-the-scenes view of some of America's major cultural and political events grace this riveting memoir. George Stevens, Jr. grew up in Hollywood and worked on film classics with his father and writes vividly of his experience on the sets of A Place in the Sun (1951), Shane (1953), Giant (1956) and The Diary of Anne Frank (1958). He explores how the magnitude of his father's talent and achievements left him questioning his own creative path. The younger Stevens began to forge his unique career when legendary broadcaster Edward R. Murrow recruited him to elevate the Motion Picture Service at the United States Information Agency in John F. Kennedy's Washington. Stevens' trailblazing efforts initiated what has been called the "golden era" of USIA filmmaking and a call to respect motion pictures as art. His appointment as founding director of the American Film Institute in 1967 placed him at the forefront of culture and politics, safeguarding thousands of endangered films and training a new generation of filmmakers. Stevens' commitment to America's cultural heritage led to envisioning the prestigious Kennedy Center Honors and propelled a creative life of award-winning films and television programs that heightened attention to social justice, artistic achievement, and the American experience. Stevens provides a rare look at a pioneering American family spanning five generations in entertainment: from the San Francisco stage in the 19th century to silent screen comedies, Academy Award-winning films, Emmy Award-winning television programs and a Broadway play in the 21st century. He reveals the private side of the dazzling array of American presidents, first ladies, media moguls, and luminaries who cross his path, including Elizabeth Taylor, Sidney Poitier, the Kennedys, Yo-Yo Ma, Cary Grant, James Dean, Bruce Springsteen, Barack and Michelle Obama, and many more. In My Place in the Sun, George Stevens, Jr. shares his lifelong passion for advancing the art of American film, enlightening audiences, and shining a spotlight on notable figures who inspire us. He provides an insightful look at Hollywood's Golden Age and an insider's account of Washington spanning six decades, bringing to life a sparkling era of American history and culture.