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A widely-accepted explanation for India’s national unity is a narrative called the bhakti movement—poet-saints singing bhakti from India’s southern tip to the Himalayas between 600 and 1600. John Hawley shows that this narrative, with its political overtones, was created by the early-twentieth-century circle around Rabindranath Tagore in Bengal.
A wonderful collection of poetry, written by Indian poet and activist Sarojini Naidu, connected through the single theme of India. Highly recommended for poetry loves with an interest in the subcontinent. Contents include: “Palanquin Bearers”, “Indian Weavers”, “Coromandel Fishers”, “The Snake-Charmer”, “Village-Song”, “In Praise Of Henna”, “Harvest Hymn”, “Indian Love-Song”, “Cradle-Song”, “Alabaster”, etc. Sarojini Naidu (1879–1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Other notable works by this author include: “The Bird of Time: Songs of Life, Death & the Spring” (1912), “The Broken Wing - Songs of Love, Death & Destiny" (1917), and “Muhammad Jinnah: An Ambassador of Unity” (1919). Read & Co. is publishing this brand new poetry collection complete with an introduction by Edmund Gosse.
The Sacred Songs Of India Volume Ten, The Concluding Volume, In The Ten Volume Series Compendium Of Devotional Lyrics Of The Mystic Poet-Saint-Musicians Of India Comprises Selections From The Following:Ilango Adikal, The Famed Author Of Silappadikaram, Who Probably Lived In The 2Nd Century A. D., Ramanuja, The Vaishnavite Saint Who Lived In The 11Th Century A. D. , And Preached The Devotional Philosophy Of Visishta Advaita, Prativadi Bhayankara Acharya, The Little Known Author Of The Famous Prayer, Venkatesa Suprabhatam, Recited Daily At The Tirupati Temple, Tunjat Echuttacchan, The Well-Known Poet Saint Of Kerala, Who Wrote The Adyatma Ramayana, Tayumanavar, The Saivite Saint Who Lived In The 18Th Century, As Also Arunachala Kavi Rayar, The Composer Of The Tamil Opera Rama Nataka Kirtanas, Who Also Lived In The 18Th Century, Muthu Tandavar, The Saivite Saint, One Of The Tamil Trinity, Also Of The 18Th Century, Ramalinga Swamigal, Also Known As Vallalar, The Mystic Social Reformer Who Worshipped God As Effulgent Light And Preached Universal Compassion, Who Lived In The 19Th Century, Nilakantha Sivan Mystic Music Composer From Kerala, Who Also Lived In The 19Th Century And Mysore Vasudevachar From Karnataka, Of The 20Th Century, Whose Mellifluous Devotional Musical Compositions Made Rabindranath Tagore Confer The Title Sangita Kala Kovida On Him.Like The Previous Volumes, This Concluding Volume Will Prove An Invaluable Repertoire For All Artistes In The Fields Of Music, Dance, Drama And Ballet.
The Sceptred Flute Songs of India - The Golden Threshold, The Bird of Time & The Broken Wing by Sarojini Naidu,Mary C. Sturgeon Pdf
First published in 1943, “The Sceptred Flute Songs of India” contains the complete poetical works of Indian poet and activist Sarojini Naidu (1879–1949). Naidu (1879–1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Contents include: “The Golden Threshold”, “Folk Songs”, “Songs for Music”, “Poems”, “The Bird of Time”, “Songs of Love and Death”, “Songs of the Springtime”, “Indian Folk-songs to Indian Tunes”, “Songs of Life”, etc. A fantastic collection not to be missed by fans of Naidu's seminal work. Other notable works by this author include: “Songs of Nature” and “Muhammad Jinnah: An Ambassador of Unity” (1919). This classic work is being republished now in a new edition complete with an introductory chapter from 'Studies of Contemporary Poets' by Mary C. Sturgeon.
The Sacred Songs Of India Vol. Vii: Hymns To Ganesa, The Darling Deity Makes A Slight Departure From The Predecessor Volumes.Sacred Songs Of India Volume One Contained Songs Of Mystics Intoxicated With God In The Form Of Krishana Or Rama.The Songs On Ganesa Included In This Volume Span Over Twenty Centuries: From Vedic Period To The Twentieth Century.The Song S Presented In This Volume Are A Veritable Ocean Of Devotion Centred On The Beloved Image Of God Ganesa.Sacred Songs Of India. Vol. Vii, Like Its Predecessor Volumes Will Be A Limitless Repertoire For All Artistes In Music, Drama And Ballet.
Songs of the Saints of India by John Stratton Hawley Pdf
In this volume the authors present the life stories and works of Ravidas, Kabir, Nanak, Surdas, Mirabai, and Tulsidas - six well-known 'saint-poets' of northern India who have contributed more to the religious vocabulary of Hinduism in the region today than any voices before or since.
Music in North India provides a representative overview of this music, discussing rhythm and drumming traditions, song composition and performance styles, and melodic and rhythmic instruments. Drawing on his experience as a sarod player, vocalist, and music teacher, author George Ruckert incorporates numerous musical exercises to demonstrate important concepts. The book ranges from the chants of the ancient Vedas to modern devotional singing and from the serious and meditative rendering of raga to the concert-hall excitement of the modern sitar, sarod, and tabla. It is framed around three major topics: the devotional component of North Indian music, the idea of fixity and spontaneity in the various styles of Indian music, and the importance of the verbal syllable to the expression of the musical aesthetic in North India.
Four, Like Its Predecessor Volumes One, Two And Three, Encompasses Selections From The Lifework Of Ten Mystic Poet-Saints Of India. The Mystic Poet-Sages Include'D In This R Volume Lived Between The 8Th And 20Th C Centuries And Came From Such Diverse Regions Of India.Jike Kashmir, Kerala, Bengal, Tamil Nadu, Karnataka, Maharashtra, Punjab And Andhra Pradesh. They Are: Sundarar (Also Known As Sundara- Murthy), One Of The Great Nayanmars, Nammalular, The Doyen Of Alwars, Basavanna, The Founder Of Veerasaivism-A Movement Pledged To An Egalitarian Society Devoted To God, Ijad Ded Or Ijalla Yogeswari, The Kashmiri Saivite Yogin, Bihva Mangal Immortalised By His Poem Krishnakarnamritam, Chandidas, The Vaishn Vite Rebel Of Bengal Who Spear- Headed The Sahaja Movement Ofbhakti, Guru Nanak, The Founder Of Sikhism, A'Knath, The Maharcishtra Saint, Kshetrajna, The Telugu Composer Whose Sensual Images Sought To Seek Spiriulal Uplift And Suddhananda Bharati, Th~ Mystic Yogi, Who Poured Out His Heart- Felt Love For God In Mellifluous Poetry. The Sang In Different Languages: Kashmiri, Kannada, Sanskrit, Punja Bi, Telugu, Marathi, Bmgali And Tamil But All Of Them Sang Of The Glory Of God, With Whom Each Had An Intimate, Spiritual Communion. This Precious Spiritual Legacy Bequeathed By The Mystics Of India Will Be A Perennial Source Of Inspiration For All Scholars Of Indology And A Limitless Repertoire For All Artistes In The Fields Of Music, Dance, Drama And Ballet.
Author : Lewis Rowell Publisher : University of Chicago Press Page : 428 pages File Size : 46,7 Mb Release : 2015-12-25 Category : History ISBN : 9780226730349
Music and Musical Thought in Early India by Lewis Rowell Pdf
Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.
Like many other small towns in Trinidad, Felicity is populated almost entirely by East Indians. In their Caribbean exile, the residents of Felicity have created and recreated the music of their Hindu ancestors. Music of Hindu Trinidad is a fascinating account of the history and cultural significance of Hindu music that explores its symbolic, aesthetic, and psychological aspects while asking the larger question of how this music has contributed to the formation of identity in the midst of their great diaspora. Myers details the musical repertory of Felicity, which is based largely on north Indian genres including the traditional Bhojpuri folk songs and drumming styles brought by the first indentured laborers in 1845. In her engaging exploration of the fate of Indian classical music and new popular styles such as Hindi calypso, soca, and chutney, she even finds herself at the ancestral home of Trinidadian V. S. Naipaul in India. Copiously illustrated and accompanied by a compact disk, Music of Hindu Trinidad is a model ethnographic study.
Music in Contemporary Indian Film by Jayson Beaster-Jones,Natalie Sarrazin Pdf
Music in Contemporary Indian Film: Memory, Voice, Identity provides a rich and detailed look into the unique dimensions of music in Indian film. Music is at the center of Indian cinema, and India’s film music industry has a far-reaching impact on popular, folk, and classical music across the subcontinent and the South Asian diaspora. In twelve essays written by an international array of scholars, this book explores the social, cultural, and musical aspects of the industry, including both the traditional center of "Bollywood" and regional film-making. Concentrating on films and songs created in contemporary, post-liberalization India, this book will appeal to classes in film studies, media studies, and world music, as well as all fans of Indian films.