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Ada and Harriet don't know what to expect when they meet their new guardian, Mr. Wolfson. Here is a strangely magnetic, darkly amusing man confined to a wheelchair and flanked by a pair of fierce, dangerous dogs—an enigmatic benefactor, at once welcoming and intimidating. Even more unsettling to the girls are Wolfson's two sons, Julian and Francis. One of them is warm and good-natured, the other is pure malevolence. But young Harriet is about to discover a frightening truth: that evil runs rampant throughout their mysterious new home, Abbey Manor, and the surrounding moors—especially when the moon comes out . . .
On the battlefield, Wulfhere fights for his life but elsewhere the enemy is closer to home, sinister and shadowy and far more dangerous than any war. 1054, pious King Edward sits on the throne, spending his days hunting, sleeping and praying, leaving the security of his kingdom to his more capable brother-in-law Harold Godwinson, the powerful Earl of Wessex. Against this backdrop we meet Wulfhere, a Sussex thegn who, as the sun sets over the wild forest of Andredesweald, is returning home victoriously from a great battle in the north. Holding his lands directly from the King, his position demands loyalty to Edward himself, but Wulfhere is duty-bound to also serve Harold, a bond forged within Wulfhere's family heritage and borne of the ancient Teutonic ideology of honour and loyalty. Wulfhere is a man with the strength and courage of a bear, a warrior whose loyalty to his lord and king is unquestionable. He is also a man who holds his family dear and would do anything to protect them. So when Harold demands that he wed his daughter to the son of Helghi, his sworn enemy, Wulfhere has to find a way to save his daughter from a life of certain misery in the household of the cruel and resentful Helghi without compromising his honour and loyalty to his lord, Harold. Sons of the Wolf is a panoramic snapshot of medieval life and politics as the events that lead to the downfall of Anglo Saxon England play out, immersing the reader in the tapestry of life as it was before the Doomsday Book. With depictions of everyday life experienced through the minds of the peoples of the time; of feasts in the Great Halls to battles fought in the countryside, it cannot help but enlighten, educate and entertain.
‘Scruff’ McKenzie is a gold prospector and a practical man. If he wants a thing, he usually gets it. But when McKenzie lays his eyes on Zarinska, the daughter of the local indigenous chief, he might not get what he wants – as the Tanana tribe’s shaman is full of white men stealing their women. 'The Son of the Wolf' is a short story by Jack London. The story takes place in Yukon, Canada. Jack London (1876–1916) was an American writer and social activist. He grew up in the working class, but became a worldwide celebrity and one of the highest paid authors of his time. He wrote several novels, which are considered classics today, among these 'Call of the Wild', 'Sea Wolf' and 'White Fang'.
NYPD homicide detective Trina Baskin is having nightmares. Vivid ones. Full of blood, and snow, dead wolves...and a young man with pale hair who howls like an animal. She chalks them up to stress and an overactive imagination, too many Old Country stories from her Russian father who, when he's had too much vodka, starts to rave about dark forces and things that look like men...but aren't. But then a case hits her desk that can't be explained. A young man found outside a club with a nasty bite mark on his neck - and not a drop of blood left in his body. With no leads, no theories that bear exploring, too little sleep, and a partner who seems to be willfully throwing his career down the toilet, the last thing Trina needs is a full-on out of body experience...in which her family's past is revealed to her, and everything starts making a whole lot of terrifying sense. In 1942, Trina's great-grandfather, Nikita, is a captain of the Cheka, the Soviet political police - or so it seems. He and his men are sent to Siberia to retrieve a "volunteer," the boy who's going to win the war against the Nazis - and potentially unleash hell on earth. The world's immortal population has been living quietly, secretly, hiding from the wars of men, hoping the past can stay buried. But what happens on the Eastern Front in the winter of 1942 will change everything. In 2017, Trina is about to come face-to-face with her own past in a way she never thought possible. It turns out monsters are real - and they might be the only hope for survival.
Few names of the American frontier resonate like that of George Armstrong Custer. His fiery temperament and grand vision led him to triumph in one season and tragedy in another. Now best-selling chronicler Terry C. Johnston beings to life the Custer legacy as never before in a masterful new trilogy . . . . For a youth of the Cheyenne in the years between Little Big horn and Wounded Knee, life was brutal and dangerous. For Yellow Bird, who saw his father, George Custer, die on a blood-soaked field in 1876, survival is especially difficult, for--despite his own white heritage--he must live in the Cheyenne world. And so he grew to manhood, bound to his father by their warrior's spirit, preparing to fight for his home, his wife, and his own son.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This irresistible book is about: a father; his five-year-old son, Michael (intelligent, crafty, addicted to stories); Michael’s best friend Stefan (stalwart listener, equally addicted to stories); and, well—what else?—a story. Oh, and a wolf. It is as Michael always demands: a Wolf Story, which begins one night at bedtime and spins wildly on through subsequent bedtimes and Sunday outings to the beach and park in a succession of ever more trickily tantalizing episodes. Waldo the wolf is sneaking up on Rainbow the hen, when Jimmy Tractorwheel, the son of the local farmer, comes along. After that, there’s no knowing what will happen next, as while stalled in traffic jams or nodding off at night, the boys chime in and the story races on and Waldo finds, if not necessarily dinner, his just desserts. First published in 1947 and wonderfully illustrated by Warren Chappell, William McCleery’s Wolf Story is a delicious treat for fathers and sons and daughters and mothers alike.
Hunters found his body naked in the snow. So begins this breakout book from Stephen Marche, whose last work of fiction was described by the New York Times Book Review as “maybe the most exciting mash-up of literary genres since David Mitchell’s Cloud Atlas.” The body in the snow is that of Ben Wylie, the heir to America’s second-wealthiest business dynasty, and it is found in a remote patch of northern Canada. Far away, in post-crash New York, Jamie Cabot, the son of the Wylie family’s housekeepers, must figure out how and why Ben died. He knows the answer lies in the tortured history of the Wylie family, who over three generations built up their massive holdings into several billion dollars’ worth of real estate, oil, and information systems despite a terrible family secret they must keep from the world. The threads of the Wylie men’s destinies, both financial and supernatural, lead twistingly but inevitably to the naked body in the snow and a final, chilling revelation. The Hunger of the Wolf is a novel about what it means to be a man in the world of money. It is a story of fathers and sons, about secrets that are kept within families, and about the cost of the tension between the public face and the private soul. Spanning from the mills of Depression-era Pittsburgh to the Swinging London of the 1960s, from desolate Alberta to the factories of present-day China, here is a bold and breathtakingly ambitious work of fiction that uses the story of a single family to capture the way we live now: an epic, genre-busting tale of money, morality, and the American Dream.
'Sons of the Wolf' and 'Children of the Mist' were names given to the Gregarach or Clan Gregor after they were driven from their ancestral glens and forced to live as 'broken men' or outlaws. In sixteenth century Scotland, clans held their lands more by power of sword than by written title, but in the latter half of the century the pattern of ownership began to change. The powerful and fiercely ambitious Clan Campbell embarked on a period of acquisitive expansion. Ronald Williams tells the story of their ruthless and systematic harrying of the MacGregors in all its cruel and bitter detail. This was no less than the intended extermination of an entire clan.
