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Sor Juana and Other Plays by Estela Portillo Trambley Pdf
These plays explore different facets of the human experience: the dilemma of the mojado, human vulnerabilities in the search for a way to overcome death, the alienation of the Hispanic family amidst economic hardships and personal crises, and the existential conflicts of Mexico's most celebrated feminist thinker, Sor Juana Ines de la Cruz.
The Three Secular Plays of Sor Juana Inés de la Cruz by Guillermo Schmidhuber Pdf
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest of Mexican women writers. She was an intellectual prodigy, reportedly mastering Latin in twenty lessons, and at sixteen she entered a convent so that she might continue her learning. One of the most influential early feminists in the New World, she answered a bishop's criticism in a letter that has become a classic defense of the education of women. She collected a private library of 4,000 volumes, but when she was told that her studies were delaying the progress of her spiritual education, she gave away her books and devoted herself to religious studies. Traditionally, scholars have attributed only one complete play to Sor Juana, but in 1989 Guillermo Schmidhuber discovered a lost play, The Second Celestina, which he proved conclusively to be Sor Juana's earliest comedia, co-authored with Agustin Salazar y Torres. Schmidhuber's critical study is the first dedicated exclusively to the secular plays and the first to confirm Sor Juana's authorship of three dramatic pieces. Combining literary history and criticism, Schmidhuber explores the life and originality of Sor Juana's dramas and helps elucidate her enigmatic genius. Though Sor Juana's work as a poet and intellectual has received increasing attention in the last decade, writing about her has rarely taken into account her role as dramatist. Schmidhuber helps correct this critical imbalance by examining Sor Juana's plays in light of dramatic theory. He finds elements of both mannerist and baroque theater in her work, sometimes both within the same play.
A Sor Juana Anthology by Sister Juana Inés de la Cruz Pdf
Juana Inés de la Cruz was acclaimed in her time as the "Phoenix of Mexico", America's tenth muse; a generation later she was forgotten. Rediscovered 300 years later, her works were reissued and she is now considered one of the finest Hispanic poets of the seventeenth century. Her works speak directly to our concern for the freedom of women to realize themselves artistically and intellectually. This anthology contains a selection of her poems.
The House of Trials by Sister Juana Inés de la Cruz Pdf
In addition to the award-winning translation, the book contains essays discussing Sor Juana's life, the original production of the play, the unique use of asides, and various feminist interpretations of The House of Trials.
Margaret Sayers Peden, who is well known and respected for her translations of Fuentes, Neruda, Quiroga, and Paz, has made an admirable selection of poems that includes romances, redondillas, epigrams, decimas, sonnets, silvas, villancicos, and two excerpts from Sor Juana's theater. The introduction and notes provide the necessary context for those unfamiliar with the poet's life and times.
The Three Secular Plays of Sor Juana Inés de la Cruz by Guillermo Schmidhuber Pdf
Sor Juana Inés de la Cruz (1648-1695) wrote poetry, prose, and plays and is considered the greatest of Mexican women writers. She was an intellectual prodigy, reportedly mastering Latin in twenty lessons, and at sixteen she entered a convent so that she might continue her learning. One of the most influential early feminists in the New World, she answered a bishop's criticism in a letter that has become a classic defense of the education of women. She collected a private library of 4,000 volumes, but when she was told that her studies were delaying the progress of her spiritual education, she gave away her books and devoted herself to religious studies. Traditionally, scholars have attributed only one complete play to Sor Juana, but in 1989 Guillermo Schmidhuber discovered a lost play, The Second Celestina, which he proved conclusively to be Sor Juana's earliest comedia, co-authored with Agustin Salazar y Torres. Schmidhuber's critical study is the first dedicated exclusively to the secular plays and the first to confirm Sor Juana's authorship of three dramatic pieces. Combining literary history and criticism, Schmidhuber explores the life and originality of Sor Juana's dramas and helps elucidate her enigmatic genius. Though Sor Juana's work as a poet and intellectual has received increasing attention in the last decade, writing about her has rarely taken into account her role as dramatist. Schmidhuber helps correct this critical imbalance by examining Sor Juana's plays in light of dramatic theory. He finds elements of both mannerist and baroque theater in her work, sometimes both within the same play.
Sor Juana Inés de la Cruz and the Gender Politics of Knowledge in Colonial Mexico by Stephanie Kirk Pdf
Each of the book's five chapters evokes a colonial Mexican cultural and intellectual sphere: the library, anatomy and medicine, spirituality, classical learning, and publishing and printing. Using an array of literary texts and historical documents and alongside secondary historical and critical materials, the author Stephanie Kirk demonstrates how Sor Juana used her poetry and other works to inscribe herself within the discourses associated with these cultural institutions and discursive spheres and thus challenge the male exclusivity of their precepts and precincts. Kirk illustrates how Sor Juana subverted the masculine character of erudition, writing herself into an all-male community of scholars. From there, Sor Juana clearly questions the gender politics at play in her exclusion, and undermines what seems to be the inextricable link previously forged between masculinity and institutional knowledge. Sor Juana Inés de la Cruz and the Gender Politics of Knowledge in Colonial Mexico opens up new readings of her texts through the lens of cultural and intellectual history and material culture in order to shed light on the production of knowledge in the seventeenth-century colonial Mexican society of which she was both a product and an anomaly.
Sor Juana Inés de la Cruz: Selected Works by Juana Inés de la Cruz Pdf
Latin America's great poet rendered into English by the world's most celebrated translator of Spanish-language literature. Sor Juana (1651–1695) was a fiery feminist and a woman ahead of her time. Like Simone de Beauvoir, she was very much a public intellectual. Her contemporaries called her "the Tenth Muse" and "the Phoenix of Mexico," names that continue to resonate. An illegitimate child, self-taught intellectual, and court favorite, she rose to the height of fame as a writer in Mexico City during the Spanish Golden Age. This volume includes Sor Juana's best-known works: "First Dream," her longest poem and the one that showcases her prodigious intellect and range, and "Response of the Poet to the Very Eminent Sor Filotea de la Cruz," her epistolary feminist defense—evocative of Mary Wollstonecraft and Emily Dickinson—of a woman's right to study and to write. Thirty other works—playful ballads, extraordinary sonnets, intimate poems of love, and a selection from an allegorical play with a distinctive New World flavor—are also included.
"From a very young age, Juana Inés loved words. When she was three years old, she followed her sister to school and begged the teacher to let her stay so she could learn how to read. Juana enjoyed poring over books and was soon making up her own stories, songs, and poems. Juana wanted to become a scholar, but career options for women were limited at this time. She decided to become a nun--Sor Juana Inés de la Cruz--in order to spend her life in solitude reading and writing. Though she died in 1695, Sor Juana Inés is still considered one of the most brilliant writers in Mexico's history: her poetry is recited by schoolchildren throughout Mexico and is studied at schools and universities around the world"--
Gale Group Inc. of the Thomson Corporation presents a biographical sketch of Mexican nun and poet Juana Ines de la Cruz (1651-1695). The sketch highlights Cruz's early life and writings. A list of her poems, essays, plays, and other works is provided.
Sor Juana Inés de la Cruz (CWS) by Juana Inés de la Cruz (sor) Pdf
The interest in Mexican Hieronimite nun, Sor Juana Ines de la Cruz (1648-1695) is reaching extraordinary new levels. She has been the subject of plays, a feature film, scholarly conferences, books and articles. Nobel Laureate, poet Octavio Paz, has called her one of the great poets of the Spanish language and considers her Response to Sor Philotea de la Cruz to be the first intellectual autobiography in the Hispanic world. At her death in 1695, Sor Juana was an internationally-known poet, dramatist and religious writer. Today, she is still considered an exceptional lyric poet and one of the great writers of Spain's siglo de oro, its Golden Age of drama. Included here are: religious songs and devotional poetry; Sor Juana's sacramental drama and preface play, Divine Narcissus; two devotional works (first English translation), Devotional Exercises for the Feast of the Incarnation and Offerings for the Sorrows of Our Lady; a theological disputation, Critique of a Sermon/Athenagoric Letter and her autobiographical Response to Sor Philotea de la Cruz. Sor Juana Ines de la Cruz: Selected Religious Works in the Classics of Western Spirituality Series is essential reading for those interested in great literary figures, religious studies and women's history.
The Routledge Research Companion to the Works of Sor Juana Inés de la Cruz by Emilie L. Bergmann,Stacey Schlau Pdf
Called by her contemporaries the "Tenth Muse," Sor Juana Inés de la Cruz (1648–1695) has continued to stir both popular and scholarly imaginations. While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women’s and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field.
Encyclopedia of Latin American Theater by Eladio Cortes,Mirta Barrea-Marlys Pdf
Latin American culture has given birth to numerous dramatic works, though it has often been difficult to locate information about these plays and playwrights. This volume traces the history of Latin American theater, including the Nuyorican and Chicano theaters of the United States, and surveys its history from the pre-Columbian period to the present. Sections cover individual Latin American countries. Each section features alphabetically arranged entries for playwrights, independent theaters, and cultural movements. The volume begins with an overview of the development of theater in Latin America. Each of the country sections begins with an introductory survey and concludes with copious bibliographical information. The entries for playwrights provide factual information about the dramatist's life and works and place the author within the larger context of international literature. Each entry closes with a list of works by and about the playwright. A selected, general bibliography appears at the end of the volume.
In a comparative and interdisciplinary analysis of modern and postmodern literature, film, art, and visual culture, Monika Kaup examines the twentieth century's recovery of the baroque within a hemispheric framework embracing North America, Latin America, and U.S. Latino/a culture. As "neobaroque" comes to the forefront of New World studies, attention to transcultural dynamics is overturning the traditional scholarship that confined the baroque to a specific period, class, and ideology in the seventeenth century. Reflecting on the rich, nonlinear genealogy of baroque expression, Neobaroque in the Americas envisions the baroque as an anti-proprietary expression that brings together seemingly disparate writers and artists and contributes to the new studies in global modernity.
