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Author : Martin Russ
Publisher : CRC Press
Page : 490 pages
File Size : 42,6 Mb
Release : 2012-11-12
Category : Technology & Engineering
ISBN : 9781136115103
Covers all the major sound synthesis and sampling techniques in an accessible style with detailed diagrams.
Author : Martin Russ
Publisher : Taylor & Francis
Page : 936 pages
File Size : 44,7 Mb
Release : 2012-08-21
Category : Technology & Engineering
ISBN : 9781136122132
Sound Synthesis and Sampling' provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This new edition has been updated throughout to reflect current needs and practices- revised and placed in a modern context, providing a guide to the theory of sound and sampling in the context of software and hardware that enables sound making. For the revised edition emphasis is on expanding explanations of software and computers, new sections include techniques for making sound physically, sections within analog and digital electronics. Martin Russ is well known and the book praised for its highly readable and non-mathematical approach making the subject accessible to readers starting out on computer music courses or those working in a studio.
Author : Martin Russ
Publisher : CRC Press
Page : 584 pages
File Size : 52,5 Mb
Release : 2012-08-21
Category : Technology & Engineering
ISBN : 9781136122149
Sound Synthesis and Sampling' provides a comprehensive introduction to the underlying principles and practical techniques applied to both commercial and research sound synthesizers. This new edition has been updated throughout to reflect current needs and practices- revised and placed in a modern context, providing a guide to the theory of sound and sampling in the context of software and hardware that enables sound making. For the revised edition emphasis is on expanding explanations of software and computers, new sections include techniques for making sound physically, sections within analog and digital electronics. Martin Russ is well known and the book praised for its highly readable and non-mathematical approach making the subject accessible to readers starting out on computer music courses or those working in a studio.
Author : Martin Russ,Francis Rumsey
Publisher : Unknown
Page : 473 pages
File Size : 49,6 Mb
Release : 2006
Category : Electronic
ISBN : OCLC:488537782
Author : Perry R. Cook
Publisher : CRC Press
Page : 263 pages
File Size : 48,7 Mb
Release : 2002-07-01
Category : Computers
ISBN : 9781498765466
Virtual environments such as games and animated and "real" movies require realistic sound effects that can be integrated by computer synthesis. The book emphasizes physical modeling of sound and focuses on real-world interactive sound effects. It is intended for game developers, graphics programmers, developers of virtual reality systems and traini
Author : Martin Russ
Publisher : Unknown
Page : 16 pages
File Size : 48,9 Mb
Release : 1999
Category : Technology & Engineering
ISBN : 0240514971
Based on the book, Sound synthesis and sampling, this CD-ROM features an interactive database of audio examples, the corresponding waveform and spectrum diagrams, text notes, and multiple choice questions.
Author : Dan Hosken
Publisher : Routledge
Page : 463 pages
File Size : 51,7 Mb
Release : 2012-03-15
Category : Music
ISBN : 9781136644344
Music Technology and the Project Studio: Synthesis and Sampling provides clear explanations of synthesis and sampling techniques and how to use them effectively and creatively. Starting with analog-style synthesis as a basic model, this textbook explores in detail how messages from a MIDI controller or sequencer are used to control elements of a synthesizer to create rich, dynamic sound. Since samplers and sample players are also common in today’s software, the book explores the details of sampling and the control of sampled instruments with MIDI messages. This book is not limited to any specific software and is general enough to apply to many different software instruments. Overviews of sound and digital audio provide students with a set of common concepts used throughout the text, and "Technically Speaking" sidebars offer detailed explanations of advanced technical concepts, preparing students for future studies in sound synthesis. Music Technology and the Project Studio: Synthesis and Sampling is an ideal follow-up to the author’s An Introduction to Music Technology, although each book can be used independently. The Companion Website includes: Audio examples demonstrating synthesis and sampling techniques Interactive software that allows the reader to experiment with various synthesis techniques Guides relating the material in the book to various software synthesizers and samplers Links to relevant resources, examples, and software
Author : Dan Hosken
Publisher : Routledge
Page : 273 pages
File Size : 42,5 Mb
Release : 2012-03-15
Category : Music
ISBN : 9781136644351
Music Technology and the Project Studio: Synthesis and Sampling provides clear explanations of synthesis and sampling techniques and how to use them effectively and creatively. Starting with analog-style synthesis as a basic model, this textbook explores in detail how messages from a MIDI controller or sequencer are used to control elements of a synthesizer to create rich, dynamic sound. Since samplers and sample players are also common in today’s software, the book explores the details of sampling and the control of sampled instruments with MIDI messages. This book is not limited to any specific software and is general enough to apply to many different software instruments. Overviews of sound and digital audio provide students with a set of common concepts used throughout the text, and "Technically Speaking" sidebars offer detailed explanations of advanced technical concepts, preparing students for future studies in sound synthesis. Music Technology and the Project Studio: Synthesis and Sampling is an ideal follow-up to the author’s An Introduction to Music Technology, although each book can be used independently. The Companion Website includes: Audio examples demonstrating synthesis and sampling techniques Interactive software that allows the reader to experiment with various synthesis techniques Guides relating the material in the book to various software synthesizers and samplers Links to relevant resources, examples, and software
Author : Simon Cann
Publisher : Simon Cann
Page : 289 pages
File Size : 47,9 Mb
Release : 2007
Category : Music
ISBN : 9780955495502
How To Make A Noise: a Comprehensive Guide to Synthesizer Programming is perhaps the most widely ready book about synthesizer sound programming. It is a comprehensive, practical guide to sound design and synthesizer programming techniques using: subtractive (analog) synthesis; frequency modulation synthesis (including phase modulation and ring modulation); additive synthesis; wave-sequencing; sample-based synthesis.
Author : Matthew T. Shelvock
Publisher : CRC Press
Page : 189 pages
File Size : 44,9 Mb
Release : 2020-02-18
Category : Social Science
ISBN : 9781351137089
Cloud-Based Music Production: Samples, Synthesis, and Hip-Hop presents a discussion on cloud-based music-making procedures and the musical competencies required to make hip-hop beats. By investigating how hip-hop producers make music using cloud-based music production libraries, this book reveals how those services impact music production en masse. Cloud-Based Music Production takes the reader through the creation of hip-hop beats from start to finish – from selecting samples and synthesizer presets to foundational mixing practices – and includes analysis and discussion of how various samples and synthesizers work together within an arrangement. Through case studies and online audio examples, Shelvock explains how music producers directly modify the sonic characteristics of hip-hop sounds to suit their tastes and elucidates the psychoacoustic and perceptual impact of these aesthetically nuanced music production tasks. Cloud-Based Music Production will be of interest to musicians, producers, mixers and engineers and also provides essential supplementary reading for music technology courses.
Author : Andrea Pejrolo,Scott B. Metcalfe
Publisher : Oxford University Press
Page : 353 pages
File Size : 51,8 Mb
Release : 2017
Category : Music
ISBN : 9780199921898
Creating Sounds from Scratch is a practical, in-depth resource on the most common forms of music synthesis. It includes historical context, an overview of concepts in sound and hearing, and practical training examples to help sound designers and electronic music producers effectively manipulate presets and create new sounds. The book covers the all of the main synthesis techniques including analog subtractive, FM, additive, physical modeling, wavetable, sample-based, and granular. While the book is grounded in theory, it relies on practical examples and contemporary production techniques show the reader how to utilize electronic sound design to maximize and improve his or her work. Creating Sounds from Scratch is ideal for all who work in sound creation, composition, editing, and contemporary commercial production.
Author : Stefan Bilbao
Publisher : John Wiley & Sons
Page : 456 pages
File Size : 49,6 Mb
Release : 2009-09-03
Category : Computers
ISBN : 0470749024
Digital sound synthesis has long been approached using standard digital filtering techniques. Newer synthesis strategies, however, make use of physical descriptions of musical instruments, and allow for much more realistic and complex sound production and thereby synthesis becomes a problem of simulation. This book has a special focus on time domain finite difference methods presented within an audio framework. It covers time series and difference operators, and basic tools for the construction and analysis of finite difference schemes, including frequency-domain and energy-based methods, with special attention paid to problems inherent to sound synthesis. Various basic lumped systems and excitation mechanisms are covered, followed by a look at the 1D wave equation, linear bar and string vibration, acoustic tube modelling, and linear membrane and plate vibration. Various advanced topics, such as the nonlinear vibration of strings and plates, are given an elaborate treatment. Key features: Includes a historical overview of digital sound synthesis techniques, highlighting the links between the various physical modelling methodologies. A pedagogical presentation containing over 150 problems and programming exercises, and numerous figures and diagrams, and code fragments in the MATLAB® programming language helps the reader with limited experience of numerical methods reach an understanding of this subject. Offers a complete treatment of all of the major families of musical instruments, including certain audio effects. Numerical Sound Synthesis is suitable for audio and software engineers, and researchers in digital audio, sound synthesis and more general musical acoustics. Graduate students in electrical engineering, mechanical engineering or computer science, working on the more technical side of digital audio and sound synthesis, will also find this book of interest.
Author : David Dvorin
Publisher : Peachpit Press
Page : 153 pages
File Size : 45,6 Mb
Release : 2016-04-25
Category : Computers
ISBN : 9780134541969
Introduced in Logic Pro 10.2, Alchemy joins the upper echelon of sound design tools offered by Logic Pro. Filling the gap between sampling and synthesis, Alchemy is uniquely positioned, providing Logic users with novel ways to create heretofore-unheard sounds and instruments. By combining such advanced sound generation technologies as granular, spectral, and additive synthesis, Alchemy allows you to manipulate audio to unprecedented levels. In Synthesis and Sound Design with Alchemy in Logic Pro X, you will gain familiarity with Alchemy by exploring the interface, sound engines, and control paradigms, which will give you an extraordinary vehicle for getting “inside” sound and making your own unique instruments. Includes: Authoritative explanations of the user interface and source elements Instructions show you how to mix multiple sources and use the Arpeggiator Lesson review questions to summarize what you learn
Author : James Beauchamp
Publisher : Springer Science & Business Media
Page : 328 pages
File Size : 43,6 Mb
Release : 2007-08-30
Category : Science
ISBN : 9780387325767
This book contains a complete and accurate mathematical treatment of the sounds of music with an emphasis on musical timbre. The book spans the range from tutorial introduction to advanced research and application to speculative assessment of its various techniques. All the contributors use a generalized additive sine wave model for describing musical timbre which gives a conceptual unity, but is of sufficient utility to be adapted to many different tasks.
Author : Mark Jenkins
Publisher : CRC Press
Page : 337 pages
File Size : 47,5 Mb
Release : 2009-10-19
Category : Computers
ISBN : 9781136122781
In this book, the technical explanation of the nature of analog sound creation is followed by the story of its birth and its subsequent development by various designers, manufacturers and performers. The individual components of analog sound creation are then examined in detail, with step by step examples of sound creation techniques. Then the modern imitative analog instruments are examined, again with detailed instructions for programming and using them, and the book is completed with appendices listing the major instrument lines available, hints on values and purchasing, other sources of information, and a discography of readily available recordings which give good examples of analog sound synthesis. The CD which accompanies the book gives many examples of analog sound creation basics as well as more advanced techniques, and of the abilities of the individual instruments associated with classical and with imitative analog sound synthesis.