Soviet Music And Society Under Lenin And Stalin

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Soviet Music and Society Under Lenin and Stalin

Author : Neil Edmunds
Publisher : Unknown
Page : 128 pages
File Size : 51,9 Mb
Release : 2004
Category : Electronic book
ISBN : 0203601076

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Soviet Music and Society Under Lenin and Stalin by Neil Edmunds Pdf

Annotation This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.

Classics for the Masses

Author : Pauline Fairclough
Publisher : Yale University Press
Page : 297 pages
File Size : 41,9 Mb
Release : 2016-01-01
Category : History
ISBN : 9780300217193

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Classics for the Masses by Pauline Fairclough Pdf

Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor. Newly opened archives from the Leninist and Stalinist eras have shed new light on Soviet concert life, demonstrating how the music of the past was used to help mold and deliver cultural policy, how “undesirable” repertoire was weeded out during the 1920s, and how Russian and non-Russian composers such as Mozart, Tchaikovsky, Wagner, Bach, and Rachmaninov were “canonized” during different, distinct periods in Stalinist culture. Fairclough’s fascinating study of the ever-shifting Soviet musical-political landscape identifies 1937 as the start of a cultural Cold War, rather than occurring post-World War Two, as is often maintained, while documenting the efforts of musicians and bureaucrats during this period to keep musical channels open between Russia and the West.

Soviet Music and Society Under Lenin and Stalin

Author : Neil Edmunds
Publisher : Routledge
Page : 258 pages
File Size : 44,9 Mb
Release : 2004-06
Category : Art
ISBN : 9781134415632

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Soviet Music and Society Under Lenin and Stalin by Neil Edmunds Pdf

This book investigates the place of music in Soviet society during the eras of Lenin and Stalin. It examines the different strategies adopted by composers and musicians in their attempts to carve out careers in a rapidly evolving society, discusses the role of music in Soviet society and people's lives, and shows how political ideology proved an inspiration as well as an inhibition. It explores how music and politics interacted in the lives of two of the twentieth century's greatest composers - Shostakovich and Prokofiev - and also in the lives of less well-known composers. In addition it considers the specialist composers of early Soviet musical propaganda, amateur music making, and musical life in the non-Russian republics. The book will appeal to specialists in Soviet music history, those with an interest in twentieth century music in general, and also to students of the history, culture and politics of the Soviet Union.

Stalin's Music Prize

Author : Marina Frolova-Walker
Publisher : Yale University Press
Page : 382 pages
File Size : 44,8 Mb
Release : 2016-01-01
Category : Music
ISBN : 9780300208849

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Stalin's Music Prize by Marina Frolova-Walker Pdf

Marina Frolova-Walker's fascinating history takes a new look at musical life in Stalin's Soviet Union. The author focuses on the musicians and composers who received Stalin Prizes, awarded annually to artists whose work was thought to represent the best in Soviet culture. This revealing study sheds new light on the Communist leader's personal tastes, the lives and careers of those honored, including multiple-recipients Prokofiev and Shostakovich, and the elusive artistic concept of "Socialist Realism," offering the most comprehensive examination to date of the relationship between music and the Soviet state from 1940 through 1954.

Music for the Revolution

Author : Amy Nelson
Publisher : Penn State Press
Page : 350 pages
File Size : 54,5 Mb
Release : 2010-02-24
Category : History
ISBN : 9780271046198

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Music for the Revolution by Amy Nelson Pdf

Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.

Russia After Lenin

Author : Vladimir Brovkin
Publisher : Routledge
Page : 282 pages
File Size : 44,7 Mb
Release : 2005-08-04
Category : History
ISBN : 9781134680573

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Russia After Lenin by Vladimir Brovkin Pdf

Following the Russian Revolution, the cultural and political landscape of Russia was strewn with contradictions. The dictatorship, censorship and repression of the Communist party existed alongside private enterprise, the black market and open debates on Socialism. In Russian Society and politics 1921-1929 Vladimir Brovkin offers a comprehensive cultural, political, economic and social history of developments in Russia in the 1920's. By examining the contrast between Bolshevik propaganda claims and social reality, the author explains how Communist representations were variously received and resisted by workers, peasants, students, women, teachers and party officials. He presents a picture of cultural diversity and rejection of Communist constraints through many means including unauthorised protest, religion, jazz music and poetry. In Russian Society and Politics 1921-1929 Vladimir Brovkin argues that these trends, if left unchecked, endangered the Communist Party's monopoly on political power. The Stalinist revolution can thus be seen as a pre-emptive strike against this independent and vibrant society as well as a product of Stalin's personality and communist ideology.

Social and Cultural History of the Soviet Union

Author : William G. Rosenberg
Publisher : Articles-Garlan
Page : 544 pages
File Size : 55,8 Mb
Release : 1992
Category : History
ISBN : UOM:39015025302459

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Social and Cultural History of the Soviet Union by William G. Rosenberg Pdf

Europe, 1890–1945

Author : Stephen J. Lee
Publisher : Routledge
Page : 436 pages
File Size : 45,5 Mb
Release : 2020-03-27
Category : Education
ISBN : 9781136406607

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Europe, 1890–1945 by Stephen J. Lee Pdf

Europe, 1890-1945 is a new approach to teaching and learning early twentieth century European history at A level. It meets the needs of teachers and students studying for today's revised AS and A2 exams. In a unique style, Europe, 1890-1945 focuses on the key topics within the period. Each topic is then comprehensively explored to provide background information, essay writing advice and examples, source work, and historical skills exercises. From 1890 to 1945, the key topics featured include: * the origins and impact of the First World War * the Russian Revolution and the rise of Stalin * the Weimar Republic and the rise of Hitler * Mussolini and Fascist Italy * Stalin and the Soviet Union, 1928-41.

Historical Dictionary of Russian Music

Author : Daniel Jaffé
Publisher : Rowman & Littlefield
Page : 563 pages
File Size : 52,8 Mb
Release : 2022-02-15
Category : Music
ISBN : 9781538130087

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Historical Dictionary of Russian Music by Daniel Jaffé Pdf

Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolai Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile, the innovations of Modest Musorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music, influencing the work of virtually every notable composer of the past century. Historical Dictionary of Russian Music, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries for each of Russia’s major performing organizations and performance venues, and on specific genres such as ballet, film music, symphony and church music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Russian Music.

Soviet State and Society Under Nikita Khrushchev

Author : Melanie Ilic,Jeremy Smith
Publisher : Routledge
Page : 456 pages
File Size : 53,5 Mb
Release : 2009-04-06
Category : History
ISBN : 9781134023622

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Soviet State and Society Under Nikita Khrushchev by Melanie Ilic,Jeremy Smith Pdf

This book examines the social and cultural impact of the 'thaw' in Cold War relations, decision-making and policy formation in the Soviet Union under Nikita Khrushchev. It highlights the fact that many of the reform initiatives generally associated with Khrushchev personally, and with his period of office more generally, often had their roots in the Stalin period both in their content and in the ways in which they were implemented. Individual case studies explore key aspects of Khrushchev's period of office, including the introduction of the 1961 Communist Party Programme and popular responses to it, housing policy, the opening up of the Soviet Union to the West during the 1957 youth festival, public consultation campaigns and policy implementation in education and family law, the boost given to voluntary organisations such as women's councils and the trade unions, the reshaping of the internal Soviet security apparatus, the emergence of political dissent and the nature of civil-military relations as reflected in the events of the workers' uprising in Novocherkassk in 1962. The findings offer an important new perspective on the Khrushchev era.

Mass Culture in Soviet Russia

Author : James Von Geldern,Richard Stites
Publisher : Indiana University Press
Page : 552 pages
File Size : 55,8 Mb
Release : 1995
Category : History
ISBN : 0253328934

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Mass Culture in Soviet Russia by James Von Geldern,Richard Stites Pdf

Offers an array of documents, short fiction, poems, songs, plays, movie scripts, and folklore to offer a look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. This work focuses on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses.

Russia After Lenin

Author : Vladimir N. Brovkin
Publisher : Taylor & Francis US
Page : 266 pages
File Size : 40,5 Mb
Release : 1998
Category : History
ISBN : 0415179920

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Russia After Lenin by Vladimir N. Brovkin Pdf

Following the Russian Revolution, the cultural and political landscape of Russia was strewn with contradictions. The dictatorship, censorship and repression of the Communist party existed alongside private enterprise, the black market and open debates on Socialism. In Russian Society and politics 1921-1929 Vladimir Brovkin offers a comprehensive cultural, political, economic and social history of developments in Russia in the 1920's. By examining the contrast between Bolshevik propaganda claims and social reality, the author explains how Communist representations were variously received and resisted by workers, peasants, students, women, teachers and party officials. He presents a picture of cultural diversity and rejection of Communist constraints through many means including unauthorised protest, religion, jazz music and poetry. In Russian Society and Politics 1921-1929 Vladimir Brovkin argues that these trends, if left unchecked, endangered the Communist Party's monopoly on political power. The Stalinist revolution can thus be seen as a pre-emptive strike against this independent and vibrant society as well as a product of Stalin's personality and communist ideology.

Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989

Author : Sanja Bahun,John Haynes
Publisher : Routledge
Page : 235 pages
File Size : 55,8 Mb
Release : 2014-07-25
Category : Social Science
ISBN : 9781317818724

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Cinema, State Socialism and Society in the Soviet Union and Eastern Europe, 1917-1989 by Sanja Bahun,John Haynes Pdf

This book presents a comprehensive re-examination of the cinemas of the Soviet Union and Central and Eastern Europe during the communist era. It argues that, since the end of communism in these countries, film scholars are able to view these cinemas in a different way, no longer bound by an outlook relying on binary Cold War terms. With the opening of archives in Eastern Europe and the former Soviet Union, much more is known about these states and societies; at the same time, the field has been reinvigorated by its opening up to more contemporary concepts, themes and approaches in film studies and adjacent disciplines. Taking stock of these developments, this book presents a rich, varied tapestry, relating specific films to specific national and transnational circumstances, rather than viewing them as a single, monolithic "Cold War Communist" cinema.

American–Soviet Cultural Diplomacy

Author : Cadra Peterson McDaniel
Publisher : Lexington Books
Page : 295 pages
File Size : 42,5 Mb
Release : 2014-11-18
Category : History
ISBN : 9780739199312

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American–Soviet Cultural Diplomacy by Cadra Peterson McDaniel Pdf

American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere is the first full-length examination of a Soviet cultural diplomatic effort. Following the signing of an American-Soviet cultural exchange agreement in the late 1950s, Soviet officials resolved to utilize the Bolshoi Ballet’s planned 1959 American tour to awe audiences with Soviet choreographers’ great accomplishments and Soviet performers’ superb abilities. Relying on extensive research, Cadra Peterson McDaniel examines whether the objectives behind Soviet cultural exchange and the specific aims of the Bolshoi Ballet’s 1959 American tour provided evidence of a thaw in American-Soviet relations. Interwoven throughout this study is an examination of the Soviets’ competing efforts to create ballets encapsulating Communist ideas while simultaneously reinterpreting pre-revolutionary ballets so that these works were ideologically acceptable. McDaniel investigates the rationale behind the creation of the Bolshoi’s repertoire and the Soviet leadership’s objectives and interpretation of the tour’s success as well as American response to the tour. The repertoire included the four ballets, Romeo and Juliet, Swan Lake, Giselle, and The Stone Flower, and two Highlights Programs, which included excerpts from various pre- and post-revolutionary ballets, operas, and dance suites. How the Americans and the Soviets understood the Bolshoi’s success provides insight into how each side conceptualized the role of the arts in society and in political transformation. American–Soviet Cultural Diplomacy: The Bolshoi Ballet’s American Premiere demonstrates the ballet’s role in Soviet foreign policy, a shift to "artful warfare," and thus emphasizes the significance of studying cultural exchange as a key aspect of Soviet foreign policy and analyzes the continued importance of the arts in twenty-first century Russian politics.

Soviet Culture and Power

Author : Katerina Clark,Evgeniĭ Aleksandrovich Dobrenko
Publisher : Yale University Press
Page : 576 pages
File Size : 41,6 Mb
Release : 2007-01-01
Category : History
ISBN : 9780300106466

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Soviet Culture and Power by Katerina Clark,Evgeniĭ Aleksandrovich Dobrenko Pdf

Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and direct it in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin’s death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin’s role in directing these relations, and his literary judgments and personal biases, will astonish many. The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalin’s correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents.