Space Time And Presence In The Icon

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Space, Time, and Presence in the Icon

Author : Clemena Antonova
Publisher : Routledge
Page : 206 pages
File Size : 43,7 Mb
Release : 2016-03-09
Category : Religion
ISBN : 9781317051824

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Space, Time, and Presence in the Icon by Clemena Antonova Pdf

This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.

Space, Time, and Presence in the Icon

Author : Clemena Antonova,Taylor & Francis Group
Publisher : Routledge
Page : 206 pages
File Size : 54,6 Mb
Release : 2021-12-13
Category : Electronic
ISBN : 103224335X

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Space, Time, and Presence in the Icon by Clemena Antonova,Taylor & Francis Group Pdf

This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.

Space, Time, and Presence in the Icon

Author : Dr Clemena Antonova
Publisher : Ashgate Publishing, Ltd.
Page : 210 pages
File Size : 40,9 Mb
Release : 2013-06-28
Category : Religion
ISBN : 9781409480594

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Space, Time, and Presence in the Icon by Dr Clemena Antonova Pdf

This book contributes to the re-emerging field of 'theology through the arts' by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of 'reverse perspective', which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 'supplementary planes' can be used productively within a new approach to the question. Antonova works up new criteria for the understanding of how space and time can be handled in a way that does not reverse standard linear perspective (as conventionally claimed) but acts in its own way to create eternalised images which are not involved with perspective at all. Arguing that the structure of the icon is determined by a conception of God who exits in past, present, and future, simultaneously, Antonova develops an iconography of images done in the Byzantine style both in the East and in the West which is truer to their own cultural context than is generally provided for by western interpretations. This book draws upon philosophy, theology and liturgy to see how relatively abstract notions of a deity beyond time and space enter images made by painters.

Avantgarde Art and Radical Material Theology

Author : Petra Carlsson Redell
Publisher : Routledge
Page : 130 pages
File Size : 55,9 Mb
Release : 2020-10-04
Category : Religion
ISBN : 9780429581694

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Avantgarde Art and Radical Material Theology by Petra Carlsson Redell Pdf

Theological thought has long been focused on the meaning to be found in our existence, but it has tended to neglect what it might offer to those seeking how to prolong and improve our physical existence in this world. In conversation with twentieth-century materialist art and thought, this book presents a radical theology that engages directly with the political and ecological issues of our time. The book introduces a new thinker to the theological sphere, Russian avantgarde artist Liubov Popova (1889–1924). She was a woman acknowledged for her artistic and intellectual talent and yet is never discussed in relation to the twentieth-century thinkers with whom her ideas have obvious connections. Popova’s art and thought are discussed together with thinkers like Walter Benjamin, Donna Haraway, Gilles Deleuze and Paul Tillich, along with ecotheological and theopolitical perspectives. Inspired by the activist creativity of avantgarde art, the book’s final chapter, playfully yet with deadly seriousness, presents a manifesto for radical theology today. This is a work of theological activism that demonstrates the benefit of allowing new voices into the conversations around art, spirituality and our planet. As such, it will be of keen interest to academics in Theology, Religion and the Arts and the Philosophy of Religion.

Visual Thought in Russian Religious Philosophy

Author : Clemena Antonova
Publisher : Routledge
Page : 160 pages
File Size : 43,7 Mb
Release : 2019-08-30
Category : Religion
ISBN : 9780429557958

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Visual Thought in Russian Religious Philosophy by Clemena Antonova Pdf

This book considers a movement within Russian religious philosophy known as "full unity" (vseedinstvo), with a focus on one of its main representatives, Pavel Florensky (1882–1937). Often referred to as "the Russian Leonardo," Florensky was an important figure of the Russian religious renaissance around the beginning of the twentieth century. This book shows that his philosophy, conceptualized in his theory of the icon, brings together the problem of the "religious turn" and the "pictorial turn" in modern culture, as well as contributing to contemporary debates on religion and secularism. Organized around the themes of full unity and visuality, the book examines Florensky’s definition of the icon as "energetic symbol," drawing on St. Gregory Palamas, before offering a theological reading of Florensky’s theory of the pictorial space of the icon. It then turns to Florensky’s idea of space in the icon as Non-Euclidean. Finally, the icon is placed within wider debates provoked by Bolshevik cultural policy, which extend to current discussions concerning religion, modernity, and art. Offering an important contribution from Russian religious philosophy to issues of contemporary modernity, this book will be of interest to scholars of religious philosophy, Russian studies, theology and the arts, and the medieval icon.

Icons of Space

Author : Jelena Bogdanović
Publisher : Routledge
Page : 458 pages
File Size : 43,8 Mb
Release : 2021-07-26
Category : History
ISBN : 9781000410846

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Icons of Space by Jelena Bogdanović Pdf

Icons of Space: Advances in Hierotopy brings together important scholars of Byzantine religion, art, and architecture, to honour the work of renowned art historian Alexei Lidov. As well as his numerous publications, Lidov is well known for developing the concept of hierotopy, an innovative approach for studying the creation of sacred spaces. Hierotopy and the related concepts of ‘spatial icons’ and ‘image-paradigms’ emphasize fundamental questions about icons, including what defines them as structures, spaces, and experiences. Chapters in this volume engage with the overarching theme of icons of space by employing, contrasting, and complementing methods of hierotopy with more traditional approaches such as iconography. Examinations of icons have traditionally been positioned within strictly historical, theological, socio-economic, political, and art history domains, but this volume poses epistemological questions about the creation of sacred spaces that are instead inclusive of multi-layered iconic ideas and the lived experiences of the creators and beholders of such spaces. This book contributes to image theory and theories of architecture and sacred space. Simultaneously, it moves beyond colonial studies that predominantly focus on questions of religion and politics as expressions of privileged knowledge and power. This book will appeal to scholars and students of Byzantine history, as well as those interested in hierotopy and art history.

Icons - Imaging the Unseen

Author : Dani‰l J. Louw
Publisher : AFRICAN SUN MeDIA
Page : 338 pages
File Size : 52,7 Mb
Release : 2014-11-01
Category : Art
ISBN : 9781920689124

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Icons - Imaging the Unseen by Dani‰l J. Louw Pdf

ÿ The experience of the divine has been referred to by many artists over the centuries, whether their subject was the human figure, landscape, still life or indeed religious or biblical themes. Art therefore requires a kind of openness; a willingness to mediate rather than to control. This sensitivity can best be described as humility, an obeisance to something we are part of. Therefore, to 'see' the 'unseen' in visual arts brings about awe and requires 'iconic viewing'. The spiritual realm, as portrayed by icons, has a healing quality in a world where the news and the arts are so full of tragedy and where the church's message so often sounds escapist or na‹ve.

The Icon and the Square

Author : Maria Taroutina
Publisher : Penn State Press
Page : 761 pages
File Size : 42,6 Mb
Release : 2018-11-26
Category : Art
ISBN : 9780271082554

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The Icon and the Square by Maria Taroutina Pdf

In The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists. The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.

Imagine Math 8

Author : Michele Emmer,Marco Abate
Publisher : Springer Nature
Page : 584 pages
File Size : 42,8 Mb
Release : 2022-09-07
Category : Mathematics
ISBN : 9783030926908

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Imagine Math 8 by Michele Emmer,Marco Abate Pdf

This eighth volume of Imagine Math is different from all the previous ones. The reason is very clear: in the last two years, the world changed, and we still do not know what the world of tomorrow will look like. Difficult to make predictions. This volume has a subtitle Dreaming Venice. Venice, the dream city of dreams, that miraculous image of a city on water that resisted for hundreds of years, has become in the last two years truly unreachable. Many things tie this book to the previous ones. Once again, this volume also starts like Imagine Math 7, with a homage to the Italian artist Mimmo Paladino who created exclusively for the Imagine Math 8 volume a new series of ten original and unique works of art dedicated to Piero della Francesca. Many artists, art historians, designers and musicians are involved in the new book, including Linda D. Henderson and Marco Pierini, Claudio Ambrosini and Davide Amodio. Space also for comics and mathematics in a Disney key. Many applications, from Origami to mathematical models for world hunger. Particular attention to classical and modern architecture, with Tullia Iori. As usual, the topics are treated in a way that is rigorous but captivating, detailed and full of evocations. This is an all-embracing look at the world of mathematics and culture.

ReVisioning

Author : James Romaine,Linda Stratford
Publisher : Wipf and Stock Publishers
Page : 376 pages
File Size : 52,7 Mb
Release : 2014-05-20
Category : Social Science
ISBN : 9781620320846

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ReVisioning by James Romaine,Linda Stratford Pdf

ReVisioning: Critical Methods of Seeing Christianity in the History of Art examines the application of art historical methods to the history of Christianity and art. As methods of art history have become more interdisciplinary, there has been a notable emergence of discussions of religion in art history as well as related fields such as visual culture and theology. This book represents the first critical examination of scholarly methodologies applied to the study of Christian subjects, themes, and contexts in art. ReVisioning contains original work from a range of scholars, each of whom has addressed the question, in regard to a well-known work of art or body of work, "How have particular methods of art history been applied, and with what effect?" The study moves from the third century to the present, providing extensive treatment and analysis of art historical methods applied to the history of Christianity and art.

Bezalel's Body

Author : Katie Kresser
Publisher : Wipf and Stock Publishers
Page : 228 pages
File Size : 41,9 Mb
Release : 2019-12-18
Category : Art
ISBN : 9781532645648

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Bezalel's Body by Katie Kresser Pdf

When God died, art was born. With Christ’s crucifixion, resurrection, and ascension, the human imagination began to be remade. In Bezalel’s Body: The Death of God and the Birth of Art, Harvard-trained art historian Katie Kresser locates the historical roots of the thing we call art. She weaves together centuries of art history, philosophy, theology, psychology, and art theory to uncover the deep spiritual foundations of this cultural form. Why do some people pay hundreds of millions of dollars for a single painting? Why are art museums almost like modern temples? The answer lies in Christian theology and the earliest forms of Christian image making. By examining how cutting-edge art trends reveal age-old spiritual dynamics, Kresser helps recover an ancient tradition with vital relevance for today.

How Divine Images Became Art

Author : Oleg Tarasov
Publisher : Open Book Publishers
Page : 171 pages
File Size : 47,8 Mb
Release : 2024-02-09
Category : Art
ISBN : 9781805111610

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How Divine Images Became Art by Oleg Tarasov Pdf

How Divine Images Became Art tells the story of the parallel ‘discovery’ of Russian medieval art and of the Italian ‘primitives’ at the beginning of the twentieth century. While these two developments are well-known, they are usually studied in isolation. Tarasov’s study has the great merit of showing the connection between the art world in Russia and the West, and its impact in the cultural history of the continent in the pre-war period. Drawing on a profound familiarity with Russian sources, some of which are little known to Western scholars, and on equally expert knowledge of Western material and scholarship, Oleg Tarasov presents a fresh perspective on early twentieth-century Russian and Western art. The author demonstrates that during the Belle Époque, the interest in medieval Russian icons and Italian ‘primitives’ lead to the recognition of both as distinctive art forms conveying a powerful spiritual message. Formalist art theory and its influence on art collecting played a major role in this recognition of aesthetic and moral value of ‘primitive’ paintings, and was instrumental in reshaping the perception of divine images as artworks. Ultimately, this monograph represents a significant contribution to our understanding of early twentieth-century art; it will be of interest to art scholars, students and anyone interested in the spiritual and aesthetic revival of religious paintings in the Belle Époque.

I Am Tarkovsky series

Author : Reflektor
Publisher : BoD – Books on Demand
Page : 78 pages
File Size : 49,9 Mb
Release : 2019-07-01
Category : Photography
ISBN : 9783746011448

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I Am Tarkovsky series by Reflektor Pdf

Reflektors I Am Tarkovski series is an empathetic project of resurgence of the filmmakers universe in pictures. The photographic work in seven acts assimilates his cinematic imaginary bringing his spirit alive. The pictorial reflections are incarnations escorted by poetic complements of the photographer and texts by Werner Spies and Markus A. Castor.

The sensual icon

Author : Bissera V
Publisher : Penn State Press
Page : 346 pages
File Size : 41,6 Mb
Release : 2024-05-22
Category : Art
ISBN : 9780271035840

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The sensual icon by Bissera V Pdf

"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.

A Book of Psalms from Eleventh-century Byzantium

Author : Barbara Crostini,Glenn Peers
Publisher : Biblioteca Apostolica Vaticana
Page : 636 pages
File Size : 54,8 Mb
Release : 2016
Category : Antiques & Collectibles
ISBN : IND:30000157944384

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A Book of Psalms from Eleventh-century Byzantium by Barbara Crostini,Glenn Peers Pdf

"This collection of essays offers new and deeper perspectives on a relatively little-studied manuscript of the Greek Psalter at the Biblioteca Apostolica Vaticana, codex Vaticanus graecus 752. As the title suggests, the perspective of the editors is an inter-disciplinary one. Thus, the volume covers three broad areas: the material aspects concerning the manuscript, the textual contents consisting of Psalms and their catena commentary, and the over two hundred images that illustrate the psalms. Barbara Crostini has been mainly responsible for Parts I-II, and Glenn Peers for Part III, and the writing of this introduction follows this basic division of tasks. Ultimately, however, the editors would like to see these parts not as divided, but as mutually integrated, each providing clues to the major unresolved issues of provenance and production of this codex. Thus, it is capturing the complexity of the interrelationship between these elements in the creation and use of the manuscript that remains our ideal aim.Consider Vat. gr. 752 as a particular edition of the sacred page. As such, it came about and first lived in a specific context. Grasping this reality, though a past and necessarily elusive one, is surely the historian's task,and his/her attempt at doing so is both limited and sharpened by the tools at his/her disposal. The first part of this volume is an attempt to address this historical context."--