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Awakening the Creative Spirit by Christine Valters Paintner,Betsey Beckman Pdf
The resource is designed to help spiritual directors and others use expressive arts in the context of spiritual direction. It is the latest book in the unique SDI series, designed for professional spiritual directors, but also useful for clergy, therapists, and Christian formation specialists. The Spiritual Directors International Series – This book is part of a special series produced by Morehouse Publishing in cooperation with Spiritual Directors International (SDI), a global network of some 6,000 spiritual directors and members.
A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.
A truly international treatment of its subject, The Spirit of Folk Art draws upon the vast resources of the Girard Collection, amassed by Alexander and Susan Girard and housed at the Museum of International Folk Art in Santa Fe. Distinguished folklorist and scholar Henry Glassie offers a vigorous and often lyrical discussion of the nature of folk art. More than 345 illustrations, including 285 in full color and 50 field photographs showing the various artists at work, provide a rich complement to Glassie's insights.
"I want to share with you what I find when I make art and to guide you to find your own way there." Anyone can make art. Finding one's spiritual center can come of making art. Making art can come of finding one's spiritual center. Nancy Azara has been teaching the making of art, art-making as a spiritual practice, and other spiritual practices for thirty-five years. She has developed a system that combines her lifelong spiritual practice with techniques designed to help anyone get and stay in touch with their own inner artistic souls. Spirit Taking Form is a practical book. It offers lists of materials to work with and exercises and meditation techniques to help everyone bring out their inner voice. It includes specific meditations for healing the inner critic, cultivating imagination, and finding one's artistic heart. Its meditations and exercises can be done many times, and each time they can bring the reader new and richer experiences and deeper insights. Throughout the book Azara shares her own story and the inspirations that have made her a successful artist. Using an old Sicilian folk tale taught to her by her grandfather, she has always sought to look at life with one eye open out to the world and the other closed, or turned inward. It is this skill more than any other that she seeks to engender in the reader through exercises such as "The Visual Diary." Learning and teaching about art from a place of spirit calls us to a challenge, a challenge to look at something very familiar, yet distant and remote. Spirit Taking Form offers insight into artistic expression and how it can be applied to life as a catalyst for growth, change, and expression.
This landmark book shows how five African civilizations—Yoruba, Kongo, Ejagham, Mande and Cross River—have informed and are reflected in the aesthetic, social and metaphysical traditions (music, sculpture, textiles, architecture, religion, idiogrammatic writing) of black people in the United States, Cuba, Haiti, Trinidad, Mexico, Brazil and other places in the New World.
Painting from the Source by Aviva Gold,Elena Oumano Pdf
Imagine yourself painting with no hesitations, no conflicts. Your brush dips into pots of vibrantly colored paint; inner inspiration guides your hand into lines and shapes that find their perfect places on the paper . . . Welcome! I'm Aviva Gold, your guide to the magic source. As children, all of us lived and painted intuitively. And as adults we can re-create the boundless joy of unselfconscious art by setting aside intellectual critique and self-doubt and reconnecting with the source. Remember standing at an easel as a child and painting in a trancelike state of wonder? Somewhere along the line this freedom gets trained out of us, and we are either categorized as artists or not. Paint and remember! Return to the easel with the same childlike sense of play. My program is not about regimentation. Learn to let go of inhibitions, relinquish control, and embrace the source. Using simple materials--tempera paints, newsprint--paint without worrying about the end product. Just let go, and begin! Every human being is an artist. In Bali, one word means both "human" and "artist." Just show up and face a blank piece of paper. Tap into the source. Revitalize! Transform! Now, imagine yourself painting . . .
The power of their art comes from its deep roots in an ancient culture that is rich in ceremonial and aesthetic traditions. The mythic beings depicted in these 75 works belong to the undersea, sky, mortal and spirit worlds: Raven, Thunderbird, Killer whale, the chief of the undersea, Moon, Volcano Woman and many more. Their adventures are told in oral histories passed down through generations. Here, these myths and mythic beings take shape as model totem poles, jewellery, carved and painted boxes, painted drums, rattles, ceremonial robes and masks�as well as sculpture in argillite, wood and glass. Some of the beings are represented by works by different artists or in different media, providing a glimpse of the richness and resonance of an art strongly connected to myth and spirituality. The challenge facing artists today is to interpret myths in ways that combine innovation and tradition. That Northwest Coast art continues to flourish both in its original cultural context and in the international art world is a measure of their success. Gary Wyatt's introduction outlines the integral place of art in the ceremonial and spiritual life of Northwest Coast societies. He provides insights into the cosmology of the Northwest Coast, as well as retelling some of the major myths. In addition, each work is accompanied by the artist's own words describing its meaning, cultural significance and creation.
Author : Patrick Summers Publisher : University of Chicago Press Page : 177 pages File Size : 51,8 Mb Release : 2018-11-22 Category : Music ISBN : 9780226095240
Artists today are at a crossroads. With funding for the arts and humanities endowments perpetually under attack, and school districts all over the United States scrapping their art curricula altogether, the place of the arts in our civic future is uncertain to say the least. At the same time, faced with the problems of the modern world—from water shortages and grave health concerns to global climate change and the now constant threat of terrorism—one might question the urgency of this waning support for the arts. In the politically fraught world we live in, is the “felt” experience even something worth fighting for? In this soul-searching collection of vignettes, Patrick Summers gives us an adamant, impassioned affirmative. Art, he argues, nurtures freedom of thought, and is more necessary now than ever before. As artistic director of the Houston Grand Opera, Summers is well positioned to take stock of the limitations of the professional arts world—a world where the conversation revolves almost entirely around financial questions and whose reputation tends toward elitism—and to remind us of art’s fundamental relationship to joy and meaning. Offering a vehement defense of long-form arts in a world with a short attention span, Summers argues that art is spiritual, and that music in particular has the ability to ask spiritual questions, to inspire cathartic pathos, and to express spiritual truths. Summers guides us through his personal encounters with art and music in disparate places, from Houston’s Rothko Chapel to a music classroom in rural China, and reflects on musical works he has conducted all over the world. Assessing the growing canon of new operas performed in American opera houses today, he calls for musical artists to be innovative and brave as opera continues to reinvent itself. This book is a moving credo elucidating Summers’s belief that the arts, especially music, help us to understand our own humanity as intellectual, aesthetic, and ultimately spiritual.
This groundbreaking anthology documents the recent explosion of art that agitates for progressive social change. Leading art critics, historians, and journalists explore the provocative methods of activist artists who reject conventional art practices in favor of public sites and community participation.
