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Spud Johnson & Laughing Horse by Sharyn Rohlfsen Udall Pdf
Udall's lively account of the quirky editor, poet, journalist, diarist, and printer Walter Willard "Spud" Johnson focuses especially on brilliant and diverse artists he befriended and published. Together they helped to create a new voice for the Southwest.
The Oxford Critical and Cultural History of Modernist Magazines by Peter Brooker,Andrew Thacker Pdf
This volume contains 44 original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism.
Illuminates both the well- and lesser-known literary figures of New Mexico, whose collaborative efforts created enduring literary colonies. This book also discusses fifteen writers and concludes with walking and driving tours of Santa Fe and Taos.
A Companion to the Literature and Culture of the American West by Nicolas S. Witschi Pdf
A Companion to the Literature and Culture of the American West presents a series of essays that explore the historic and contemporary cultural expressions rooted in America's western states. Offers a comprehensive approach to the wide range of cultural expressions originating in the west Focuses on the intersections, complexities, and challenges found within and between the different historical and cultural groups that define the west's various distinctive regions Addresses traditionally familiar icons and ideas about the west (such as cowboys, wide-open spaces, and violence) and their intersections with urbanization and other regional complexities Features essays written by many of the leading scholars in western American cultural studies
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
Best known today for her nature writing and southwestern cultural studies, Mary Hunter Austin (1868-1934) has been increasingly recognized for her outspoken essays on feminist themes. This volume collects her nonfiction journalism, with each essay prefaced by brief introductory remarks by the editor. Annotation copyright by Book News, Inc., Portland, OR
VOLUME ONE First in a series of books reflecting the lives and work of artists and writers from Taos, New Mexico, a biography of place. This volume is a mini artbook with 92 pages of photos, stories and artwork by Taosenos, the theme in vol. 1 is "place: the Mountain and Paseo" This black and white collection of photos, art and stories about the people and place of Taos range from the early Mable Dodge Luhan "Art Colony" days of the 1920s to current interview with Taos Pueblo artist and storyteller Robert Mirabal. Other famous artists and writers included in this volume are: Barbara and Frank Waters, John Nichols, Jaap Vanderplas, Amalio Madueno, John Nizalowski and Gail Russell. Subsequent volumes include two color books showcasing the photo/art of Jaap Vanderplas, his images from the "the 100 Taosenos Project". See www.lapuerta.blogspot.com for a complete list of Taosenos, their art and stories included in la Puerta, Taos, volume one.
"Slices of on-the-road literary history and detail-rich travel romps with famous writers." Sheila F. Buckmaster, senior editor, National Geographic Traveler
Ernie O'Malley : IRA Intellectual by Richard English Pdf
Ernie O'Malley (1897-1957) was one of the most talented and colourful of modern Irish republicans. An important IRA leader in the 1916-1923 Irish Revolution, this bookish gunman subsequently became a distinguished intellectual, and the author of two classic autobiographical accounts of the revolutionary period: On Another Man's Wound and The Singing Flame. His post-revolutionary life took on a bohemian flavour. Travelling extensively in Europe and America, he mixed with a wide range of artistic and literary figures, and devoted himself to a variety of writing projects. In his IRA career he mixed with revolutionaries such as Michael Collins and Eamon de Valera; in his post-IRA years his friends included Samuel Beckett, Louis MacNeice, John Wayne, and John Ford. This important new thematic biography draws on previously unseen archival sources, and introduces O'Malley to both scholarly and general readers. O'Malley's post-revolutionary life was as turbulent as his IRA years, and illuminates many persistent themes of Irish history, ranging from the origins and culture of militant republicanism and the complexities of Anglo-Irish relations to the development of intellectual and artistic life in twentieth-century Ireland. This exciting new biography will be essential reading for anyone seeking to understand the background to modern Irish politics and the past and present role of the IRA.
Mabel Dodge Luhan, hostess and visionary, made Taos, New Mexico, a center for artists and utopians when she moved there in 1917 and began inviting friends to visit her. Now in paperback UTOPIAN VISTAS is a chronicle of the house and the many individuals whose lives and works were affected by the house and its environs. 162 photos.
Shortlisted for the James Tait Black Prize An electrifying, revelatory new biography of D. H. Lawrence, with a focus on his difficult middle years “Never trust the teller,” wrote D. H. Lawrence, “trust the tale.” Everyone who knew him told stories about Lawrence, and Lawrence told stories about everyone he knew. He also told stories about himself, again and again: a pioneer of autofiction, no writer before Lawrence had made so permeable the border between life and literature. In Burning Man: The Trials of D. H. Lawrence, acclaimed biographer Frances Wilson tells a new story about the author, focusing on his decade of superhuman writing and travel between 1915, when The Rainbow was suppressed following an obscenity trial, and 1925, when he was diagnosed with tuberculosis. Taking after Lawrence’s own literary model, Dante, and adopting the structure of The Divine Comedy, Burning Man is a distinctly Lawrentian book, one that pursues Lawrence around the globe and reflects his life of wild allegory. Eschewing the confines of traditional biography, it offers a triptych of lesser-known episodes drawn from lesser-known sources, including tales of Lawrence as told by his friends in letters, memoirs, and diaries. Focusing on three turning points in Lawrence’s pilgrimage (his crises in Cornwall, Italy, and New Mexico) and three central adversaries—his wife, Frieda; the writer Maurice Magnus; and his patron, Mabel Dodge Luhan—Wilson uncovers a lesser-known Lawrence, both as a writer and as a man. Strikingly original, superbly researched, and always revelatory, Burning Man is a marvel of iconoclastic biography. With flair and focus, Wilson unleashes a distinct perspective on one of history’s most beloved and infamous writers.
From the celebrated English author of Sons and Lovers, a collection of essays focused on indigenous life in Mexico and the American Southwest. D. H. Lawrence’s interest in and real affection for Mexico and the American Southwestern regions and its peoples eclipsed ordinary travel writing. These essays hold great significance for those interested in the wider context of these cultures, as well as those interested in Lawrence as a writer. This is the largest collection of essays about Mexican and Southwestern Indians from Lawrence that has ever been published. Including an early version of “Pan in America” which appears here for the first time, previously unpublished passages from other essays, extant manuscripts, typescripts, appendices, and extensive publication notes, this collection contains Lawrence’s fundamental thoughts on Mesoamerican mythology and history.
Phyllis Cole Braunlich sketches the life story of Lynn Riggs (18991954), the playwright best known as the author of Green Grow the Lilacs, the play that formed the basis for the Rodgers and Hammerstein musical Oklahoma! Today Riggs is recognized as one of the twentieth century’s most innovative playwrights. Santa Fe, Hollywood, New York, and Chapel Hill: these were the cities that Lynn Riggs, “father of the folk play,” called home, along with eastern Oklahoma, the scene of his memorable re-creations of Oklahoma Territory before statehood. Riggs traveled widely to make his living and his fame, and along the way he earned the friendship of many avant-garde writers and successful theatre people of his time. This biography is also a chronicle of literary and café society on both coasts and in New Mexico during the 1920s, ‘30s, and ‘40s.