Staging The Blazon In Early Modern English Theater

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Staging the Blazon in Early Modern English Theater

Author : Sara Morrison
Publisher : Routledge
Page : 232 pages
File Size : 46,8 Mb
Release : 2016-04-01
Category : Performing Arts
ISBN : 9781317050742

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Staging the Blazon in Early Modern English Theater by Sara Morrison Pdf

Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.

Staging the Blazon in Early Modern English Theater

Author : Deborah Uman,Sara Morrison
Publisher : Unknown
Page : 220 pages
File Size : 41,8 Mb
Release : 2013
Category : English drama
ISBN : 1315610531

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Staging the Blazon in Early Modern English Theater by Deborah Uman,Sara Morrison Pdf

Staging the Blazon in Early Modern English Theatre

Author : Deborah Uman,Sara Morrison
Publisher : Unknown
Page : 220 pages
File Size : 50,5 Mb
Release : 2013
Category : English drama
ISBN : OCLC:815365281

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Staging the Blazon in Early Modern English Theatre by Deborah Uman,Sara Morrison Pdf

Early Modern Theatre and the Figure of Disability

Author : Genevieve Love
Publisher : Bloomsbury Publishing
Page : 224 pages
File Size : 45,8 Mb
Release : 2018-10-18
Category : Literary Criticism
ISBN : 9781350017221

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Early Modern Theatre and the Figure of Disability by Genevieve Love Pdf

What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related 'likeness problems' that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries. The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of thefictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as 'lame', the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page. Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor.

Entertaining Uncertainty in the Early Modern Theater

Author : Lauren Robertson
Publisher : Cambridge University Press
Page : 269 pages
File Size : 47,7 Mb
Release : 2022-12-31
Category : Literary Criticism
ISBN : 9781009225120

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Entertaining Uncertainty in the Early Modern Theater by Lauren Robertson Pdf

Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.

Blood and Home in Early Modern Drama

Author : Ariane M. Balizet
Publisher : Routledge
Page : 210 pages
File Size : 40,7 Mb
Release : 2014-04-24
Category : Literary Criticism
ISBN : 9781317961956

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Blood and Home in Early Modern Drama by Ariane M. Balizet Pdf

In this volume, the author argues that blood was, crucially, a means by which dramatists negotiated shifting contours of domesticity in 16th and 17th century England. Early modern English drama vividly addressed contemporary debates over an expanding idea of "the domestic," which encompassed the domus as well as sex, parenthood, household order, the relationship between home and state, and the connections between family honor and national identity. The author contends that the domestic ideology expressed by theatrical depictions of marriage and household order is one built on the simultaneous familiarity and violence inherent to blood. The theatrical relation between blood and home is far more intricate than the idealized language of the familial bloodline; the home was itself a bloody place, with domestic bloodstains signifying a range of experiences including religious worship, sex, murder, birth, healing, and holy justice. Focusing on four bleeding figures—the Bleeding Bride, Bleeding Husband, Bleeding Child, and Bleeding Patient—the author argues that the household blood of the early modern stage not only expressed the violence and conflict occasioned by domestic ideology, but also established the home as a site that alternately reified and challenged patriarchal authority.

Shakespeare's Fugitive Politics

Author : Thomas P. Anderson
Publisher : Edinburgh University Press
Page : 296 pages
File Size : 43,6 Mb
Release : 2016-08-16
Category : Literary Criticism
ISBN : 9781474417433

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Shakespeare's Fugitive Politics by Thomas P. Anderson Pdf

Establishes Shakespeares plays as some of the periods most speculative political literature Shakespeares Fugitive Politics makes the case that Shakespeares plays reveal there is always something more terrifying to the king than rebellion. The book seeks to move beyond the presumption that political evolution leads ineluctably away from autocracy and aristocracy toward republicanism and popular sovereignty. Instead, it argues for affirmative politics in Shakespeare the process of transforming scenes of negative affect into political resistance. Shakespeares Fugitive Politics makes the case that Shakespeares affirmative politics appears not in his dialectical opposition to sovereignty, absolutism, or tyranny; nor is his affirmative politics an inchoate form of republicanism on its way to becoming politically viable. Instead, this study claims that it is in the place of dissensus that the expression of the eventful condition of affirmative politics takes place a fugitive expression that the sovereign order always wishes to shut down. Key FeaturesPromotes a new understanding of 'fugitive democracy'Establishes the presence of a form of alternative politics in early modern drama, articulated through the contours of theories of sovereigntyExplores how the parameters of contemporary radical politics take shape in major Shakespeare plays, including Coriolanus, King John, Henry V, Titus Andronicus, The Winters Tale and Julius Caesar

Routledge Companion to Women, Sex, and Gender in the Early British Colonial World

Author : Kimberly Anne Coles,Eve Keller
Publisher : Routledge
Page : 330 pages
File Size : 52,7 Mb
Release : 2018-10-03
Category : Literary Criticism
ISBN : 9781317041016

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Routledge Companion to Women, Sex, and Gender in the Early British Colonial World by Kimberly Anne Coles,Eve Keller Pdf

All of the essays in this volume capture the body in a particular attitude: in distress, vulnerability, pain, pleasure, labor, health, reproduction, or preparation for death. They attend to how the body’s transformations affect the social and political arrangements that surround it. And they show how apprehension of the body – in social and political terms – gives it shape.

Chaste Value

Author : Katherine Gillen
Publisher : Edinburgh University Press
Page : 320 pages
File Size : 50,8 Mb
Release : 2017-06-09
Category : Literary Criticism
ISBN : 9781474417730

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Chaste Value by Katherine Gillen Pdf

Chaste Value reassesses chastity's significance in early modern drama, arguing that presentations of chastity inform the stage's production of early capitalist subjectivity and social difference. Plays invoke chastity-itself a quasi-commodity-to interrogate the relationship between personal and economic value. Through chastity discourse, the stage disrupts pre-capitalist ideas of intrinsic value while also reallocating such value according to emerging hierarchies of gender, race, class, and nationality. Chastity, therefore, emerges as a central category within early articulations of humanity, determining who possesses intrinsic value and, conversely, whose bodies and labor can be incorporated into market exchange.

The Spaces of Renaissance Anatomy Theater

Author : Leslie R. Malland
Publisher : Vernon Press
Page : 238 pages
File Size : 47,7 Mb
Release : 2022-06-07
Category : History
ISBN : 9781648894213

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The Spaces of Renaissance Anatomy Theater by Leslie R. Malland Pdf

The space of Renaissance anatomy is not solely in the physical theatre. As this collection demonstrates, the space of the theatre encompasses every aspect of Renaissance culture, from its education systems, art, and writing to its concepts of identity, citizenship, and the natural world. This book argues that Renaissance anatomy theatres were spaces of intersection that influenced every aspect of their culture, and that scholars should broaden their concept of anatomy theatres to include more than the physical space of the theatre itself. Instead, we should approach the anatomy theatres as spaces where cultural expression is influenced by the hands-on study of human cadavers. This book enters the ongoing conversation surrounding Renaissance anatomy by dialogically engaging with such scholars as Jonathan Sawaday, Merry E. Wiesner-Hanks, Kathryn Schwarz, and primary texts such as ‘De humani corporis fabric’, Montaigne’s ‘Essais’, and Shakespearean plays. The book also features Renaissance artwork alongside works by Laurence Winram.

Costuming the Shakespearean Stage

Author : Dr Robert I Lublin
Publisher : Ashgate Publishing, Ltd.
Page : 220 pages
File Size : 43,9 Mb
Release : 2013-05-28
Category : Drama
ISBN : 9781409479048

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Costuming the Shakespearean Stage by Dr Robert I Lublin Pdf

Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality, and religion. The fifth chapter examines one play, Thomas Middleton's A Game at Chess, to show how costumes signified across the categories of seeing to establish a play's distinctive semiotics and visual aesthetic.

Reimagining Shakespeare's Playhouse

Author : Joe Falocco
Publisher : Boydell & Brewer
Page : 218 pages
File Size : 53,8 Mb
Release : 2010
Category : Drama
ISBN : 9781843842415

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Reimagining Shakespeare's Playhouse by Joe Falocco Pdf

Numerous attempts have been made in the modern and postmodern era to recreate the staging conventions of Shakespeare's theatre, from William Poel to the founders of the New Globe. This volume examines the work of these directors, analyzing their practical successes and failures; it also engages with the ideological critiques of early modern staging advanced by scholars such as W.B. Worthen and Ric Knowles. The author argues that rather than indulging in archaism for its own sake, the movement looked backward in a progressive attempt to address the challenges of the twentieth century. The book begins with a re-examination of the conventional view of Poel as an antiquarian crank. Subsequent chapters are devoted to Harley Granville Barker and Nugent Monck; the author argues that while Barker's major contribution was the dubious achievement of establishing the movement's reputation as an essentially literary phenomenon, Monck took the first tentative steps toward an architectural reimagining of modern performance space, an advance which led to later triumphs in early modern staging. The book than traces the sporadic and irregular development of Tyrone Guthrie's commitment to early modern practices. The final chapter looks at how competing historical theories of playhouse design influenced the construction of the Globe, while the conclusion discusses the ongoing potential of early modern staging in the new millennium.

Staging and Stage Décor: Perspectives on European Theater 1500-1950

Author : Bárbara Mujica
Publisher : Vernon Press
Page : 309 pages
File Size : 50,9 Mb
Release : 2023-05-09
Category : Performing Arts
ISBN : 9781648896668

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Staging and Stage Décor: Perspectives on European Theater 1500-1950 by Bárbara Mujica Pdf

'Staging and Stage Décor: Perspectives on European Theater 1500-1950' is a compendium of essays by an international array of theater specialists. The Introduction provides an overview of theater décor and architecture from ancient Greece through the Renaissance and beyond, while the articles that follow explore a variety of topics such as the development of lighting techniques in early modern Italy, the staging of convent theater in Portugal, performance spaces at Versailles, the reconstruction of the Globe theater, and Shrovetide plays in Germany. This volume also offers insight into little-studied subjects such as the early productions of Brecht and the spread of Russian theater to Japan. The focus on performance and performance space across centuries and continents makes this a truly unique volume.

Theatrical Convention and Audience Response in Early Modern Drama

Author : Jeremy Lopez
Publisher : Cambridge University Press
Page : 251 pages
File Size : 48,6 Mb
Release : 2002-12-05
Category : Literary Criticism
ISBN : 9781139436670

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Theatrical Convention and Audience Response in Early Modern Drama by Jeremy Lopez Pdf

This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.

Performance and Religion in Early Modern England

Author : Matthew J. Smith
Publisher : University of Notre Dame Pess
Page : 501 pages
File Size : 43,8 Mb
Release : 2018-12-15
Category : Drama
ISBN : 9780268104689

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Performance and Religion in Early Modern England by Matthew J. Smith Pdf

In Performance and Religion in Early Modern England, Matthew J. Smith seeks to expand our view of “the theatrical.” By revealing the creative and phenomenal ways that performances reshaped religious material in early modern England, he offers a more inclusive and integrative view of performance culture. Smith argues that early modern theatrical and religious practices are better understood through a comparative study of multiple performance types: not only commercial plays but also ballads, jigs, sermons, pageants, ceremonies, and festivals. Our definition of performance culture is augmented by the ways these events looked, sounded, felt, and even tasted to their audiences. This expanded view illustrates how the post-Reformation period utilized new capabilities brought about by religious change and continuity alike. Smith posits that theatrical practice at this time was acutely aware of its power not just to imitate but to work performatively, and to create spaces where audiences could both imaginatively comprehend and immediately enact their social, festive, ethical, and religious overtures. Each chapter in the book builds on the previous ones to form a cumulative overview of early modern performance culture. This book is unique in bringing this variety of performance types, their archives, venues, and audiences together at the crossroads of religion and theater in early modern England. Scholars, graduate and undergraduate students, and those generally interested in the Renaissance will enjoy this book.