Stanley Kubrick And The Art Of Adaptation

Author : Greg Jenkins
Publisher : McFarland
Page : 182 pages
File Size : 42,8 Mb
Release : 2015-08-13
Category : Performing Arts
ISBN : 9781476608846

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Stanley Kubrick and the Art of Adaptation by Greg Jenkins Pdf

Paring a novel into a two-hour film is an arduous task for even the best screenwriters and directors. Often the resulting movies are far removed from the novel, sometimes to the point of being unrecognizable. Stanley Kubrick's adaptations have consistently been among the best Hollywood has to offer. Kubrick's film adaptations of three novels--Lolita, The Shining and Full Metal Jacket--are analyzed in this work. The primary focus is on the alterations in the characters and narrative structure, with additional attention to style, scope, pace, mood and meaning. Kubrick's adaptations simplify, impose a new visuality, reduce violence, and render the moral slant more conventional. Instructors considering this book for use in a course may request an examination copy here.

Author : Charles Bane
Publisher : Unknown
Page : 128 pages
File Size : 43,6 Mb
Release : 2006
Category : Electronic
ISBN : OCLC:71229697

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Viewing Novels, Reading Films by Charles Bane Pdf

Author : Elisa Pezzotta
Publisher : Univ. Press of Mississippi
Page : 241 pages
File Size : 48,5 Mb
Release : 2013-07-25
Category : Performing Arts
ISBN : 9781617038945

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Stanley Kubrick by Elisa Pezzotta Pdf

Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations--2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)--are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.

Author : Maria Pramaggiore
Publisher : Bloomsbury Publishing USA
Page : 224 pages
File Size : 52,7 Mb
Release : 2014-12-18
Category : Performing Arts
ISBN : 9781441147417

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Making Time in Stanley Kubrick's Barry Lyndon by Maria Pramaggiore Pdf

Considered by critics to be Stanley Kubrick's masterpiece, Barry Lyndon has suffered from scholarly and popular neglect. Maria Pramaggiore argues that one key reason that this film remains unappreciated, even by Kubrick aficionados, is that its transnational and intermedial contexts have not been fully explored. Taking a novel approach, she looks at the film from a transnational perspective -- as a foreign production shot in Ireland and an adaptation of a British novel by an American director about an Irish subject. Pramaggiore argues that, in Barry Lyndon, Kubrick develops his richest philosophical mediation on cinema's capacity to mediate the real and foregrounds film's relationship to other technologies of visuality, including painting, photography, and digital media. By combining extensive research into the film's source novel, production and reception with systematic textual analysis and an engagement with several key issues in contemporary academic debate, this work promises not only to make a huge impact in the field of Kubrick studies, but also in 1970s filmmaking, cultural history and transnational film practice.

Author : Wikipedia contributors
Publisher : e-artnow sro
Page : 1526 pages
File Size : 41,6 Mb
Release : 2024-06-01
Category : Electronic
ISBN : 8210379456XXX

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Focus On: 100 Most Popular American Romantic Drama Films by Wikipedia contributors Pdf

Author : Wikipedia contributors
Publisher : e-artnow sro
Page : 1761 pages
File Size : 41,6 Mb
Release : 2024-06-01
Category : Electronic
ISBN : 8210379456XXX

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Focus On: 100 Most Popular Nonlinear Narrative Films by Wikipedia contributors Pdf

Author : Gene D. Phillips
Publisher : Unknown
Page : 241 pages
File Size : 51,7 Mb
Release : 2001
Category : Motion picture producers and directors
ISBN : OCLC:1024284068

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Stanley Kubrick by Gene D. Phillips Pdf

From his first feature film, Fear and Desire (1953), to his final, posthumously released Eyes Wide Shut (1999), Stanley Kubrick excelled at probing the dark corners of human consciousness. In doing so, he adapted such popular novels as The Killing, Lolita, A Clockwork Orange, and The Shining and selected a wide variety of genres for his films -- black comedy (Dr. Strangelove), science fiction (2001: A Space Odyssey), and war (Paths of Glory and Full Metal Jacket). Because he was peerless in unveiling the intimate mysteries of human nature, no new film by Kubrick ever failed to spark debate or.

Author : Gary D. Rhodes
Publisher : McFarland
Page : 264 pages
File Size : 40,9 Mb
Release : 2015-09-03
Category : Performing Arts
ISBN : 9781476610504

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Stanley Kubrick by Gary D. Rhodes Pdf

Seventeen essays examine the career and films of director Stanley Kubrick from a variety of perspectives. Part I focuses on his early career, including his first newsreels, his photography for Look magazine, and his earliest films (Fear and Desire, Killer’s Kiss). Part II examines his major or most popular films (Paths of Glory, The Shining, 2001: A Space Odyssey). Part III provides a thorough case study of Eyes Wide Shut, with four very different essays focusing on the film’s use of sound, its representation of gender, its carnivalesque qualities, and its phenomenological nature. Finally, Part IV discusses Kubrick’s ongoing legacy and his impact on contemporary filmmakers. Instructors considering this book for use in a course may request an examination copy here.

Author : I.Q. Hunter,Nathan Abrams
Publisher : Bloomsbury Publishing USA
Page : 559 pages
File Size : 43,9 Mb
Release : 2021-01-14
Category : Performing Arts
ISBN : 9781501343636

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The Bloomsbury Companion to Stanley Kubrick by I.Q. Hunter,Nathan Abrams Pdf

Stanley Kubrick is one of the most revered directors in cinema history. His 13 films, including classics such as Paths of Glory, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining, attracted controversy, acclaim, a devoted cult following, and enormous critical interest. With this comprehensive guide to the key contexts - industrial and cultural, as well as aesthetic and critical - the themes of Kubrick's films sum up the current vibrant state of Kubrick studies. Bringing together an international team of leading scholars and emergent voices, this Companion provides comprehensive coverage of Stanley Kubrick's contribution to cinema. After a substantial introduction outlining Kubrick's life and career and the film's production and reception contexts, the volume consists of 39 contributions on key themes that both summarise previous work and offer new, often archive-based, state-of-the-art research. In addition, it is specifically tailored to the needs of students wanting an authoritative, accessible overview of academic work on Kubrick.

Author : Elisa Pezzotta
Publisher : Univ. Press of Mississippi
Page : 208 pages
File Size : 50,7 Mb
Release : 2013-07-25
Category : Performing Arts
ISBN : 9781496800763

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Stanley Kubrick by Elisa Pezzotta Pdf

Although Stanley Kubrick adapted novels and short stories, his films deviate in notable ways from the source material. In particular, since 2001: A Space Odyssey (1968), his films seem to definitively exploit all cinematic techniques, embodying a compelling visual and aural experience. But, as author Elisa Pezzotta contends, it is for these reasons that his cinema becomes the supreme embodiment of the sublime, fruitful encounter between the two arts and, simultaneously, of their independence. Stanley Kubrick's last six adaptations--2001: A Space Odyssey, A Clockwork Orange (1971), Barry Lyndon (1975), The Shining (1980), Full Metal Jacket (1987), and Eyes Wide Shut (1999)--are characterized by certain structural and stylistic patterns. These features help to draw conclusions about the role of Kubrick in the history of cinema, about his role as an adapter, and, more generally, about the art of cinematic adaptations. The structural and stylistic patterns that characterize Kubrick adaptations seem to criticize scientific reasoning, causality, and traditional semantics. In the history of cinema, Kubrick can be considered a modernist auteur. In particular, he can be regarded as an heir of the modernist avant-garde of the 1920s. However, author Elisa Pezzotta concludes that, unlike his predecessors, Kubrick creates a cinema not only centered on the ontology of the medium, but on the staging of sublime, new experiences.

Author : Chris Wade
Publisher : Lulu.com
Page : 104 pages
File Size : 52,5 Mb
Release : 2018-09-14
Category : Art
ISBN : 0244416001

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Classic Film Series: Stanley Kubrick's the Shining by Chris Wade Pdf

In this book, Chris Wade explores Stanley Kubrick's 1980 adaptation of Stephen King's novel, The Shining. The film concerns Jack Torrance (Jack Nicholson), who takes on the job of winter caretaker for the isolated Overlook Hotel, taking with him his wife Wendy (Shelley Duvall) and Danny (Danny Lloyd), only to find the vast establishment is home to a host of spirits and dark forces. The Shining is one of the most discussed, dissected and popular films of the past fifty years, garnering an intense cult following which seems to grow as the years go on. Wade explores various themes prevalent in the film, examines the differences between Kubrick and King's visions, and digs deep to look at the various subliminal and metaphorical layers beneath the surface.

Author : James Fenwick
Publisher : Rutgers University Press
Page : 186 pages
File Size : 43,5 Mb
Release : 2020-12-18
Category : Performing Arts
ISBN : 9781978814899

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Stanley Kubrick Produces by James Fenwick Pdf

Stanley Kubrick Produces provides the first comprehensive account of Stanley Kubrick’s role as a producer, and of the role of the producers he worked with throughout his career. It considers how he first emerged as a producer, how he developed the role, and how he ultimately used it to fashion himself a powerbase by the 1970s. It goes on to consider how Kubrick’s centralizing of power became a self-defeating strategy by the 1980s and 1990s, one that led him to struggle to move projects out of development and into active production. Making use of overlooked archival sources and uncovering newly discovered ‘lost’ Kubrick projects (The Cop Killer, Shark Safari, and The Perfect Marriage among them), as well as providing the first detailed overview of the World Assembly of Youth film, James Fenwick provides a comprehensive account of Kubrick’s life and career and of how he managed to obtain the level of control that he possessed by the 1970s. Along the way, the book traces the rapid changes taking place in the American film industry in the post-studio era, uncovering new perspectives about the rise of young independent producers, the operations of influential companies such as Seven Arts and United Artists, and the whole field of film marketing.

Author : Maarten Coëgnarts
Publisher : Academic Studies PRess
Page : 557 pages
File Size : 46,8 Mb
Release : 2019-12-17
Category : Performing Arts
ISBN : 9781644691144

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Film as Embodied Art by Maarten Coëgnarts Pdf

How do the films of Kubrick communicate mental events of characters in a purely visual manner? And how does the music in his films express meaning when music in essence is an abstract and non-representational art form? Drawing on state-of-the-art discoveries within embodied cognitive science, this book sets out to address these and other questions by revealing Kubrick as a genuine artist of embodied meaning-making, a filmmaker who perhaps more than any other director, uses all the resources of filmmaking in such a controlled and dense manner as to elicit the embodied tools necessary to achieve a level of conceptual clarity.

Author : Anna Pilińska
Publisher : Cambridge Scholars Publishing
Page : 155 pages
File Size : 55,9 Mb
Release : 2015-09-04
Category : Performing Arts
ISBN : 9781443881463

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Lolita between Adaptation and Interpretation by Anna Pilińska Pdf

"This book offers a comparative analysis of three versions of Vladimir Nabokov's Lolita: namely, the original novel (1955), the script written by the novelist himself and published as Lolita: A Screenplay (1974), and Stanley Kubrick's film based on Lolita's storyline (1962). Kubrick's final product oscillates between adaptation and interpretation, as it draws from both Nabokov's novel and script, but also uses the improvisational talents of the cast, eventually rendering the director's firm auteurial hand clearly visible throughout the film. The book analyses how various additions and subtractions made first by Nabokov as a screenwriter, and later by Kubrick as a movie director, influence the reception of the four main characters: Lolita, Humbert Humbert, Charlotte Haze, and Clare Quilty. The original novel's multilayered web of intertextual references -- among them the works of Edgar Allan Poe and the typically Nabokovian critique of Freudian theories -- becomes significantly reduced in the script and the film, with Kubrick additionally enriching the film version of the story with cinematic references"--Provided by publisher.

Author : James Naremore
Publisher : Bloomsbury Publishing
Page : 312 pages
File Size : 45,5 Mb
Release : 2019-07-25
Category : Performing Arts
ISBN : 9781838717476

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On Kubrick by James Naremore Pdf

On Kubrick provides an illuminating critical account of the films of Stanley Kubrick, from his earliest feature, Fear and Desire (1953), to the posthumously-produced A.I. Artificial Intelligence (Steven Spielberg, 2001). The book offers provocative analysis of each of Kubrick's films, together with new information about their production histories and cultural contexts. Its ultimate aim is to provide a concise yet thorough discussion that will be useful as both an academic text and a trade publication. James Naremore argues that in several respects Kubrick was one of the cinema's last modernists: his taste and sensibility were shaped by the artistic culture of New York in the 1950s; he became a celebrated auteur who forged a distinctive style; he used art-cinema conventions in commercial productions; he challenged censorship regulations; and throughout his career he was preoccupied with one of the central themes of modernist art – the conflict between rationality and its ever-present shadow, the unconscious. War and science are key concerns in Kubrick's oeuvre, and his work has a hyper-masculine quality. Yet no director has more relentlessly emphasized the absurdity of combat, as in Paths of Glory (1957) and Full Metal Jacket (1987), the failure of scientific reasoning, as in 2001 (1968), and the fascistic impulses in masculine sexuality, as in Dr Strangelove (1964) and Eyes Wide Shut (1999). The book also argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Often described as 'cool' or 'cold,' Kubrick is best understood as a skillful practitioner of what might be called the aesthetics of the grotesque; he employs extreme forms of caricature and black comedy to create disgusting, frightening yet also laughable images of the human body, creating a sense of unease that leaves viewers unsure of how to react.