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Stanley Spencer (1891-1959) explored fundamental issues of life with an urgency and persistence unique among British artists of his generation. His art comments on religion, love, sexuality, fraternity and community. Covering all aspects of Spencer's paintings, this original publication provides a comprehensive analysis of the artist's entire oeuvre.
Sir Stanley Spencer,Fiona MacCarthy,Hirshhorn Museum and Sculpture Garden,Mexico City Centro Cultural Arte Contemporaneo,British Council,Fine arts museums (San Francisco, Calif.)
Author : Sir Stanley Spencer,Fiona MacCarthy,Hirshhorn Museum and Sculpture Garden,Mexico City Centro Cultural Arte Contemporaneo,British Council,Fine arts museums (San Francisco, Calif.) Publisher : Yale University Press Page : 216 pages File Size : 48,7 Mb Release : 1997-01-01 Category : Art ISBN : 9780300073379
Stanley Spencer by Sir Stanley Spencer,Fiona MacCarthy,Hirshhorn Museum and Sculpture Garden,Mexico City Centro Cultural Arte Contemporaneo,British Council,Fine arts museums (San Francisco, Calif.) Pdf
Finding inspiration in his quiet village on the river Thames, early 20th-century painter Stanley Spencer drew on his familiar world to arrive at an art of epic grandeur--though often homely and weird. Biographer Fiona MacCarthy investigates Spencer's life, sets his work in its cultural context, and emphasizes the links between his life and his paintings--and sheds new light on this sensitive and enigmatic artist. 85 color and 30 b&w illustrations. .
Stanley Spencer was one of Britain's greatest twentieth-century artists. This book tells the story of the artist's journey from cosseted family life, through the drudgery of a war hospital and the malarial battlefields of a forgotten front, to his vision of peace and resurrection in Burghclere.
In this ground-breaking book, a theory of ’distortion’ - of the way in which the processes of human life are subject to interference, diversion and transformation - is developed by way of the art of one of Britain’s greatest twentieth-century painters and that art’s public reception. Devoted to his native village of Cookham-on-Thames, Stanley Spencer painted not only landscapes and portraits with loving detail but also the ’memory-feelings’ which he felt were a ’sacred’ part of his consciousness. Yet Spencer was also a controversial public figure, with some taking the view that his visionary paintings were ugly distortions of human life, even marks of an immoral nature. Examining how Spencer lived his vision, how he painted it and wrote it, and also how his attempts to communicate that vision were received by his contemporaries and have continued to be interpreted since his death, the author posits distortion as key: an intrinsic aspect both of human creation and of human interaction. What we intend to make, to say, to do and have done, often mutates in the process of being expressed or put into effect: we live amid distortion. Love - the affective appreciation of one another - is then a means by which we accommodate distortion and its consequences in our lives. An illustration, through Stanley Spencer’s story, of significant aspects of a human condition, this book will appeal across disciplines, including to art historians and students of Spencer’s work, as well as to scholars of anthropology with interests in creativity, perception and interpretation.
The remarkable English painter Stanley Spencer produced a series of works entitled Christ in the Wilderness (1939-54), portraying the forty days Jesus spent in the wilderness. These beautiful and compelling images give us a startling insight into Jesus' vocation and his own understanding of his ministry. They show his great love for nature and affinity with all creation. In this attractive illustrated book, Stephen Cottrell reflects on five of the Christ in the Wilderness paintings, and reveals them to be a rich source of spiritual wisdom and nourishment. He invites us to slow down and enter into the stillness of Stanley Spencer's vision. By dwelling in the wilderness of these evocative portraits, Stephen Cottrell encourages us to refine our own discipleship and learn again what it means to follow Christ.
The First World War is over, and in a quiet Hampshire village, artist Stanley Spencer is working on the commission of a lifetime, painting an entire chapel in memory of a life lost in the war to end all wars. Combining his own traumatic experiences with moments of everyday redemption, the chapel will become his masterpiece. When Elsie Munday arrives to take up position as housemaid to the Spencer family, her life quickly becomes entwined with the charming and irascible Stanley, his artist wife Hilda and their tiny daughter Shirin. As the years pass, Elsie does her best to keep the family together even when love, obsession and temptation seem set to tear them apart...
War Memories by Stéphanie A.H. Bélanger,Renée Dickason Pdf
War Memories explores the patchwork formed by collective memory, public remembrance, private recollection, and the ways in which they form a complex composition of observations, initiatives, and experiences. Offering an international perspective on war commemoration, contributors consider the process of assembling historical facts and subjective experiences to show how these points of view diverge according to various social, cultural, political, and historical perspectives. Encompassing the representations of wars in the English-speaking world over the last hundred years, this collection presents an extensive, yet integrated, reflection on various types of commemoration and interpretations of events. Essays respond to common questions regarding war memory: how and why do we remember war? What does commemoration tell us about the actors in wars? How does commemoration reflect contemporary society’s culture of war? War Memories disseminates current knowledge on the performance, interpretation, and rewriting of facts and events during and after wars, while focusing on how patriotic fervour, resistance, conscientious objection, injury, trauma, and propaganda contribute to the shaping of individual and collective memory. Contributors include Joan Beaumont (Australian National University, Canberra), Gilles Chamerois (University of Brest, France), Subarno Chattarji (University of Delhi, India), Nicole Cloarec (Rennes 1 University, France), Corinne David-Ives (European University of Brittany – Rennes 2, France), Jeffrey Demsky (San Bernardino Valley College, California), Sam Edwards (Manchester Metropolitan University), Georges Fournier (Jean Moulin University, France), Annie Gagiano (University of Stellenbosch, South Africa), David Haigron (Rennes 2 University, France), Judith Keene (University of Sydney, Australia), Melissa King (San Bernardino Valley College, California), Christine Knauer (Eberhard Karls University Tübingen, Germany), Liliane Louvel (University of Poitiers), Michelle P. Moore (Canadian Army Doctrine and Training Centre, Kingston, Ontario), John Mullen (University of Rouen, France), Lorie-Anne Duech-Rainville (Caen University, France), Elizabeth Rechniewski (Australian Research Council Discovery Project), Raphaël Ricaud (University ‘Paris Ouest Nanterre La Défense’, France), Laura Robinson (Royal Military College of Canada), and Isabelle Roblin (Université du Littoral-Côte d’Opale, France).
Edinburgh Companion to the First World War and the Arts by Ann-Marie Einhaus Pdf
A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present
The Art of Hilda Carline by Alison Thomas,Usher Gallery (Lincoln, England) Pdf
Hilda Carline was Stanley Spencer's first wife and was herself an accomplished artist. However, the pressures of living in an era when women were given little recognition, coupled with her marriage to a prominent artist, seems to have consumer her life.
Beyond Description by Paolo Heywood,Matei Candea Pdf
Beyond Description brings anthropologists and other social scientists together to examine the problem of explanation. What is "an explanation?" What can it add? What makes it authoritative, clarifying, or misleading? Whom does it serve and how is it produced? These questions lie at the heart of recent public crises of confidence in expertise, political representation, and classic liberal visions of whom we can rely on for true and trustworthy accounts. In a world beset by events and processes that seem to defy expert predictions of their impossibility, and in which post-hoc accounts can often feel more like rationalizations than explanations, competing voices vie for public presence and seek to silence one another. Anthropology and the social sciences face such questions too, making contemporary explanatory practice both an empirical and a reflexive challenge. By combining ethnographic studies of practices of explanation in a range of contemporary political, medical, artistic, religious, and bureaucratic settings, the essays in Beyond Description offer critical examinations of changing norms and forms of explanation in the world and within anthropology itself.
Love and the Politics of Care by Stanislava Dikova,Wendy McMahon,Jordan Savage Pdf
This edited volume offers a contemporary rethinking of the relationship between love and care in the context of neoliberal practices of professionalization and work. Each of the book's three sections interrogates a particular site of care, where the affective, political, legal, and economic dimensions of care intersect in challenging ways. These sites are located within a variety of institutionally managed contexts such as the contemporary university, the theatre hall, the prison complex, the family home, the urban landscape, and the care industry. The geographical spread of the case studies stretches across India, Vietnam, Sweden, Brazil, South Africa, the UK and the US and provides broad coverage that crosses the divide between the Global North and the Global South. To address this transnational interdisciplinary field of study, the collection utilises insights from across the humanities and social sciences and includes contributions from literature, sociology, cultural and media studies, philosophy, feminist theory, theatre, art history, and education. These inquiries build on a variety of conceptual tools and research methods, from data analysis to psychoanalytic reading. Love and the Politics of Care delivers an attentive and widely relevant examination of the politics of care and makes a compelling case for an urgent reconsideration of the methods that currently structure and regulate it.