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Continuing his ongoing social critique, Henry Giroux now looks at the way corporate culture is encroaching on the lives of children by exploring three myths prevalent in our society: that the triumph of democracy is related to the triumph of the market; that children are unaffected by power and politics; that teaching and learning are no longer linked to improving the world. Looking at childhood beauty pageants, school shootings and the omnipresent nihilistic chic of advertising, Giroux paints a disturbing picture of the world surrounding our children. Ultimately, he turns to the work of Antonio Gramsci, Paulo Freire and Stuart Hall for lessons about how we can reinstitute a realistic childhood for our children.
Eleven-year-old Erin Merryn's life was transformed on the night she was sexually abused by her cousin, someone she loved and trusted. As the abuse continued, and as she was forced to see her abuser over and over again in social situations, she struggled with self-doubt, panic attacks, nightmares and the weight of whether or not to tell her terrible secret. It wasn't until a traumatic series of events showed her the cost of silence that she chose to speak out-in the process destroying both her family and the last of her innocence. Through her personal diary, written during the years of her abuse, Erin Merryn shares her journey through pain and confusion to inner strength and, ultimately, forgiveness. Raw, powerful and unflinchingly honest, Stolen Innocence is the inspiring story of one girl's struggle to become a woman, and a bright light on the pain and devastation of abuse. Stolen Innocence is written with conviction and clarity. [Erin Merryn] doesn't hold back, and I respect her honesty and openness...By the end of the book, I thought I was reading passages from a much older adult than a high school senior. Erin has grown into a strong, wise, intelligent, perceptive, spiritual, caring adult." —Susan Reedquist, The Children's Advocacy Center
“Both creepy…and quite moving.” —New York Times Book Review “Wall’s story couldn’t be more timely.” —People Stolen Innocence is the gripping New York Times bestselling memoir of Elissa Wall, the courageous former member of Utah’s infamous FLDS polygamist sect whose powerful courtroom testimony helped convict controversial sect leader Warren Jeffs in September 2007. At once shocking, heartbreaking, and inspiring, Wall’s story of subjugation and survival exposes the darkness at the root of this rebel offshoot of the Mormon faith.
This is a story of the survival of two young children who were abducted by their mother. Lisa, nine and Sean, eight were abducted during a weekend visit on November 14, 1980. This is Lisa's story of the worst five years of her life. Lisa and Sean were moved back and forth across the U.S.A. and Canada. They were relocated every one to six months, in order to avoid being found. Stolen Innocence is a collection of Lisa's memories of those five years.
I was sold like property on the day of my father’s funeral. I’d thought his death would set me free, but I’d never truly understood what it meant to have all my freedoms stripped away. Until that day, I’d been living in a child’s fantasy. Then, my brother sells me, and I don’t have the luxury of being a child anymore. I’m taken to Vicente Rodríguez’s estate, to be kept as his plaything. When I’m old enough, he’ll claim my innocence. My only reprieve from my hellish reality is in the strained companionship I share with his son, Adrián. Sometimes, I think he hates me. He can be cold and cruel, his burning green eyes glowering when he looks at me. But the longer I’m trapped in his home, the more heated those looks become, and not just with hatred. They make something burn within me, too. My innocence is no longer mine to give, but Adrián might be the first one to claim it for himself. Note: Stolen Innocence is the prequel to Stealing Beauty.
Kimberly could not believe what her uncle wanted her to do. In order to keep the inheritance of her husband's; her uncle wanted her to get pregnant. Yet, when the new spouse dies unexpectedly, Uncle Charles kidnaps a man who resembles Kimberly's decease husband, ties him to a bed, and orders Kimberly to steal his seed. Uncle Charles would kill him after the deed was done so no one would ever know the truth.Surly, mean tempered Jaelen can't believe someone had the nerve to do this to him. When his cold eyes fall on the beautiful, angelic Kimberly and he realizes her intentions, he vows to escape and get revenge if it takes the rest of his life.
Just as women in the Bible have been overlooked for much of interpretative history, children in the Bible have fascinating and compelling stories that scholars have largely ignored. This groundbreaking book focuses on children in the Hebrew Bible. The author argues that the biblical writers recognized children as different from adults and used these ideas to shape their stories. She provides conceptual and historical frameworks for understanding children and childhood, and examines Hebrew terms related to children and youth. The book introduces a new methodology of childist interpretation and applies it to the Elisha cycle (2 Kings 2-8), which contains forty-nine child characters. Combining literary insights with social-scientific evidence, the author demonstrates that children play critical roles in the world of the text as well as the culture that produced it.
Kimberly could not believe what her uncle wanted her to do. In order to keep the inheritance of her husband's; her uncle wanted her to get pregnant. Yet, when Hawthorne dies unexpectedly, Uncle Charles kidnaps a man who resembles Kimberly's decease husband, ties him to a bed, and orders Kimberly to rape the man until she is pregnant. Uncle Charles would kill him, after the deed was done so no one would ever know the truth. Having no choice in the matter, Kimberly faces the exquisite dark body of man and in her innocence prepares herself to steal his seed. Surly, mean tempered Jaelen can't believe someone had the nerve to tie him to the bed. When his cold eyes fall on the beautiful, angelic Kimberly and he realizes her intentions, he vows to escape and get revenge if it takes the rest of his life.
Every Falling Star by Sungju Lee,Susan Elizabeth McClelland Pdf
Written for a young audience, this intense memoir explores the harsh realities of life on the streets in contemporary North Korea. Every Falling Star is the memoir of Sungju Lee, who at the age of twelve was forced to live on the streets of North Korea and fend for himself. To survive, Sungju creates a gang and lives by thieving, fighting, begging, and stealing rides on cargo trains. Sungju richly recreates his scabrous story, depicting what it was like for a boy alone to create a new family with his gang, “his brothers,” to daily be hungry and to fear arrest, imprisonment, and even execution. This riveting memoir allows young readers to learn about other cultures where freedoms they take for granted do not exist.
To Steal a Heart (The Bleecker Street Inquiry Agency Book #1) by Jen Turano Pdf
After a childhood as a street thief, Gabriella Goodhue thought she'd put her past behind her until a fellow resident at her boardinghouse is unjustly accused of theft. In the middle of breaking into a safe that holds the proof to prove her friend's innocence, Gabriella is interrupted by Nicholas Quinn, the man she once considered her best friend--until he abandoned her. After being taken under the wing of a professor who introduced him into society and named him as heir, Nicholas is living far removed from his childhood life of crime. As a favor to a friend, Nicholas agreed to help clear the name of an innocent woman, never imagining he'd be reunited with the girl he thought lost to him forever. As Gabriella and Nicholas are thrown together into one intrigue after another, their childhood affection grows into more, but their newfound feelings are tested when truths about their past are revealed and danger follows their every step.
Critical Literacy by Eugene F. Provenzo,Michael W. Apple Pdf
In Critical Literacy Eugene F. Provenzo Jr. challenges E. D. Hirsch's assumptions about culture and education. Calling for a broader and more democratic vision than Hirsch, Provenzo critiques Hirsch's legacy up through the current conservative educational agenda for education which, he argues, denies, not only the United States' diversity, but its democratic traditions of democratic participation. His book shows why critical faculties and skills of students are essential not only to the success of individual students but to their participation in a healthy democracy. Provenzo offers a list of 5,000 things every educated American ought to know-- none of them the same items as those included on Hirsch's list in Cultural Literacy. Critical Literacy is essential reading for those concerned with our schools and the future of our children.
Performance Autoethnography by Norman K. Denzin Pdf
This book is a manifesto. It is about rethinking performance autoethnography, about the formation of a critical performative cultural politics, about what happens when everything is already performative, when the dividing line between performativity and performance disappears. This is a book about the writing called autoethnography. It is also about what this form of writing means for writers who want to perform work that leads to social justice. Denzin’s goal is to take the reader through the history, major terms, forms, criticisms and issues confronting performance autoethnography and critical interpretive. To that end many of the chapters are written as performance texts, as ethnodramas. A single thesis organizes this book: the performance turn has been taken in the human disciplines and it must be taken seriously. Multiple informative performance models are discussed: Goffman’s dramaturgy; Turner’s performance anthropology; performance ethnographies by A. D. Smith, Conquergood, and Madison; Saldana’s ethnodramas; Schechter’s social theatre; Norris’s playacting; Boal’s theatre of the oppressed; and Freire’s pedagogies of the oppressed. They represent different ways of staging and hence performing ethnography, resistance and critical pedagogy. They represent different ways of "imagining, and inventing and hence performing alternative imaginaries, alternative counter-performances to war, violence, and the globalized corporate empire" (Schechner 2015). This book provides a systematic treatment of the origins, goals, concepts, genres, methods, aesthetics, ethics and truth conditions of critical performance autoethnography. Denzin uses the performance text as a vehicle for taking up the hard questions about reading, writing, performing and doing critical work that makes a difference.
Giroux Reader by Henry A. Giroux,Christopher G. Robbins Pdf
One of the world's leading social critics and educational theorists, Henry A. Giroux has contributed significantly to critical pedagogy, cultural studies, youth studies, social theory, and cultural politics. This new book offers a carefully selected cross-section of Giroux's many scholarly and popular writings, which bridge the theoretical and practical, integrate multiple academic disciplines, and fuse scholarly rigor with social relevance. The essays underscore the continuities and transformations in Giroux's thought, just as they offer invaluable approaches to understanding a range of social problems. Giroux's work suggests that a more humane and democratic world is possible and provides critical tools that can assist concerned citizens in bringing it into being.
Henry Giroux continues his critique of American culture and the way it impinges on the lives of our children. This time, Henry goes further, looking at the 'Bush Restoration' years, the attacks of September 11th and the way the world has been transformed for our children and young adults.
