Still Filmmaking The Hard Way Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Still Filmmaking The Hard Way book. This book definitely worth reading, it is an incredibly well-written.
A cynical case study of the feature film production of All God's Creatures written by multi-hyphenate writer/producer/director/actor Josh Folan, "Filmmaking, the Hard Way" puts low budget filmmaking under the microscope by analyzing the process of making a film from top to bottom with an honesty and transparency rarely found in writings of its kind. "Filmmaking, the Hard Way" lauds itself as THE indie filmmaker bible for problem solving at the micro-budget level and is written in a voice intended to speak to the reader as a peer, not a pupil. "Josh has spent months processing and organizing everything he learned along the way and turned it into a book that can help you do the same. This is EXACTLY what indie filmmaking is all about. You would be hard-pressed to find another book as detailed and direct about the costs associated with getting this process right, the pitfalls, the tiny windows of opportunity that you must recognize and act upon immediately..." - Ryan Gielen, Award Winning Filmmaker
A detailed recounting of the step-by-step process of the development, production and distribution of three micro-budget feature films with one critical commonality - producer and fifteen-year independent filmmaking veteran Josh Folan. Josh walks the reader through each and every painstaking step of the making of three sub-$250,000 USD films featured in the case study - Ask For Jane, Love Is Dead!, catch 22 - while explaining, scrutinizing and contrasting the experience in a voice intended to entertain, not lecture. The experience of producing sixteen feature films and a bevy of short, episodic and commercial projects inform the words herein, across which countless mistakes and learning experiences were had by the author. Still Filmmaking, the Hard Way offers readers the opportunity to learn this laundry list of lessons at a tiny fraction of the cost of crippling your own film's micro-budget.
A detailed recounting of the step-by-step process of the development, production and distribution of three micro-budget feature films with one critical commonality - producer and fifteen-year independent filmmaking veteran Josh Folan. Josh walks the reader through each and every painstaking step of the making of three sub-$250,000 USD films featured in the case study - Ask For Jane, Love Is Dead!, catch 22 - while explaining, scrutinizing and contrasting the experience in a voice intended to entertain, not lecture. The experience of producing sixteen feature films and a bevy of short, episodic and commercial projects inform the words herein, across which countless mistakes and learning experiences were had by the author. Still Filmmaking, the Hard Way offers readers the opportunity to learn this laundry list of lessons at a tiny fraction of the cost of crippling your own film's micro-budget.
The candid, hilarious, and inspiring memoir of the iconic star of Beauty and the Beast,the Hellboy movies,and Sons of Anarchy. A classically trained actor who cut his teeth in the East Village's Off-Broadway scene, Ron Perlman—a Golden Globe winner (Beauty and the Beast) with starring roles in the Hellboymovies, Drive, Pacific Rim, and Sons of Anarchy—has traveled an offbeat path to showbiz success. His story involves rising from New York's tough Washington Heights neighborhood, enduring incredible hardships, and ignoring the naysayers who taunted him for his distinctive looks. It's a tale that demonstrates the power of persistence. With a filmography of nearly 200 credits working alongside countless stars during his forty-year career, Perlman knows the ins-and-outs of filmmaking. In Easy Street (the Hard Way), he shares his inspiring story for the next generation of performers.
Jumpstart Your Awesome Film Production Company by Sara Caldwell Pdf
Firsthand knowledge and advice on every aspect of forming a film production company can be found in this one source. Film production company owners, entertainment attorneys, accountants, and distributors answer the most commonly asked questions on forming and running a successful film production company. They provide proven tips for setting up shop, following a financial plan, working with investors, forming a marketing strategy, getting a film distributed, and more. Real-life anecdotes from a wide range of professionals from the production company trenches are both informing and entertaining.
The Cinema of Soviet Kazakhstan 1925–1991 by Peter Rollberg Pdf
This monograph traces the history of Kazakh filmmaking from its conception as a Soviet cultural construction project to its peak as fully-fledged national cinema to its eventual re-imagining as an art-house phenomenon. The author’s analysis places leading directors—Shaken Aimanov, Abdulla Karsakbaev, Sultan-Akhmet Khodzhikov, Mazhit Begalin—in their sociopolitical and cultural context.
The Basics of Filmmaking is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with detailed chapters covering each department involved in the filmmaking process. The book takes a behind-the-scenes look at every aspect of the filmmaking process: writing the screenplay (and getting it critiqued by a professional), pre-production, cinematography, lighting, the shooting process, getting good audio, editing, and even going to a pitch meeting to sell it. It addresses the real fundamentals, the mechanics and the basic concepts of how to write, produce, direct, shoot, record, and edit your movie. Written by Blain Brown, a seasoned expert who has worked professionally as a cinematographer, screenwriter, director, producer, line producer, assistant director, gaffer, grip, and editor; this is a must have resource for any filmmaking student. Featuring an accompanying companion website with video examples of scene directing methods, continuity and coverage, working with the camera, lighting, audio, and editing, and downloadable production forms you can fill out and use for your projects.
A Transboundary Cinema by Tage Tayfun Einar Luxembourgeus Pdf
Tunç Okan (Bay Okan) is an independent emigrant filmmaker born in 1942 in Turkey. He started his filmmaking career in 1974 with his debut film The Bus, which he made in Sweden, and partly in Germany. He completed the film some seven years after he quit his short but hectic acting career in Turkey’s popular commercial cinema industry, Yeşilçam. A dentist by training, Okan’s cinema career started in 1965 after winning an acting competition organised by a popular film magazine. Starring in thirteen films in a period of less than two years, he achieved considerable fame. In 1967, Okan quit his career in Yeşilçam, which he accused of anaesthetising society, and immigrated to Switzerland.3 His debut film The Bus was followed by only three other films: Drôle de samedi (Funny Saturday, 1985), Mercedes mon Amour (The Yellow Mercedes, 1992), and Umut Üzümleri (Grapes of Hope, 2013). Okan’s films are products that can best be studied in relation to both the mainstream popular cinema of Turkey, Yeşilçam, in which Okan started his cinema career, and in relation to certain European filmmakers and cinema movements that have influenced his cinema. Naficy’s accented cinema concept ultimately focuses too much on Hollywood cinema, and for this reason, it is ill-equipped to study the cinema of filmmakers like Okan, whose works have little to do with Hollywood. Okan’s cinema requires a different approach and a vocabulary which will enable one to study his cinema in relation not only to Hollywood, but to a diverse group of personal cinemas and cinema movements. Okan is an eclectic filmmaker; his cinema is in constant flux. As I demonstrate in this study, Okan’s cinema is inspired by a diverse group of filmmakers and cinemas. In his films, one can find markers of, inspirations from, and references to a great variety of European filmmakers, ranging from Wim Wenders to Jacques Tati, Jean-Luc Godard to Jack Clayton, and cinema movements from Italian Neorealism to the Czechoslovak New Wave, French New Wave to British Free Cinema influenced New Wave kitchen-sink dramas. Although his films feature recurrent themes relating to im/migration, being the cinema of an independent filmmaker Okan’s cinema proves to be a difficult one to categorise because of the many neatly employed inspirations from, and references to, diverse sources. Perhaps this is one of the reasons why it has thus far received so little attention. Okan is not a “typical” Turkish film director. Only half of his films take place in Turkey, and even those films feature parts that were shot abroad. More importantly, he is not a film- maker who uses themes, cultural icons, stereotypes, narration strategies, and filmic aesthetics that have typically been used by filmmakers in Turkey. He is also not a filmmaker who has attracted the attention of international critics. His cinema is a cinema in-between; it is a cinema of tensions and competing identities, visions, and interests. It invokes a split reception on the viewer. On one hand, his films can be read in relation/reaction to tendencies in national/Turkish cinema, and on the other hand, in relation to international, particularly the European, arthouse cinema. Given this, the best way to understand and appreciate his works is perhaps to read Okan’s films in dialogue with developments in both cinema of Turkey and European (art) cinema, for his “signature” derives influences from a variety of sources in these cinemas. Okan’s own words, identifying himself as a “European Turk” could be seen as legitimisation, and encouragement to discuss his works in relation to both cinema of Turkey and European (art) cinema. Okan is neither a one-issue director nor a filmmaker who restricts himself to one format or genre. On the contrary, his films are always on the road, sometimes literally; his third film, The Yellow Mercedes, is a road movie, and The Bus, though not being a road movie in the strict sense, generously exploits the conventions of the genre. Figuratively, all of Okan’s films are in search of new ways of expression. Indeed, they are the products of this very search. This constant search motivates him to challenge, and often cross, many established conventions and boundaries of cinema. Okan’s cinema is what I call “transboundary cinema”.
Suicide The Hard Way: And Other Tales From The Innerzone by Christopher Alan Broadstone Pdf
If you love POE, BARKER and THE TWILIGHT ZONE, you'll love "SUICIDE THE HARD WAY"! SUICIDE THE HARD WAY: And Other Tales From The Innerzone –– collects 7 never-before-released stories of the macabre from CHRISTOPHER ALAN BROADSTONE, horror filmmaker (3 DEAD GIRLS!) and novelist (PUZZLEMAN). Each tale lures us down twilight byways instinctively sped-through and discounted by most, but never explored. Within these stories, however, we become lost, meandering onto backstreets and alleyways –– stumbling through the grim reality of introspection that always leads to a terrifying, nihilistic, and often brutal look into the soul: the Innerzone. Continuing this theme, SUICIDE THE HARD WAY also includes Broadstone's 3 screenplays for his award-winning short films, SCREAM FOR ME (Best Short Film: New York City Horror Film Festival), MY SKIN! (Best Horror Short Category: Shriekfest Film Festival [L.A.]), and HUMAN NO MORE (Best Horror Short: The Indie Gathering [O.H.]). These films, anthologized as the DVD 3 DEAD GIRLS! (available on Amazon), are explored in-depth by film critic MATTHEW SANDERSON in his original essay for this printing, titled: MADNESS AND MEANING. To bring even greater insight to Broadstone's filmmaking process, is the production diary kept by reviewer/filmmaker LEE BAILES, while working as Assistant Camera and BTS videographer on the set of HUMAN NO MORE. First published on the website THE RUMOUR MACHINE, it is now available here, titled: THE MAKING OF HNM: How An Englishman Spent His Summer In An L.A. Basement. (Active links to Film Music and Additional Film Info are also included in the Kindle version of this book.) Completing SUICIDE THE HARD WAY is a section compiling 32 of Broadstone's previously unpublished dark, introspective lyrics and poetry, some if which are interpolated into his films, and many others of which are lyrics for music recorded and performed by his heavy grunge/rock band, THE JUDAS ENGINE. (Active links to Downloadable Music are also included in the Kindle version of this book.) SUICIDE THE HARD WAY: And Other Tales From The Innerzone is an ambitious work that chronicles all facets of Christopher Alan Broadstone's creative career: writer, poet/lyricist, musician, and filmmaker. CONTENTS: Preface by Rick Wildridge Foreword by Lee Bailes SHORT STORIES –– Little Jimmy Combat / Hellbound Hillary / Smileys' Grave / On Strike / Suicide The Hard Way / Scream For Me / Roseblood 3 SHORT SCREENPLAYS –– Foreword by Michael Laimo –– Madness And Meaning: A Filmic Essay by Matthew Sanderson –– Screenplay Key –– Scream For Me (Adapted) / My Skin! / Human No More –– The Making of HNM by Lee Bailes –– Kindle edition includes active links throughout to Film Music and Additional Film Info. LYRICS & POETRY –– About The Lyrics & Poetry by C.A. Broadstone –– The Black Cab / Blood & Love / Broken Arm / Can I Kill It / Care And Feeding Of Suspension Bridges / Charlie Asleep / Color Of Flame / Concret. Dirt. / Cut / Dig In / Earth Machine / Endless / Goodbye In The World Again / Heaven Missed / I Am A Wall / In The Moonlight / Killer In A Jar / Little Darkness / Misanthropia / My Skin / My Swim / Never On My Hands / Night Before Never / No Misunderstanding / Scorpion Ocean / Snow / Soul In A Hole / Squirm / Thrush / Tongue / World Scream / Y –– Kindle edition includes active links throughout to Downloadable Music.
Women Filmmakers by Jacqueline Levitin,Judith Plessis,Valerie Raoul Pdf
This wide-ranging volume of new work brings together women filmmakers and critics who speak about what has changed over the past twenty years. Including such filmmakers as Margarethe von Trotta, Deepa Mehta, and Pratibha Parmar, and such critics as E. Ann Kaplan, this comprehensive volume addresses political, artistic, and economic questions vital to understanding the relationship of women to the art and business of filmmaking.
Making Movies the Nollywood Way by Seun Oloketuyi Pdf
One of the failings of Nollywood has been the absence of research into what makes a production truly great. Making Movies the Nollywood Way is a compedium of unique insights into the thought process behind most of the movies made in Nollywood as well as the motivation behind the movies.The book shares the opinions and viewpoints of 21 of the most impactful Nollywood Movie Makers on how the industry operates, what its unique challenges are and what the Nollywood loving audience look for in their favorite movies. This book will help students of Theatre Arts, Researchers in Nollywood, movie enthusiasts and anyone seeking knowledge about the industry.
Ida Lupino, Filmmaker begins with an exploration of biographical studies and analytical treatments of Lupino's film and television work as director, moving forward to assess Lupino's career in film and television with particular attention given to Lupino's singular, pioneering achievements and her role(s) within the cultural milieu(s) of her time, particularly the representation of women in cinema. Each chapter includes a close analysis of the film or television work with insights drawn from film history and cultural/gender studies to demonstrate that Lupino was a significant directorial figure in the development of film, especially in the late 1940s and early 1950s-and in television extending well into the 1960s. Lupino left her imprint on filmmaking and her canon of film and television work continue to influence Hollywood movie making. The contributors to this volume assess Lupino's main strengths as a filmmaker-her treatment of narrative movement, plotting, dialogue, gender roles, and uses of tradition representations of men and women in frames of parody and satire. The book collectively examines the successes (and failures) of Lupino's directorial career, including focusing on the reasons why she initially proved to be so strategic to the progress of women behind the camera.
The Documentary Filmmaker's Roadmap by Maxine Trump Pdf
The Documentary Filmmaker’s Roadmap is a concise and practical guide to making a feature-length documentary film—from funding to production to distribution, exhibition and marketing. Using her award-winning film Musicwood—a New York Times Critics’ Pick—as a case study, director Maxine Trump guides the reader through the complex lifecycle of the documentary Film. Her interviews with lawyers, funders, distributors, TV executives and festival programmers provide a behind-the-scenes look that will assist readers on their own filmmaking journey. Written from the perspective of a successful documentary filmmaker, the book covers mistakes made and lessons learned, a discussion on the documentary genre, crowdfunding, pre-production through post, test screenings, the festival circuit distribution, legal pitfalls, fair use and more. Perfect for documentary filmmaking students and aspiring filmmakers alike, this book emphasizes the skills needed to succeed in a competitive production market. An appendix includes useful web links for further study, a list of films for recommended viewing and sample release forms. This concise guide is ideal for the classroom or as a quick reference out in the field, at a budget meeting or in the editing room.
A compulsively readable journey into the area of film-making where all writers, directors and stars fear to tread: Development Hell, the place where scripts are written, actors hired and sets designed... but the films rarely actually get made! Whatever happened to Batman versus Superman? Why have there been so many scripts written over the years for Steven Spielberg and George Lucas's still in development Indiana Jones 4? Why was Lara Croft's journey to the big screen so tortuous, and what prevented Paul Verhoeven from filming what he calls "one of the greatest scripts ever written"? Why did Ridley Scott's Crisis in the Hot Zone collapse days away from filming, and were the Beatles really set to star in Lord of the Rings? All these lost projects, and more, are covered in this major new book, which features many exclusive new interviews with the writers and directors involved.
