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Strange Tales #9 (Pulp Magazine Edition) by Robert M. Price Pdf
This special edition of Strange Tales #9 is presented in the original magazine's dimensions. In addition to great work by Hugh B. Cave, L. Sprague de Camp, and many more, this edition adds "The Devil's Crypt," a novelet by E. Hoffmann Price.
Strange Tales #9 by Robert M. Price,Hugh B. Cave,Friday Jones Pdf
Strange Tales, vol. 4, no 2. Contributors include J. J. TRAVIS, FRIDAY JONES, HUGH B. CAVE, MICHAEL J. FANTINA, L. SPRAGUE DE CAMP, CHARLES GAROFALO. Cover by Jason Van Hollander.
This work is a composite index of the complete runs of all mystery and detective fan magazines that have been published, through 1981. Added to it are indexes of many magazines of related nature. This includes magazines that are primarily oriented to boys' book collecting, the paperbacks, and the pulp magazine hero characters, since these all have a place in the mystery and detective genre.
When Strange Tales first appeared in 1931 as a pulp magazine, it was clearly something new. Edited by Harry Bates as a companion to Astounding Stories, it combined the supernatural horror and fantasy of Weird Tales with vigorous action plots. Strange Tales rapidly attracted the most imaginative and capable writers of the day, including such Weird Tales regulars as Robert E. Howard, Clark Ashton Smith, Henry S. Whitehead, Hugh B. Cave, Ray Cummings, and numerous others. Had the Great Depression not intervened and killed it after seven issues, the whole history of fantastic fiction might have been different. The October 1932 issue features work by Clark Ashton Smith ("The Hunters from Beyond"), Victor Rousseau, Henry S. Whitehead, Hugh B. Cave, Frank Belknap Long, Jr, and many more.
From the dime novels of the Civil War era to the pulp magazines of the early 20th century to modern paperbacks, lurid fiction has provided thrilling escapism for the masses. Cranking out formulaic stories of melodrama, crime and mild erotica--often by uncredited authors focused more on volume than quality--publishers realized high profits playing to low tastes. Estimates put pulp magazine circulation in the 1930s at 30 million monthly. This vast body of "disposable literature" has received little critical attention, in large part because much of it has been lost--the cheaply made books were either discarded after reading or soon disintegrated. Covering the history of pulp literature from 1850 through 1960, the author describes how sensational tales filled a public need and flowered during the evolving social conditions of the Industrial Revolution.
Weird Tales #337 (Book Paper Edition) by Anonim Pdf
The contributors of this work include: William F. Nolan (part 1 of Ripper ), Jack Williamson (Ghost Town), Darrell Schweitzer (The Most Beautiful Dead Woman in the World), Clark Ashton Smith (The Face by the River), Jack Ketchum (Returns), Fred Chappell (The Invading Spirit), and E. Hoffmann Price (classic reprint - Satan's Daughter).
The Unique Legacy of Weird Tales by Justin Everett,Jeffrey H. Shanks Pdf
When the pulp magazine Weird Tales appeared on newsstands in 1923, it proved to be a pivotal moment in the evolution of speculative fiction. Living up to its nickname, “The Unique Magazine,” Weird Tales provided the first real venue for authors writing in the nascent genres of fantasy, horror, and science fiction. Weird fiction pioneers such as H. P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Robert Bloch, Catherine L. Moore, and many others honed their craft in the pages of Weird Tales in the 1920s and 1930s, and their work had a tremendous influence on later generations of genre authors. In The Unique Legacy of Weird Tales: The Evolution of Modern Fantasy and Horror, Justin Everett and Jeffrey Shanks have assembled an impressive collection of essays that explore many of the themes critical to understanding the importance of the magazine. This multi-disciplinary collection from a wide array of scholars looks at how Weird Tales served as a locus of genre formation and literary discourse community. There are also chapters devoted to individual authors—including Lovecraft, Howard, and Bloch—and their particular contributions to the magazine. As the literary world was undergoing a revolution and mass-produced media began to dwarf high-brow literature in social significance, Weird Tales managed to straddle both worlds. This collection of essays explores the important role the magazine played in expanding the literary landscape at a very particular time and place in American culture. The Unique Legacy of Weird Tales will appeal to scholars and aficionados of fantasy, horror, and weird fiction and those interested in the early roots of these popular genres.
STRANGE TALES OF MYSTERY AND TERROR . . . When Strange Tales first appeared in 1931 as a pulp magazine, it was clearly something new. Edited by Harry Bates as a companion to Astounding Stories, it combined the supernatural horror and fantasy of Weird Tales with vigorous action plots. Had the Great Depression not intervened and killed it after seven issues, the whole history of fantastic fiction might have been different. Strange Tales rapidly attracted the most imaginative and capable writers of the day, including such Weird Tales regulars as Robert E. Howard, Clark Ashton Smith, Henry S. Whitehead, Hugh B. Cave, Ray Cummings, and numerous others. Certainly Strange Tales gave Weird Tales a serious run for its money. The March 1932 issue features work by Paul Ernst, Henry S. Whitehead, Gordon MacCreagh, and more. The fine cover by H.W. Wesso illustrates "The Duel of the Sorcerers," by Paul Ernst.
Tales of the Strange and Weird by Scott Donnelly,Charles Millhouse,Rick Bradely,Rina Brown,Chris Barcomb,Carl Dietrich,Lawrence Everett Pdf
In the tradition of the old pulp magazines of days gone by, Tales of the Weird and Strange brings together a collection of short stories inspired on local legends created by authors from across the United States. Capturing the old school pulp magazine style for a new generation
Pulp Classics by John Gregory Betancourt,Hugh B. Cave,Robert E. Howard Pdf
When Strange Tales first appeared in 1931 as a pulp magazine, it was clearly something new. Edited by Harry Bates as a companion to Astounding Stories, it combined the supernatural horror and fantasy of Weird Tales with vigorous action plots. Strange Tales rapidly attracted the most imaginative and capable writers of the day, including such Weird Tales regulars as Robert E. Howard, Clark Ashton Smith, Henry S. Whitehead, Hugh B. Cave, Ray Cummings, and numerous others. Had the Great Depression not intervened and killed it after seven issues, the whole history of fantastic fiction might have been different. The January 1933 issue features Hugh B. Cave's classic "Murgunstrumm," as well as stories by Robert E. Howard, Henry S. Whitehead, and many more.
Weird Tales was an American fantasy and horror fiction pulp magazine first published in March 1923. It ceased its original run in September 1954, after 279 issues. The magazine was set up in Chicago by J. C. Henneberger, an ex-journalist with a taste for the macabre. The sub-genre pioneered by Weird Tales writers has come to be called weird fiction.- Excerpted from Weird Tales on Wikipedia, the free encyclopedia.
The Routledge Companion to the British and North American Literary Magazine by Tim Lanzendörfer Pdf
Encompassing a broad definition of the topic, this Companion provides a survey of the literary magazine from its earliest days to the contemporary moment. It offers a comprehensive theorization of the literary magazine in the wake of developments in periodical studies in the last decade, bringing together a wide variety of approaches and concerns. With its distinctive chronological and geographical scope, this volume sheds new light on the possibilities and difficulties of the concept of the literary magazine, balancing a comprehensive overview of key themes and examples with greater attention to new approaches to magazine research. Divided into three main sections, this book offers: • Theory—it investigates definitions and limits of what a literary magazine is and what it does. • History and regionalism—a very broad historical and geographic sweep draws new connections and offers expanded definitions. • Case studies—these range from key modernist little magazines and the popular middlebrow to pulp fiction, comics, and digital ventures, widening the ambit of the literary magazine. The Routledge Companion to the British and North American Literary Magazine offers new and unforeseen cross-connections across the long history of literary periodicals, highlighting the ways in which it allows us to trace such ideas as the “literary” as well as notions of what magazines do in a culture.
'Partners in Wonder' explores our knowledge of women and science fiction between 1936 and 1965. It describes the distinctly different form of science fiction that females produced, one that was both more utopian and more empathetic than that of their male counterparts.
Weird Fiction and Science at the Fin de Siècle by Emily Alder Pdf
This book explores how nineteenth-century science stimulated the emergence of weird tales at the fin de siècle, and examines weird fiction by British writers who preceded and influenced H. P. Lovecraft, the most famous author of weird fiction. From laboratory experiments, thermodynamics, and Darwinian evolutionary theory to psychology, Theosophy, and the ‘new’ physics of atoms and forces, science illuminated supernatural realms with rational theories and practices. Changing scientific philosophies and questioning of traditional positivism produced new ways of knowing the world—fertile borderlands for fictional as well as real-world scientists to explore. Reading Robert Louis Stevenson’s Strange Case of Dr Jekyll and Mr Hyde (1886) as an inaugural weird tale, the author goes on to analyse stories by Arthur Machen, Edith Nesbit, H. G. Wells, William Hope Hodgson, E. and H. Heron, and Algernon Blackwood to show how this radical fantasy mode can be scientific, and how sciences themselves were often already weird.
