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NATIONAL BESTSELLER • From “Florida’s most entertainingly indignant social critic” (New York Times Book Review)—an inventive tale yet of savage appetites and sweet justice. Only in America could an innocent, if drunken, guest of honor at a strip joint bachelor party become a mortal threat against Big Money and Big Government. Only in south Florida, land of roadside honky-tonks and sinister pleasure boats—not to mention blackmail and murder—would a virtuous topless dancer join forces with a cool but clueless cop. And only in the fiction of Carl Hiaasen do readers experience riveting suspense and razor-sharp characters along with the most wicked humor imaginable.
"You have to admire a poet who can take an onion, the flu, houseguests, migraines, and a nurse's coat and turn them in to poetry. Of course, Kasdorf is using the concrete to get a deeper things: there's an amazement at life in these poems, and a hard-headed determination to make it work." --Library Journal "It may initially seem as though Kasdorf has meant to shock the home folks with her new book. Think of her overall themes: Mennonites and sex, a novel connection. Yet Eve's Striptease uses these two lenses to focus on the world. However, viewing the book only in terms of ethnicity and biology trivializes what is a significant work by a brilliant young poet. . . . It is a book about coming to terms with one's sexuality and how that affects one's place in the world." --Pittsburgh Quarterly "Most readers will be grateful for the gift outright of Kasdorf's achingly beautiful language of desire and of a "full store" of unavoidable passings from discovery to dark discovery and from expectations and surprises of childhood to retrospections and surprises of adulthood." --Mennonite Quarterly Review "Crosshatched by body, spirit, and the relation between them; animated by bright instinctive exchanges between carnal and religious zones of experience; driven by an honest, explicitly female consciousness of what 'animal' and 'soul' might mean, the poems in Eve's Striptease keep pace with a considered life in its search for some consoling 'homeliness' in the world." --Eamon Grennan Julia Kasdorf grew up in Western Pennsylvania. Her previous collection, Sleeping Preacher, was the winner of the 1991 Agnes Lynch Starrett Poetry Prize and was awarded the 1993 Great Lakes Colleges Association Award for New Writing. Eve's Striptease was named one of Library Journal's Top 20 Best Poetry Books of 1998. Her poems have appeared in the New Yorker, Poetry, and various anthologies and journals. She teaches at Messiah college and lives in Camp Hill, Pennsylvania.
From advertising to health education campaigns, sex and sexual imagery now permeate every aspect of culture. Striptease Culture explores the 'sexualization' of contemporary life, relating it to wider changes in post-war society. Striptease Culture is divided in to three sections: * Part one - traces the development of pornography, following its movement from elite to mass culture and the contemporary fascination with 'porno-chic' * Part two - considers popular cultural forms of sexual representation in the media, moving from backlash elements in straight male culture and changing images of women, to the representation of gays in contemporary film and television * Part three - looks at the use of sexuality in contemporary art, examinging the artistic 'striptease' of Jeff Koons, and others who have used their own naked bodies in their work. Also considering how feminist and gay artists have employed sexuality in the critique and transformation of patriarchy, the high profile of sexuality as a key contributor to public health education in the era of HIV and AIDS, and the implications of the rise of striptease culture for the future of sexual poltics, Brian McNair has produced an excellent book in the study of gender, sexuality and contemporary culture.
Dave Hughes's clear and simple instruction and explanation describes 18 trout rigs and 81 methods to fish them. In moving water; rigs and methods for dry flies and emergers.
NATIONAL BESTSELLER • From “Florida’s most entertainingly indignant social critic” (New York Times Book Review)—an inventive tale yet of savage appetites and sweet justice. Only in America could an innocent, if drunken, guest of honor at a strip joint bachelor party become a mortal threat against Big Money and Big Government. Only in south Florida, land of roadside honky-tonks and sinister pleasure boats—not to mention blackmail and murder—would a virtuous topless dancer join forces with a cool but clueless cop. And only in the fiction of Carl Hiaasen do readers experience riveting suspense and razor-sharp characters along with the most wicked humor imaginable.
Whenever stripper Gypsy Rose Lee encountered public criticism, she spoke frankly in her own defense. "Thousands have seen me at my--ah--best; and thousands have made no objections." Noralee Frankel's lively biography, Stripping Gypsy, the first ever published about the highly mythologized Gypsy, examines the struggles Lee faced in making a lucrative and unconventional career for herself while maintaining a sense of dignity and social value. Frankel shows that the famous Miss Lee was an enigma, clearly struggling with her choices and her desire to be respected and legitimized. Those who know Gypsy Rose Lee only from the musical and film based on her rise to stardom will be surprised by what they uncover in Stripping Gypsy. In all ways, Lee trafficked in the incongruous: she was at once sex object, intellectual, and activist. In addition to her highly successful strip-tease act and film career, she published two mystery novels and a memoir, wrote two plays, and showed her original artwork in famed Modern Art-impresario Peggy Guggenheim's gallery. Lee also gained notoriety for her participation in liberal politics. As photographer Arnold Newman said, "She was a lady, a brilliant, bright woman who was the friend of many writers and intellectuals." Though she wasn't above using her femininity to full advantage, Lee aspired to much more than admiration for her physical beauty. Frankel places Lee's life in social and political context while detailing a fascinating entertainment career, in which Lee created and recreated her own identity to fit changing times. Frankel's biography transcends the sensationalism of stripping and asks the public to see the woman beneath the costume, a woman who always kept a little of herself shrouded in mystery.
Hop on Pop by Henry Jenkins III,Jane Shattuc,Tara McPherson Pdf
Hop on Pop showcases the work of a new generation of scholars—from fields such as media studies, literature, cinema, and cultural studies—whose writing has been informed by their ongoing involvement with popular culture and who draw insight from their lived experiences as critics, fans, and consumers. Proceeding from their deep political commitment to a new kind of populist grassroots politics, these writers challenge old modes of studying the everyday. As they rework traditional scholarly language, they search for new ways to write about our complex and compelling engagements with the politics and pleasures of popular culture and sketch a new and lively vocabulary for the field of cultural studies. The essays cover a wide and colorful array of subjects including pro wrestling, the computer games Myst and Doom, soap operas, baseball card collecting, the Tour de France, karaoke, lesbian desire in the Wizard of Oz, Internet fandom for the series Babylon 5, and the stress-management industry. Broader themes examined include the origins of popular culture, the aesthetics and politics of performance, and the social and cultural processes by which objects and practices are deemed tasteful or tasteless. The commitment that binds the contributors is to an emergent perspective in cultural studies, one that engages with popular culture as the culture that "sticks to the skin," that becomes so much a part of us that it becomes increasingly difficult to examine it from a distance. By refusing to deny or rationalize their own often contradictory identifications with popular culture, the contributors ensure that the volume as a whole reflects the immediacy and vibrancy of its objects of study. Hop on Pop will appeal to those engaged in the study of popular culture, American studies, cultural studies, cinema and visual studies, as well as to the general educated reader. Contributors. John Bloom, Gerry Bloustein, Aniko Bodroghkozy, Diane Brooks, Peter Chvany, Elana Crane, Alexander Doty, Rob Drew, Stephen Duncombe, Nick Evans, Eric Freedman, Joy Fuqua, Tony Grajeda, Katherine Green, John Hartley, Heather Hendershot, Henry Jenkins, Eithne Johnson, Louis Kaplan, Maria Koundoura, Sharon Mazer, Anna McCarthy, Tara McPherson, Angela Ndalianis, Edward O’Neill, Catherine Palmer, Roberta Pearson, Elayne Rapping, Eric Schaefer, Jane Shattuc, Greg Smith, Ellen Strain, Matthew Tinkhom, William Uricchio, Amy Villarego, Robyn Warhol, Charles Weigl, Alan Wexelblat, Pamela Robertson Wojcik, Nabeel Zuberi