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A young British -Brazilian woman from South London navigates growing up between two cultures and into a fuller understanding of her body, relying on signposts such as history, family conversation, and the eyes of the women who have shaped her: mother, grandmother, and aunt. During her trips to Brazil, sometimes alone, often with family, our narrator accesses a different side of herself that is as much of who she is as anything else. -- adapted from back cover
there are more things by Yara Rodrigues Fowler Pdf
Shortlisted for the Goldsmiths Prize & the Orwell Prize for Fiction A Sunday Times Fiction Book of the Year 'a serious accomplishment' Sunday Times 'vivid and expansive' Sophie Mackintosh 'a lyrical celebration' TLS 'a glorious, poetic feat' Bolu Babalola This is a novel about two women - Melissa and Catarina. Catarina is born to a well-known political family in Brazil. Melissa, a South London native, is brought up by her mum and a crew of rebellious grandmothers. In 2016, they meet for the first time. Their story takes us across continents and generations. In it we see sisterhood and queerness, and, perhaps, glimpse a better way to live.
"Sue Black confronts death every day. As Professor of Anatomy and Forensic Anthropology, she focuses on mortal remains in her lab, at burial sites, at scenes of violence, murder and criminal dismemberment, and when investigating mass fatalities due to war, accident or natural disaster. In All That Remains she reveals the many faces of death she has come to know, using key cases to explore how forensic science has developed, and what her work has taught her. Do we expect a book about death to be sad? Macabre? Sue's book is neither. There is tragedy, but there is also humour in stories as gripping as the best crime novel. Our own death will remain a great unknown. But as an expert witness from the final frontier, Sue Black is the wisest, most reassuring, most compelling of guides."--Amazon.com.
"It was nearly the scene Ida knew was coming and her palms were sweating. Instead of fairground rides there were peeling beach huts, a small girl, shivering in her nightdress, and hundreds and hundreds of furious gulls. On-screen Ida pushed her sister into the sea, and then climbed in after her." Almost 30 and entirely irresponsible, Ida Irons returns home for her mother's funeral. It's the first time she's been back, or seen her younger sister Alice, in fourteen years. Their mother was the caustic and secretive writer Bridie Adair, who named Ida after her infamous play. While Ida has been struggling to escape its shadow, Alice has been dealing with problems of her own. Forced to confront their fractured relationship, the sisters deal with their troubling history and search for the true story behind the play, finally asking the question: what really happened to 'the other' Ida?
Tragedy erupts in an instant. Lives are shattered irrevocably. A young man drives off into the night, leaving a girl injured, perhaps fatally so. From that cliffhanger opening, Leipciger takes readers back and forward in time to tell the haunting story of one family's unraveling in rural logging country where the land is still the economic backbone. Like the novels of Annie Proulx, this debut is rooted in richly detailed nature writing and sharply focused on small town mores and regional culture. Marrying the propulsive story of a father and son who, in the wake of catastrophe, must confront their private demons to reach for redemption with an evocative meditation on our environmental legacy, The Mountain Can Wait introduces Leipciger as an exciting talent.
From the bestselling author of If You Knew Her comes this harrowing tale of suspense—a story ripped from today’s headlines—of a tight-knit English community, who’s rocked by the murder of a mother and the mysterious disappearance of her daughter, and the secrets that lie concealed beneath a carefully constructed facade. A small town’s beloved family. A shocking, senseless crime—and the dark secret at the heart of it all. Everyone in Ashford, Cornwall, knows Meg Nichols and her daughter, Grace. Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified. Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions. Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined…
Winner of the Desmond Elliott Prize for Best First Novel "Both shocking and subtle, brilliant and beautiful, a poised and elegant work that recalls the early work of Ian McEwan in the delicacy of its prose and the way that this is combined with some very dark undertones." — Desmond Elliott Prize Jury In the tradition of Winter’s Bone and The Outlander, Our Endless Numbered Days is a powerful and mysterious debut about a father and his eight-year-old daughter who abandon their family to live alone in the forest for nine years. In 1976 Peggy Hillcoat is eight. She spends her summer camping with her father, playing her beloved record of The Railway Children, and listening to her mother’s grand piano. But her life is about to change. Her survivalist father, who has been stockpiling provisions to prepare for the end of the world, takes her from London to a cabin in a remote European forest. There he tells Peggy the rest of the world has disappeared. She is not seen again for another nine years. In 1985, Peggy has returned to the family home. But what happened to her in the forest? And why — and how — has she come back now? Our Endless Numbered Days is the most unputdownable and extraordinary novel you will read this year.
Kirkus Review “Arch comedy . . . Dave Eggers channels Anthony Bourdain.” An outrageously funny and original debut set in the fast-paced and treacherous world of a restaurant kitchen Fresh out of university with big dreams, our narrator is determined to escape his past and lead the literary life in London. But soon he is two months behind on rent and forced to take a menial job in the kitchen of The Swan, a gastro-pub with haute cuisine aspirations. Mockingly called “Monocle” by his co-workers for a useless English lit degree, he is thrust into a brutal, chaotic world full of motley characters. There’s the lovably dim pastry chef Dibden; combative Ramilov, who spends a fair bit of time locked in the walk-in fridge for pissing people off; Racist Dave, about whom the less said the better; Camp Charles, the officious head waiter; and Harmony, the only woman in a workplace of raunchy, immature, angry, drug-fueled men. Worst of all is the head chef, Bob, who runs the kitchen with an iron fist and an alarming taste for cruelty. But Monocle’s past is never far away and soon an altogether darker tale unfolds. As the chefs’ dreams of overthrowing Bob become a reality, Monocle’s dead-beat father shows up at his door, asking for help. With The Swan struggling to stay afloat and Monocle’s father dredging up lingering questions from an unhappy childhood, Chop Chop accelerates toward its blackly hilarious, thrilling, and ruthless conclusion.
From the Sunday Times bestselling author of The Last Act of Love, Cathy Rentzenbrink's Dear Reader is the ultimate love letter to reading and to finding the comfort and joy in stories. 'Exquisite' - Marian Keyes, author of Grown Ups 'A warm, unpretentious manifesto for why books matter’ - Sunday Express Growing up, Cathy Rentzenbrink was rarely seen without her nose in a book and read in secret long after lights out. When tragedy struck, it was books that kept her afloat. Eventually they lit the way to a new path, first as a bookseller and then as a writer. No matter what the future holds, reading will always help. A moving, funny and joyous exploration of how books can change the course of your life, packed with recommendations from one reader to another.
Long-listed for the 2018 Man Booker Prize Short-listed for the 2018 Gordon Burn Prize Short-listed for the 2018 Goldsmiths Prize Inspired by the real-life murder of a British army soldier by religious fanatics, Guy Gunaratne’s In Our Mad and Furious City is a snapshot of the diverse, frenzied edges of modern-day London. A crackling debut from a vital new voice, it pulses with the frantic energy of the city’s homegrown grime music and is animated by the youthful rage of a dispossessed, overlooked, and often misrepresented generation. While Selvon, Ardan, and Yusuf organize their lives around soccer, girls, and grime, Caroline and Nelson struggle to overcome pasts that haunt them. Each voice is uniquely insightful, impassioned, and unforgettable, and when stitched together, they trace a brutal and vibrant tapestry of today’s London. In a forty-eight-hour surge of extremism and violence, their lives are inexorably drawn together in the lead-up to an explosive, tragic climax. In Our Mad and Furious City documents the stark disparities and bubbling fury coursing beneath the prosperous surface of a city uniquely on the brink. Written in the distinctive vernaculars of contemporary London, the novel challenges the ways in which we coexist now—and, more important, the ways in which we often fail to do so.
A compulsive, disturbingly relevant, twisty and powerful psychological, social-media thriller ... NUMBER ONE BESTSELLER 'Brilliantly twisty. I loved it' Lisa Jewell 'Another dark banger from the Orenda Books stable... A brilliant, twisty cat-and-mouse book about fandom and obsession' Erin Kelly 'Effortlessly readable, intensely chilling. That ending floored me' Chris Whitaker ***LONGLISTED for the Guardian's Not the Booker Prize*** ___________________ Tom is a successful author, but he's struggling to finish his novel. His main distraction is an online admirer, Evie, who simply won't leave him alone. Evie is smart, well read and unstable; she lives with her father and her social-media friendships are not only her escape, but everything she has. When she's hit with a restraining order, her world is turned upside down, and Tom is free to live his life again, to concentrate on writing. But things aren't really adding up. For Tom is distracted but also addicted to his online relationships, and when they take a darker, more menacing turn, he feels powerless to change things. Because maybe he needs Evie more than he's letting on. A compulsive, disturbingly relevant, twisty and powerful psychological thriller, The Closer I Get is also a searing commentary on the fragility and insincerity of online relationships, and the danger that can lurk just one like' away... ___________________ 'This book will make you rethink your social media obsession. Dangerous from page one, lit by bursts of black humour, ultimately honest about the frailty of ego and the masks we all wear. Terrifically readable' Sarah Hilary So good. Such brilliant characters. Great premise and a thrilling read' Nina Pottell, Prima 'A sucker-punch of a twist that took my breath away! Absurdly gripping, and enough to unnerve anyone who has ever spent any time online' Angela Clarke 'As perfect a thriller as you'll read all year' Caz Frear 'A gripping ride through the heartlands of need and hurt. Even at his most thrilling, Paul Burston never loses his sense of real pain and suffering' Philip Hensher 'Chillingly recognisable. A delicious tour de force' Alex Marwood 'Compelling, creepy and completely believable' Mel McGrath 'Dark, devious and with a growing sense of dread' Neil Broadfoot 'Brilliantly written, tense and compelling' Amanda Jennings 'Dark twisty fiction at its very best' SJI Holliday 'One of the best books you'll read this year' Ed James 'Unsettling. Taut. Menacing. Burston puts the killer into killer twist' Jonathan Harvey 'Witty and insightful' Susie Boyt 'Brilliant, chilling, totally awesome writing' Miranda Dickinson 'An absolute stunner... with a deliciously twisted ending' Lisa Hall 'The book is a masterpiece in sustained suspense and smart literate contemporary horror. Bravo Mr Burston' Derek Farrell 'Very easy to read, certainly keeps you hooked in with plenty of twists. I suspect it will be a big read this summer' Fiona Sharp 'It's about a gay novelist who becomes the target of an online stalker and is dark, thought-provoking, and totally riveting. As comebacks go, it's on a par with Madonna bursting out of a giant disco ball in a pink leotard!’ Matt Cain ‘Gripped and terrified by Paul Burston’s new novel, bloody hell!!!’ Rowan Coleman
When I am 8 1/2 Stone; I will be able to shop in Topshop. I will be able to go swimming and not displace all the water and create a tsunami. I will fit in changing rooms without banging my elbows or exposing the moon of my arse through the curtain when I bend over. I will be able to fit behind the narrow benches at Ronnie Scott's to listen to jazz instead of being offered a chair at the end of the row I'll be able to see my toes, which I haven't seen since 1996 without the aid of a selfie stick. I will be promoted and not have my desk moved to inside the stationery cupboard for being off-brand. "I started writing this book five years ago. I was going through a really hard time - I lost my home and everything I owned - and the only way I got through it was by writing, and making myself laugh. I have always self-medicated with funny books, and wanted to write something that made women who might be miserable or cheated on or broke or feeling woefully unsuccessful feel a little better. The book is rooted in my reality: I always felt my life would start and I'd be happy once I reached my target weight. Then I got thin, and life was still rubbish and I still hated my body. I realised true happiness only comes with self-acceptance. So here it is. And I hope it at least makes you smile. And reach for that doughnut."
Chosen by The Observer as a Fiction Pick for 2016 and described as a 'scintillating novel of ideas', Feeding Time is a debut like no other: a blast of rage against the dying of the light. Dot is losing the will to live. Tristan is sick of emptying bedpans. Cornish spends entire days barricaded in his office. And Ruggles... well. Ruggles is damn well going to escape those Nazi villains and get back to active duty. The mix is all the more combustible since Dot, Tristan, Cornish and Ruggles are all under the same roof – that of a rapidly declining old people's home called Green Oaks. There's going to be an explosion. It's going to be messy. And nobody knows who will pick up the pieces.
“A stunningly atmospheric fantasy that doubles as an exceptional character study . . . we can’t wait to see where Dabos takes it next.” —Entertainment Weekly (“The 10 Best YA Books of 2018”) One of Publishers Weekly’s Best YA Books of the Year A National Indie Bestseller Lose yourself in the fantastic world of the arks and in the company of unforgettable characters in this French runaway hit, Christelle Dabos’ The Mirror Visitor quartet. Plain-spoken, headstrong Ophelia cares little about appearances. Her ability to read the past of objects is unmatched in all of Anima and, what’s more, she possesses the ability to travel through mirrors, a skill passed down to her from previous generations. Her idyllic life is disrupted, however, when she is promised in marriage to Thorn, a taciturn and influential member of a distant clan. Ophelia must leave all she knows behind and follow her fiancé to Citaceleste, the capital of a cold, icy ark known as the Pole, where danger lurks around every corner and nobody can be trusted. There, in the presence of her inscrutable future husband, Ophelia slowly realizes that she is a pawn in a political game that will have far-reaching ramifications not only for her but for her entire world. The World of the Arks Long ago, following a cataclysm called the Rupture, the world was shattered into many floating celestial islands, now known as arks. Over each, the spirit of an omnipotent and immortal ancestor abides. The inhabitants of these arks each possess a unique power. Ophelia, with her ability to read the pasts of objects, must navigate this fantastic, disjointed, perilous world using her trademark tenacity and quiet strength.