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Author : Paula Gunn Allen
Publisher : Modern Language Assn of Amer
Page : 384 pages
File Size : 55,6 Mb
Release : 1983-01
Category : Literary Criticism
ISBN : 0873523555
Author : Alan R. Velie
Publisher : University of Oklahoma Press
Page : 144 pages
File Size : 40,9 Mb
Release : 1995
Category : Social Science
ISBN : 0806127856
"James Ruppert explores the bicultural nature of Indian writers and discusses strategies they employ in addressing several audiences at once: their tribe, other Indians, and other Americans. Helen Jaskoski analyzes the genre of autoethnography, or Indian historical writing, in an Ottawa writer's account of a smallpox epidemic. Kimberly Blaeser, a Chippewa, writes about how Indian writers reappropriate their history and stories of their land and people. Robert Allen Warrior, an Osage, examines the ideas of the leading Indian philosopher in America, Vine Deloria, Jr., who calls for a return to traditional tribal religions. Robert Berner exposes the incomplete myths and false legends pervading Indian views of American history. Alan Velie discusses the issue of historical objectivity in two Indian historical novels, James Welch's Fools Crow and Gerald Vizenor's The Heirs of Columbus. Kurt M. Peters relates how Laguna Indians retained their culture and identity while living in the boxcars of the Santa Fe Railroad Indian Village at Richmond, California. Juana Maria Rodriguez examines power relations in Gerald Vizenor's narrative of a Dakota Indian accused of murder in 1967, "Thomas White Hawk." Finally, Gerald Vizenor, a Chippewa, discusses Indian conceptions of identity in contemporary America, including simulations he calls "postindian identity."".
Author : James Ruppert
Publisher : University of Oklahoma Press
Page : 206 pages
File Size : 50,9 Mb
Release : 1995
Category : Literary Criticism
ISBN : 080612749X
Mediation is the term James Ruppert uses to describe his important new theory of reading Native American fiction. Focusing on novels of six major contemporary American writers - N. Scott Momaday, James Welch, Leslie Silko, Gerald Vizenor, D'Arcy McNickle, and Louise Erdrich - Ruppert analyzes the ways in which these writers draw upon their bicultural heritage, guiding Native and non-Native readers alike to a different and expanded understanding of each other's worlds. While Native American writers may criticize white society, revealing its past and present injustices, their emphasis, Ruppert argues, is on healing, survival, and continuance. Their fiction aims to produce cross-cultural understanding rather than divisiveness. To that end they articulate the perspectives and values of competing world views. In particular they create characters who manifest what Ruppert calls "multiple identities" - determined by both Native and non-Native perceptions of the self. These writers use a variety of narrative techniques deriving from different cultural traditions. They might incorporate Native oral storytelling techniques, adapting them to written form, or they might reconstruct Native mythologies, investing them with new meaning and relevance by applying them to contemporary situations. As novel-writers, they also include features more characteristic of western European writing - such as the omniscient narrator or the detective-story plot.
Author : Joni Adamson
Publisher : University of Arizona Press
Page : 244 pages
File Size : 46,8 Mb
Release : 2001
Category : Social Science
ISBN : 0816517924
Although much contemporary American Indian literature examines the relationship between humans and the land, most Native authors do not set their work in the "pristine wilderness" celebrated by mainstream nature writers. Instead, they focus on settings such as reservations, open-pit mines, and contested borderlands. Drawing on her own teaching experience among Native Americans and on lessons learned from such recent scenes of confrontation as Chiapas and Black Mesa, Joni Adamson explores why what counts as "nature" is often very different for multicultural writers and activist groups than it is for mainstream environmentalists. This powerful book is one of the first to examine the intersections between literature and the environment from the perspective of the oppressions of race, class, gender, and nature, and the first to review American Indian literature from the standpoint of environmental justice and ecocriticism. By examining such texts as Sherman Alexie's short stories and Leslie Marmon Silko's novel Almanac of the Dead, Adamson contends that these works, in addition to being literary, are examples of ecological criticism that expand Euro-American concepts of nature and place. Adamson shows that when we begin exploring the differences that shape diverse cultural and literary representations of nature, we discover the challenge they present to mainstream American culture, environmentalism, and literature. By comparing the work of Native authors such as Simon Ortiz with that of environmental writers such as Edward Abbey, she reveals opportunities for more multicultural conceptions of nature and the environment. More than a work of literary criticism, this is a book about the search to find ways to understand our cultural and historical differences and similarities in order to arrive at a better agreement of what the human role in nature is and should be. It exposes the blind spots in early ecocriticism and shows the possibilities for building common groundÑ a middle placeÑ where writers, scholars, teachers, and environmentalists might come together to work for social and environmental change.
Author : James H. Cox,James Howard Cox,Daniel Heath Justice
Publisher : Oxford Handbooks
Page : 769 pages
File Size : 54,6 Mb
Release : 2014
Category : Literary Criticism
ISBN : 9780199914036
"This book explores Indigenous American literature and the development of an inter- and trans-Indigenous orientation in Native American and Indigenous literary studies. Drawing on the perspectives of scholars in the field, it seeks to reconcile tribal nation specificity, Indigenous literary nationalism, and trans-Indigenous methodologies as necessary components of post-Renaissance Native American and Indigenous literary studies. It looks at the work of Renaissance writers, including Louise Erdrich's Tracks (1988) and Leslie Marmon Silko's Sacred Water (1993), along with novels by S. Alice Callahan and John Milton Oskison. It also discusses Indigenous poetics and Salt Publishing's Earthworks series, focusing on poets of the Renaissance in conversation with emerging writers. Furthermore, it introduces contemporary readers to many American Indian writers from the seventeenth to the first half of the nineteenth century, from Captain Joseph Johnson and Ben Uncas to Samson Occom, Samuel Ashpo, Henry Quaquaquid, Joseph Brant, Hendrick Aupaumut, Sarah Simon, Mary Occom, and Elijah Wimpey. The book examines Inuit literature in Inuktitut, bilingual Mexicanoh and Spanish poetry, and literature in Indian Territory, Nunavut, the Huasteca, Yucatán, and the Great Lakes region. It considers Indigenous literatures north of the Medicine Line, particularly francophone writing by Indigenous authors in Quebec. Other issues tackled by the book include racial and blood identities that continue to divide Indigenous nations and communities, as well as the role of colleges and universities in the development of Indigenous literary studies".
Author : A. LaVonne Brown Ruoff
Publisher : New York : Modern Language Association of America
Page : 200 pages
File Size : 55,5 Mb
Release : 1990
Category : Literary Criticism
ISBN : 0873521919
This survey of Native American literature from 1772 to 1989 describes types of oral literatures and life histories and evaluates secondary works in the field.
Author : Jace Weaver
Publisher : University of Oklahoma Press
Page : 412 pages
File Size : 55,6 Mb
Release : 2001
Category : Social Science
ISBN : 080613352X
Eloh’, a Cherokee word, is usually translated by anthropologists as "religion," but it also simultaneously encompasses history, culture, knowledge, law, and land. In this provocative work, Jace Weaver interlaces these seemingly disparate meanings to form a coherent approach to Native American Studies. In nineteen interrelated chapters, Weaver presents a range of experiences shared by native peoples in the Americas, from the distant past to the uncertain future. He examines Indian creative output, from oral tradition to the postmodern wordplay of Gerald Vizenor, and brings to light previously overlooked texts. Weaver also tackles up-to-the-minute issues, including environmental crises, Native American spirituality, repatriation of Indian remains and cultural artifacts, and international human rights.
Author : John Bierhorst
Publisher : University of Arizona Press
Page : 404 pages
File Size : 50,5 Mb
Release : 1984-11
Category : Literary Criticism
ISBN : 0816508860
These stories represent the Aztec, Iroquois, Maya, and Sioux cultures
Author : Alan R. Velie,A. Robert Lee
Publisher : University of Oklahoma Press
Page : 377 pages
File Size : 54,6 Mb
Release : 2013-11-11
Category : History
ISBN : 9780806151311
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
Author : Jennifer McClinton-Temple,Alan Velie
Publisher : Infobase Learning
Page : 1566 pages
File Size : 52,9 Mb
Release : 2015-04-22
Category : American literature
ISBN : 9781438140575
Presents an encyclopedia of American Indian literature in an alphabetical format listing authors and their works.
Author : Charles H. Red Corn
Publisher : University of Oklahoma Press
Page : 292 pages
File Size : 46,7 Mb
Release : 2005-11-01
Category : Fiction
ISBN : 0806137266
At the turn of the twentieth century, the Osage Indians were traditional tribal people who owned Oklahoma's most valuable oil reserves. During the 1920s, they became members of the wealthy oil population. Tracing the experiences of John Grayeagle, a young Osage, Charles Red Corn, describes the Osage experience of the 1920s.
Author : James H. Cox
Publisher : University of Oklahoma Press
Page : 354 pages
File Size : 50,9 Mb
Release : 2012-11-19
Category : Fiction
ISBN : 9780806185460
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
Author : Stephanie Nohelani Teves,Andrea Smith,Michelle Raheja
Publisher : University of Arizona Press
Page : 369 pages
File Size : 40,8 Mb
Release : 2015-05-21
Category : Language Arts & Disciplines
ISBN : 9780816531509
Native Studies Keywords is a genealogical project that looks at the history of words that claim to have no history. The end goal is not to determine which words are appropriate but to critically examine words that are crucial to Native studies, in hopes of promoting debate and critical interrogation.
Author : Paula Gunn Allen
Publisher : Unknown
Page : 384 pages
File Size : 42,5 Mb
Release : 1983
Category : American literature
ISBN : 0873523547
Author : Anonim
Publisher : Unknown
Page : 664 pages
File Size : 51,9 Mb
Release : 2007
Category : American literature
ISBN : STANFORD:36105133489653
