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Studies in Arabian Architecture by Paolo Costa Pdf
Nine papers, originally published 1971-92, discuss general themes, specific manifestations, and and regional styles of architecture from the second century B.C. into the later Islamic period of the Middle East. Many of the buildings described are now either destroyed or restored so fancifully as to be totally misrepresentative. Mosques and shrines,
Art and Architecture in the Islamic Tradition by Mohammed Hamdouni Alami Pdf
What is 'art' in the sense of the Islamic tradition? Mohammed Hamdouni Alami argues that Islamic art has historically been excluded from Western notions of art; that the Western aesthetic tradition's preoccupation with the human body, and the ban on the representation of the human body in Islam, has meant that Islamic and Western art have been perceived as inherently at odds. However, the move away from this 'anthropomorphic aesthetic' in Western art movements, such as modern abstract and constructivist painting, have presented the opportunity for new ways of viewing and evaluating Islamic art and architecture. This book questions the very idea of art predicated on the anthropocentric bias of classical art, and the corollary 'exclusion' of Islamic art from the status of art. It addresses a central question in post-classical aesthetic theory, in as much as the advent of modern abstract and constructivist painting have shown that art can be other than the representation of the human body; that art is not neutral aesthetic contemplation but it is fraught with power and violence; and that the presupposition of classical art was not a universal truth but the assumption of a specific cultural and historical set of practices and vocabularies. Based on close readings of classical Islamic literature, philosophy, poetry, medicine and theology, along with contemporary Western art theory, the author uncovers a specific Islamic theoretical vision of art and architecture based on poetic practice, politics, cosmology and desire. In particular it traces the effects of decoration and architectural planning on the human soul as well as the centrality of the gaze in this poetic view - in Arabic 'nazar'- while examining its surprising similarity to modern theories of the gaze. Through this double gesture, moving critically between two traditions, the author brings Islamic thought and aesthetics back into the realm of visibility, addressing the lack of recognition in comparison with other historical periods and traditions. This is an important step toward a critical analysis of the contemporary debate around the revival of Islamic architectural identity - a debate intricately embedded within opposing Islamic political and social projects throughout the world.
Earthen Architecture in Muslim Cultures by Stéphane Pradines Pdf
Until recently little collective attention has been paid to earthen architecture within Muslim cultures.This book endeavours to share knowledge and methods of different disciplines such as history, anthropology, archaeology and architecture.
A Companion to Islamic Art and Architecture by Finbarr Barry Flood,Gulru Necipoglu Pdf
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Displaying the Orient by Zeynep Ç Elik,Zeynep Çelik Pdf
Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century. Gathering architectural pieces from all over the world, the Paris Universal Exposition of 1867 introduced to fairgoers the notion of an imaginary journey, a new tourism en place. Through this and similar expositions, the world's cultures were imported to European and American cities as artifacts and presented to nineteenth-century men and women as the world in microcosm, giving a quick and seemingly realistic impression of distant places. elik examines the display of Islamic cultures at nineteenth-century world's fairs, focusing on the exposition architecture. She asserts that certain sociopolitical and cultural trends now crucial to our understanding of historical transformations in both the West and the world of Islam were mirrored in the fair's architecture. Furthermore, dominant attitudes toward cross-cultural exchanges were revealed repeatedly in Westerners' responses to these pavilions, in Western architects' interpretations of Islamic stylistic traditions, and in the pavilions' impact in such urban centers. Although the world's fairs claimed to be platforms for peaceful cultural communication, they displayed the world according to a hierarchy based on power relations. elik's delineation of this hierarchy in the exposition buildings enables us to understand both the adversarial relations between the West and the Middle East, and the issue of cultural self-definition for Muslim societies of the nineteenth century.
Islamic Architecture on the Move by Christiane J. Gruber Pdf
Even a casual observer can spy traces of Islamic architecture and design on buildings all over the world, a reminder that artistic traditions and visual culture have never been limited to their region or country of origin, but rather are highly diffusible. This book brings together scholars from architectural studies, design, art history, and other fields to challenge and expand concepts of Islamic architecture. Ranging from eighteenth-century Ottoman tents to manifestations of Islamic motifs in 1960s Hawaii, this richly illustrated volume raises key questions about Islamic architecture, and, more broadly, about how we can rethink our understanding of material, artistic, and cultural mobility in the modern world.
Studies in Medieval Islamic Architecture by Robert Hillenbrand Pdf
This is the first of two volumes to consider in detail the architecture of Islam, from Spain to India, from the 7th century to the present day. Hillenbrand's particular interests are Iranian buildings from the Saljuq period (11th to 12th centuries) and the Umayyad monuments in the Levant (660-750 AD). This volume considers the architecure of Cordoba, Syria, Pakistan and Britain and America and includes Islamic and Oriental art, The second volume, predominantly concerned with Iran, is also available. Volume I Contents: Preface The Legacy of the Dome of the Rock The Ornament of the World - Cordoba A Pair of Medieval Tomb Towers in Van La dolce vita in Early Islamic Syria: the Evidence of Later Umayyad Palaces Islamic Art at the Crossroads: East and West at Mshatta Some Observations on the Use of Space in Medieval Islamic Buildings Eastern Islamic Influneces in Syria: Raqqa and Qal'at Ja'bar in the Later Twelfth Century Islamic Art, Architecture and Archaeology The Classical Heritage in Islamic Art: the Case of Medieval Architecture The Use of Spatial Devices in the Great Mosque of Cordoba Islamic Art and Architecture Political Symbolism in Early Indo-Muslim Mosque Architecture: the Case of Ajmir Qur'anic Epigraphy in Medieval Islamic Architecture Cresswell and Contemporary Central European Scholarship Turco-Iranian Elements in the Medieval Architecture of Pakistan - the Case of the Tomb of Rukn-i 'Alam at Multan Mamluk Caravansarais in Galilee The Dervish Lodge. Architecture, Art and Sufism in Ottoman Turkey Reflections on O. Aslanapa's Turkish Art and Architecture Traditional Architecture in the Arabian Peninsula Musalla Qasr Kharana re-examined Occidental Oriental: Islamic Influences in the Art of Britain and America Splendour and Austerity. Islamic Architectural Ornament. The Monument Reviews of M. Meinecke, Die Madrasa des Amir Mitqal C. Ewert and J.-P. Wisshak, Forschungen zur almohadischen Moschee. I. Vorstafen E. C. Dodd and S. Khairallah, The Image of the World.
Muslim Architecture of South India by Mehrdad Shokoohy Pdf
This book reinterprets the Muslim architecture and urban planning of South India, looking beyond the Deccan to the regions of Tamil Nadu and Kerala - the historic coasts of Coromandel and Malabar. For the first time a detailed survey of the Muslim monuments of the historic ports and towns demonstrates a rich and diverse architectural tradition entirely independent from the better known architecture of North India and the Deccan sultanates. The book, extensively illustrated with photographs and architectural drawings, widens the horizons of our understanding of Muslim India and will no doubt pave new paths for future studies in the field.
Studies in Arab Architecture by Bernard O'Kane Pdf
This lavishly illustrated volume - with many images previously unpublished in colour - collects 18 articles by Bernard O'Kane on a wide variety of topics in Arab architecture. The essays range from from Morocco to India, and from the earliest periods of Islam to the present day. He concentrates on monuments in Egypt and Syria, analysing topics such as the borrowings between domestic and religious architecture, studies of individual buildings and mutual influences between Iran and Egypt.
Since the dawn of the oil era, cities in Saudi Arabia have witnessed rapid growth and profound societal changes. As a response to foreign architectural solutions and the increasing popularity of Western lifestyles, a distinct style of architecture and urban planning has emerged. Characterised by an emphasis on privacy, expressed through high enclosures, gates, blinds, and tinted windows, ‘New Islamic Urbanism’ constitutes for some an important element of piety. For others, it enables alternative ways of life, indulgence in banned social practices, and the formation of both publics and counterpublics. Tracing the emergence of ‘New Islamic Urbanism’, this book sheds light on the changing conceptions of public and private space, in the twentieth and early twenty-first centuries, in the Saudi city of Jeddah. It challenges the widespread assumption that the public sphere is exclusively male in Muslim contexts such as Saudi Arabia, where women’s public visibility is limited by the veil and strict rules of gender segregation. Showing that the rigid segregation regime for which the country is known serves to constrain the movements of men and women alike, Stefan Maneval provides a nuanced account of the negotiation of public and private spaces in Saudi Arabia.
Indian Islamic Architecture by John Burton-Page Pdf
The articles by John Burton-Page on Indian Islamic architecture assembled in this volume give an historical overview of the subject, ranging from the mosques and tombs erected by the Delhi sultans in the 13th, 14th and 15th centuries, to the great monuments of the Mughals in the 16th and 17th centuries.
Islamic Architecture in Iran by Saeid Khaghani Pdf
The architecture of the Islamic world is predominantly considered in terms of a dual division between 'tradition' and 'modernity' - a division which, Saeid Khaghani here argues, has shaped and limited the narrative applied to this architecture. Khaghani introduces and reconsiders the mosques of eighth- to fifteenth-century Iran in terms of poststructural theory and developments in historiography in order to develop a brand new dialectical framework. Using the examples of mosques such as the Friday Mosques in Isfahan and Yazd as well as the Imam mosque in Isfahan, Khaghani presents a new way of thinking about and discussing Islamic architecture, making this valuable reading for all interested in the study of the art, architecture and material culture of the Islamic world.
Expertise and Architecture in the Modern Islamic World by Peter H. Christensen Pdf
Expertise and Architecture in the Modern Islamic World explores how architectural traditions and practices were shared and exchanged across national borders throughout the world, departing from a narrative that casts European actors as the importers and exporters of Islamic designs and skills. Looking to cases that touch on empire building, modernization, statecraft, and diplomacy, this book examines how these processes have been contingent on a web of expertise informed by a rich and varied array of authors and contexts since the 1800s. The chapters in this volume, organized around the leitmotif of expertise, demonstrate the thematic importance and specific utility of in-depth and broad-ranging knowledge in shaping the understanding of architecture in the Islamic world from the nineteenth century to the present. Specific case studies include European gardeners in Ottoman courts, Polish architects in Kuwait, Israeli expertise in Iran, monument archiving in India, religious spaces in Swedish suburbs, and more. This is the latest title in Critical Studies in Architecture of the Middle East, a series devoted to the most recent scholarship concerning architecture, landscape, and urban design of the Middle East and of regions shaped by diasporic communities more globally.
