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Subjects Barbarian, Monstrous, and Wild by Maria Boletsi,Tyler Sage Pdf
In a contemporary political climate where barbarians, monsters, and savages have become ubiquitous figures of otherness, Subjects Barbarian, Monstrous, and Wild gathers essays which explore both the oppressive, dispossessing functions and subversive potentials of these figures in and through art and literature.
Barbarian: Explorations of a Western Concept in Theory, Literature, and the Arts by Markus Winkler,Maria Boletsi Pdf
Since Greek antiquity, the ‘barbarian’ captivates the Western imaginary and operates as the antipode against which self-proclaimed civilized groups define themselves. Therefore, the study of the cultural history of barbarism is a simultaneous exploration of the shifting contours of European identity. This two-volume co-authored study explores the history of the concept ‘barbarism’ from the 18th century to the present and illuminates its foundational role in modern European and Western identity. It constitutes an original comparative, interdisciplinary exploration of the concept’s modern European and Western history, with emphasis on the role of literature in the concept’s shifting functions. Critically responding to the contemporary popularity of the term ‘barbarian' in political rhetoric and the media, and its violent, exclusionary workings, the study contributes to a historically grounded understanding of this figure’s past and contemporary uses. It combines overviews with detailed analyses of representative works of literature, art, film, philosophy, political and cultural theory, in which “barbarism” figures prominently.
Languages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes by Maria Boletsi,Janna Houwen,Liesbeth Minnaard Pdf
This collection rethinks crisis in relation to critique through the prism of various declared ‘crises’ in the Mediterranean: the refugee crisis, the Eurozone crisis, the Greek debt crisis, the Arab Spring, the Palestinian question, and others. With contributions from cultural, literary, film, and migration studies and sociology, this book shifts attention from Europe to the Mediterranean as a site not only of intersecting crises, but a breeding ground for new cultures of critique, visions of futurity, and radical imaginaries shaped through or against frameworks of crisis. If crisis rhetoric today serves populist, xenophobic or anti-democratic agendas, can the concept crisis still do the work of critique or partake in transformative languages by scholars, artists, and activists? Or should we forge different vocabularies to understand present realities? This collection explores alternative mobilizations of crisis and forms of art, cinema, literature, and cultural practices across the Mediterranean that disengage from dominant crisis narratives. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
This volume looks at the representation of 9/11 and the resulting wars in European literature. In the face of inner-European divisions the texts under consideration take the terror attacks as a starting point to negotiate European as well as national identity. While the volume shows that these identity formations are frequently based on the construction of two Others—the US nation and a cultural-ethnic idea of Muslim communities—it also analyses examples which undermine such constructions. This much more self-critical strand in European literature unveils the Eurocentrism of a supposedly general humanistic value system through the use of complex aesthetic strategies. These strategies are in itself characteristic of the European reception as the Anglo-Irish, British, Dutch, Flemish, French, German, Italian, and Polish perspectives collected in this volume perceive of the terror attacks through the lens of continental media and semiotic theory.
Shifting the focus from human interiority toward the agency of cultural objects, social arrangements and aesthetic matter, How to Do Things with Affects examines the affective operations and transmissions triggered by various aesthetic forms, media events and cultural practices.
The Intellectual Landscape in the Works of J. M. Coetzee by Tim Mehigan,Christian Moser Pdf
New essays examining the intellectual allegiances of Coetzee, arguably the most decorated and critically acclaimed writer of fiction in English today and a deeply intellectual and philosophical writer.
Powerful Devices studies spiritual warfare performances as an apparatus for disestablishing structures of power and knowledge, and establishing righteousness in their stead. Drawing on performance studies’ emphasis on radicality and breaking of social norms as devices of social transformation, the book demonstrates how Christian groups with dominant cultural power but who perceive themselves as embattled wield the ideas of performance activism. Combining religious studies with ethnography, Powerful Devices explores Nigerian Pentecostals and US Evangelicals’ praxis of transnational spiritual warfare. By closely studying spiritual warfare prayers as a “device,” Powerful Devices shows how the rituals of prayer enable an apprehension of time, paradigms of self-enhancement, and the subversion of politics and authority. A critical intervention, Powerful Devices explores charismatic Christianity’s relationship to science and secular authority, technology and temporality, neoliberalism, and reactionary ideology.
Legibility in the Age of Signs and Machines by Anonim Pdf
This volume reflects on what legibility entails in today’s machinic world. It asks what makes cultural expressions, from literary texts, films, artworks and museum exhibits to archives, laws and algorithms, il/legible to whom or what, and with what consequences.
Travellers, Intellectuals, and the World Beyond Medieval Europe by James Muldoon Pdf
As the articles reprinted in this volume demonstrate, medieval men and women were curious about the world around them. They wanted to hear about distant lands and the various peoples who inhabited them. Travellers' tales, factual such as that of Marco Polo, and fictional, such as Chaucer's famous pilgrimage, entertained audiences across Europe. Colorful mappaemundi placed in churches illustrated these other lands and peoples for those who could not read. Medieval travel literature was not only entertaining, however, it was also informative, generating proto-ethnological information about the world beyond Latin Christendom that provided useful guidance for those such as merchants and missionaries who intended to travel abroad. Merchants learned about safe travel routes to foreign lands, about dangers to be avoided on the roads and at sea, about cultural practices that might interfere with their attempts at trade, and about products that would be suitable for foreign markets. Churchmen read the reports of missionaries to understand the beliefs of Muslims and other non-believers in order to debate with them and to learn their languages. These articles illustrate how travellers' reports in turn shaped the European response to the world beyond Europe, and are set in context in the editor's introduction.
Ecocinema Theory and Practice by Stephen Rust,Salma Monani,Sean Cubitt Pdf
This is an anthology that offers a comprehensive introduction to the rapidly growing field of eco-film criticism, a branch of critical scholarship that investigates cinema's intersections with environmental understandings.
STOPMOUTH AND HIS family know of no other life than the daily battle to survive. To live, they must hunt rival species, or negotiate flesh-trade with those who crave meat of the freshest human kind. It is a savage, desperate existence. And for Stopmouth, considered slowwitted hunt-fodder by his tribe, the future looks especially bleak. But then, on the day he is callously betrayed by his brother, a strange and beautiful woman falls from the sky. It is a moment that will change his destiny, and that of all humanity, forever. With echoes of Tarzan, Conan the Barbarian, and The Truman Show, Peadar Ó Guilín’s debut is an action—and idea-packed—blockbuster that will challenge your perceptions of humanity and leave you hungry for more.
Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film. The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.