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"A lively, lucid, compelling account of complex and confusing events about which scholars are still puzzling".--WASHINGTON TIMES. This story of greed, violence, and death has entered American folklore through the mythologizing of the career of Billy the Kid and also through a tendency to see the Lincoln County War as emblematic of frontier lawlessness. Illustrations.
The Collected Works of Billy the Kid by Michael Ondaatje Pdf
Not a story about me through their eyes then. Find the beginning, the slight silver key to unlock it, to dig it out. Here then is a maze to begin, be in. (p. 20) Funny yet horrifying, improvisational yet highly distilled, unflinchingly violent yet tender and elegiac, Michael Ondaatje’s ground-breaking book The Collected Works of Billy the Kid is a highly polished and self-aware lens focused on the era of one of the most mythologized anti-heroes of the American West. This revolutionary collage of poetry and prose, layered with photos, illustrations and “clippings,” astounded Canada and the world when it was first published in 1969. It earned then-little-known Ondaatje his first of several Governor General’s Awards and brazenly challenged the world’s notions of history and literature. Ondaatje’s Billy the Kid (aka William H. Bonney / Henry McCarty / Henry Antrim) is not the clichéd dimestore comicbook gunslinger later parodied within the pages of this book. Instead, he is a beautiful and dangerous chimera with a voice: driven and kinetic, he also yearns for blankness and rest. A poet and lover, possessing intelligence and sensory discernment far beyond his life’s 21 year allotment, he is also a resolute killer. His friend and nemesis is Sheriff Pat Garrett, who will go on to his own fame (or infamy) for Billy’s execution. Himself a web of contradictions, Ondaatje’s Garrett is “a sane assassin sane assassin sane assassin sane assassin sane assassin sane” (p. 29) who has taught himself a language he’ll never use and has trained himself to be immune to intoxication. As the hero and anti-hero engage in the counterpoint that will lead to Billy’s predetermined death, they are joined by figures both real and imagined, including the homesteaders John and Sallie Chisum, Billy’s lover Angela D, and a passel of outlaws and lawmakers. The voices and images meld, joined by Ondaatje’s own, in a magnificent polyphonic dream of what it means to feel and think and freely act, knowing this breath is your last and you are about to be trapped by history. I am here with the range for everything corpuscle muscle hair hands that need the rub of metal those senses that that want to crash things with an axe that listen to deep buried veins in our palms those who move in dreams over your women night near you, every paw, the invisible hooves the mind’s invisible blackout the intricate never the body’s waiting rut. (p. 72)
"Born Henry McCarty, Billy the Kid was a diminutive, charming, blond-haired young man who, growing up in New York, Kansas, and later New Mexico, demonstrated a precocious dexterity at firing six-shooters with either hand--a skill that both got him into and out of trouble and that turned him into an American legend of the Old West. He was smart, well-spoken, attractive to both white and Mexican women, a good dancer, and a man with a nose for money, horses, and trouble. His spree of crimes and murders has been immortalized in dime westerns, novels, and movies. But the whole story of his short, epically violent life has never been told as it has been here"--]cProvided by publisher.
In the Shadow of Billy the Kid by Kathleen P. Chamberlain Pdf
The events of July 19, 1878, marked the beginning of what became known as the Lincoln County War and catapulted Susan McSween and a young cowboy named Henry McCarty, alias Billy the Kid, into the history books. The so-called war, a fight for control of the mercantile economy of southeastern New Mexico, is one of the most documented conflicts in the history of the American West, but it is an event that up to now has been interpreted through the eyes of men. As a woman in a man’s story, Susan McSween has been all but ignored. This is the first book to place her in a larger context. Clearly, the Lincoln County War was not her finest hour, just her best known. For decades afterward, she ran a successful cattle ranch. She watched New Mexico modernize and become a state. And she lived to tell the tales of the anarchistic territorial period many times.
In movies, stage plays, short stories, novels, newspaper articles, poems, and songs, literally hundreds of accomplished authors have been drawn toward the near mythical persona of Henry McCarty, aka William Bonney, alias Billy the Kid. This collection is a chronologically arranged anthology of excerpts from the Kid's canon—including rare pieces of pulp fiction, chapters of popular novels, and selections from respected biographies. Each excerpt plays off the strengths of the others to finally create a compelling collage of character. This compendium is an essential addition to the library of anyone interested in the myths and the realities of Billy the Kid.
In The West of Billy the Kid, renowned authority Frederick Nolan has assembled a comprehensive photo gallery of the life and times of Billy the Kid. In text and in more than 250 images-many of them published here for the first time-Nolan recreates the life Billy lived and the places and people he knew. This unique assemblage is complemented by maps and a full biography that incorporates Nolan’s original research, adding fresh depth and detail to the Kid’s story and to the lives and backgrounds of those who witnessed the events of his life and death. Here are the faces of Billy’s family, friends, and enemies: John Tunstall and John Chisum, Sheriff Pat Garrett and Governor Lew Wallace, Jimmy Dolan and Bob Olinger, Alexander McSween and Paulita Maxwell, and many others. Here are Santa Fe and Silver City as Billy the Kid saw them, Lincoln, Las Vegas, and Tascosa. Recent photographs show the Kid’s haunts as they appear today.
Billy the Kid: The Endless Ride by Michael Wallis Pdf
"This might be the best Billy the Kid book to date." —Fritz Thompson, Albuquerque Journal In this revisionist biography, award-winning historian Michael Wallis re-creates the rich anecdotal saga of Billy the Kid (1859–1881), a young man who became a legend in his time and remains an enigma to this day. In an extraordinary evocation of the legendary Old West, Wallis demonstrates why the Kid has remained one of our most popular folk heroes. Filled with dozens of rare images and period photographs, Billy the Kid separates myth from reality and presents an unforgettable portrait of this brief and violent life.
Many histories of the short life of Old West gunslinger William Bonney have been published, but few pack the punch of Charles A. Siringo's History of 'Billy the Kid', a thrilling first-person account that traces the doomed outlaw's story from birth to death. Siringo was known in his time as a cowboy detective and spent months pursuing Bonney.
Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.
A Pulitzer Prize winner’s western “does for the gunfighter what Lonesome Dove did for the trail riding cowboy . . . wistful appeal, larger-than-life characters” (Time). An electrifying take on the classic tale of Billy the Kid, the teenage outlaw of the American Old West, from award-winning, bestselling author Larry McMurtry. The first time I saw Billy, he came walking out of a cloud . . . Welcome to the wild, hot-blooded adventures of Billy the Kid, the American West’s most legendary gunslinger. Larry McMurtry takes us on a hell-for-leather journey with Billy and his friends as they ride, drink, love, fight, shoot, and escape their way into the shining memories of Western myth. Surrounded by a splendid cast of characters that only Larry McMurtry could create, Billy charges headlong toward his fate, to become in death the unforgettable desperado he aspires to be in life. Not since Lonesome Dove has there been such a rich, exciting novel about the cowboys, Indians, and gunmen who live at the blazing heart of the American dream. “This tale of random violence, unlikely romance and quicksilver friendships in the old West is a rip-roaring gamble with a tear in its eye, and it pays off in spades.” —Publishers Weekly “Entertaining and peopled with . . . beguiling characters. McMurtry drills a bull’s eye, proving that he is among the most versatile of our writers.” —Library Journal “Storytelling at its best, the West at its fiercest, and McMurtry in his prime.” —The Seattle Times
This book is about Billy the Kid's trial for murder, and the events leading to that trial. The result of Billy's trial sealed his fate. And yet Billy's trial is the least written about, and until this book, the least known event of Billy's adult life. Prior biographies have provided extensive - and fascinating - details on Billy's life, but they supply only a few paragraphs on Billy's trial. Just the bare facts: time, place, names, result. Billy's trial the most important event in Billy's life. You may respond that his death is more important - it is in anyone's life! That is true, in an existential sense, but the events that lead to one's death at a particular place and time, the cause of one's death, override the importance of one's actual death. Those events are determinative. Without those events, one does not die then and there. If Billy had escaped death on July 14, 1881, and went on to live out more of his life, that escape and not his trial would probably be the most important event of Billy's life. The information presented here has been unknown until now. This book makes it possible to answer these previously unanswerable questions: Where was Billy captured? Where was Billy tried? What were the governing Territorial laws? What were the charges against Billy? Was there a trial transcript and what happened to it? What kind of defense did Billy present? Did Billy testify in his own defense? Did Billy have witnesses standing for him? Who testified against him for the prosecution? What was the jury like? What action by the trial judge virtually guaranteed his conviction? What legal grounds did he have to appeal his verdict? Was the trial fair? Supplementing the text are 132 photos, including many photos never published before.
In the 1880s, William Bonney is a legendary outlaw of the American frontier-you might know him better as Billy the Kid. Scheduled to hang as a convicted murderer, Billy is represented in Lincoln County, New Mexico, by attorney Ira Leonard. But in a life spanning the continent and six of the most eventful decades in the nation's history, Leonard was much more than Billy's lawyer. After Billy escapes, is rediscovered, and killed, Leonard moves on to other adventures. In a time when many people were swept along by great economic and political currents, Ira Leonard helped to shape the landscape of the American West. Sidney Leonard Gardner, the great-grandson of Ira Leonard, takes us on a fictional journey that captures the essence of his great-grandfather's experiences and encompasses some of the most eventful decades in building up the United States. This intriguing novel, told as an interview, provides a glimpse into the last year of Leonard's life as he harkens back to his time as a printer, lawyer, and judge who moved from New York westward. Gardner presents Leonard as a "just and determined man" who fearlessly played a leading role in the Lincoln County wars.