Summary Of Catherine Gildiner S Too Close To The Falls
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In a memoir about life in small-town America, the author relates her adventures growing up in the 1950s as the daughter of a pharmacist in Lewiston, New York, a small village near Niagara Falls.
The third and final volume in the spirited and witty memoir series. Picking up her story in the late '60s at age 21, Cathy Gildiner whisks the reader through five years and three countries, beginning when she is a poetry student at Oxford. Her education extended beyond the classroom to London's swinging Carnaby Street, the mountains of Wales, and a posh country estate. After Oxford, Cathy returns to Cleveland, Ohio, which was still reeling from the Hough Ghetto Riots. Not one to shy away from a challenge, she teaches at a high school where police escort teachers through the parking lot. There, she tries to engage apathetic students and tussles with the education authorities. In 1970, Cathy moves to Canada. While studying literature at the University of Toronto, she rooms with members of the FLQ (Quebec separatists) and then with one of the biggest drug dealers in Canada. Along the way, she falls in love with the man who eventually became her husband and embarks on a new career in psychology. Coming Ashore brings readers back to a fascinating era populated by lively characters, but most memorable of all is the singular Cathy McClure. The BackLit bonus content includes a reader’s guide, Q&A with the author, and more.
In 1960, Cathy McClure, age 12, is thrown out of Catholic school. Her father's drugstore, faced with a superhighway and encroaching chain stores, has fallen upon hard times. So the family decides to leave Lewiston, New York, for a fresh start in suburban Buffalo. But even as Cathy embraces the tumultuous sixties and throws herself into a new life as cheerleader, Hojo Hostess, and civil rights advocate, trouble - as usual - isn't far behind. Fiesty and resolute as ever, Cathy soldiers on, but the one thing she can't fight threatens to dissolve the family that, through her many ups and downs, has always been her solid ground. Told with the same wit, charm, and candour that made Too Close to the Falls a modern classic, After the Falls is an evocative portrait of a young woman, and a country, finding its way.
A therapist creates moving portraits of five of her most memorable patients, men and women she considers psychological heroes. Catherine Gildiner is a bestselling memoirist, a novelist, and a psychologist in private practice for twenty-five years. In Good Morning, Monster, she focuses on five patients who overcame enormous trauma--people she considers heroes. With a novelist's storytelling gift, Gildiner recounts the details of their struggles, their paths to recovery, and her own tale of growth as a therapist. The five cases include a successful but lonely musician suffering sexual dysfunction; a young woman whose father abandoned her and her siblings in a rural cottage; an Indigenous man who'd endured great trauma at a residential school; a young woman whose abuse at the hands of her father led to a severe personality disorder; and a glamorous workaholic whose negligent mother had greeted her each morning with "Good morning, Monster." Each patient presents a mystery, one that will only be unpacked over years. They seek Gildiner's help to overcome an immediate challenge in their lives, but discover that the source of their suffering has been long buried. It will take courage to face those realities, and creativity and resourcefulness from their therapist. Each patient embodies self-reflection, stoicism, perseverance, and forgiveness as they work unflinchingly to face the truth. Gildiner's account of her journeys with them is moving, insightful, and sometimes humorous. It offers a behind-the-scenes look into the therapist's office and explains how the process can heal even the most unimaginable wounds.
Summary of Catherine Gildiner's Too Close to the Falls by Everest Media, Pdf
Please note: This is a companion version & not the original book. Sample Book Insights: #1 I was born in Lewiston, a small town in western New York, to conservative, devout Catholic parents. I was at the hub of the town because I worked in my father’s drugstore from the age of four. I was labeled eccentric by my mother. #2 I worked at a drugstore as a child, and I was exposed to situations that were unusual for a child. I never had a meal at home, and I was surrounded by adults. My peer group became my coworkers. #3 I loved working with Roy, the pharmacist, because he was always in a good mood, and he made me feel like I was important. He never put off a good time, yet he always got his work done. #4 At 10:30 A. M. on Saturdays, all the employees had a break. We sat around the large red Coke cooler where the ice had melted and fished out our Cokes. I liked looking at things Roy-style, and when I was four, my mother taught me to read. Roy had been all over the United States.
Written in side-splitting and often cringe-inducing detail, Paul Feig takes you in a time machine to a world of bombardment by dodge balls, ill-fated prom dates, hellish school bus rides, and other aspects of public school life that will keep you laughing in recognition and occasionally sighing in relief that you aren’t him. Kick Me is a nostalgic trip for the inner geek in all of us.
A rollicking memoir through the shifting zeitgeist of the last five decades p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} In The Barefoot Bingo Caller, Antanas Sileika finds what’s funny and touching in the most unlikely places, from the bingo hall to the collapsing Soviet Union. He shares stories that span his attempts to shake off his suburban, ethnic, folk-dancing childhood to his divided allegiance as a Lithuanian-Canadian father. Antanas has a keen eye for social comedy, bringing to life such memorable characters as ageing beat poets, oblivious college students, the queen of the booze cans, and an obdurate porcupine. Passing through places as varied as the prime minister’s office and the streets of Paris, these wry and moving dispatches on work and family, art, and identity are ones to be shared and savoured.
During her decade in prison, Kate Fitzgerald has learned a few things. The best way to survive is to absorb yourself in your own world. Never make eye contact with your fellow inmates. And the last person you can trust is your prison psychiatrist – not only is he likely to be lazy and incompetent (really, why else wouldn’t he be getting rich off of well-heeled clients instead?) but if you complain about him you’re going to be labelled as a “permanent malcontent” and denied parole. So when Dr. Gardonne offers Kate a temporary absence and a job working for him, she only takes it because she knows that turning him down could be worse for her in the long run – counted in prison years, of course. But the real challenge is figuring out why he would choose her. On the surface, it’s pretty clear. Kate has spent her incarceration immersing herself in the writings of Sigmund Freud, and has become a recognized expert on his work. Dr. Gardonne represents the members of a psychoanalytic organization that is being attacked at its core: Anders Konzak, the hand-picked director of the Freud academy, has been boasting to the media that his new research on Freud will bring the entire profession of psychoanalysis to its knees. He’s also been receiving death threats. And Kate, as an outsider, is the only one Konzak will talk to. Though she doesn’t trust Gardonne, Kate accepts his offer, and she races to uncover Konzak’s secrets before he publishes his work. Never one to work well with others, Kate is less than thrilled to find out Gardonne has hired a private detective to be her partner. Jackie Lawton is a hardened ex-con who has spent most of his life in prison and only recently turned things around by starting his own business. From the moment the two meet, Kate sees that it won’t be easy working with a man who isn’t really interested in the intellectual battle at hand and who keeps her prison time at the forefront of every conversation. And can he really be trusted? When key players – who were all last seen with Kate – begin to turn up dead, there’s the very real possibility she’s being set up by Gardonne. After all, who would believe the word of a convict serving time for murdering her husband? All she can hope is that following the threads of Konzak’s research to his sources will keep her one step ahead of Gardonne and lead her to the real killer. With Seduction, Catherine Gildiner gives us not only a gripping detective story full of shifting characters and fast-paced twists but a remarkable intellectual thriller. Through the letters and papers of Sigmund Freud, Charles Darwin and the venerable Wedgwood family, Gildiner brings the personalities and ideological conflicts of the past to life in the present. Along the way we meet an assortment of characters, from social misfits to the demure but resolute Anna Freud, who is still living in the London house where she brought her ailing father for the last year of his life, and where she actively guards his legacy. The story takes us from Toronto to Vienna, London, the Isle of Wight, New York and back again to Toronto – each locale seen through the eyes of Kate, who relishes in the beauty of a world that has been denied to her for a decade.
1942: Her mother's death left Grace Turner detached from the world until she became pregnant. Now, she's fallen in love with her baby boy but is locked in combat with her sister-in-law over his care. Wanting an independent life for herself and her son, Grace leaves Sault Ste. Marie to find work, and a place of her own, in southern Ontario. But she worries: when she returns for her baby, will her brother and sister-in-law give him up? 1957: Teenaged Dean Turner breaks open a locked box and finds adoption papers with a birth certificate for Daniel Turner, son of Grace Turner and an unknown father. His parents deny that he is adopted, but four years later, Dean leaves home to find the mysterious Grace. 1961: Laura falls in love with Dean Turner soon after he sits down at her table in the Queen Street Eaton's cafeteria, but he disappears as suddenly and as devastatingly as he appeared. When she encounters him in Sault Ste. Marie three years later, she is determined not to let him slip away again. 1973: Eight-year-old Dawn Turner waits for her father one morning at the front door of her grandparents' house. Dawn and her little brother are finally starting a life with their father, Dean, and his new wife. But when the new beginning doesn't work out, she and Jimmy end up back with their grandparents. As Dawn grows up, she must work to understand her family's mysteries and disappearing acts before she loses track of herself completely. Jamie Zeppa paints a tender and perceptive portrait of the unconventional, though not entirely dysfunctional, Turner family. Rich with mystery, broken promises and in the end, some mending of hearts, Every Time We Say Goodbye explores what it means to leave, to be left, to be absent; what connects parents and children, brothers and sisters, husbands and wives - and what drives them apart.
Winner of the 2015 RBC Taylor Prize Winner of the 2016 Forest of Reading® Evergreen Award™ After almost twenty years of caring for elderly parents—first for their senile father, and then for their cantankerous ninety-three-year-old mother—author Plum Johnson and her three younger brothers experience conflicted feelings of grief and relief when their mother, the surviving parent, dies. Now they must empty and sell the beloved family home, which hasn’t been de-cluttered in more than half a century. Twenty-three rooms bulge with history, antiques, and oxygen tanks. Plum remembers her loving but difficult parents who could not have been more different: the British father, a handsome, disciplined patriarch who nonetheless could not control his opinionated, extroverted Southern-belle wife who loved tennis and gin gimlets. The task consumes her, becoming more rewarding than she ever imagined. Items from childhood trigger memories of her eccentric family growing up in a small town on the shores of Lake Ontario in the 1950s and 60s. But unearthing new facts about her parents helps her reconcile those relationships with a more accepting perspective about who they were and what they valued. They Left Us Everything is a funny, touching memoir about the importance of preserving family history to make sense of the past and nurturing family bonds to safeguard the future.
The Big Disconnect by Catherine Steiner-Adair, EdD.,Teresa H. Barker Pdf
Wall Street Journal Best Nonfiction Pick; Publisher's Weekly Best Book of the Year Clinical psychologist Catherine Steiner-Adair takes an in-depth look at how the Internet and the digital revolution are profoundly changing childhood and family dynamics, and offers solutions parents can use to successfully shepherd their children through the technological wilderness. As the focus of the family has turned to the glow of the screen—children constantly texting their friends or going online to do homework; parents working online around the clock—everyday life is undergoing a massive transformation. Easy access to the Internet and social media has erased the boundaries that protect children from damaging exposure to excessive marketing and the unsavory aspects of adult culture. Parents often feel they are losing a meaningful connection with their children. Children are feeling lonely and alienated. The digital world is here to stay, but what are families losing with technology's gain? As renowned clinical psychologist Catherine Steiner-Adair explains, families are in crisis as they face this issue, and even more so than they realize. Not only do chronic tech distractions have deep and lasting effects but children also desperately need parents to provide what tech cannot: close, significant interactions with the adults in their lives. Drawing on real-life stories from her clinical work with children and parents and her consulting work with educators and experts across the country, Steiner-Adair offers insights and advice that can help parents achieve greater understanding, authority, and confidence as they engage with the tech revolution unfolding in their living rooms.
A woman discovers her marriage is built on an illusion in this harrowing and ultimately inspiring memoir. “Be forewarned: You won’t sleep until you finish the last page.”—Caroline Leavitt, author of Cruel Beautiful World One night. One email. Two realities... Before: Jen Waite has met the partner of her dreams. A handsome, loving man who becomes part of her family, evolving into her husband, her best friend, and the father of her infant daughter. After: A disturbing email sparks suspicion, leading to an investigation of who this man really is and what was really happening in their marriage. In alternating Before and After chapters, Waite obsessively analyzes her relationship, trying to find a single moment form the past five years that isn't part of the long con of lies and manipulation. Instead, she finds more lies, infidelity, and betrayal than she could have imagined. With the pacing and twists of a psychological thriller, A Beautiful, Terrible Thing looks at how a fairy tale can become a nightmare and what happens when “it could never happen to me” actually does.
SHORTLISTED for the 2021 Speaker's Book Award LONGLISTED for the 2021 Toronto Book Award The triumph of Saga Boy is the triumph of Blackness everywhere--the irrepressible instinct for survival in a world where Blacks are prey." --Ian Williams, Giller Prize-winning author of Reproduction An enthralling, deeply personal account of a young immigrant's search for belonging and Black identity amid the long-lasting effects of cultural dislocation. Antonio Michael Downing's memoir of creativity and transformation is a startling mash-up of memories and mythology, told in gripping, lyrical prose. Raised by his indomitable grandmother in the lush rainforest of southern Trinidad, Downing, at age 11, is uprooted to Canada when she dies. But to a very unusual part of Canada: he and his older brother are sent to live with his stern, evangelical Aunt Joan, in Wabigoon, a tiny northern Ontario community where they are the only Black children in the town. In this wilderness, he begins his journey as an immigrant minority, using music and performance to dramatically transform himself. At the heart of his odyssey is the longing for a home. He is re-united with his birth parents who he has known only through stories. But this proves disappointing: Al is a womanizing con man and drug addict, and Gloria, twice abandoned by Al, seems to regard her sons as cash machines. He tries to flee his messy family life by transforming into a series of extravagant musical personalities: "Mic Dainjah," a punk rock rapper, "Molasses," a soul music crooner and finally "John Orpheus," a gold chained, sequin- and leather-clad pop star. Yet, like his father and grandfather, he has become a "Saga Boy," a Trinidadian playboy, addicted to escapism, attention, and sex. When the inevitable crash happens, he finds himself in a cold, stone jail cell. He has become everything he was trying to escape and must finally face himself. Richly evocative, Saga Boy is a heart-wrenching but uplifting story of a lonely immigrant boy who overcomes adversity and abandonment to reclaim his Black identity and embrace a rich heritage.
The hiring of a new assistant triggers a power struggle between an aging TV show creator and her former protégée. Rising-star showrunner Stacey McCreedy has one goal: to leave behind her nerd-girl origins and become a power player — like Ann Dalloni, her former mentor and current producing partner. Ann, meanwhile, is feeling her age and losing her mind. But she’ll be damned if she cedes control of their hit primetime TV show to Stacey. After Ann hires Jenna, a young actress hoping to restart her stalled career, as an assistant, the relationship between Ann and Stacey deteriorates into a blood feud. Soon, Jenna must choose whom to support and whom to betray to achieve her own ends. And Stacey will find out if she possesses the killer instinct needed to stay on top.