Sunflower Splendor Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Sunflower Splendor book. This book definitely worth reading, it is an incredibly well-written.
Sunflower Splendor by Wuji Liu,Irving Yucheng Lo Pdf
A comprehensive anthology of Chinese poetry from the 12th century B.C. to the present. "This magnificent collection has the effect of a complete library rather than of an anthology of poetry.... A lyric quality comes through into our own language... Every page is alive with striking and wonderful things, immediately accessible." -- Publishers Weekly "Sunflower Splendor is the largest and, on the whole, best anthology of translated Chinese poems to have appeared in a Western language." -- The New York Times Book Review "This remarkably fine anthology should remain standard for a long time." -- Library Journal ..". excellent translations by divers hands. Open to any page and listen to the still, sad music... " -- Washington Post Bookworld
Author : Richard M. Barnhart Publisher : Metropolitan Museum of Art Page : 146 pages File Size : 47,8 Mb Release : 1983 Category : Flowers in art ISBN : 9780870993589
The Indiana Companion to Traditional Chinese Literature by William H. Nienhauser Pdf
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
This book examines egalitarian social ideals and institutions that arose in preindustrial China and England, and in the process, uncovers China’s forgotten role in the history of social justice debate and legislation during the eighteenth century. Drawing on a wide range of visual and documentary evidence, the author shows that many prominent individuals in both England and China adopted comparable strategies as a logical response to excesses of privilege and arbitrary power, with educated but non-noble persons taking advantage of print culture, a more literate population, an expanded art market, public spaces and other familiar ‘early modern’ developments to interrogate the system of inherited privilege and promote a more meritocratic society. This shared experience created common ground for transformative exchange between the two great traditions during the eighteenth century. By providing a more global account of what we call Western values, the book shows that early modern China and England had far more in common than is normally supposed, and thus challenges claims on the right and the left that the people of China lacked a concept of social justice and that China’s cultural legacy should be treated as exceptional in regard to human rights.
Seven Lectures on Wang Guowei’s Renjian Cihua by Florence Chia-Ying Yeh Pdf
Renjian cihua is a masterpiece of literary criticism written by Wang Guowei (1877–1927), a scholar of the Chinese classics who lived during the late Qing and early Republican periods. Since its publication in 1908 and 1909, it has been one of the most influential academic works in China. Elegantly written, Wang’s set of "remarks on ci poetry" (cihua) retains a traditional Chinese impressionistic critical approach, and can present difficulties to the common reader. This set of lectures by Florence Chia-ying Yeh explains the text to readers, making accessible Wang’s famous theory of jingjie ("aesthetic realm" or "artistic conception"), his views on how the ci differs from the shi genre of Chinese poetry, and his critical judgments of various famous ci poets from the Tang, Five Dynasties, and Song periods. The lectures are presented here in an English translation by Maija Bell Samei.
Scientists have emphasized the innate, genetically based nature of our fascination with the human face and its almost limitless expressive capacity, all of which is represented in the art of the last six centuries. But little attention has been paid to the anomoly of the vacuous expressions of earlier facial representations. Brener attributes this change to a change in the functioning of the human brain, as well as the role of cultural factors. It is the evolution of both genes and culture that has resulted in a marked increase in the human ability to create and interpret facial expressions. The result of this has impacted human behavior.
Schwarcz uncovers resonances between the narratives of Chinese intellectuals recovering from the trauma of the Cultural Revolution and the halting tales of her own parents.
Ideology, Power, Text by Yi-tsi Mei Feuerwerker Pdf
The division between the scholar-gentry class and the “people” was an enduring theme of the traditional Chinese agrarian-bureaucratic state. Twentieth-century elites recast this as a division between intellectuals and peasants and made the confrontation between the writing/intellectual self and the peasant “other” a central concern of literature. The author argues that, in the process, they created the “peasantry,” the downtrodden rural masses represented as proper objects of political action and shifting ideological agendas. Throughout this transition, language or discourse has been not only a weapon of struggle but the center of controversy and contention. Because of this primacy of language, the author’s main approach is the close reading or, rather, re-reading of significant narrative fictions from four literary generations to demonstrate how historical, ideological, and cultural issues are absorbed, articulated, and debated within the text. Three chapters each focus on one representative author. The fiction of Lu Xun (1881-1936), which initiated the literary preoccupation with the victimized peasant, is also about the identity crisis of the intellectual. Zhao Shuli (1906-1970), upheld by the Communist Party as a model “peasant writer,” tragically exemplifies in his career the inherent contradictions of such an assigned role. In the post-Mao era, Gao Xiaosheng (1928—) uses the ironic play of language to present a more ambiguous peasant while deflating intellectual pretensions. The chapter on the last of the four “generations” examines several texts by Mo Yan (1956—), Han Shaogong (1952—), and Wang Anyi (1954—) as examples of “root-searching” fiction from the mid-1980’s. While reaching back into the past, this fiction is paradoxically also experimental in technique: the encounter with the peasant leads to questions about the self-construction of the intellectual and the nature of narrative representation itself. Throughout, the focus is on texts in which some sort of representation or stand-in of the writer/intellectual self is present—as character, as witness, as center of consciousness, or as first-person or obtrusive narrator. Each story catches the writer in a self-reflective mode, the confrontation with the peasant “other” providing a theater for acting out varying dramas of identity, power, ideology, political engagement, and self-representation.
Ancient and Early Medieval Chinese Literature (vol.I) by David R. Knechtges,Taiping Chang Pdf
The long-awaited, first Western-language reference guide, this work offers a wealth of information on writers, genres, literary schools and terms of the Chinese literary tradition from earliest times to the seventh century C.E.
Ancient and Early Medieval Chinese Literature (vol. 3 & 4) by Anonim Pdf
The long-awaited, first Western-language reference guide, this work offers a wealth of information on writers, genres, literary schools and terms of the Chinese literary tradition from earliest times to the seventh century C.E. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Three contains Xia - Y. Part Four contains the Z and an extensive index to the four volumes.