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Superman (2016-) #15 by Peter J. Tomasi,Patrick Gleason Pdf
“MULTIPLICITY” part two! Superman and New Super-Man fight alongside an army of Supermen from across the Multiverse against the threat trying to wipe them all out of existence! Plus, Jon and his neighbor Kathy investigate a hidden horror that seems to be growing in their town.
Author : Matthew K. Manning Publisher : Simon and Schuster Page : 240 pages File Size : 51,8 Mb Release : 2020-09-22 Category : Art ISBN : 9781647221348
Sideshow: Fine Art Prints by Matthew K. Manning Pdf
Explore the robust library of Sideshow Collectibles’ exclusive, one-of-a-kind art prints with this deluxe collection. Sideshow Collectibles’ limitless passion for creativity and entertainment has led them to become a leading source of premium, highly sought after pop-culture collectibles—and their collection of art prints is no exception. Working with top artists such as Alex Ross, Adi Granov, Stanley “Artgerm” Lau, and more, Sideshow has developed a series of beautifully crafted prints based on films, comics, TV, and animation. These officially licensed illustrations are inspired by countless fan-favorite properties, including everything from Marvel, DC, and Star Wars, to iconic classics like Terminator, Alien, Transformers, and more. , Collecting the very best of Sideshow prints in one extraordinary volume, this book is a must have for art enthusiasts and pop-culture fans everywhere.
Superman in Myth and Folklore by Daniel Peretti Pdf
Superman rose from popular culture--comic books, newspaper strips, radio, television, novels, and movies" but people have so embraced the character that he has now become part of folklore. This transition from popular to folk culture signals the importance of Superman to fans and to a larger American populace. Superman's story has become a myth dramatizing identity, morality, and politics. Many studies have examined the ways in which folklore has provided inspiration for other forms of culture, especially literature and cinema. In Superman in Myth and Folklore, Daniel Peretti explores the meaning of folklore inspired by popular culture, focusing not on the Man of Steel's origins but on the culture he has helped create. Superman provides a way to approach fundamental questions of human nature, a means of exploring humanity's relationship with divinity, an exemplar for debate about the type of hero society needs, and an articulation of the tension between the individual and the community. Through examinations of tattoos, humor, costuming, and festivals, Peretti portrays Superman as a corporate-owned intellectual property and a model for behavior, a means for expression and performance of individual identity, and the focal point for disparate members of fan communities. As fans apply Superman stories to their lives, they elevate him to a mythical status. Peretti focuses on the way these fans have internalized various aspects of the character. In doing so, he delves into the meaning of Superman and his place in American culture and demonstrates the character's staying power.
A Brief History of Comic Book Movies by Wheeler Winston Dixon,Richard Graham Pdf
A Brief History of Comic Book Movies traces the meteoric rise of the hybrid art form of the comic book film. These films trace their origins back to the early 1940s, when the first Batman and Superman serials were made. The serials, and later television shows in the 1950s and 60s, were for the most part designed for children. But today, with the continuing rise of Comic-Con, they seem to be more a part of the mainstream than ever, appealing to adults as well as younger fans. This book examines comic book movies from the past and present, exploring how these films shaped American culture from the post-World War II era to the present day, and how they adapted to the changing tastes and mores of succeeding generations.
Superman is the original superhero, an American icon, and arguably the most famous character in the world--and he's Jewish! Introduced in June 1938, the Man of Steel was created by two Jewish teens, Jerry Siegel, the son of immigrants from Eastern Europe, and Joe Shuster, an immigrant. They based their hero's origin story on Moses, his strength on Samson, his mission on the golem, and his nebbish secret identity on themselves. They made him a refugee fleeing catastrophe on the eve of World War II and sent him to tear Nazi tanks apart nearly two years before the US joined the war. In the following decades, Superman's mostly Jewish writers, artists, and editors continued to borrow Jewish motifs for their stories, basing Krypton's past on Genesis and Exodus, its society on Jewish culture, the trial of Lex Luthor on Adolf Eichmann's, and a future holiday celebrating Superman on Passover. A fascinating journey through comic book lore, American history, and Jewish tradition, this book examines the entirety of Superman's career from 1938 to date, and is sure to give readers a newfound appreciation for the Mensch of Steel!
Batman is one of the most compelling and enduring characters to come from the Golden Age of Comics, and interest in his story has only increased through countless incarnations since his first appearance in Detective Comics #27 in 1939. Why does this superhero without superpowers fascinate us? What does that fascination say about us? Batman and Psychology explores these and other intriguing questions about the masked vigilante, including: Does Batman have PTSD? Why does he fight crime? Why as a vigilante? Why the mask, the bat, and the underage partner? Why are his most intimate relationships with “bad girls” he ought to lock up? And why won't he kill that homicidal, green-haired clown? Combining psychological theory with the latest in psychological research, Batman and Psychology takes you on an unprecedented journey behind the mask and into the dark mind of your favorite Caped Crusader and his never-ending war on crime.
This book lists every record that reached the top 100 of the singles chart and the top 100 of the albums chart of the United Kingdom between 7 January 2016 and 29 December 2016. The charts are (c) The Official UK Charts Company Limited and taken from http: //www.officialcharts.com. The chart dates are the Thursday of each week and the charts are published on Friday, 6 days before.
“BREAKING POINT” part two. Deathstroke has come to Metropolis… and he’s got his sights set on Superman. Slade Wilson gives the Man of Steel an impossible choice: maintain his ideals and let the love of his life die, or save Lois Lane and become a killer himself. Will Deathstoke push Superman to his breaking point?
The Ages of the Justice League by Joseph J. Darowski Pdf
The first superhero team from the Silver Age of comics, DC's Justice League has seen many iterations since its first appearance in 1960. As the original comic book continued and spin-off titles proliferated, talented writers, artists and editors adapted the team to appeal to changing audience tastes. This collection of new essays examines more than five decades of Justice League comics and related titles. Each essay considers a storyline or era of the franchise in its historical and social contexts.
“EVERYONE LOVES IVY” part three! The quest to end Ivy’s domination heads toward a close, but can Batman offer Ivy redemption on the other side of this crime? It’s an epic showdown between the Caped Crusader and one of his most popular foes, brought to you by the creative team behind “THE WAR OF JOKES AND RIDDLES.”
Superheroes Smash the Box Office by Shawn Conner Pdf
In 1997, the superhero movie was all but dead. The last Superman flick had been released a decade earlier to disastrous reviews and ticket sales. The most recent Batman film was a franchise-killing bomb. And an oft-promised Spider-Man feature was grounded. Yet a mere five years later this once-derided genre would be well on its way to world domination at the box office and even critical respectability. How did this happen? And why, two decades later, does the phenomenon show no sign of abating? Here, for the first time, is an extensively researched soup-to-nuts history of the superhero movie, from the first bargain-basement black-and-white serials to today's multiverse blockbusters. Chronicling eight decades of stops and starts, controversies and creators, good guys and bad guys--onscreen and off--this entertaining account explains how and why our entertainment universe came to be overpowered by costumed crimefighters and their nefarious counterparts.
Almost immediately after his first appearance in comic books in June 1938, Superman began to be adapted to other media. The subsequent decades have brought even more adaptations of the Man of Steel, his friends, family, and enemies in film, television, comic strip, radio, novels, video games, and even a musical. The rapid adaptation of the Man of Steel occurred before the character and storyworld were fully developed on the comic book page, allowing the adaptations an unprecedented level of freedom and adaptability. The essays in this collection provide specific insight into the practice of adapting Superman from comic books to other media and cultural contexts through a variety of methods, including social, economic, and political contexts. Authors touch on subjects such as the different international receptions to the characters, the evolution of both Clark Kent's character and Superman's powers, the importance of the radio, how the adaptations interact with issues such as racism and Cold War paranoia, and the role of fan fiction in the franchise. By applying a wide range of critical approaches to adaption and Superman, this collection offers new insights into our popular entertainment and our cultural history.