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The Man of Tomorrow returns home to an unfamiliar City of Tomorrow patrolled by super-powered police officers. With almost all of his friends and loved ones gone, he wonders if Superman has a place in this new world. But time and death hold no meaning for his greatest enemy, who has set a plan in motion to destroy the Man of Steel once and for all.
Superman Beyond: Man of Tomorrow by J.T. Krul,Paul Levitz,Tom DeFalco Pdf
Decades from now, Superman is still the greatest hero of Metropolis, the impervious Man of Steel and a member of the Justice League…but nothing else is the same. Most of the people and places that Clark Kent loved are gone, and as the Metropolis Police Department rolls out a new squad of nanotech-powered Super Cops, it begins to look like Superman might not even be needed anymore. For the first time ever, the Man of Tomorrow feels like a relic of the past.But another vestige of Metropolis’ history is about to come back. Lex Luthor is long dead, but even the grave can’t contain his hatred for Superman. Before his death, Lex hatched a plan to finally accomplish what he couldn’t in life: the destruction of the Man of Steel. And if all the Earth should be destroyed in the process, it hardly matters.Can Superman defeat Luthor one last time? It will take all of his strength and resources…as well as the help of one very old friend.The digital-first series from writer J.T. Krul (CAPTON ATOM) and Howard Porter (JLA) is collected in SUPERMAN BEYOND, as the Man of Tomorrow takes flight into the future!Collects digital chapters 1-10 and SUPERMAN/BATMAN ANNUAL #4.
From the hit comic series BATMAN BEYOND! As Superman feels his super-powers beginning to decline, the Last Son of Krypton is called back into action to stop a villain more powerful than any he's faced before!
Final Crisis: Superman Beyond #1 by Grant Morrison Pdf
To save the woman he loves, the greatest hero of all time becomes the pawn of ultra-dimensional forces when a wounded emissary from a world of doomed super gods comes to Earth on the eve of the Final Crisis. His mission: recruit Superman's help against an
Final Crisis: Superman Beyond #2 by Grant Morrison Pdf
The epic voyage beyond reality concludes in this heart-stopping finale as the multiverse-spanning quest for the elixir of the supergods reaches its end on the shores of a battlefield beyond imagination! But first, the Supermen of five worlds must lay bare
Graven Images by A. David Lewis,Christine Hoff Kraemer Pdf
Comic books have increasingly become a vehicle for serious social commentary and, specifically, for innovative religious thought. Practitioners of both traditional religions and new religious movements have begun to employ comics as a missionary tool, while humanists and religious progressives use comics' unique fusion of text and image to criticize traditional theologies and to offer alternatives. Addressing the increasing fervor with which the public has come to view comics as an art form and Americans' fraught but passionate relationship with religion, Graven Images explores with real insight the roles of religion in comic books and graphic novels. In essays by scholars and comics creators, Graven Images observes the frequency with which religious material—in devout, educational, satirical, or critical contexts—occurs in both independent and mainstream comics. Contributors identify the unique advantages of the comics medium for religious messages; analyze how comics communicate such messages; place the religious messages contained in comic books in appropriate cultural, social, and historical frameworks; and articulate the significance of the innovative theologies being developed in comics.
After debuting in 1938, Superman soon became an American icon. But why has he maintained his iconic status for nearly 80 years? And how can he still be an American icon when the country itself has undergone so much change? Superman: Persistence of an American Icon examines the many iterations of the character in comic books, comic strips, radio series, movie serials, feature films, television shows, animation, toys, and collectibles over the past eight decades. Demonstrating how Superman’s iconic popularity cannot be attributed to any single creator or text, comics expert Ian Gordon embarks on a deeper consideration of cultural mythmaking as a collective and dynamic process. He also outlines the often contentious relationships between the various parties who have contributed to the Superman mythos, including corporate executives, comics writers, artists, nostalgic commentators, and collectors. Armed with an encyclopedic knowledge of Superman’s appearances in comics and other media, Gordon also digs into comics archives to reveal the prominent role that fans have played in remembering, interpreting, and reimagining Superman’s iconography. Gordon considers how comics, film, and TV producers have taken advantage of fan engagement and nostalgia when selling Superman products. Investigating a character who is equally an icon of American culture, fan culture, and consumer culture, Superman thus offers a provocative analysis of mythmaking in the modern era.
Theology and the DC Universe by Gabriel Mckee,Roshan Abraham Pdf
Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative—the DC superhero universe—that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.
In Beyond Nihilism, Michael Polanyi argued that a merely "negative" liberty of doing as one pleases so long as one does not impinge upon the equal liberty of others - must and has led to destructive nihilism and a fierce reaction to collectivism. R.T. Allen takes up this argument in Beyond Liberalism, and shows how Polanyi's political philosophy evolved into a more "positive" and distinctly conservative concept of liberty, converging upon the archetypal conservatism of Edmund Burke. Allen examines Polanyi's and F.A. Hayek's thinking with respect to the nature, value, and foundations of liberty.Negative and positive liberties are two sides of one liberty, and Allen believes negative conceptions of liberty are as dangerous as positive ones. He distinguishes among general and abstract definitions of liberty and shows how all, including that of Hayek, ultimately dissolve. According to Allen, only tacit conceptions of liberty, such as those of Burke and Polanyi, prove viable. This is because they rest on concrete tradition. Allen examines how the skeptical, rationalist, and utilitarian philosophies of Ludwig von Mises and Sir Karl Popper fail to support the value of liberty and even proved to be destructive of it. Allen argues that society cannot rely upon the classically liberal notion of contract but rather upon prescriptive and inherited obligations. In turn, this means that citizens have positive, as well as negative, duties to each other and the body politic of which they are part and upon whose support liberty depends.A free society is held together by emotional bonds and the traditions and rituals that sustain them. A free society also presupposes that the individual has inherent value in and for himself. For R.T. Allen, only Christianity, and certainly no modern philosophy, has a conception of the unique individual and his irreplaceable value and of a political order that transcends itself into the moral order. Even Polanyi's liberty is ultimately insufficient, for it gives no inherent value to the person himself but instead to the ideals which he serves. Beyond Liberalism challenges deeply ingrained notions of liberty and its meaning in modern society. It is a call for traditions of self-restraint and justice for their own sakes. This noteworthy volume is an essential addition to the libraries of political scientists, philosophers, and theologians alike.
Attempts to define what comics are and explain how they work have not always been successful because they are premised upon the idea that comic strips, comic books and graphic novels are inherently and almost exclusively visual. This book challenges that premise, and asserts that comics is not just a visual medium. The book outlines the multisensory aspects of comics: the visual, audible, tactile, olfactory and gustatory elements of the medium. It rejects a synaesthetic approach (by which all the senses are engaged through visual stimuli) and instead argues for a truly multisensory model by which the direct stimulation of the reader’s physical senses can be understood. A wide range of examples demonstrates how multisensory communication systems work in both commercial and more experimental contexts. The book concludes with a case study that looks at the works of Alan Moore and indicates areas of interest that multisensory analysis can draw out, but which are overlooked by more conventional approaches.
The first sustained study of the DC Comics Multiverse, this book explores its history, meanings, and lasting influence. The multiverse is a unique exercise in world-building: a series of parallel and interactive worlds with a cohesive cosmology, developed by various creators over more than 50 years. In examining DC's unique worlds and characters, the book illustrates the expansive potential of a multiverse, full of characters, histories, geographies, religions, ethnographies, and more, and allowing for expressions of legacy, multiplicity, and play that have defined much of DC Comics' output. It shows how a multiverse can be a vital, energizing part of any imaginary world, and argues that students and creators of such worlds would do well to explore the implications and complexities of this world-building technique. Andrew J. Friedenthal has crafted a groundbreaking, engaging, and thoughtful examination of the multiverse, of interest to scholars and enthusiasts of not just comics studies, but also the fields of media studies and imaginary world studies.
