Surviving Examples Of Early Plate Armour 1300 1430
Surviving Examples Of Early Plate Armour 1300 1430 Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Surviving Examples Of Early Plate Armour 1300 1430 book. This book definitely worth reading, it is an incredibly well-written.
Surviving Examples of Early Plate Armour (1300-1430) by Douglas Strong Pdf
The fourteenth century witnessed a late medieval arms race; an era that began with knightly combatants armed in mail - and ended with them dressed head-to-toe in the complete plate armour that is commonly associated with knights. Although well documented in art and effigies, only a very few examples of this early plate armour survive. In this first-of-its-kind series, Douglas Strong brings together three decades of research to offer a lavishly illustrated catalog of these surviving pieces with a detailed record of their provenance, characteristics, construction details, and current whereabouts. Filled with color and black-white photos, line-drawings, this 8.5 x 11 hardback is a piece of artwork in its own right. VOLUME I focuses on the bascinet, the ubiquitous helmet of the period. Developing out of a small skull-cap worn beneath the great helm, it quickly evolved into a complete head defense of its own, becoming the helmet that defines the knightly harness of the second half of the fourteenth century that survived in common usage into the early decades of the fifteenth century. Organizing the surviving examples into broad, morphological categories for both helmets and visors, Douglas Strong not only creates a catalog of surviving pieces, but presents a basic typology, the first of its kind, into which future discoveries can be fit.
A Knight's Own Book of Chivalry by Geoffroi de Charny Pdf
On the great influence of a valiant lord: "The companions, who see that good warriors are honored by the great lords for their prowess, become more determined to attain this level of prowess." On the lady who sees her knight honored: "All of this makes the noble lady rejoice greatly within herself at the fact that she has set her mind and heart on loving and helping to make such a good knight or good man-at-arms." On the worthiest amusements: "The best pastime of all is to be often in good company, far from unworthy men and from unworthy activities from which no good can come." Enter the real world of knights and their code of ethics and behavior. Read how an aspiring knight of the fourteenth century would conduct himself and learn what he would have needed to know when traveling, fighting, appearing in court, and engaging fellow knights. Composed at the height of the Hundred Years War by Geoffroi de Charny, one of the most respected knights of his age, A Knight's Own Book of Chivalry was designed as a guide for members of the Company of the Star, an order created by Jean II of France in 1352 to rival the English Order of the Garter. This is the most authentic and complete manual on the day-to-day life of the knight that has survived the centuries, and this edition contains a specially commissioned introduction from historian Richard W. Kaeuper that gives the history of both the book and its author, who, among his other achievements, was the original owner of the Shroud of Turin.
Author : Brian R. Price,Alan R. Williams Publisher : Unknown Page : 0 pages File Size : 54,8 Mb Release : 2000 Category : Armor making ISBN : 1581600984
Techniques of Medieval Armour Reproduction by Brian R. Price,Alan R. Williams Pdf
Few historical icons can match the evocative power of the medieval suit of armour, and this epic new book is a complete course in the tools and techniques of the modern armourer's art. Through more than 1,000 detailed photos and clear instruction, Brian Price presents a working handbook for aspiring and active armourers who want to develop their skills in the production of medieval armour in the style of the 14th century. The book is divided into four sections: a sweeping history of armour and its production from its medieval roots to its modern revival; a practical introduction to all the tools and supplies necessary to equip a modern workshop; a thorough review of key techniques; and a series of actual courses in constructing armoured defenses for the head, body, arm, hand and leg. Taking the reader through the construction of an authentic medieval harness from conception to completion, Techniques of Medieval Armour Reproduction is a vital addition to the libraries of serious craftsmen, historians, collectors and researchers.
The Knight and the Blast Furnace by Alan R. Williams Pdf
The suit of armour distinguishes the European Middle Ages & Renaissance. This book tells its story from the 14th to the 17th century, and the making of its steel. The metallurgy of 600 armours has been analysed, and their probable effectiveness in battle assessed.
The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance" by R. Coltman Clephan Pdf
"The Defensive Armour and the Weapons and Engines of War of Mediæval Times, and of the "Renaissance"" by R. Coltman Clephan. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Dating from the 1520's, Bolognese swordsmaster's Antonio Manciolino's Opera Nova is the earliest surviving printed book on Italian martial arts. This seminal and eclectic Renaissance work contains clear and systematic instruction on the use of the sword and small buckler, sword and large buckler, sword and targa, sword and dagger, sword and cape, two swords, sword alone, and sword and rotella, plus a fascinating compendium on the use of polearms. Clearly and elegantly written, Manciolino's text is one of the best and clearest presentations of the martial skills required of the ideal Renaissance man. For the first time since its original publishing, this book has been translated into English by experienced historical fencing instructor Tom Leoni. Also included is a valuable and extensive technical introduction, complete with illustrations from both original sources and modern photographs, making it easy to follow Manciolino's instructions, sword-in-hand, even by beginners, while providing years of training for veteran martial artists.
The Armourer and His Craft by Charles John Ffoulkes Pdf
As soon as the armed man realized that iron and steel were the best defences for his body, he would naturally insist that some sort of a guarantee should be given him of the efficacy of the goods supplied by his armourer. This system of proving armour would be effected by using those weapons commonly in use, and these, in the early times, were the sword, the axe, the lance, the bow, and the crossbow. The latter seems to have been the more common forms of proof, though as late as the seventeenth century we have evidence that armour was proved with the "estramaon" or sword blow. -from "The Proof of Armour" Not a history of defensive armor but rather a guide to the actual making of armor, as well as the regulations that governed the artisans who made it, this is a fascinating-and practical-handbook on the production, selling, and wearing metal traditional medieval body armor. First published in 1912, this classic book-by British historian and author CHARLES JOHN FFOULKES (1868-1947), curator of London's Royal Armouries-draws on records of the time to detail the tools and appliances of the trade, the decoration and cleaning of armor, the use of leather and fabrics, and much more to offer a complete reference for readers of period fiction and history, wargamers, costumers, and anyone fascinated by the craft of the armorer. This replica of the 1912 edition is complete with all of the original diagrams, illustrations, and photos.
Luxury Arts of the Renaissance by Marina Belozerskaya Pdf
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
Author : Sir William Henry St. John Hope Publisher : Unknown Page : 502 pages File Size : 49,8 Mb Release : 1913 Category : Heraldry ISBN : STANFORD:36105033686655
One of the most unusual contributions to the crusading era was the idea of the leper knight - a response to the scourge of leprosy and the shortage of fighting men which beset the Latin kingdom in the twelfth century. The Order of St Lazarus, which saw the idea become a reality, founded establishments across Western Europe to provide essential support for its hospitaller and military vocations. This book explores the important contribution of the English branch of the order, which by 1300 managed a considerable estate from its chief preceptory at Burton Lazars in Leicestershire. Time proved the English Lazarites to be both tough and tenacious, if not always preoccupied with the care of lepers. Following the fall of Acre in 1291 they endured a period of bitter internal conflict, only to emerge reformed and reinvigorated in the fifteenth century. Though these late medieval knights were very different from their twelfth-century predecessors, some ideologies lingered on, though subtly readapted to the requirements of a new age, until the order was finally suppressed by Henry VIII in 1544. The modern refoundation of the order, a charitable institution, dates from 1962. The book uses both documentary and archaeological evidence to provide the first ever account of this little-understood crusading order.DAVID MARCOMBE is Director of the Centre for Local History, University of Nottingham.
Knightly Dueling is a complete overview of the fighting arts of German chivalric dueling, on horse and on foot, during the late Middle Ages and early Renaissance. Through the words and pictures of original source texts of the great German fight masters of the 14th through 16th centuries - extraordinary works that poetically preserved medieval methods of armed combat - it reveals knightly dueling for what it truly was: mortal combat over some grave matter with battlefield weaponry and armour. Until now, no single book has encompassed and clarified the scattered existing historical information on German dueling with swords, lances, daggers, pollaxes and other weapons. Knightly Dueling shows the ruthless reality of man-to-man combat of the German Kunst des Fechtens (art of fighting), providing a thorough understanding of Johannes Liechtenauer's Roszfechten (horse fighting) and Kampffechten (duel fighting). It gives Middle High German transcriptions, as well as the first and only modern English translations, of works from various fight books by Liechtenauer's renowned masterly interpreters, including Hanko Döbringer, Peter von Danzig, Hans Talhoffer and Andre Lignitzer. The book also presents an illustrated blow-by-blow account of a deadly duel from a German Fechtbuch (fight book); primary source information regarding specific training of noblemen for duels and the training of noble youth in the combat arts; and a unique glossary of historical German chivalric terms for arms and armour. Lavishly illustrated with many pieces of period artwork, Knightly Dueling restores the concept of German chivalry to its rightful martial role and is a must for any serious scholar of the dynamic field of European martial arts.
The Early Norman Castles of the British Isles (Illustrations) by Ella S. Armitage Pdf
Example in this ebook The study of earthworks has been one of the most neglected subjects in English archæology until quite recent years. It may even be said that during the first half of the 19th century, less attention was paid to earthworks than by our older topographical writers. Leland, in the reign of Henry VIII., never failed to notice the “Dikes and Hilles, which were Campes of Men of Warre,” nor the “Hilles of Yerth cast up like the Dungeon of sum olde Castelle,” which he saw in his pilgrimages through England. And many of our 17th- and 18th-century topographers have left us invaluable notices of earthworks which were extant in their time. But if we turn over the archæological journals of some fifty years ago, we shall be struck by the paucity of papers on earthworks, and especially by the complete ignoring, in most cases, of those connected with castles. The misfortune attending this neglect, was that it left the ground open to individual fancy, and each observer formed his own theory of the earthworks which he happened to have seen, and as often as not, stated that theory as a fact. We need not be surprised to find Camden doing this, as he wrote before the dawn of scientific observation; but that such methods should have been carried on until late in the 19th century is little to the credit of English archæology. Mr Clark’s work on Mediæval Military Architecture (published in 1884), which has the merit of being one of the first to pay due attention to castle earthworks, counterbalances that merit by enunciating as a fact a mere guess of his own, which, as we shall afterwards show, was absolutely devoid of solid foundation. The scientific study of English earthworks may be said to have been begun by General Pitt-Rivers in the last quarter of the 19th century; but we must not forget that he described himself as a pupil of Canon Greenwell, whose careful investigations of British barrows form such an important chapter of prehistoric archæology. General Pitt-Rivers applied the lessons he had thus learned to the excavation of camps and dykes, and his labours opened a new era in that branch of research. By accumulating an immense body of observations, and by recording those observations with a minuteness intended to forestall future questions, he built up a storehouse of facts which will furnish materials to all future workers in prehistoric antiquities. He was too cautious ever to dogmatise, and if he arrived at conclusions, he was careful to state them merely as suggestions. But his work destroyed many favourite antiquarian delusions, even some which had been cherished by very learned writers, such as Dr Guest’s theory of the “Belgic ditches” of Wiltshire. A further important step in the study of earthworks was taken by the late Mr I. Chalkley Gould, when he founded the Committee for Ancient Earthworks, and drew up the classification of earthworks which is now being generally adopted by archæological writers. This classification may be abridged into (a) promontory or cliff forts, (b) hill forts, (c) rectangular forts, (d) moated hillocks, (e) moated hillocks with courts attached, (f) banks and ditches surrounding homesteads, (g) manorial works, (h) fortified villages. To be continue in this ebook
