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Syd Barrett and British Psychedelia by Rob Chapman Pdf
Syd Barrett and British Psychedelia is an intimate snapshot of the years 1966-7, when the underground's house band, Pink Floyd, were cast blinking into the light of mainstream success. Nurtured in the progressive Cambridge scene and the bohemian hangouts of the Notting Hill Free School and UFO club, Pink Floyd pioneered a distinctly British mix of Victoriana, LSD-inflected mysticism, the avant-garde and pop. And at their heart was the gifted and complex songwriter, singer and guitarist Syd Barrett, who personified the psychedelic revolution in both its exoticism and its tragic impermanence.
Syd Barrett was an English composer and purveyor of some of the most intriguing music ever written. Famous before his twentieth birthday, Barrett led the charge of psychedelia onstage at London's famed UFO club. With a Fender Telecaster and a primitive Binson echo unit, Barrett liberated the guitar from being, in critic Simon Reynolds' words, 'a riff machine, and turned it into a texture and timbre generator.' His inspired celestial flights of improvisation, and his more structured and whimsical short songs indicated a mind of unusual inventiveness. Chief in Barrett's mind was a Zen-like insistence on spontaneity; each performance had to be unique, and Barrett strived to push his music farther and farther out into the zone of complete abstraction. This in-depth analysis of Pink Floyd founding member Syd Barrett's life and work is the product of years of extensive research. Lost in the Woods traces Syd's swift evolution from precocious young art student to acid-fuelled psychedelic rock star, and examines the myriad musical and literary influences that he utilised in composing his hypnotic, groundbreaking songs. A never-forgotten casualty of the excesses, innovations, and idealism of the 1960s, Syd Barrett is one of the most heavily mythologized men in rock, and Lost in the Woods offers a rare portrayal of a unique spirit in freefall.
When he passed permanently into the next dimension in 2006, Syd Barretts life had developed into something far more significant than he could ever have imagined. The man who turned his back on probable fame, fortune and the entire rock music scene over thirty years ago had become an involuntary legend. Was he a genius or just a madman? The definitive answer to this question will never be known. But Psychedelic Renegades goes a long way towards unraveling the enigma that was Syds personality. Mick Rocks extraordinary images and frank text expose a man with enormous natural charisma, whose moods could be dark and brooding as well as buoyant with madcap laughter. This superbly produced book covers the period 1969-71, and features the photo session in and around Syd's London flat that produced the cover for his first solo album, The Madcap Laughs; it also features images Mick shot for the now famous Rolling Stone interview in 1971, which became the last photos Syd ever posed for.
“I don't think I'm easy to talk about. I've got a very irregular head. And I'm not anything that you think I am anyway.”—Syd Barrett’s last interview, Rolling Stone, 1971 Roger Keith “Syd” Barrett (1946–2006) was, by all accounts, the very definition of a golden boy. Blessed with good looks and a natural aptitude for painting and music, he was a charismatic, elfin child beloved by all, who fast became a teenage leader in Cambridge, England, where a burgeoning bohemian scene was flourishing in the early 1960s. Along with three friends and collaborators—Roger Waters, Richard Wright, and Nick Mason—he formed what would soon become Pink Floyd, and rock ’n’ roll was never the same. Starting as a typical British cover band aping approximations of American rhythm ’n’ blues, they soon pioneered an entirely new sound, and British psychedelic rock was born. With early, trippy, Barrett-penned pop hits such as “Arnold Layne” (about a clothesline-thieving cross-dresser) and “See Emily Play” (written specifically for the epochal “Games For May” concert), Pink Floyd, with Syd Barrett as their main creative visionary, captured the zeitgeist of “Swinging” London in all its Technicolor glory. But there was a dark side to all this new-found freedom. Barrett, like so many around him, began ingesting large quantities of a revolutionary new drug, LSD, and his already-fragile mental state—coupled with a personality inherently unsuited to the life of a pop star—began to unravel. The once bright-eyed lad was quickly replaced, seemingly overnight, by a glowering, sinister, dead-eyed shadow of his former self, given to erratic, highly eccentric, reclusive, and sometimes violent behavior. Inevitably sacked from the band, Barrett retreated from London to his mother’s house in Cambridge, where he would remain until his death, only rarely seen or heard, further fueling the mystery. In the meantime, Pink Floyd emerged from the underground to become one of the biggest international rock bands of all time, releasing multi-platinum albums, many that dealt thematically with the loss of their friend Syd Barrett: The Dark Side of the Moon, Wish You Were Here, and The Wall are all, on many levels, about him. In A Very Irregular Head, journalist Rob Chapman lifts the veil of secrecy that has surrounded the legend of Syd Barrett for nearly four decades, drawing on exclusive access to family, friends, archives, journals, letters, and artwork to create the definitive portrait of a brilliant and tragic artist. Besides capturing all the promise of Barrett’s youthful years, Chapman challenges the oft-held notion that Barrett was a hopelessly lost recluse in his later years, and creates a portrait of a true British eccentric who is rightfully placed within a rich literary lineage that stretches through Kenneth Graham, Hilaire Belloc, Edward Lear, Lewis Carroll, John Lennon, David Bowie, and on up to the pioneers of Britpop. A tragic, affectionate, and compelling portrait of a singular artist, A Very Irregular Head will stand as the authoritative word on this very English genius for years to come.
Beautiful, charismatic, prodigiously talented, Syd Barrett in 1966 invented the British psychedelic scene - founding Pink Floyd, writing and singing on the band's first album - before collapsing into madness two years later.
In Psychedelia and Other Colours, acclaimed author Rob Chapman explores in crystalline detail the history, precedents and cultural impact of LSD, from the earliest experiments in painting with light and immersive environments to the thriving avant-garde scene that existed in San Francisco even before the Grateful Dead and the Fillmore Auditorium. In the UK, he documents an entirely different history, and one that has never been told before. It has its roots in fairy tales and fairgrounds, the music hall and the dead of Flanders fields, in the Festival of Britain and that peculiarly British strand of surrealism that culminated in the Magical Mystery Tour. Sitars and Sergeant Pepper, surfadelica and the Soft Machine, light shows and love-ins - the mind-expanding effects of acid were to redefine popular culture as we know it. Psychedelia and Other Colours documents these utopian reverberations - and the dark side of their moon - in a perfect portrait.
Sex Pistols and Punk recounts the turbulent months at the beginning of the British punk revolution in 1976. Starting as four disparate teenagers thrown together by Svengali Malcom McLaren to sell trousers, the Sex Pistols quickly became both prism and mirror for a disaffected youth eager to smash the old guard and make the world in their own, Warholian image. From dodgy backroom gigs to major-label overtures, Sex Pistols and Punk charts the dramatic rise of one of Britain's most influential and controversial bands.
Fairport Convention and Electric Folk by Rob Young Pdf
Faber Forty-Fives is a series of six short ebooks that between them tell the story of British pop music from the birth of psychedelia in the late sixties, through electric folk, glam, seventies rock and punk, to the eclecticism of post-punk in the late seventies and early eighties. Each book is drawn from a larger work on Faber's acclaimed music list. Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.' GUARDIAN 'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.' NEW STATESMAN 'A stunning achievement.' SIMON REYNOLDS 'A masterpiece.' CAUGHT BY THE RIVER 'Excellent . . . blissfully quotable.' NEW YORK TIMES 'An authoritative account.' THE TIMES 'Consistently absorbing.' INDEPENDENT 'An impassioned and infectious rallying cry of a book.' SUNDAY TIMES In this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators. In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism. An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams. 'A treat.' TIME OUT 'Young is a fine writer.' MOJO 'Young's immense narrative is both educative and gripping.' UNCUT 'A multitudinous, fascinating and beautifully written account.' TLS
Getting it Straight in Notting Hill Gate by Tom Vague Pdf
From 43AD, and the building of the (no doubt very straight) Roman Great West Road to Silchester, to 2009, another bout of Carnival Riots and David Cameron getting his bike nicked outside Tescos on the Grove, (retrieved with the help of a friendly / non-class conscious Rasta), long time Portobello Road resident and local historian/psychogeographer Tom Vague takes us on a breathless romp through the peoples history of W10, taking in Roman Coffins on Ladbroke Grove and Civil War skirmishes in Holland Park, Russian occultists at 77 Elgin Crescent, Tory anarchist GK Chesterton and his Napoleon of Notting Hill, Thomas Hardy compering poetry nights at 84 Holland Park Avenue with Wyndham Lewis and Ezra Pound, the pre WW1 Vorticist art HQ on Campden Hill Road ,WW2 bombs on Ladbroke Grove, Halliday Christie moving to 10 Rillington Place, teenage teddy boys rampaging at the Prince of Wales Cinema on Harrow Road, Max Mosely painting fascist Union Movement graffiti around Notting Hill in 1956, Peter Rachman renting properties to the ‘blacks and Irish’ before ruthlessly exploiting them all and ratcheting up local tensions, the infamous race riots of 1959, future Home Secretary Alan Johnsons’ original mod band the Area playing the Pavillion pub on North Pole Road in 1965, Pink Floyd at the Free School, All Saints Church, 1966, Performance, Powis Square 1969, Mick Farrens’ proto-punk Deviants at 56 Chesterton Road in 1970, Strummer, Jones and Simenon’s Clash on the Westway, in the Elgin, at the carnival riots....
Originally from Newport, Gwent, for the last eighteen years Richard King has lived in the hill farming country of Radnosrshire, Powys. He is the author of Original Rockers, which was shortlisted for the Gordon Burn Prize, and How Soon Is Now?, both published by Faber.
Pink Floyd: Behind the Wall is a comprehensive history of the legendary band featuring photos, album covers, and posters as well as insight into their iconic songs and albums.
(FAQ). More than four decades since their first album, and 35 years after the release of the iconic Dark Side of the Moon , Pink Floyd continue to inspire and mystify rock fans around the world. Pink Floyd FAQ , by pop culture author Stuart Shea, lays out the band's strange, winding history through a new series of prisms. What were the band's most memorable gigs? What are their greatest moments on record, as a group and individually? What contemporary records influenced them, and which performers follow in their wake? What was it like to be at a Pink Floyd show in 1967, in 1973, in 1980? Pink Floyd FAQ tells the band's story, dissects their most popular work, and provides little-known facts, all adding up to a provocative must-read for fans. With pages of stories, history, observation, opinion, photos, and reminiscences from those who were there, Pink Floyd FAQ will discuss frankly what made the band great as well as note their not-so-great moments and their place in modern pop culture, giving credit where credit is due and maybe puncturing some inflatable pigs along the way.
Exploring the careers of the original wave of artists and their contemporary equivalents, Leech tells the story of acid and psychedelic folk recording artists from the 1960s to the present day.
British Design by Christopher Breward,Fiona Fisher,Ghislaine Wood Pdf
British Design brings together leading international scholars, designers and journalists to provide new perspectives on British design in the last sixty years, and how it at once looked back to the past with the continuation of traditions that spoke to Britain's design heritage, and looked forwards with the embrace of modernist and postmodernist style. The book responds to and develops new ways of understanding the recent history of design in Britain, with case studies on designed spaces and objects, including domestic interiors, retail spaces, schools and university buildings and transport. The contributors address significant moments and phenomena in the historical and social history of British design, from the rise and fall of the English Country House style and the Brutalist architectural boom of the 1960s to the modern shopping space, and consider the work of key contemporary designers ranging from Tommy Roberts to Thomas Heatherwick. British Design provides new criticism and analysis on how design, from the immediate post-war period to the present day, has developed and changed how we live and how we interact with the spaces in which we live. British Design is split into 13 chapters and is richly illustrated with 65 images, 16 of which are in full colour.