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Symphony no. 4 in A major, op. 90 by Felix Mendelssohn-Bartholdy Pdf
The charm and vitality of the popular "Italian" symphony are undimmed since its 1833 debut. Inexpensive, high-quality miniature score version; unabridged from authoritative source. Instrumentation.
Symphony no. 4 in B-flat major, op. 60 by Ludwig van Beethoven Pdf
Conceived at the end of an astonishingly productive period in the composer’s career—the same time span in which he wrote the Fourth Piano Concerto, the Appassionata Sonata, and the three Razumovsky string quartets—this much-studied masterpiece will be welcomed by music students and concert-goers alike.
Symphony No. 4 A major by Felix Mendelssohn Bartholdy Pdf
Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.
Symphony no. 4 in E minor, op. 98 by Johannes Brahms Pdf
Powerful harmonies and gripping rhythms characterize Brahms' Fourth Symphony, one of the most original of his symphonic works. This miniature score version is a handy and inexpensive resource for use in the concert hall or classroom.
Author : Hal Leonard Corp. Publisher : Hal Leonard Corporation Page : 1004 pages File Size : 47,8 Mb Release : 1993-01-01 Category : Music ISBN : 9781458491985
The Real Little Classical Fake Book (Songbook) by Hal Leonard Corp. Pdf
(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.
The Symphonic Repertoire, Volume V by Brian Hart Pdf
Central to the repertoire of Western art music since the 1700s, the symphony has come to be regarded as one of the ultimate compositional challenges. In his series The Symphonic Repertoire, the late A. Peter Brown explored the symphony in Europe from its origins into the 20th century. In Volume V, Brown's former students and colleagues continue his vision by turning to the symphony in the Western Hemisphere. It examines the work of numerous symphonists active from the early 1800s to the present day and the unique challenges they faced in contributing to the European symphonic tradition. The research adds to an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. This much-anticipated fifth volume of The Symphonic Repertoire: The Symphony in the Americas offers a user-friendly, comprehensive history of the symphony genre in the United States and Latin America.
This discography--a finalist in ARSC's 1992 Awards for Excellence--represents a broad and accurate document of the availability of Bruckner's music on records, tapes and compact discs over the last forty years. An indexed list of writers of liner-notes recognizes the important criticism of many prominent scholars, and a chronology documents trends in the proliferation of recorded performances.
Author : Robert G. Hopkins Publisher : University of Pennsylvania Press Page : 212 pages File Size : 46,8 Mb Release : 2016-11-11 Category : Music ISBN : 9781512802757
Closure and Mahler's Music by Robert G. Hopkins Pdf
Through scrupulous and perceptive analyses, Hopkins shows how parameters other than melody, harmony, and rhythm compensate for the weakening of tonal syntax in Mahler's music. Closure and Mahler's Music provides a conceptual framework that can enhance understanding of the stylistic changes that took place during the first part of the twentieth century.
Also Available: Orchestral Music Online This fourth edition of the highly acclaimed, classic sourcebook for planning orchestral programs and organizing rehearsals has been expanded and revised to feature 42% more compositions over the third edition, with clearer entries and a more useful system of appendixes. Compositions cover the standard repertoire for American orchestra. Features from the previous edition that have changed and new additions include: · Larger physical format (8.5 x 11 vs. 5.5 x 8.5) · Expanded to 6400 entries and almost 900 composers (only 4200 in 3rd Ed.) · Merged with the American Symphony Orchestra League's OLIS (Orchestra Library Information Service) · Enhanced specific information on woodwind & brass doublings · Lists of required percussion equipment for many works · New, more intuitive format for instrumentation · More contents notes and durations of individual movements · Composers' citizenship, birth and death dates and places, integrated into the listings · Listings of useful websites for orchestra professionals
Grosvenor W. Cooper,Grosvenor Cooper,Leonard B. Meyer
Author : Grosvenor W. Cooper,Grosvenor Cooper,Leonard B. Meyer Publisher : University of Chicago Press Page : 232 pages File Size : 42,8 Mb Release : 1963-04-15 Category : Music ISBN : 0226115224
The Rhythmic Structure of Music by Grosvenor W. Cooper,Grosvenor Cooper,Leonard B. Meyer Pdf
In this book, the authors develop a theoretical framework based on a Gestalt approach, viewing rhythmic experience in terms of pattern perception or groupings. Musical examples of increasing complexity are used to provide training in the analysis, performance, and writing of rhythm.
Author : A. Peter Brown Publisher : Indiana University Press Page : 1050 pages File Size : 53,5 Mb Release : 2024-03-29 Category : Music ISBN : 9780253072122
The Symphonic Repertoire, Volume IV by A. Peter Brown Pdf
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.