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Tales From Firozsha Baag (Ji) by Rohinton Mistry Pdf
In these eleven intersecting stories, Rohinton Mistry opens our eyes and our hearts to the rich, complex patterns of life inside this Bombay apartment building. The occupants - from Jaakaylee, the ghost-seer, through Najamai, the only owner of a refrigerator in Firozsha Baag, to Rustomji the Curmudgeon and Kersi, the young boy whose life threads through the book - all express the tensions between the past and the present, between the old world and the new.
Here is a wonderful introduction to the residents of Firozsha Baag, an apartment complex in Bombay. We enter the daily routine and rhythm of their lives, and by the time we reach the final story we are as familiar with the people of Firozsha Baag as we are with our own neighbours. The crowded, throbbing life of India is brilliantly captured in this series of stories.
Swimming Lessons and Other Stories from Firozsha Baag by Rohinton Mistry Pdf
Explores the crowded, throbbing life of India in a collection of stories set in Firozsha Baag, a Bombay apartment building characterized by an unexpected sense of community.
The Greenwood Encyclopedia of Asian American Literature [3 volumes] by Guiyou Huang Pdf
Asian American literature dates back to the close of the 19th century, and during the years following World War II it significantly expanded in volume and diversity. Monumental in scope, this encyclopedia surveys Asian American literature from its origins through 2007. Included are more than 270 alphabetically arranged entries on writers, major works, significant historical events, and important terms and concepts. Thus the encyclopedia gives special attention to the historical, social, cultural, and legal contexts surrounding Asian American literature and central to the Asian American experience. Each entry is written by an expert contributor and cites works for further reading, and the encyclopedia closes with a selected, general bibliography of essential print and electronic resources. While literature students will value this encyclopedia as a guide to writings by Asian Americans, the encyclopedia also supports the social studies curriculum by helping students use literature to learn about Asian American history and culture, as it pertains to writers from a host of Asian ethnic and cultural backgrounds, including Afghans, Chinese, Japanese, Koreans, Filipinos, Iranians, Indians, Vietnamese, Hawaiians, and other Asian Pacific Islanders. The encyclopedia supports the literature curriculum by helping students learn more about Asian American literature. In addition, it supports the social studies curriculum by helping students learn about the Asian American historical and cultural experience.
In these eleven stories, Rohinton Mistry opens our eyes and our hearts to the rich, complex patterns of life inside Firozsha Baag, an apartment building in Bombay. Here are Jaakaylee, the ghost-seer, and Najamai, the only owner of a refrigerator in Firozsha Baag; Rustomji the Curmudgeon and Kersi, the young boy whose life threads through the book and who narrates the final story as an adult in Toronto. We see their passions, their worst fears, their betrayals, and their humorous acts of revenge. Witty and poignant, in turns, these intersecting stories create a finely textured mosaic of lives and illuminate a world poised between the old ways and the new.
Set in Bombay in the mid-1990s, Family Matters tells a story of familial love and obligation, of personal and political corruption, of the demands of tradition and the possibilities for compassion. Nariman Vakeel, the patriarch of a small discordant family, is beset by Parkinson’s and haunted by memories of his past. He lives with his two middle-aged stepchildren, Coomy, bitter and domineering, and her brother, Jal, mild-mannered and acquiescent. But the burden of the illness worsens the already strained family relationships. Soon, their sweet-tempered half-sister, Roxana, is forced to assume sole responsibility for her bedridden father. And Roxana’s husband, besieged by financial worries, devises a scheme of deception involving his eccentric employer at a sporting goods store, setting in motion a series of events that leads to the narrative’s moving outcome. Family Matters has all the richness, the gentle humour, and the narrative sweep that have earned Mistry the highest of accolades around the world.
A Fine Balance, Rohinton Mistry’s stunning internationally acclaimed bestseller, is set in mid-1970s India. It tells the story of four unlikely people whose lives come together during a time of political turmoil soon after the government declares a “State of Internal Emergency.” Through days of bleakness and hope, their circumstances – and their fates – become inextricably linked in ways no one could have foreseen. Mistry’s prose is alive with enduring images and a cast of unforgettable characters. Written with compassion, humour, and insight, A Fine Balance is a vivid, richly textured, and powerful novel written by one of the most gifted writers of our time.
Can You Hear the Nightbird Call? by Anita Rau Badami Pdf
Longlisted for the IMPAC Dublin Literary Award Anita Rau Badami's acclaimed novel Can You Hear the Nightbird Call? chronicles the stories of three women, linked in love and tragedy, over a span of fifty years, sweeping from the partition of India and Pakistan in 1947 to the explosion of Air India flight 182 off the coast of Ireland in 1985. Alive with Badami's warmth and humanity, and brimming with the daily sights and sounds of both Canada and India, this novel brilliantly conveys the tumultuous effects of the past on new immigrants, and the ways in which memory and myth, the personal and the political, become heartrendingly connected.
The Fiction of Rohinton Mistry by Jaydipsinh Dodiya Pdf
Rohinton Mistry, The Socio-Political Novelist Has Emerged As A Formidable Writer On The World Literary Scene. This Book Presents A Wide Spectrum Of Critical Responses To Mistry`S Fiction.
From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other. Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place. Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.
Memory, Ji Bai would say, is this old sack here, this poor dear that nobody has any use for any more. As the novel begins, Salim Juma, in exile from Tanzania, opens up a gunny sack bequeathed to him by a beloved great-aunt. Inside it he discovers the past — his own family’s history and the story of the Asian experience in East Africa. Its relics and artefacts bring with them the lives of Salim’s Indian great-grandfather, Dhanji Govindji, his extensive family, and all their loves and betrayals. Dhanji Govindji arrives in Matamu — from Zanzibar, Porbander, and ultimately Junapur — and has a son with an African slave named Bibi Taratibu. Later, growing in prosperity, he marries Fatima, the woman who will bear his other children. But when his half-African son Husein disappears, Dhanji Govindji pays out his fortune in trying to find him again. As the tentacles of the First World War reach into Africa, with the local German colonists fighting British invaders, he spends more and more time searching. One morning he is suddenly murdered: he had spent not just his own money but embezzled that of others to finance the quest for his lost son. “Well, listen, son of Juma, you listen to me and I shall give you your father Juma and his father Husein and his father…” Part II of the novel is named for Kulsum, who marries Juma, Husein’s son; she is the mother of the narrator, Salim. We learn of Juma’s childhood as a second-class member of his stepmother’s family after his mother, Moti, dies. After his wedding to Kulsum there is a long wait in the unloving bosom of his stepfamily for their first child, Begum. It is the 1950s, and whispers are beginning of the Mau Mau rebellion. Among the stories tumbling from the gunny sack comes the tailor Edward bin Hadith’s story of the naming of Dar es Salaam, the city Kulsum moves to with her children after her husband’s death. And gradually her son takes over the telling, recalling his own childhood. His life guides the narrative from here on. He remembers his mother’s store and neighbours’ intrigues, the beauty of his pristine English teacher at primary school, cricket matches, and attempts to commune with the ghost of his father. It is a vibrantly described, deeply felt childhood. The nation, meanwhile, is racked by political tensions on its road to independence, which comes about as Salim Juma reaches adolescence. With the surge in racial tension and nationalist rioting, several members of his close-knit community leave the country for England, America, and Canada. I see this comedy now as an attempt to foil the workings of fate: how else to explain, what else to call, the irrevocable relentless chain of events that unfolded… The title of Part III, Amina, is the name of Salim’s great unfulfilled love, and will also be the name of his daughter. He meets the first Amina while doing his National Service at Camp Uhuru, a place he feels he has been sent to in error. Amina is African, and their relationship inevitably causes his family anxiety, until the increasingly militant Amina leaves for New York. Salim becomes a teacher at his old school, and marries, but keeps a place for Amina in his heart. When she returns and is arrested by the more and more repressive government, Salim is hurriedly exiled abroad. He leaves his wife and daughter with the promise that he will send for them, knowing that he will not. The novel ends with Salim alone, the last memories coming out of the gunny sack, hoping that he will be his family’s last runaway.
