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Balarama was Krishna's elder brother and his mate in their joint exploits. Balarama is simple-minded and depends on his physical strength in combat. Balarama's symbol was his plough. He used the plough to make a channel from the river Yamuna to a far
Balarama was not only Krishna's brother, he was his right-hand man. Together they made quite a team. Balarama's amazing strength and courage made dangerous demons like Dhenukasura and Pralamba look like weaklings. He even tamed the Yamuna river which had meandered away from Vrindavan and brought it bISBN: to the people who needed it.
Balarama's Story by D. K. BHASKAR,Alladi Jayasri Pdf
Elephants have long been a part of India's culture, religion and the natural environment. Elephants are a "mammoth" presence in India's mythology, and folklore. The divinity in elephants is worshipped in the form of the elephant-headed god, Ganesha. However, it is also true that this gentle giant is now an endangered animal. "Balarama's Story" is the biography of an elephant that was uprooted from its natural home in the forest to later attain iconic status as a "royal elephant" in Dasara festival of the once Royal Mysore. Follow the tale of Balarama in this captivating narration, and learn about the private lives of elephants in the forest and why elephants matter to mankind!!!
Iconography of Balarāma by Nilakanth Purushottam Joshi Pdf
For Comprehensive Study Of Hindu Iconography Minor Divinities Call For Special Attention. Balarama Is One Of Them. Though Accepted On All Hands As The Elder Brother Of Krsna And Sometimes As An Incarnation Of Visnu He Rarely Commands An Independent And Superior Status In Hindu Pantheon. He Finds Mention In The Epics And The Puranas And Is Very Much Known To The Jaina Works Also. In The Fields Of Numismatics And Plastic Art He Has Been Depicted Right From The Early Centuries Of The Pre-Christian Era. The Present Work Intends To Study The Different Iconographic Aspects Of This Minor But Important Deity.
Krishna Tales: Incredible Indian Tales by Subhojit Sanyal Pdf
Krishna, one of the avatars of Lord Vishnu, is the embodiment of love and divine joy that destroys all pain and sin. People consider Krishna to be their leader, hero, protector, philosopher, teacher and friend all rolled into one. He has influenced the Indian thought, life and culture in many ways.Krishna Tales is a delightful collection of beautifully illustrated stories of Krishna from his birth till he kills his evil uncle King Kansa. Tales of his playful antics with gopis and Radha to his stories of valour and wisdom in the battles with demons and Kansa written in simple language makes this book an irresistible read for a child.
Balarama is sure that Duryodhana, the Kaurava prince, with his skill in wielding the mace will be the ideal husband for his sister, Subhadra. The princess , however, loses her heart to a handsome recluse who visits their palace. Little does she know that he is none other than the Pandava prince, Arjuna, and that he reciprocates her feelings. It is left to her other brother,Krishna, to understand the situation and solve the dilemma.
The Lewins visit Mysore, India, to be part of the centuries-old festival of Dasara and to watch elephant Balarama make his debut carrying the golden howdah in the grand finale parade of Dasara festivities.
The jackal has a bad reputation in the animal world. Devious, selfish, dishonest and boastful, his aspirations are high, but his talents few. He seldom repays a favour. Should such a creature be tolerated? Only so long as he uses his cunning for the good of the community, says the wisdom of these Jataka tales which were written as early as the period between 3rd century BC and 5th century AD.
Deer, in the Jataka tales, are often gentle bodhisattvas or Buddhas-to-be. They are noble, selfless, wise and virtuous. Models of right thinking and right living, they strongly advise a life of non-violence and peace for ultimate happiness. Even if greed leads them astray, they are soon guided back to the correct path.
The 'dullard' of the story, an unfortunate failure at school, is a familiar figure in every age. Poor at his books, he compensates with a wealth of common sense and goes on to survive life's trials rather well. His comically smug, scholarly companions, on the other hand, soon meet their doom. These tales may mirror everyday human vices in a time-tested and engaging way but they are also gentle guides to a wiser, happier path.
High above the sky stands Swarga, paradise, abode of the gods. Still above is Vaikuntha, heaven, abode of God. The doorkeepers of Vaikuntha are the twins, Jaya and Yijaya, both whose names mean 'victory'. One keeps you in Swarga; the other raises you into Vaikuntha. In Vaikuntha there is bliss forever, in Swarga there is please for only as long as you deserve. What is the difference between Jaya and Vijaya? Solve this puzzle and you will solve the mystery of the Mahabharata. In this enthralling retelling of India's greatest epic, the Mahabharata originally known as Jaya, Devdutt Pattanaik seamlessly weaves into a single narrative plots from the Sanskirt classic as well as its many folk and regional varians, including the Pandavani of Chattisgarth, Gondhal of Maharastra, Terukkuttu of Tamil Nade and Yakshagana of Karnataka. Richly illustrated with over 250 line drawings by the author, the 108 chapters abound with little-known details such as the names of the hundred Kauravas, the worship of Draupadi as a goddess in Tamil Nadu, the stories of Astika, Madhavi, Jaimini, Aravan and Barbareek, the Mahabharata version of the Shakuntalam and the Ramayana, and the dating of the war based on astronomical data. With clarity and simplicity, the tales in this elegant volume reveal the eternal relevance of the Mahabharata, the complex and disturbing meditation on the human condition that has shaped Indian thought for over 3000 years.
This collection of Buddhist tales tell of Amrapali, an accomplished dancer who commanded the love and admiration of an entire town, and of Upagupta, who was just a poor monk. Amrapali craved peace; Upagupta’s bearing exuded contentment. Amrapali depended on the adulation of her audience; Upagupta spurned the attentions of the rich and famous. Their stories were different, but the Buddha’s wise teachings linked their lives – and the lessons to be learned from them.
Three cunning men vex a Brahmin into throwing away a goat carried by him, by calling the animal as a calf, a dog and a donkey. An elephant heeds the request of mice not to trample them and is gratefully freed by them when trapped later. A sage turns a mouse into a girl. When she is grown up and asked to choose a groom, she rejects the sun, cloud, wind and mountain one by one and settles upon the mouse as the mightiest. This Panchatantra collection is a treasure house of a variety of such stories. A collection of tales compiled by Vishnu Sharma, for his young students some 2,200 years ago, the Panchatantra is still correcting common human weakness with its wry humor.