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This fascinating collection of letters, notes, and miscellanea from the archives of the Tchaikovsky State House-Museum sheds new light on the world of Pyotr Ilyich Tchaikovsky. Most of these documents have never before been available in English, and they reveal the composer’s daily concerns, private thoughts, and playful sense of humor. Often intimate and sometimes bawdy, these texts also offer a new perspective on Tchaikovsky’s upbringing, his relations with family members, his patriotism, and his homosexuality, collectively contributing to a greater understanding of a major artist who had a profound impact on Russian culture and society. This is an essential compendium for cultural and social historians as well as musicologists and music lovers.
Originally published in 1899, and revised in 1908, this is a "complete classific account of works, copious analyses of important works, analytical and other indices; also, supplement dealing with The Relation of Tchaikovsky to Art-Questions of the Day by Edwin Evans." The work also includes extracts from his writings, and the diary of his tour abroad in 1888. Rosa Newmarch was a well-known of English music writer and annotator, and a President of the Royal College of Music. This title is cited and recommended by Books for College Libraries and Catalogue of the Lamont Library, Harvard College.
Pëtr Il’ich Tchaikovsky: A Research and Information Guide is an annotated bibliography of substantial, relevant published resources relating to the Russian composer. Generally regarded as one of the most remarkable composers of the second half of the nineteenth century, Tchaikovsky is unique in that he was the first outstanding Russian composer to receive a professional musical education, being one of the first students to graduate from the newly opened St. Petersburg Conservatory. Composer of six symphonies, concertos, orchestral works, eight major operas, three ballets, and many chamber, keyboard and vocal works, he also composed important sacred music, which is currently being reassessed by contemporary Russian musicologists who are able to examine materials previously restricted or inaccessible during the Soviet period. Like his colleagues in St. Petersburg, Tchaikovsky was deeply interested in Russian folk song, which plays an important part in his works. This volume evaluates the major studies written about the composer, incorporating new information that has appeared in literary publications, articles and reviews.
Tchaikovsky, His Life And Works - With Extracts From His Writings, And The Diary Of His Tour Abroad In 1888 by Rosa Newmarch Pdf
Rosa Newmarch was an English writer on music. Beginning in 1897 she did a great deal of research on Russian music, making many visits to Russia and working at the Imperial Public Library of Saint Petersburg under the supervision of Vladimir Stassov. She became one of the first English critics to champion Russian music. Her biography 'Tchaikovsky, His Life And Works' gives an insight into one of the worlds most famous composers: "His character was essentially Russian, and his tendencies the liberating tendencies of the generation to which he belonged; but his musical education was cosmopolitan, and the teachers whom he most reverenced leaned towards tradition and authority."
In the spine-tingling, pulse-pounding tradition of "Interview With The Vampire," a chilling look into the secret world of the Vampiri, which exists around us always -- invisible, unsuspected . . . until we feel the prick of teeth at our neck in a dream and wake up to find . . . an end to all dreaming and a beginning to a unliving nightmare!
Tchaikovsky's Last Days by Alexander Poznansky Pdf
Tchaikovsky's death in October 1893 in St Petersburg, shortly after the première of his sixth symphony, the `Pathétique', is one of the most thoroughly documented deaths of a prominent cultural figure in modern times. He was treated by no fewer than four physicians and surrounded by a group of relatives and friends. The official account of his death was that he died from cholera, possibly by drinking infected water, but almost since the day of his death there have been rumours that it was not accidental. It is alleged by some that Tchaikovsky either committed suicide or was murdered in order to avoid the scandal and disgrace of being unmasked as a homosexual. Alexander Poznansky is the first Western scholar to have gained access to the Tchaikovsky archives in Klin, Russia. He provides much hitherto unknown documentary material - memoirs, diary entries, letters, and newspaper reports - and adds his own commentary on the status of homosexuality in nineteenth-century Russia and on the various conspiracy theories that have been advanced to account for Tchaikovsky's death. His conclusion is that there is no factual evidence to support the notion that Tchaikovsky's death was caused by anything other than cholera.
'Fascinating ... Composer Andrew Gant is a masterful guide, introducing readers to the major players and key themes of an entrancing topic.' BBC History Magazine Whether you prefer Baroque or pop, Theremins or violins, the music you love and listen to shapes your world. But what shaped the music? Ranging across time and space, this book takes us on a grand musical tour from music's origins in prehistory right up to the twenty-first century. Charting the leaps in technology, thought and practice that led to extraordinary revolutions of music in each age, the book takes us through medieval Europe, Renaissance Italy and Jazz era America to reveal the rich history of music we still listen to today. From Mozart to McCartney, Schubert to Schoenberg, Professor Andrew Gant brings to life the people who made the music, their techniques and instruments, as well as the places their music was played, from sombre churches to rowdy taverns, stately courts to our very own homes.
First published in 1939, On Russian Music was conceived by Gerald Abraham as a sequel to his earlier Studies in Russian Music (1935, also in Faber Finds), and complements the previous work in many useful respects. Glinka moves to the forefront via close study of both of his operas. A historical account of the composition of Borodin's Prince Igor enriches the critical study made in the first book. And chapters on Mlada and Tsar Saltan round out Abraham's appreciations of the major operas of Rimsky-Korsakov. There are also critical and historical essays on works by Mussorgsky, Dargomïzhsky, Tchaikovsky and other composers, and analyses that, in their time, threw new light on the programmatic meaning of such well-known compositions as Scheherazade and the Path étique symphony. The book is superbly illustrated with music examples throughout.
Historical Dictionary of Romantic Music by John Michael Cooper Pdf
Historical Dictionary of Romantic Music, Second Edition covers the persons, ideas, practices, and works that made up the worlds of Western music during the long 19th century (ca. 1780–1918). It’s the first book to recognize that Romantic music was very nearly a global phenomenon. It includes more women, more Black musicians and other musicians of color, and more exponents of musical Romanticism from Central and South America as well as Central and Eastern Europe than any other single-volume study of Romantic music—thus challenging the conventional hegemony of musical Romanticisms by men and by Western European nations. This book includes entries on topics including anti-Semitism, sexism, and racism that were pervasive and defining to the worlds of musical Romanticism but are rarely addressed in general studies of that subject. It includes Romantic musicians who were not primarily composers, as well as topics such as the Haitian Revolution, spirituals, and ragtime that were more important for music in the long 19th century than is generally acknowledged. The result is an expansive, inclusive, diverse, and more richly textured portrayal of Romantic music than is elsewhere available. Historical Dictionary of Romantic Music, Second Edition contains a chronology, an introduction, an extensive bibliography, and a dictionary section with more than 600 cross-referenced entries on traditions, famous pieces, persons, places, technical terms, and institutions of Romantic music. This book is an excellent resource for students, researchers, and anyone wanting to know more about Romantic music.
Archives in Russia: A Directory and Bibliographic Guide to Holdings in Moscow and St.Petersburg by Patricia Kennedy Grimsted,Patricia Kennedy Grimstead Pdf
This is a comprehensive directory and bibliographic guide to Russian archives and manuscript repositories in the capital cities of Moscow and St. Petersburg. It is an essential resource for any researcher interested in Russian sources for topics in diplomatic, military, and church history; art; dance; film; literature; science; ethnolography; and geography. The first part lists general bibliographies of relevant reference literature, directories, bibliographic works, and specialized subject-related sources. In the following sections of the directory, archival listings are grouped in institutional categories. Coverage includes federal, ministerial, agency, presidential, local, university, Academy of Sciences, organizational, library, and museum holdings. Individual entries include the name of the repository (in Russian and English), basic information on location, staffing, institutional history, holdings, access, and finding aids. More comprehensive and up-to-date than the 1997 Russian Version, this edition includes Web-site information, dozens of additional repositories, several hundred more bibliographical entries, coverage of reorganization issues, four indexes, and a glossary.
The spellbinding tale of six queer witches forging their own paths, shrouded in the mist, magic, and secrets of the ancient California redwoods. Danny didn’t know what she was looking for when she and her mother spread out a map of the United States and Danny put her finger down on Tempest, California. What she finds are the Grays: a group of friends who throw around terms like queer and witch like they’re ordinary and everyday, though they feel like an earthquake to Danny. But Danny didn’t just find the Grays. They cast a spell that calls her halfway across the country, because she has something they need: she can bring back Imogen, the most powerful of the Grays, missing since the summer night she wandered into the woods alone. But before Danny can find Imogen, she finds a dead boy with a redwood branch through his heart. Something is very wrong amid the trees and fog of the Lost Coast, and whatever it is, it can kill. Lush, eerie, and imaginative, A. R. Capetta’s tale overflows with the perils and power of discovery — and what it means to find your home, yourself, and your way forward.
A giant in the pantheon of 19th century composers, Tchaikovsky continues to enthrall audiences today. From the Nutcracker--arguably the most popular ballet currently on the boards--Swan Lake, and Sleeping Beauty, to Eugene Onegin and Pique Dame, to the Symphony Pathetique and the always rousing, canon-blasting 1812 Overture--this prolific and beloved composer's works are perennial favorites. Now, John Wiley, a renowned Tchaikovsky scholar, provides a fresh biography aimed in classic Master Musicians style at the student and music lover. Wiley deftly draws on documents from imperial, Soviet, and post-Soviet era sources, providing a more balanced look at recent controversies surrounding the marriage, death, and sexuality of the composer. The author dovetails the biographical material with separate chapters that treat the music thoroughly and fully, work-by-work, with more substantial explorations of Tchaikovsky's most familiar compositions. These analyses present new, even iconoclastic perspectives on the music and the composer's intent and expression. Several informative appendices, in the Master Musicians format, include an exhaustive list of works and bibliography.