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More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.
This collection of essays examines how college professors teach the genre of detective fiction and provides insight into how the reader may apply such strategies to his or her own courses. Multi-disciplinary in scope, the essays cover teaching in the areas of literature, law, history, sociology, anthropology, architecture, gender studies, cultural studies, and literary theory. Also included are sample syllabi, writing assignments, questions for further discussion, reading lists, and further aids for course instruction.
Exploring Genre - Crime Fiction by Barbara Stanners Pdf
Each title in this series of teacher resource books, intended for use with students in Years 9-12, starts with a detailed definition of the genre, followed by an examination of a wide range of texts.
The Supernatural Enhancements by Edgar Cantero Pdf
A mesmerizing novel...what begins as a gothic ghost story soon evolves into a wickedly twisted treasure hunt in The Supernatural Enhancements, Edgar Cantero's wholly original, modern-day adventure. When twentysomething A., the European relative of the Wells family, inherits a beautiful, yet eerie, estate set deep in the woods of Point Bless, Virginia, it comes as a surprise to everyone—including A. himself. After all, he never knew he had a "second cousin, twice removed" in America, much less that his eccentric relative had recently committed suicide by jumping out of the third floor bedroom window—at the same age and in the same way as his father had before him . . . Together with A.’s companion, Niamh, a mute teenage punk girl from Ireland, they arrive in Virginia and quickly come to feel as if they have inherited much more than just a rambling home and an opulent lifestyle. Axton House is haunted... they know it...but the presence of a ghost is just the first of a series of disturbing secrets they slowly uncover. What led to the suicides? What became of the Axton House butler who fled shortly after his master died? What lurks in the garden maze – and what does the basement vault keep? Even more troubling, what of the rumors in town about a mysterious yearly gathering at Axton House on the night of the winter solstice? Told vividly through a series of journal entries, cryptic ciphers, recovered security footage, and letters to a distant Aunt Liza, Edgar Cantero has written an absorbing, kinetic and highly original supernatural adventure with classic horror elements that introduces readers to a deviously sly and powerful new voice.
TEACHING MYSTERIES 101 It is the fall of 1970, and Andrea Jackson is beginning her career as a high school English teacher in a small, northern Illinois town. Her challenges begin during the first class of the first day, when her Mystery Stories students come in expecting to learn to be detectives rather than study English. Andrea shares the ups and downs of first-year teaching with her fellow rookie English teachers, Chrissie and Bud. All of them are unsure how to deal with their stern department chairman, Susan, who advises and evaluates them. A few weeks into the school year, one of Andrea’s students falls victim to a crime committed at the high school. To her dismay, the list of suspects includes another of her students and more than one staff member. Andrea’s efforts to navigate first-year teaching, along with her growing curiosity about the crime, fill her days and keep her awake nights. Her life and work become increasingly complicated when the Mystery Stories students insist on investigating the crime — with or without her cooperation. Their efforts, along with her involvement, eventually put all of them in jeopardy.
"Irresistible... a Golden Age homage, an elegantly constructed mystery that on every page reinforces the message that everyone counts." –New York Times Book Review AGATHA AWARD WINNER! Recommended by New York Times Book Review • Wall Street Journal • Parade • Country Living • Chicago Tribune • South Florida Sun-Sentinel • The Free-Lance Star • St. Louis Post-Dispatch • CrimeReads • Nerd Daily • Red Carpet Crash • and many more! From the award-winning author of The Day I Died and The Lucky One, a captivating suspense novel about nurses during World War II who come to Agatha Christie’s holiday estate to care for evacuated children, but when a body is discovered nearby, the idyllic setting becomes host to a deadly mystery. Bridey Kelly has come to Greenway House—the beloved holiday home of Agatha Christie—in disgrace. A terrible mistake at St. Prisca’s Hospital in London has led to her dismissal as a nurse trainee, and her only chance for redemption is a position in the countryside caring for children evacuated to safety from the Blitz. Greenway is a beautiful home full of riddles: wondrous curios not to be touched, restrictions on rooms not to be entered, and a generous library, filled with books about murder. The biggest mystery might be the other nurse, Gigi, who is like no one Bridey has ever met. Chasing ten young children through the winding paths of the estate grounds might have soothed Bridey’s anxieties and grief—if Greenway were not situated so near the English Channel and the rising aggressions of the war. When a body washes ashore near the estate, Bridey is horrified to realize this is not a victim of war, but of a brutal killing. As the local villagers look among themselves, Bridey and Gigi discover they each harbor dangerous secrets about what has led them to Greenway. With a mystery writer’s home as their unsettling backdrop, the young women must unravel the truth before their safe haven becomes a place of death . . .
Author : Thomas W. Kniesche Publisher : Walter de Gruyter GmbH & Co KG Page : 346 pages File Size : 54,9 Mb Release : 2019-10-21 Category : Literary Collections ISBN : 9783110426601
Contemporary German Crime Fiction by Thomas W. Kniesche Pdf
A companion to contemporary German crime fiction for English-speaking audiences is overdue. Starting with the earlier Swiss “classics” Glauser and Dürrenmatt and including a number of important Austrian authors, such as Wolf Haas and Heinrich Steinfest, this volume will cover the essential writers, genres, and themes of crime fiction written in German. Where necessary and appropriate, crime fiction in media other than writing (TV-series, movies) will be included. Contemporary social and political developments, such as gender issues, life in a multicultural society, and the afterlife of German fascism today, play a crucial role in much of recent German crime fiction. A number of contributions to this volume will comment on the literary reflection of these issues in the texts. The goal of the volume is to make available to English-speaking audiences, to students, teachers and to a wider circle of interested readers, a series of articles on genres, topics, authors, and texts that will help them understand the scope and depth of German crime fiction, its ties to international traditions and also the specificity of the German context, its historical development and contemporary situation.
The Idea of Education in Golden Age Detective Fiction by Roger Dalrymple,Andrew Green Pdf
This book presents an exploration of how Golden Age detective fiction encounters educational ideas, particularly those forged by the transformative educational policymaking of the interwar period. Charting the educational policy and provision of the era, and referring to works by Agatha Christie, Dorothy L. Sayers, Edmund Crispin and others, this book explores the educational capacity and agency of literary detectives, the learning spaces of the genre and the kinds of knowledge that are made available to inquirers both inside and outside the text. It is argued that the genre explores a range of contemporaneous propositions on the balance between academic curriculum and practicum, length of school life and the value of lifelong learning. This book’s closing chapter considers the continuing pedagogic value for contemporary classrooms of engaging with the genre as a rich discursive and imaginative space for exploring educational ideas. Framing Golden Age detective fiction as a genre profoundly concerned with learning, this book will be highly relevant reading for academics, postgraduate students and scholars involved in the fields of English language arts, twentieth-century literature and the theories of learning more broadly. Those interested in detective fiction and interdisciplinary literary studies will also find the volume of interest.
Each title in this series of teacher resource books, intended for use with students in Years 9-12, starts with a detailed definition of the genre, followed by an examination of a wide range of texts.
Author : Deborah Dean Publisher : Theory and Research Into Practice (TRIP) series Page : 132 pages File Size : 51,6 Mb Release : 2008 Category : Education ISBN : STANFORD:36105131631280
Contemporary genre theory is probably not what you learned in college. Its dynamic focus on writing as a social activity in response to a particular situation makes it a powerful tool for teaching practical skills and preparing students to write beyond the classroom. Although genre is often viewed as simply a method for labeling different types of writing, Deborah Dean argues that exploring genre theory can help teachers energize their classroom practices. Genre Theory synthesizes theory and research about genres and provides applications that help teachers artfully address the challenges of teaching high school writing. Knowledge of genre theory helps teachers challenge assumptions that good writing is always the same; make important connections between reading and writing; eliminate the writing product/process dichotomy; outline ways to write appropriately for any situation; supply keys to understanding the unique requirements of testing situations; and offer a sound foundation for multimedia instruction.
This book is the first ever collection about twenty-first century genre fiction. It offers accessible yet rigorous critical interventions in a growing field of popular culture and academic study, presenting new genres as a fascinating and powerful means of reading contemporary culture. The collection explores the history and uses of genre to date, analyses key examples of innovations and developments in the field and reflects on how these texts have been mobilised in teaching since the year 2000. It explores a range of new twenty-first century genres through a close reading of key examples, along with a broader critical overview at the beginning of each chapter capturing wider developments, contexts and themes. As a result of this contextual, text-orientated approach, the book promotes a broad appeal beyond the specifics of new genres and authors, and will contribute to a wider understanding of developments in post-millennial fictions.
A Companion to Crime Fiction by Charles J. Rzepka,Lee Horsley Pdf
A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography
This unique and timely book presents nine compelling essays on contemporary crime fiction, bringing innovative and fresh perspectives to the analysis of this most popular and vibrant literary genre. Investigating contemporary crime fiction and the critical debates surrounding its reception and production, the introductory chapter sets the scene for the subsequent analyses of distinct crime fiction topics, themes and authors. The topics include the experimental detective narrative, race and ethnicity, historical crime fiction, domestic noir, feminism and crime, environmental crime, and the poetics of place. Authors examined here range from Ian Rankin, Gillian Flynn, Val McDermid, Denise Mina, Robert Galbraith, Nancy Bilyeau, and Martha Grimes, to Tana French, Dale Furutani, and J.G. Ballard, and more. Informed by the latest critical debates and theoretical perspectives in the field, this volume presents an invaluable source of information and criticism on crime fiction for students, researchers and academics alike.
In 1952, after a year on the run, disgraced Chicago Police Officer Elliot Caprice wakes up in a jailhouse in St. Louis. His friends from his hometown secure his release and he returns to find the family farm in foreclosure and the man who raised him dying in a flophouse. Desperate for money, he accepts a straight job as a process server and eventually crosses paths with a powerful family from Chicago’s North Shore. A captain of industry is dead, the key to his estate disappeared with the chauffeur, and soon Elliot is in up to his neck. The mixed-race son of Illinois farm country must return to the Windy City with the Chicago Police on his heels and the Syndicate at his throat. Good thing he’s had a lifetime of playing both sides to the middle. Praise for A NEGRO AND AN OFAY: “A a solid entry in the ranks of African-American crime fiction.” —Publishers Weekly “Fans of Walter Mosley and George Pelecanos are going to devour Danny Gardner’s brilliant new book. A Negro and an Ofay breathes exciting new life into noir fiction.” —Jonathan Maberry, The New York Times bestselling author “Elliot Caprice is a terrific character with his own Midwestern territory and Danny Gardner tells his stories with style and cunning.” —Peter Blauner, The New York Times bestselling author and co-Executive Producer of CBS’s Blue Bloods “Danny Gardner’s Elliot Caprice is a complex mix of muscle and brain, of toughness and heart, of doing wrong and only sometimes getting it right. A Negro and an Ofay reads like a long lost Raymond Chandler, one that he wrote from the south side of Chicago.” —Lori Rader-Day, Mary Higgins Clark Award-winning author of Little Pretty Things and The Black Hour “Danny Gardner’s masterful debut engenders echoes of the greats. I had the impression I had somehow stumbled across a previously undiscovered work of Chester Himes, or Jim Thompson, or Walter Mosley―or all three magically rolled into one.”―David Corbett, prize-winning author of The Mercy of the Night “Immersive, poignant and utterly enthralling. Written from the middle of America’s great racial divide, it’s satirical, cool and irrevocably honest; imbued with an inherent nobility that rivals any modern day hero.” —Tom Avitabile, bestselling author of Give Us This Day “A Negro and an Ofay is a smart, crisp, historically accurate, and unapologetically racial narrative that signals the arrival of a strong, necessary voice in crime fiction. This is the best debut you’ll read in a long time.” —Gabino Iglesias, author of Zero Saints “Hard-boiled don’t get much harder than this. Danny Gardner hits all the right notes, but with enough swagger and voice to make it completely his own. Elliot Caprice is a fantastic character, stuck between two worlds—black and white, good and bad—and I really hope to see more of him.” —Rob W. Hart, author of South Village “One of the best tools Gardner has in his toolbox…is his sense of humanity.” —Scott Waldyn, Literary Orphans Journal “…it manages to be smart, historical, and about identity/racial issues while retaining all the entertainment value that pulpy thrillers bring to the table. This is a book with a carefully crafted plot that touches on a lot of issues that were as relevant six decades ago as they are now.” —Out of the Gutter Review “This is a stunning debut! A powerful combination of brilliant storytelling and a breathtaking grasp of dialog subtext that strongly reminds of Mamet. Gardner is destined to become a big name in this writing game.” —Les Edgerton, author of The Genuine, Imitation, Plastic Kidnapping “Elliot Caprice is a trouble magnet and that makes for a great character.” —Simon Wood, author of The One That Got Away “Plenty of hardboiled patter and a dense plot with a great sense of place and wonderful dialogue.” —Eric Beetner, author of Rumrunners “A Negro and an Ofay forces us to look into the brutal mirror of our past in the hope we might understand our future. With his sharp as a whip crack writing, Gardner may just change the world” —Paul Bishop, author of Lie Catchers
