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Author : Gene F. Jankowski,David C. Fuchs
Publisher : Oxford University Press, USA
Page : 252 pages
File Size : 50,8 Mb
Release : 1996
Category : Business & Economics
ISBN : 9780195111293
This is a brass tacks look at television with an eye on the bottom line, by two men who boast over sixty years of experience in the medium.
Author : Gene F. Jankowski,David C. Fuchs
Publisher : Oxford University Press
Page : 252 pages
File Size : 42,5 Mb
Release : 1996-11-21
Category : Technology & Engineering
ISBN : 9780195344417
In recent years, the media has been awash in exuberant tales of the arrival of the information superhighway, when television will explode with exciting possibilities, offering some 500 channels as well as a marriage of TV and computer that will provide, on command, access to the latest movies, magazines, newspapers, books, sports events, stock exchange figures, your bank account, and much, much more. And the major TV networks, pundits add, will be doomed to extinction by this revolution in cable, computers, and fiber optics. But in Television Today and Tomorrow, Gene Jankowski--former President and Chairman of the CBS Broadcast Group--and David Fuchs--also a former top executive at CBS--tell a different story. They predict a bumpy road ahead for the information superhighway, and the major networks, they say, are abundantly healthy and will remain so well into the next century. The information superhighway, Jankowski and Fuchs admit, will dramatically increase the distribution channels, but it will have little impact on the amount of programming created--and this may spell disaster. The authors show how the networks began as a way to provide programs to local stations (who could not afford to produce their own), who in turn provided the distribution that gave networks access to mass audiences and ultimately large advertising dollars. They then offer us an inside look at television production--showing us, for instance, a veteran scriptwriter putting together a breakfast table scene for "Cloud Nine"--to underscore how much effort goes into producing just two minutes of primetime programming. They reveal that the present 20 channels require some 20,000 hours of programming each year, which is more than all the Broadway plays produced in this century, and they conclude that without a dramatic increase in programming (which won't happen if only because of the very finite supply of talent), the superhighway will be jammed bumper-to-bumper with reruns, old movies, and inexpensive programming aimed at tightly focused audiences ("narrowcasting" as opposed to "broadcasting"). This is hardly the bonanza the pundits have promised. The authors point out that the media blitz about the new technology has hardly focused on programming, or on funding, or on what needs these 500 channels will fill. The major networks, on the other hand, will remain the only means of reaching the whole country, and the only channels that offer a full schedule of current, live, and original programs, free of charge. And thus they will continue to attract most of the audience of TV viewers. The real loser in the cable revolution, the authors contend, is PBS, whose role as an alternative to network TV has been usurped by cable stations such as The Discovery Channel and Nickelodeon. This is a brass tacks look at television with an eye on the bottom line by two men who boast over sixty years of experience in the medium. If you want to understand television in America, where it came from and where it is going, you will need to read this book.
Author : Jon Nelson Wagner,Tracy Biga MacLean
Publisher : Bloomsbury Publishing USA
Page : 238 pages
File Size : 43,7 Mb
Release : 2008-05-19
Category : Performing Arts
ISBN : 9781441179401
The overview of television criticism, which this book provides, comes appropriately at a moment of change. Television is becoming dramatically different as a result of new and developing technologies such as cable, HDTV, satellite transmission and broadband distributions. By concentrating on the still-dominant notion of television, what the authors call "Classical Network Television," they argue that it is as important to understand this model as it is to understand Classical Hollywood Cinema. The co-authors have a unique approach to the study of television, viewing its history and reception not only through important articles about the medium, but also through analyzing how Hollywood auteur cinema has commented on television over the decades, in films such as Tootsie, Network, The Last Picture Show, A Face in the Crowd, Rollerball, The King of Comedy and others. Not only does this reflect the pervasive use of cinema theory to discuss television, it also helps to emphasize the importance of clarifying the distinctions between the criticisms of the two media. Television at the Movies argues that the study of television is a crucial aspect of understanding our recent and contemporary culture, and it provides an illuminating point of entry for students and researchers in the field.
Author : Grace Maccarone
Publisher : Unknown
Page : 116 pages
File Size : 42,8 Mb
Release : 1983
Category : Television personalities
ISBN : 0590328158
Author : Barrie Gunter
Publisher : Indiana University Press
Page : 198 pages
File Size : 51,5 Mb
Release : 1997
Category : Art
ISBN : 1860205267
Exploring the important issue of impartiality in news reporting, with special reference to news broadcasting on television, this book examines the position of impartiality or bias within the context of news objectivity by exploring accusations of bias by aggrieved parties claiming to have been treated unfairly, misrepresented, or underrepresented.
Author : Tasha G. Oren,Patrice Petro
Publisher : Rutgers University Press
Page : 276 pages
File Size : 45,8 Mb
Release : 2004
Category : Business & Economics
ISBN : 0813534801
Rhetoric about media technology tends to fall into two extreme categories: unequivocal celebration or blanket condemnation. This is particularly true in debate over the clash of values when first world media infiltrate third world audiences. Bringing together the best new work on contemporary media practices, technologies, and policies, the essayists in Global Currents argue that neither of these extreme views accurately represents the role of media technology today. New ways of thinking about film, television, music, and the internet demonstrate that it is not only media technologies that affect the cultures into which they are introduced--it is just as likely that the receiving culture will change the media. Topics covered in the volume include copyright law and surveillance technology, cyber activism in the African Diaspora, transnational monopolies and local television industries, the marketing and consumption of "global music," "click politics" and the war on Afghanistan, the techno-politics of distance education, artificial intelligence and global legal institutions, and traveling and "squatting" in digital space. Balanced between major theoretical positions and original field research, the selections address the political and cultural meanings that surround and configure new technologies.
Author : Elena Pelzer
Publisher : Nomos Verlag
Page : 224 pages
File Size : 50,5 Mb
Release : 2021-09-21
Category : Business & Economics
ISBN : 9783748926948
Wie beeinflussen Botschaften aus dem Fernsehen unsere Wahrnehmung über die soziale Realität? Meistens konzentrieren sich Kultivierungsstudien zu dieser Frage auf die Medieneffekte. Doch das vorliegende Buch wählt einen neuen Ansatz und stellt die kultivierenden Botschaften in den Vordergrund. Das Buch behandelt, was Botschaften sind und wie sich uniforme von genrespezifischen Botschaften und Metanarrativen unterscheiden. Es werden verschiedene theoretische und fachliche Perspektiven zusammengebracht und das neue Botschaftskonzept 'Subgenre-Botschaften' vorgestellt, welches die Veränderungen der Medienlandschaft hin zum Online-Fernsehen berücksichtigt. Die computergestützte Simulationsstudie zeigt, inwiefern sich manche Botschaftskonzepte mehr ähneln als andere, und demonstriert, dass Subgenre-Botschaften am robustesten gegenüber Verzerrungen sind.
Author : Anonim
Publisher : Unknown
Page : 604 pages
File Size : 55,8 Mb
Release : 1955
Category : Radio broadcasting
ISBN : IND:30000089286359
Author : Anonim
Publisher : Unknown
Page : 1566 pages
File Size : 40,8 Mb
Release : 1979
Category : Advertising
ISBN : UOM:35128001694064
Author : Vincent Terrace
Publisher : McFarland
Page : 255 pages
File Size : 54,7 Mb
Release : 2022-10-21
Category : Performing Arts
ISBN : 9781476646930
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.
Author : Robert Clyde Allen,Annette Hill
Publisher : Psychology Press
Page : 656 pages
File Size : 53,9 Mb
Release : 2004
Category : Performing Arts
ISBN : 0415283248
A discussion of a truly international range of television programs, this title covers alternative modes of television such as digital and satellite.
Author : Elizabeth Evans
Publisher : Routledge
Page : 223 pages
File Size : 41,8 Mb
Release : 2011-02-25
Category : Performing Arts
ISBN : 9781136740817
The early years of the twenty-first century have seen dramatic changes within the television industry. The development of the internet and mobile phone as platforms for content directly linked to television programming has offered a challenge to the television set’s status as the sole domestic access point to audio-visual dramatic content. Viewers can engage with ‘television’ without ever turning a television set on. Whilst there has already been some exploration of these changes, little attention has been paid to the audience and the extent to which these technologies are being integrated into their daily lives. Focusing on a particular period of rapid change and using case studies including Spooks, 24 and Doctor Who, Transmedia Television considers how the television industry has exploited emergent technologies and the extent to which audiences have embraced them. How has television content been transformed by shifts towards multiplatform strategies? What is the appeal of using game formats to lose oneself within a narrative world? How can television, with its ever larger screens and association with domesticity, be reconciled with the small portable, public technology of the mobile phone? What does the shift from television schedules to online downloading mean for our understanding of ‘the television audience’? Transmedia Television will consider how the relationship between television and daily life has been altered as a result of the industry’s development of emerging new media technologies, and what ‘television’ now means for its audiences.
Author : United States. Congress. Senate. Committee on the Judiciary
Publisher : Unknown
Page : 980 pages
File Size : 53,5 Mb
Release : 1962
Category : Juvenile courts
ISBN : MINN:31951002005963C
Author : Felicity D. Scott
Publisher : Princeton University Press
Page : 560 pages
File Size : 53,9 Mb
Release : 2016-05-20
Category : Architecture
ISBN : 9781935408796
Outlaw Territories: Environments of Insecurity/Architectures of Counterinsurgency traces the relations of architecture and urbanism to forms of human unsettlement and territorial insecurity during the 1960s and ’70s. Investigating a set of responses to the growing urban unrest in the developed and developing worlds, Outlaw Territories revisits an era when the discipline of architecture staked out a role in global environmental governance and the biopolitical management of populations. Felicity D. Scott demonstrates how architecture engaged the displacement of persons brought on by migration, urbanization, environmental catastrophe, and warfare, and at the same time how it responded to the material, environmental, psychological, and geopolitical transformations brought on by postindustrial technologies and neoliberal capitalism after World War II. At the height of the US–led war in Vietnam and Cambodia, and ongoing decolonization struggles in many parts of the world, architecture not only emerged as a target of political agitation on account of its inherent normativity but also became heavily imbricated within military, legal, and humanitarian apparatuses, and scientific and technological research dedicated to questions of international management and security. Once architecture became aligned with a global matrix of forces concerned with the environment, economic development, migration, genocide, and war, its conventional role did not remain unchallenged but shifted at times toward providing strategic expertise for institutions responding to transformations born of neoliberal capitalism. Outlaw Territories interrogates this nexus, and questions how and to what ends architecture and the environment came to be intimately connected to the expanded exercise of power within shifting geopolitical frameworks of this time.
Author : Anonim
Publisher : ReadHowYouWant.com
Page : 398 pages
File Size : 46,8 Mb
Release : 2024-07-01
Category : Electronic
ISBN : 9781442963139