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Canadian Television Today by Bart Beaty,Rebecca Sullivan Pdf
Whats on TV? In Canadian Television Today, authors Bart Beaty and Rebecca Sullivan explore the current challenges and issues facing the English-language television industry in Canada.
Examining the role of dramatized narratives in Russian television, this book stresses the ways in which the Russian government under Putin use primetime television to express a new understanding of what it means to be Russian, answering key questions of national identity for modern Russians in dealing with their recent history: ‘What really happened to us?’ and, accordingly, ‘Why?’ The book covers important issues in Russian television today, including: the reworking of new ‘national’ on-screen heroes its relationship with classic literature the revisionist portrayal of a romantic portrait of life in the Soviet era the role of thematic elements such as love, fidelity, humour and irony the particularly pressing problem of crime and its representation on screen as Mafia or police adventure, and its political usage by the Putin administration. This book provides a detailed account of the critical issues in contemporary Russian television, relating them to broader social and political developments in Russian society.
Columbo: Class Struggle on TV Tonight by Lilian Mathieu Pdf
Lilian Mathieu shows that the TV series Columbo owes its success to its implicit but formidable political dimension, as each episode is a class struggle between a rich, famous, cultured or powerful criminal and a humble and blunderer police officer.
Television Today and Tomorrow by Gene F. Jankowski,David C. Fuchs Pdf
In recent years, the media has been awash in exuberant tales of the arrival of the information superhighway, when television will explode with exciting possibilities, offering some 500 channels as well as a marriage of TV and computer that will provide, on command, access to the latest movies, magazines, newspapers, books, sports events, stock exchange figures, your bank account, and much, much more. And the major TV networks, pundits add, will be doomed to extinction by this revolution in cable, computers, and fiber optics. But in Television Today and Tomorrow, Gene Jankowski--former President and Chairman of the CBS Broadcast Group--and David Fuchs--also a former top executive at CBS--tell a different story. They predict a bumpy road ahead for the information superhighway, and the major networks, they say, are abundantly healthy and will remain so well into the next century. The information superhighway, Jankowski and Fuchs admit, will dramatically increase the distribution channels, but it will have little impact on the amount of programming created--and this may spell disaster. The authors show how the networks began as a way to provide programs to local stations (who could not afford to produce their own), who in turn provided the distribution that gave networks access to mass audiences and ultimately large advertising dollars. They then offer us an inside look at television production--showing us, for instance, a veteran scriptwriter putting together a breakfast table scene for "Cloud Nine"--to underscore how much effort goes into producing just two minutes of primetime programming. They reveal that the present 20 channels require some 20,000 hours of programming each year, which is more than all the Broadway plays produced in this century, and they conclude that without a dramatic increase in programming (which won't happen if only because of the very finite supply of talent), the superhighway will be jammed bumper-to-bumper with reruns, old movies, and inexpensive programming aimed at tightly focused audiences ("narrowcasting" as opposed to "broadcasting"). This is hardly the bonanza the pundits have promised. The authors point out that the media blitz about the new technology has hardly focused on programming, or on funding, or on what needs these 500 channels will fill. The major networks, on the other hand, will remain the only means of reaching the whole country, and the only channels that offer a full schedule of current, live, and original programs, free of charge. And thus they will continue to attract most of the audience of TV viewers. The real loser in the cable revolution, the authors contend, is PBS, whose role as an alternative to network TV has been usurped by cable stations such as The Discovery Channel and Nickelodeon. This is a brass tacks look at television with an eye on the bottom line by two men who boast over sixty years of experience in the medium. If you want to understand television in America, where it came from and where it is going, you will need to read this book.
Television at the Movies by Jon Nelson Wagner,Tracy Biga MacLean Pdf
The overview of television criticism, which this book provides, comes appropriately at a moment of change. Television is becoming dramatically different as a result of new and developing technologies such as cable, HDTV, satellite transmission and broadband distributions. By concentrating on the still-dominant notion of television, what the authors call "Classical Network Television," they argue that it is as important to understand this model as it is to understand Classical Hollywood Cinema. The co-authors have a unique approach to the study of television, viewing its history and reception not only through important articles about the medium, but also through analyzing how Hollywood auteur cinema has commented on television over the decades, in films such as Tootsie, Network, The Last Picture Show, A Face in the Crowd, Rollerball, The King of Comedy and others. Not only does this reflect the pervasive use of cinema theory to discuss television, it also helps to emphasize the importance of clarifying the distinctions between the criticisms of the two media. Television at the Movies argues that the study of television is a crucial aspect of understanding our recent and contemporary culture, and it provides an illuminating point of entry for students and researchers in the field.
Law and Ethics for Today's Journalist by Joe Mathewson Pdf
Law and Ethics for Today's Journalist offers aspiring and working journalists the practical understanding of law and ethics they must have to succeed at their craft. Instead of covering every nuance of media law for diverse communications majors, Mathewson focuses exclusively on what's relevant for journalists. Even though media law and media ethics are closely linked together in daily journalistic practice, they are usually covered in separate volumes. Mathewson brings them together in a clear and colourful way that practicing journalists will find more useful. Everything a journalist needs to know about legal protections, limitations, and risks inherent in workaday reporting is illustrated with highlights from major court opinions. Mathewson advises journalists who must often make ethical decisions on the spot with no time for the elaborate, multi-faceted analysis. The book assigns to journalists the hard decisions on ethical questions such as whether to go undercover or otherwise misrepresent themselves in order to get a big story. The ethics chapter precedes the law chapters because ethical standards should underlie a journalist's work at all times. There may be occasions when ethics and law are not parallel, thus calling for the journalist to make a personal judgment. Law and Ethics for Today's Journalist is user-friendly, written in clear, direct, understandable language on issues that really matter to a working journalist. Supplementary reading of the actual court cases is recommended and links to most cases are provided in the text. The text includes a fine (but purposely not exhaustive) bibliography listing important and useful legal cases, including instructive appellate and trial court opinions, state as well as federal.
Best gift for a person who thinks that all books are waist of time and money. This one approves that any other book is just pure gold! First I tried to write the worst book ever just for fun. But it turned to be damn serious. You don't have to read this odd book completely through. There are hidden messages you might find in every chapter. For a gift book there is one empty chapter with empty pages - you can fill it with your own fantasy and wishes!
Focusing purely on Queen Elizabeth II's relationship with television, this book shows how she was ahead of the game in helping to change the face of British television from the outset of her reign in 1953 when she let the cameras into Westminster Abbey. The Queen embraced television at a time when Winston Churchill and her government advisors recommended that she should keep them out - on the grounds that the cameras would destroy her royal mystique - right through the 1950s which was Britain s television decade (for reasons that are not generally understood today), when Britain became the first nation in the world to have public service television. In 1969 the Queen opened the doors to the cameras once again for the invention of Britains first family-reality-TV, fly-on-the-wall programme, showing how she and her husband the Duke of Edinburgh and their children, Charles and Anne, went about their daily lives, thereby giving the seal of royal approval to reality-TV, ahead of the first programmes in the United States and the UK that followed in her wake. Queen Elizabeth II can accurately be described as a television queen, the first monarch to understand and embrace television and, in particular reality-TV, which is why she was light years ahead of other royals and her government ministers. Television was for her a right of passage and, not until she ran into bad and stormy weather with Princess Diana in the 1980s and 1990s, did she have any image problems with television. These problems no longer remain today, evidently, as once again the television arrangements are in full swing for her Diamond Jubilee celebrations this June. Queen Elizabeth II remains the most televised and visualised person in the world.
Author : Frederick Luis Aldama Publisher : University of Arizona Press Page : 409 pages File Size : 50,7 Mb Release : 2022-04-19 Category : Performing Arts ISBN : 9780816545018
Latinx TV in the Twenty-First Century by Frederick Luis Aldama Pdf
"Latinx TV in the Twenty-First Century offers an expansive and critical look at contemporary TV by and about U.S. Latinx communities. This volume unpacks the negative implications of older representation and celebrates the progress of new representation all while recognizing that television still has a long way to go"--
African Americans in the Media Today: M-Z by Sam G. Riley Pdf
The history of African Americans in the news media is a relatively recent story of firsts. Consider Dorothy Gilliam, who in 1961 became the first black woman reporter hired by The Washington Post, or Bob Herbert, who in 1993 became the first black columnist at The New York Times, or even Mark Whitaker, who in 1998 became the first black editor of one of America's three major newsweeklies, Newsweek. These are just a few of the trailblazers who overcame obstacles to rise to the highest echelons of the media world. Prior to the 1960s, however, African Americans working for the predominantly white media were few and far between. After the subsiding of the dramatic civil rights demonstrations that shook most of America out of complacent acceptance of the status quo, the hiring of African-American news people slowed for a time before accelerating in the 1970, gaining real speed in the 1980s and 1990s. By the dawning of the new millennium, African Americans in the news media had achieved a sort of critical mass. This two-volume biographical encyclopedia chronicles the success stories and considerable strides made by over 240 African American media figures from newspapers, magazines, radio, television, and the Internet. The most influential and often groundbreaking reporters, columnists, editors, publishers, broadcasters, and even talk show hosts are all included here. Each in-depth biography discusses the individual's achievements and struggles along with more personal and career information. Numerous primary source documents-including newspaper and magazine articles, columns, and radio and television transcripts-give readers first-hand accounts from the newsrooms. Unlike other reference workscurrently available, this timely encyclopedia emphasizes those African Americans who are currently working in the news media. Among the featured: BLBob Herbert, syndicated columnist, The New York Times BLRichard D. Parsons, CEO, Time Warner BLLeonard Pitts, syndicated columnist, Tribune Media Services BLClarence Page, syndicated columnist, Chicago Tribune BLStanley Crouch, columnist, New York Daily News BLDerrick Johnson, columnist, The Boston Globe BLEd Bradley, correspondent, 60 Minutes on CBS BLLester Holt, anchor and show host, MSNBC BLCharlayne Hunter-Gault, foreign correspondent, NPR BLGwen Ifill, correspondent and moderator, PBS BLRobert L. Johnson, founder of Black Entertainment Television BLByron Pitts, national correspondent, CBS news BLAlfred Edmond, editor-in-chief, Black Enterprise Magazine BLMark Whitaker, editor, Newsweek BLLinda Johnson-Rice, publisher, Johnson Publishing Company BLKevin Blackistone, sports columnist, The Dallas Morning News BLRobin Roberts, sportscaster, anchor, ABC and ESPN BLOprah Winfrey, show host, ABC actress, producer, magazine publisher BLMichelle Norris, host of All Things Considered on NPR. A timeline, comprehensive introduction, numerous photos, and an extensive bibliography of print and electronic sources for further reading are included, making this encyclopedia a valuable reference for teachers and students interested in understanding the impact and significance of African Americans in the news media today.