Tent Show Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Tent Show book. This book definitely worth reading, it is an incredibly well-written.
"Tent Show captures both the glamour the shows held for the audiences and the hard work and financial jeopardy those who performed in them faced. Donald Whisenhunt, whose father was one of Names's partners during part of the period covered, draws on family papers, letters and other original documents, and interviews, shedding light on the role this form of entertainment played in the communities it visited, the very unglamorous business that underlay the show, and the kinds of people who chose this way of life."--Jacket.
The History of the Haverstock Tent Show by Robert Lee Wyatt Pdf
Although rural America supported more than seven hundred tent repertoire groups during the first half of the twentieth century, little is known about the many players and companies that strolled the land to bring live entertainment to small towns. Thus, Robert Lee Wyatt's chronicle of a pioneer dramatic tent repertoire company is more than just a fascinating story; itis also a particularly significant piece of American theater history. Founded in Roosevelt, Oklahoma, in 1911 by Harvey (Haver) and Carlotta (Lotta) Haverstock, the Haverstock Tent Show proved to be one of the most enduring of these tent theater companies--and of family enterprises. Rolland Haverstock, the founders' son, played leading-man roles for thirty of the company's forty-three years, and Rolland's wife, Peggy, who joined the company in 1933, toured with the group until it dissolved in 1954. As Wyatt reports the life and work of this remarkable family of thespians, the schedule sounds grueling--at least one new town every week with a different three-act play for each night they worked a town--but apparently the Haverstocks and the actors who traveled with them loved their work. And they thoroughly enjoyed meeting new people in the towns along the route through rural Oklahoma, Texas, Missouri, Arkansas, and Illinois. Unlike many such companies, the Haverstocks made a point of fitting into the community, including going to church with their audiences on Sunday mornings. Wyatt was exceptionally fortunate in finding such willing and able subjects as he investigated the tent theater movement. Not only did Rolland and Peggy Haverstock spend hours regaling him with tales of the family touring company, but they also provided him with their own archival records. Through these two veteran players, Wyatt had access to family letters, Haver's memoirs and diaries, copies of scripts, route books, record books, and scrapbooks and photographs, some of which are included here. Wyatt supplemented this material with interviews with those who had worked with the Haverstocks or who had known the company by reputation.
For many people, the circus, with its clowns, exotic beasts, and other colorful iconography, is lighthearted entertainment. Yet for Greg Renoff and other scholars, the circus and its social context also provide a richly suggestive repository of changing attitudes about race, class, religion, and consumerism. In the South during the nineteenth and early twentieth centuries, traveling circuses fostered social spaces where people of all classes and colors could grapple with the region’s upheavals. The Big Tent relates the circus experience from the perspectives of its diverse audiences, telling what locals might have seen and done while the show was in town. Renoff digs deeper, too. He points out, for instance, that the performances of these itinerant outfits in Jim Crow-era Georgia allowed boisterous, unrestrained interaction between blacks and whites on show lots and on city streets on Circus Day. Renoff also looks at encounters between southerners and the largely northern population of circus owners, promoters, and performers, who were frequently accused of inciting public disorder and purveying lowbrow prurience, in part due to residual anger over the Civil War. By recasting itself as a showcase of athleticism, equestrian skill, and God’s wondrous animal creations, the circus appeased community leaders, many of whose businesses prospered during circus visits. Ranging across a changing social, cultural, and economic landscape, The Big Tent tells a new history of what happened when the circus came to town, from the time it traveled by wagon and river barge through its heyday during the railroad era and into its initial decline in the age of the automobile and mass consumerism.
Malady of Art: FEAR is one of Jack White's most powerful art marketing books. He grabs fear by the neck, giving it a good choking. More artists are held back by fear than any other obstacle. Claim victory over your apprehension. Read Malady of Art: FEAR and you will have a good grasp on how to deal with trepidation in your life, opening the door to success in your art career.
The Oxford Handbook of Music and Disability Studies by Blake Howe,Stephanie Jensen-Moulton,Neil Lerner,Joseph Straus Pdf
The Oxford Handbook of Disability Studies represents a comprehensive state of current research for the field of Disability Studies and Music. The forty-two chapters in the book span a wide chronological and geographical range, from the biblical, the medieval, and the Elizabethan, through the canonical classics of the eighteenth and nineteenth centuries, up to modernist styles and contemporary musical theater and popular genres, with stops along the way in post-Civil War America, Ghana and the South Pacific, and many other interesting times and places. Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, mobility impairment often coupled with bodily difference, and cognitive and intellectual impairments. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments. First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
Westerns and American Culture, 1930-1955 by R. Philip Loy Pdf
Many people have fond memories of Friday nights and Saturday afternoons spent in theatres watching cowboy stars of the 1930s, 1940s, and 1950s chase villains across the silver screen or help a heroine out of harm's way. Over 2,600 Westerns were produced between 1930 and 1955 and they became a defining part of American culture. This work focuses on the idea that Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior, and thus examines the ways in which Western movies reflected American life and culture during this quarter century. Chapters discuss such topics as the ways that Westerns included current events in film plot and dialogue, reinforced the role of Christianity in American culture, reflected the emergence of a strong central government, and mirrored attitudes toward private enterprise. Also covered is how Westerns represented racial minorities, women, and Indians.
Suicide in the Entertainment Industry by David K. Frasier Pdf
This work covers 840 intentional suicide cases initially reported in Daily Variety (the entertainment industry's trade journal), but also drawing attention from mainstream news media. These cases are taken from the ranks of vaudeville, film, theatre, dance, music, literature (writers with direct connections to film), and other allied fields in the entertainment industry from 1905 through 2000. Accidentally self-inflicted deaths are omitted, except for a few controversial cases. It includes the suicides of well-known personalities such as actress Peg Entwistle, who is the only person to ever commit suicide by jumping from the top of the Hollywood Sign, Marilyn Monroe and Dorothy Dandridge, who are believed to have overdosed on drugs, and Richard Farnsworth and Brian Keith, who shot themselves to end the misery of terminal cancer. Also mentioned, but in less detail, are the suicides of unknown and lesser-known members of the entertainment industry. Arranged alphabetically, each entry covers the person’s personal and professional background, method of suicide, and, in some instances, includes actual statements taken from the suicide note.
Since it's founding, development and continued transformation, Needmore had been the apex of African American culture throughout Starkville, Oktibbeha county and Mississippi . This also, focuses on Negros' struggles to become Black and their transition to African Americans. What is the origin of the name Needmore? Many think it means the community needs more of everything and that poverty is the essence of it's meaning. Needmore is a railroad term which means that the towns near the tracks need more people to come and take up residence. Needmore's rich and diverse culture that continues to impact the growth and development of the youth and the infrastructure of the city of Starkville. The rush to record the history of the Needmore community presented a sense of urgency to write this book. It's umbilical cords are expiring and their repository of history is critical in completing this book that links future generations to their past.
Author : Charles K. Wolfe,James Edward Akenson Publisher : University Press of Kentucky Page : 250 pages File Size : 50,5 Mb Release : 2003-07-31 Category : Music ISBN : 0813122805
The Women of Country Music by Charles K. Wolfe,James Edward Akenson Pdf
Women have been pivotal in the country music scene since its inception, as Charles K. Wolfe and James E. Akenson make clear in The Women of Country Music. Their groundbreaking volume presents the best current scholarship and writing on female country musicians. Beginning with the 1920s career of teenage guitar picker Roba Stanley, the contributors go on to discuss Polly Jenkins and Her Musical Plowboys, 50s honky-tonker Rose Lee Maphis, superstar Faith Hill, the relationship between Emmylou Harris and poet Bronwen Wallace, the Louisiana Hayride's Margaret Lewis Warwick, and more.
