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Terror Tracks is an anthology that analyses the use of music and sound in the popular genre of Horror cinema. Focusing on the post-War period, contributors analyse the role of music and sound in establishing and enhancing the senses of unease, suspense and shock crucial to the genre.
The story tells of two men, one (Matthew Kumalo) bent on disrupting the stretch of Rhodesia Railways track south of Victoria Falls and towards Bulawayo in the south, harassing and murdering railway staff, and the other in protecting the same and keeping traffic flowing. Phillip Lewis, was the railway civil engineer in charge of keeping the vital railway lines open in the face of the continued terrorist attacks. Joanna Wilson, working as a reporter on the South African Johannesburg Star newspaper, was the woman that Phillip had never got out of his system. She revisits Rhodesia with a South African media group to report on the war presently raging across the country. Simultaneously the ZANLA forces of Robert Mugabe, working out of Mozambique, are planning to destroy the road/rail bridge over the Zambezi River at Victoria Falls, chiefly to prevent Joshua Nkomo's Russian tanks crossing from Zambia into Rhodesia where they could potentially be used against Mugabe's ZANU party. The war of terror subsequently leads to Phillip and Joanna being isolated and pursued through the bush leaving Phillip with life-changing decisions to make. The Author Tom Bryer, OLM, C.Eng. FICE (ret'd) A retired Chartered Civil Engineer, whose career centred on the design, construction and maintenance of a variety of railway systems, including those in Central and Southern Africa, Channel Tunnel, Docklands Light Railway, London Underground, Network Rail and South Wales Docks. Tom lived with his wife Ida in Rhodesia/Zimbabwe for a period from 1967 to 1983 and witnessed much of the internal strife of the period. Recently a widower, he now spends his time writing novels (un-published), choir singing and tending to house and garden.
Author : Isabella Van Elferen Publisher : University of Wales Press Page : 242 pages File Size : 52,6 Mb Release : 2012-07-15 Category : Music ISBN : 9780708325186
Gothic Music - The Sounds of the Uncanny traces sonic Gothic through history and genres from the eighteenth-century ghost story through the spooky soundtracks of cinema, television and video games to the dark music of the Goth subculture.
Author : Edward M. Morgan Publisher : University of Toronto Press Page : 289 pages File Size : 44,9 Mb Release : 2007-01-01 Category : Law ISBN : 9780802092519
The Aesthetics of International Law by Edward M. Morgan Pdf
In The Aesthetics of International Law, Ed Morgan engages in a literary parsing of international legal texts. In order to demonstrate how these types of legal narratives are imbued with modernist aesthetics, Morgan juxtaposes international legal documents and modern (as well as some immediately pre- and post-modern) literary texts.
The Vampire in Folklore, History, Literature, Film and Television by Anonim Pdf
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.
To See the Saw Movies by James Aston,John Walliss Pdf
The Saw films, often derided by critics as "torture porn" and an excuse to show blood and gore, are the highest-grossing horror series in cinema history. In view of their hold on audiences and their controversial content, they deserve study. This first collection of fresh essays by academic authors from Europe, America and Australia addresses the cultural, religious and philosophical facets of the films, investigating how the franchise reflects a post-9/11 shift in U.S. popular culture towards increasing pessimism and how it may be read as a metaphor for the "war on terror"; dissecting how the series explores such issues as freewill and determinism; assessing the films' representations of the body; and applying a Deleuzian perspective to the franchise.
This book details the frenzied rise and fall of a handful of Cossack junior officers led by Captain Grigori Semionov, who established themselves as warlords in Siberia during Russia's violent revolutionary upheaval of 1918-1921.
Ruminations, Peregrinations, and Regenerations by Christopher J. Hansen Pdf
Peregrinations, Ruminations, and Regenerations: A Critical Approach to Doctor Who examines the famous BBC science fiction show as a cultural artifact in dialogue with other science fiction, with politics and religion, and with the culture at large, both in terms of how it reflects and comments upon that culture and in terms of the audience and the peculiarities of its response. This book enables researchers in film and media to make historical, industrial, aesthetic, and ideological connections between and among Doctor Who and other shows and historical events since its inception in 1963. This volume is a new entry in a relatively new area. As the young fans of Doctor Who have matured, and as many have become scholars, they are returning to the show to consider it from a scholarly perspective. It is also of use in the media studies classroom to address directly the issues presented by the longest running science fiction show in the history of the medium. Peregrinations, Ruminations, and Regenerations considers not only cultural ramifications and connections, but audience studies as well.
Video games open portals into fantastical worlds where imaginative play prevails. 'Sound Play' explores the aesthetic, ethical, and sociopolitical stakes of people's engagements with audio phenomena in video games - from sonic violence to synthesized operas, from democratic musical performances to verbal sexual harassment.
Author : Stephen C. Meyer,Kirsten Yri Publisher : Oxford University Press, USA Page : 844 pages File Size : 41,6 Mb Release : 2020-03-13 Category : History ISBN : 9780190658441
The Oxford Handbook of Music and Medievalism by Stephen C. Meyer,Kirsten Yri Pdf
The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism--the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages--powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo P�rt) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
Too often dismissed as nothing more than 'trash cinema', exploitation films have become both earnestly appreciated cult objects and home video items that are more accessible than ever. In this wide-ranging new study, David Church explores how the history of drive-in theatres and urban grind houses has descended to the home video formats that keep these lurid movies fondly alive today. Arguing for the importance of cultural memory in contemporary fan practices, Church focuses on both the re-release of archival exploitation films on DVD and the recent cycle of 'retrosploitation' films like Grindhouse, Machete, Viva, The Devil's Rejects, and Black Dynamite. At a time when older ideas of subcultural belonging have become increasingly subject to nostalgia, Grindhouse Nostalgia presents an indispensable study of exploitation cinema's continuing allure, and is a bold contribution to our understanding of fandom, taste politics, film distribution, and home video.
Listening to Stanley Kubrick by Christine Lee Gengaro Pdf
The musical scores of Stanley Kubrick's films are often praised as being innovative and forward-looking. Despite playing such an important part in his productions, however, the ways in which Kubrick used music to great effect is still somewhat mysterious to many viewers. Although some viewers may know a little about the music in 2001 or A Clockwork Orange, few are aware of the particulars behind the music in Kubrick's other films. In Listening to Stanley Kubrick: The Music in His Films, Christine Lee Gengaro provides an in-depth exploration of the music that was composed for Kubrick's films and places the pre-existent music he utilized into historical context. Gengaro discusses the music in every single work, from Kubrick's first films, including the documentary shorts The Flying Padre and Day of the Fight, through all of his feature films, from Fear and Desire to Eyes Wide Shut. No film is left out; no cue is ignored. Besides closely examining the scores composed by Gerald Fried for Kubrick's early works, Gengaro pays particular attention to five of the director's most provocative and acclaimed films--2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, The Shining, and Eyes Wide Shut. For each film, she engages the reader by explaining how the music was excerpted (and changed, in some cases), and how the historical facts about a musical piece add layers of meaning--sometimes unintended--to the films. Meant for film lovers, music lovers, and scholars, Listening to Stanley Kubrick is a thoroughly researched examination into the musical elements of one of cinema's most brilliant artists. Appropriate for a cinema studies or music classroom, this volume will also appeal to any fan of Kubrick's films.
The Dunwich Terror by Howard Phillips Lovecraft Pdf
In"The Dunwich Horror", we are told the story of Wilbur Whateley, the son of a deformed albino mother and an unknown father (alluded to in passing by the mad Old Whateley as "Yog-Sothoth"), and the strange events surrounding his birth and precocious development. Wilbur matures at an abnormal rate, reaching manhood within a decade. All the while, his sorcerer grandfather indoctrinates him into certain dark rituals and the study of witchcraft.
H. P. Lovecraft: Tales of Terror by H. P. Lovecraft Pdf
When H. P. Lovecraft died in March 1937, he left a legacy of work that has since influenced countless generations of writers and filmmakers and which has seen him hailed as a master of horror and fantasy fiction. With specially commissioned illustrations and an introduction by Dr Keira McKenzie, this collection showcases nine of his most popular stories, including Dagon, The Call of Cthulhu and The Dunwich Horror.