Terrorism In American Cinema

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Firestorm

Author : Stephen Prince
Publisher : Columbia University Press
Page : 401 pages
File Size : 49,7 Mb
Release : 2009-08-06
Category : Performing Arts
ISBN : 9780231520089

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Firestorm by Stephen Prince Pdf

It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.

American Cinema in the Shadow of 9/11

Author : Terence McSweeney
Publisher : Edinburgh University Press
Page : 352 pages
File Size : 47,9 Mb
Release : 2016-12-05
Category : Performing Arts
ISBN : 9781474413831

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American Cinema in the Shadow of 9/11 by Terence McSweeney Pdf

American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

Terrorism in American Cinema

Author : Robert Cettl
Publisher : McFarland
Page : 321 pages
File Size : 47,5 Mb
Release : 2009-10-21
Category : Performing Arts
ISBN : 9780786454426

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Terrorism in American Cinema by Robert Cettl Pdf

The American cinema of terrorism, although coming to prominence primarily in the 1970s amidst high-profile Palestinian terrorist activity, actually dates back to the beginnings of the Cold War. But this early terrorist cinema was centered largely around the Bomb--who had it, who would use it, when--and differs greatly from the terrorist cinema that would follow. Changing world events soon broadened the cinema of terrorism to address emerging international conflicts, including Black September, pre-9/11 Middle Eastern conflicts, and the post-9/11 "War on Terror." This analytical filmography of American terrorist films establishes terrorist cinema as a unique subgenre with distinct thematic narrative and stylistic trends. It covers all major American films dealing with terrorism, from Otto Preminger's Exodus (1960) to Ridley Scott's Body of Lies (2008).

Firestorm

Author : Stephen Prince
Publisher : Columbia University Press
Page : 401 pages
File Size : 52,6 Mb
Release : 2009
Category : History
ISBN : 9780231148702

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Firestorm by Stephen Prince Pdf

It was believed that September 11th would make certain kinds of films obsolete, such as action thrillers crackling with explosions or high-casualty blockbusters where the hero escapes unscathed. While the production of these films did ebb, the full impact of the attacks on Hollywood's creative output is still taking shape. Did 9/11 force filmmakers and screenwriters to find new methods of storytelling? What kinds of movies have been made in response to 9/11, and are they factual? Is it even possible to practice poetic license with such a devastating, broadly felt tragedy? Stephen Prince is the first scholar to trace the effect of 9/11 on the making of American film. From documentaries like Fahrenheit 9/11 (2004) to zombie flicks, and from fictional narratives such as The Kingdom (2007) to Mike Nichols's Charlie Wilson's War (2007), Prince evaluates the extent to which filmmakers have exploited, explained, understood, or interpreted the attacks and the Iraq War that followed, including incidents at Abu Ghraib. He begins with pre-9/11 depictions of terrorism, such as Alfred Hitchcock's Sabotage (1936), and follows with studio and independent films that directly respond to 9/11. He considers documentary portraits and conspiracy films, as well as serial television shows (most notably Fox's 24) and made-for-TV movies that re-present the attacks in a broader, more intimate way. Ultimately Prince finds that in these triumphs and failures an exciting new era of American filmmaking has taken shape.

American Cinema in the Shadow of 9/11

Author : Terence McSweeney
Publisher : Edinburgh University Press
Page : 352 pages
File Size : 50,9 Mb
Release : 2016-12-05
Category : Performing Arts
ISBN : 9781474413824

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American Cinema in the Shadow of 9/11 by Terence McSweeney Pdf

American Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.

War on Terror and American Film

Author : McSweeney Terence McSweeney
Publisher : Edinburgh University Press
Page : 356 pages
File Size : 47,8 Mb
Release : 2016-02-16
Category : Performing Arts
ISBN : 9780748693115

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War on Terror and American Film by McSweeney Terence McSweeney Pdf

This compelling, theoretically informed and up-to-date exploration of contemporary American cinema charts the evolution of the impact of 9/11 on Hollywood film from Black Hawk Down (2001), through Batman Begins (2005), United 93 (2006) to Olympus Has Fallen (2013). Through a vibrant analysis of a range of genres and films - which in turn reveal a strikingly diverse array of social, historical and political perspectives - this book explores the impact of 9/11 and the war on terror on American cinema in the first decade of the new millennium and beyond.

Horror after 9/11

Author : Aviva Briefel,Sam J. Miller
Publisher : University of Texas Press
Page : 272 pages
File Size : 46,9 Mb
Release : 2012-08-24
Category : Performing Arts
ISBN : 9780292742420

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Horror after 9/11 by Aviva Briefel,Sam J. Miller Pdf

Horror films have exploded in popularity since the tragic events of September 11, 2001, many of them breaking box-office records and generating broad public discourse. These films have attracted A-list talent and earned award nods, while at the same time becoming darker, more disturbing, and increasingly apocalyptic. Why has horror suddenly become more popular, and what does this say about us? What do specific horror films and trends convey about American society in the wake of events so horrific that many pundits initially predicted the death of the genre? How could American audiences, after tasting real horror, want to consume images of violence on screen? Horror after 9/11 represents the first major exploration of the horror genre through the lens of 9/11 and the subsequent transformation of American and global society. Films discussed include the Twilight saga; the Saw series; Hostel; Cloverfield; 28 Days Later; remakes of The Texas Chainsaw Massacre, Dawn of the Dead, and The Hills Have Eyes; and many more. The contributors analyze recent trends in the horror genre, including the rise of 'torture porn,' the big-budget remakes of classic horror films, the reinvention of traditional monsters such as vampires and zombies, and a new awareness of visual technologies as sites of horror in themselves. The essays examine the allegorical role that the horror film has held in the last ten years, and the ways that it has been translating and reinterpreting the discourses and images of terror into its own cinematic language.

Post-9/11 Horror in American Cinema

Author : Kevin J. Wetmore
Publisher : A&C Black
Page : 243 pages
File Size : 51,7 Mb
Release : 2012-03-22
Category : Performing Arts
ISBN : 9781441197979

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Post-9/11 Horror in American Cinema by Kevin J. Wetmore Pdf

Examines how horror cinema has changed as a result of 9/11 and, conversely, how horror films construct and give meaning to 9/11.

Reel Bad Arabs

Author : Jack G. Shaheen
Publisher : Interlink Publishing
Page : 637 pages
File Size : 53,7 Mb
Release : 2012-12-31
Category : Performing Arts
ISBN : 9781623710064

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Reel Bad Arabs by Jack G. Shaheen Pdf

A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.

Reframing 9/11

Author : Jeff Birkenstein,Anna Froula,Karen Randell
Publisher : A&C Black
Page : 258 pages
File Size : 55,6 Mb
Release : 2010-05-13
Category : Social Science
ISBN : 9781441119056

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Reframing 9/11 by Jeff Birkenstein,Anna Froula,Karen Randell Pdf

A collection of analyses focusing on popular culture as a profound discursive site of anxiety and discussion about 9/11 and demystifies the day's events.

The 'War on Terror' and American Film

Author : Terence McSweeney
Publisher : Unknown
Page : 128 pages
File Size : 55,5 Mb
Release : 2014
Category : Motion pictures
ISBN : 1474408540

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The 'War on Terror' and American Film by Terence McSweeney Pdf

American film in the first decade of the new millennium became a cultural battleground on which a war of representation was waged, but did these films endorse the 'War on Terror' or criticise it? More than just reproducing these fears and fantasies, The 'War on Terror and American Film' argues that American cinema has played a significant role in shaping them, restructuring how audiences have viewed the 'War on Terror' in particularly influential ways.

Screens of Terror

Author : Phil Hammond
Publisher : Abramis
Page : 346 pages
File Size : 46,9 Mb
Release : 2011
Category : Performing Arts
ISBN : UCSD:31822038896296

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Screens of Terror by Phil Hammond Pdf

The essays in this collection first came together at a conference, held at London South Bank University's Centre for Media and Culture Research in September 2010, on representations of the 'war on terror' in film and television.

Cinema Wars

Author : Douglas M. Kellner
Publisher : John Wiley & Sons
Page : 297 pages
File Size : 44,9 Mb
Release : 2011-09-13
Category : Performing Arts
ISBN : 9781444360493

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Cinema Wars by Douglas M. Kellner Pdf

Cinema Wars explores the intersection of film, politics, and US culture and society through a bold critical analysis of the films, TV shows, and documentaries produced in the early 2000s Offers a thought-provoking depiction of Hollywood film as a contested terrain between conservative and liberal forces Films and documentaries discussed include: Black Hawk Down, The Dark Knight, Star Wars, Syriana, WALL-E, Fahrenheit 9/11 and other Michael Moore documentaries, amongst others Explores how some films in this era supported the Bush-Cheney regime, while others criticized the administration, openly or otherwise Investigates Hollywood’s treatment of a range of hot topics, from terrorism and environmental crisis to the Iraq war and the culture wars of the 2000s Shows how Hollywood film in the 2000s brought to life a vibrant array of social protest and helped create cultural conditions to elect Barack Obama

Troubling Masculinities

Author : Glen Donnar
Publisher : Univ. Press of Mississippi
Page : 237 pages
File Size : 55,9 Mb
Release : 2020-07-23
Category : Performing Arts
ISBN : 9781496828590

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Troubling Masculinities by Glen Donnar Pdf

Troubling Masculinities: Terror, Gender, and Monstrous Others in American Film Post-9/11 is the first multigenre study of representations of masculinity following the emergence of violent terror as a plot element in American cinema after September 11, 2001. Across a broad range of subgenres—including disaster melodrama, monster movies, postapocalyptic science fiction, discovered footage and home invasion horror, action-thrillers, and frontier westerns—author Glen Donnar examines the impact of “terror-Others,” from Arab terrorists to giant monsters, especially in relation to cinematic representations in earlier periods of national turmoil. Donnar demonstrates that the reassertion of masculinity and American national identity in post-9/11 cinema repeatedly unravels across genres. Taking up critical arguments about Hollywood’s attempts to resolve male crisis through Orientalizing figures of terror, he shows how this failure reflects an inability to effectively extinguish the threat or frightening difference of terror. The heroes in these movies are unable to heal themselves or restore order, often becoming as destructive as the threats they are supposed to be fighting. Donnar concludes that interrelated anxieties about masculinity and nationhood continue to affect contemporary American cinema and politics. By showing how persistent these cultural fears are, the volume offers an important counternarrative to this supposedly unprecedented moment in American history.

The Depiction of Terrorists in Blockbuster Hollywood Films, 1980-2001

Author : Helena Vanhala
Publisher : McFarland
Page : 365 pages
File Size : 45,5 Mb
Release : 2014-01-10
Category : Performing Arts
ISBN : 9780786456901

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The Depiction of Terrorists in Blockbuster Hollywood Films, 1980-2001 by Helena Vanhala Pdf

This book examines how American foreign policy and the commercial film industry's economic interests influenced the portrayal of international terrorism in Hollywood blockbuster films from the time of the Iran hostage crisis to the 9/11 terrorist attacks. Part I provides a historical overview of modern international terrorism and how it relates to the United States, its news media, and its film industry. Part II covers depictions of terrorism during the Cold War under President Reagan, including films like Commando and Iron Eagle. Part III covers the Hollywood terrorist after the Cold War, including European terrorists in the Die Hard franchise, Passenger 57, Patriot Games, Blown Away, The Jackal and Ronin; fundamentalist Islamic terrorists in True Lies and Executive Decision; the return of the communist threat in Air Force One; and 9/11 foreshadowing in The Siege.