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Textiles and Text by AHRC Research Centre for Textile Conservation and Textile Studies. Conference Pdf
"This publication focuses on the interrelationship between archival and bibliographic research and the study of extant objects. Papers consider how archival and bibliographic research can inform our knowledge of textiles and dress in terms of their production, consumption, dissemination and deterioration and in turn, how the study of extant objects can give added depth to this analysis. The authors include conservators, curators, historians and conservation scientists."--BOOK JACKET.
This study shows how fiction that makes use of textiles as an essential element utilizes synaesthetic writing and synaesthetic metaphor to create an affective link to, and response in, the reader. These links and responses are examined using affect theory from Silvan Tomkins and Brian Massumi and work on synaesthesia by Richard Cytowic, Lawrence Marks, and V.S. Ramachandran, among others. Synaesthetic writing, including synaesthetic metaphors, has been explored in poetry since the 1920s and, more recently, in fiction, but these studies have been general in nature. By narrowing the field of investigation to those novels that specifically employ three types of hand-crafted textiles (quilt-making, knitting and embroidery), the book isolates how these textiles are used in fiction. The combination of synaesthesia, memory, metaphor and, particularly, synaesthetic metaphor in fiction with textiles in the text of the case studies selected, shows how these are used to create affect in readers, enhancing their engagement in the story. The work is framed within the context of the history of textile production and the use of textiles in fiction internationally, but concentrates on Australian authors who have used textiles in their writing. The decision to focus on Australian authors was taken in light of the quality and depth of the writing of textile fiction produced in Australia between 1980 and 2005 in the three categories of hand-crafted textiles – quilt-making, knitting and embroidery. The texts chosen for intensive study are: Kate Grenville’s The Idea of Perfection (1999, quilting); Marele Day’s Lambs of God (1997, knitting) and Anne Bartlett’s Knitting (2005, knitting); Jessica Anderson’s Tirra Lirra by the River (1978, embroidery) and Marion Halligan’s Spider Cup (1990, embroidery).
Advances in 3D Textiles presents the most recent advances in the production of three-dimensional fibrous structures and how their use has resulted in the creation of novel fabrics and applications. The text covers a wide range of fabric types, including their structures, properties, and uses in the textiles industry. Beginning with the various types of woven three-dimensional fabrics, the text then examines 3-D knitted, braided, and non-woven textiles, and the main applications and uses of three-dimensional textiles. Presents the most recent advances in the production of three-dimensional fibrous structures and how their use has resulted in the creation of novel fabrics and applications Examines many types of 3-D textiles, including knitted, braided, and non-woven textiles, and the main uses of three-dimensional textiles Covers their structures, properties, and uses within the textiles industry
This timely and important book aims to help achieve a more sustainable textile industry; researchers from both textile and environmental domains will benefit from reading it. Since it is imperative to rehabilitate our damaged environmental ecosystems, there is a pressing demand for more sustainable green processes in the textile and clothing industry. As a consequence, greater emphasis needs to be placed on research into eco-friendly processes particularly suited for this industry. With this goal in mind, all environmental aspects relating to the textile and clothing industry are discussed in this book in four broad areas: Highlights the negative impact on the environment by textile industries; Discusses textiles finishing by natural or eco-friendly means; Promotes natural dyes as environment-friendly alternatives to synthetics; Reviews textile effluents remediation via chemical, physical and bioremediation. Included in the 11 informative chapters are topics covering the correlation between the environment and the processing and utilization of textiles and clothing. The book opens with a discussion on the direct impact that the textile industry has on the environment. The hazardous environmental consequences that synthetic dyes used to color textiles have on the environment are highlighted in the next chapter. Greener alternatives to dyeing are discussed in detail in the next chapters followed by a discussion of eco-friendly ways of finishing textiles. The book concludes with a section of chapters providing solutions to address the environmental hazards associated with the textile industry.
This major textbook is designed for students studying textiles and fashion at higher and undergraduate level, as well as those needing a comprehensive and authoritative overview of textile materials and processes. The first part of the book reviews the main types of natural and synthetic fibres and their properties. Part two provides a systematic review of the key processes involved first in converting fibres into yarns and then transforming yarns into fabrics. Part three discusses the range of range of finishing techniques for fabrics. The final part of the book looks specifically at the transformation of fabric into apparel, from design and manufacture to marketing. With contributions from leading experts in their fields, this major book provides the definitive one-volume guide to textile manufacture. Provides comprehensive coverage of the types and properties of textile fibres to yarn and fabric manufacture, fabric finishing, apparel production and fashion Focused on the needs of college and undergraduate students studying textiles or fashion courses Each chapter ends with a summary to emphasise key points, a comprehensive self-review section, and project ideas are also provided
The use of text is currently very popular in textile art, and its creative potential is unlimited. Text can engage directly with the viewer to express personal concerns, social and political issues and even humour. In this exciting new book, Sara Impey, one of the world's best-known textile artists and an innovator in using text in her work, presents the definitive guide to text in textiles. She aims to inspire makers with the confidence to use text, to illustrate how it can be used as a means of self-expression, and to provide advice on where to look for sources of inspiration. The book includes a brief discussion of stitched lettering in history, and examines the current scene, including contemporary artists such as Tracey Emin. It then goes on to explore how to find inspiration for your work, whether personal or political, with exercises on how to get your thoughts organized. Finally, a wealth of practical tips are given on how to get text into your work, including hand-stitching techniques, computers and the new generation of sewing machines, photo transfer, found objects and the use of newsprint and other printed materials. It also contains valuable information on copyright. This fascinating book is perfect for any textile artist who wants to add an extra dimension to their work by incorporating text.
Encountering Medieval Textiles and Dress by D. Koslin,Janet Snyder Pdf
In this wide-ranging study of costume history contributors explore fashion, textiles, and the representation of clothing in the middle ages. Essays combine the perspectives of archaeology, art history, economics, religion, costume history, material culture, and literary criticism and explore materials from England, France, the Low Countries, Scandinavia, Germany, Italy, and Ireland. The collection focuses on multiple aspects of textiles and dress - their making, meaning, and representation - and explores the impact of international trade and other forms of cultural exchange.
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. Prepare for a Career in TEXTILES with Confidence! Sara Kadolph’s Textiles provides students with a comprehensive, basic knowledge of textiles. This beautiful book, filled with full-color photos and illustrations, examines the interrelationships among fibers, yarns, fabrics, and finishes and discusses how they impact product performance. Organized according to the textile production process, the text gives students a solid understanding of textile components and how they work together. New activities and case studies bring the text to life and facilitate group activities. A timeless resource for any professional in the industry, the Twelfth Edition has been updated to discuss sustainability, technological advances, and new career opportunities in the textile industry.
Isabella Ducrot is a Roman textile artist and painter, who in this cahier presents reflections on the nature of textile and weaving which arise both from her major textile collection and from her close reading of mythology and art history. Her meditations are illustrated by her own art and are introduced by a specially-written poem by the celebrated Italian poet Patrizia Cavalli.
Biologically Inspired Textiles by A Abbott,M Ellison Pdf
Biomimetic materials are those inspired from nature and implemented into new fibre and fabric technologies. Biologically inspired textiles explores the current state of the art in this research arena and examines how biomimetics are increasingly applied to new textile technologies. Part one discusses the principles, production and properties of biomimetics. Chapters include recombinant DNA technologies and their application for protein production, spinning of fibres from protein solutions and structure/function relationships in spider silk. The second part of the book provides a review of the application of biomimetics to a range of textile applications, including the design of clothing and self cleaning textiles. Written by a distinguished team of international authors, Biologically inspired textiles is a valuable reference for textile technologists, fibre scientists, textile manufacturers and others in academia. Discusses the principles, production and properties of biomimetics Reviews the application of biomimetics to a range of textile disciplines Chapters explore recombinant DNA technologies, spinning of fibres and structure/function relationships in spider silk
Egyptian textiles and their production: word and object by Maria Mossakowska-Gaubert Pdf
This volume presents the results of a 2017 workshop at the Centre for Textile Research (CTR), University of Copenhagen, an event within the framework of the MONTEX project-including support from a Marie Sk
Understanding the techniques for joining fabrics together in a way that considers durability, strength, leak-tightness, comfort in wear and the aesthetics of the joints is critical to the production of successful, structurally secure fabric products. Joining textiles: Principles and applications is an authoritative guide to the key theories and methods used to join fabrics efficiently. Part one provides a clear overview of sewing technology. The mechanics of stitching, sewing and problems related to sewn textiles are discussed, along with mechanisms of sewing machines and intelligent sewing systems. Part two goes on to explore adhesive bonding of textiles, including principles, methods and applications, along with a review of bonding requirements in coating and laminating of textiles. Welding technologies are the focus of part three. Heat sealing, ultrasonic and dielectric textile welding are covered, as are laser seaming of fabrics and the properties and performance of welded or bonded seams. Finally, part four reviews applications of joining textiles such as seams in non-iron shirts and car seat coverings, joining of wearable electronic components and technical textiles, and the joining techniques involved in industrial and medical products including nonwoven materials. With its distinguished editors and international team of expert contributors, Joining textiles is an important reference work for textile product manufacturers, designers and technologists, fibre scientists, textile engineers and academics working in this area. Provides an authoritative guide to the key theories and methods used to efficiently join fabrics Discusses the mechanics of stitching and sewing and problems related to sewn textiles, alongside mechanisms of sewing machines, and intelligent sewing systems Explores adhesive bonding of textiles, including principles, methods and applications, along with a review of bonding requirements in coating and laminating of textiles
Originally published in 1979, this volume acts as a reference for the history textiles. It asks questions on the effect of technology on textiles, how did particular historical periods and locations expand or limit the possibilities for the manufacture of fabrics and how the textile history related to politics and economics, sociology and psychology, art and engineering, anthropology and archaeology, chemistry and physics. Addressing these questions, the author surveys the development of the technical components of fabrics and discusses the textiles of selected places and times. She uses prose, drawings and more than 130 photographs to show how each era of textile production reflects its age. This book is designed to serve as a college text and as a reference work for museum researchers. With sections including illustrations and diagrams; key terminology; spinning wool; spinning and raw materials; single ply and cord and fabric construction.
