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"That Certain Summer" tells the story of Sally Grimes, a feisty girl from Iowa, who gets a dream job writing the life story of famous actress, Diane Fenwick. She moves to a Gatsbyesque community in Connecticut and meets the actress's adorable twins, Meagan and Alec, and Rufus, a special dog, who is more intuitive than a lot of humans. She also falls in love with Ricardo, the handsome hunk next door, who is an honest-to-god count and a Princeton graduate, but is working as a handyman fof the reclusive millionaire Morley-Watts, who suspects Diane is hiding something he desperately wants. What is Ricardo's connection to Diane, and why is Sally suddenly plunged into a situation she has no control over?
On September 23, 1969, five years after the first made-for-television movie premiered, the ABC network broadcast Seven in Darkness. This was the first television film for an anthology show called the Tuesday Night Movie of the Week. Dedicating ninety minutes of weekly airtime to a still-emerging genre was a financial risk for the third-place network—a risk that paid off. The films were so successful that in 1972 the network debuted The Wednesday Movie of the Week. Although most of the movies are no longer remembered, a handful are still fondly recalled by viewers today, including Duel, Brian’s Song, and The Night Stalker. The series also showcased pilot films for many eventual series, such as Alias Smith and Jones, The Six Million Dollar Man, and Starsky and Hutch. By the end of both shows’ regular runs in the spring of 1975, the network had broadcast more than 200 made-for-television films. In The ABC Movie of the Week: Big Movies for the Small Screen, Michael McKenna examines this programming experiment that transformed the television landscape and became a staple of broadcast programming for several years. The author looks at how the revolving films showcased the right mixture of romantic comedy, action, horror, and social relevance to keep viewers interested week after week. McKenna also chronicles how the ratings success led to imitations from the other networks, resulting in a saturation of television movies. As a cultural touchstone for millions who experienced the first run and syndicated versions of these films, The ABC Movie of the Week is a worthy subject ofstudy. Featuring a complete filmography of all 240 movies with credit information and plot summaries, a chronology, and a list of pilots—both failed and successful—this volume will be valuable to television historians and scholars, as well as to anyone interested in one of the great triumphs of network programming.
In studying performances of marriage in modern and contemporary British and American drama, Clum highlights the fact that - paradoxically - at a time when theatre was both popular entertainment and high culture, many of the most commercially and artistically successful plays about marriage were written by homosexual men. Beginning with Oscar Wilde and focusing on some of the most successful British and American playwrights of the past century, including Somerset Maugham, Noël Coward, Terence Rattigan, and Emlyn Williams in England and Clyde Fitch, George Kelly, Tennessee Williams, William Inge, and Edward Albee in the US, The Drama of Marriagelooks at how the plays they wrote about heterosexual marriage continue to impact contemporary gay playwrights and the depiction of marriage today.
Nothing ever changes at Wauregan... That is the mystique of the idyllic island summer colony, the comforting belief its multi-generation families have lived by for half a century. But in 1948, after a world war has upended countless lives, it is not certain that the islanders will be able to return to “the old days”—and for Helen Wadsworth, the war is not over. Helen’s husband, Arthur was declared missing in action during an OSS operation in France, and she is unable to find out what happened, or whether he might, even now, be alive. Raising a teenage son, who, like his mother longs to know the truth, Helen turns to Frank Hartman, her husband’s best friend and his partner on the OSS mission on which Arthur was lost, while Frank escaped. But Frank seems more intent on filling the void in Helen’s life, which Arthur has left than in answering her questions. And then Peter Gavin, a young Marine who was captured and tortured by the Japanese returns to the island with his faithful war dog; and man and dog enter the lives of Helen and her son. Unsure of whom to trust, or what to believe, Helen takes matters into her own hands. As she seeks the truth, she makes a shocking discovery that will alter the course of her life, and change her perceptions of love and war. A mystery, a love story and an insider’s view of a private world, A Certain Summer resonates long after the last page is turned. “Equal parts novel of manners, historical fiction, and a quiet examination of social mores, A Certain Summer weaves important questions about class, gender, trauma and family through its seemingly simple narrative as artfully as an experienced hostess arranges the seating at a dinner table, so that conversations flow....But Ms. Beard shows that even magical retreats like Wauregan are subject to the vicissitudes of the modern world....In the end...it seems that Wauregan’s magic prevails in its very ability to change in a way that stays true to its origins, or even more precisely, that magic prevails as Wauregan learns it must change to stay true to its origins.” —The East Hampton Star “Woven into this tale of loss and romance are themes of intrigue, growth, betrayal, psychological trauma and a fulfilling healing process. Beard’s attention to historical details and understanding of the realities and shortfalls of privilege make a satisfying read.” —Publisher’s Weekly “A richly evocative debut novel.” —Goodreads “A really satisfying read...I’m crazy about A Certain Summer...a perfect summer book.” —Bookreporter.com
Karen and Val are family--yet they're anything but close. Karen has carried the burden of responsibility for her aging mother ever since her gorgeous sister left town years ago to pursue a career in theater. But Val had darker reasons for leaving town--as well as a secret to keep--and coming home has never been an option . . . until their mother suffers a stroke. Reunited in their hometown, Karen and Val must grapple with their past mistakes, their relationship with each other, and their issues with a mother who is far from ideal. When a physical therapist raising his daughter alone and a handsome but hurting musician enter the picture, the summer takes on a whole new dimension. As their lives intersect and entwine, can each learn how to forgive, how to let go, and how to move on? And strengthened by the healing power of faith, might they also find the courage to love? With her trademark compelling characters and heartwarming hope, fan favorite Irene Hannon offers her readers an inspiring true-to-life tale of complex family relationships, transgressions revealed and forgiven, and the complicated process of finding love.
For decades, generations of television fans have been enraptured by Lt. Columbo, played by Peter Falk, as he unravels clues to catch killers who believe they are above the law. In her investigation of the 1970s series cocreated by Richard Levinson and William Link, Amelie Hastie explores television history through an emphasis on issues of stardom, authorship, and its interconnections with classical and New Hollywood cinema. Through close textual analysis, attentive to issues of class relations and connections to other work by Falk as well as Levinson and Link, Columbo: Make Me a Perfect Murder sees American television as an intertextual system, from its origins as a commercial broadcast medium to its iterations within contemporary streaming platforms. Ultimately, Hastie argues, in the titular detective’s constant state of learning about cultural trends and media forms, Columbo offers viewers the opportunity to learn with him and, through his tutelage, to become detectives of television itself.
(Applause Books). Television history was made on April 30, 1997, when comedian Ellen DeGeneres and her sitcom alter-ego Ellen Morgan, "came out" to her close friends and 36 million viewers. This groundbreaking episode represented a significant milestone in Amerian television. For the first time, a TV series centered around a lesbian character who was portrayed by an openly gay actor. The millions of viewers who tuned in that historic night were witnesses to a new era in television. The Prime Time Closet offers an entertaining and in-depth glimpse into homosexuality on television from the 1950s through today. Divided into four sections, each devoted to a major television genre, this unique book explores how gay men and lesbians have been depicted in over three hundred television episodes and made-for-TV films. These include medical series, police/detective shows, situation comedies and TV dramas. The Prime Time Closet also reveals how television's treatement of homosexuality has reflected and reinforced society's ignorance about and fear of gay men and lesbians. At the same time, it celebrates programs like Ellen and Will & Grace that have broken new ground in their sensitive and enlightened approach to homosexuality and gay-related themes. This book is witty and insightful, accessible and illuminating, a look into what has become an integral part of American media culture.
Her stare of anger, Sharp tongue Pierced me Like a dagger. Consumed with ire Until our unit on A Streetcar Named Desire. No matter what period in history, teachers must navigate a host of challenges both inside and outside the classroom in order to effectively prepare their students for the future through the process of learning critical thinking skills. In a collection of eighty-five poems penned from 1980 to 2020, David William Salvaggio shares lyrical insight into four decades filled with significant social change, wars, political upheaval, two pandemics, discrimination, and civil unrest as he taught a diverse group of high school students who were wealthy, poor, famous, infamous, abused, successful, and categorized as Dreamers. With both humor and heartache, these timely works reflect the struggles, failures, and victories of Salvaggio as he witnessed failures, heartache, and the power of love and hope to overcome all darkness. Restless Gold; Musings about California Pupils and Other Verses is a volume of poetry inspired by 35 years of teaching high school students. “Powerful ...” — Jessica Yowell, Editor, Elyssar Press
Screenwriters are storytellers and dream builders. They forge new worlds and beings, bringing them to life through storylines and idiosyncratic details. Yet up until now, no one has told the story of these creative and indispensable artists. The Writers is the only comprehensive qualitative analysis of the history of writers and writing in the film, television, and streaming media industries in America. Featuring in-depth interviews with over fifty writers—including Mel Brooks, Norman Lear, Carl Reiner, and Frank Pierson—The Writers delivers a compelling, behind-the-scenes look at the role and rights of writers in Hollywood and New York over the past century. Granted unprecedented access to the archives of the Writers Guild Foundation, Miranda J. Banks also mines over 100 never-before-published oral histories with legends such as Nora Ephron and Ring Lardner Jr., whose insight and humor provide a window onto the enduring priorities, policies, and practices of the Writers Guild. With an ear for the language of storytellers, Banks deftly analyzes watershed moments in the industry: the advent of sound, World War II, the blacklist, ascension of television, the American New Wave, the rise and fall of VHS and DVD, and the boom of streaming media. The Writers spans historical and contemporary moments, and draws upon American cultural history, film and television scholarship and the passionate politics of labor and management. Published on the sixtieth anniversary of the formation of the Writers Guild of America, this book tells the story of the triumphs and struggles of these vociferous and contentious hero-makers.
From 1960 to 1990, Alfred R. Schneider served as head of standards and practices, or "chief censors," for the ABC television network. From his unique vantage point, Schneider managed issues of taste and morality that determined what millions of U.S. viewers watched. During his tenure the nation's attitudes changed drastically, as did the content shown on American airwaves. Controversies arose about TV's influence on children, its portrayal of violence, and its introduction of once taboo subjects.
Ruth Simpson's pioneering work examines the intersections of lesbianism, feminism and other civil rights movements. From the Closet to the Courts chronicles the gay rights movement of the 70's and Simpson's founding of the first lesbian community center in New York. Through this lens, No segment of society that embraces bigotry is too sacrosanct to escape her insightful scrutiny.
Father 4 the Bridez intertwines four unique story lines for the reader. aEURC/A personal story steeped in a blue-collar, conservative Christian upbringing, evolving spiritually to become a loving and accepting father of his gay daughter and her wife. aEURC/A love affair and eventual marriage of his gay daughter. aEURC/An historical perspective and timeline of milestones that mark the gay and lesbian movement from 1960 to modern day. aEURC/4 universal core beliefs revealed through the ages, by the sages for the reader which if embraced has the power to restore purpose, joy, peace and prosperity into life.