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"Aided by twenty-seven photographs, Schanke establishes Mercedes de Acosta's rightful place as a pioneer - and indeed a champion - in the early struggle for lesbian rights in this country. The famous portrayal of her as "that furious lesbian" should now be considered an admiring description rather than a scornful slur."--Jacket.
Angels in the American Theater by Robert A Schanke Pdf
Angels in the American Theater: Patrons, Patronage, and Philanthropy examines the significant roles that theater patrons have played in shaping and developing theater in the United States. Because box office income rarely covers the cost of production, other sources are vital. Angels—financial investors and backers—have a tremendous impact on what happens on stage, often determining with the power and influence of their money what is conceived, produced, and performed. But in spite of their influence, very little has been written about these philanthropists. Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures. Subjects range from millionaires Otto Kahn and the Lewisohn sisters to foundation giants Ford, Rockefeller, Disney, and Clear Channel. The first book to focus on theater philanthropy, Angels in the American Theater employs both a historical and a chronological format and focuses on individual patrons, foundations, and corporations.
In 1897, an Indian yogi named Bava Lachman Dass exhibited himself at the Westminster Aquarium in London, demonstrating forty-eight yoga positions to a bemused audience. Four years earlier, Hindu philosopher Swami Vivekananda had spoken at the first World Parliament of Religions in Chicago, where theosophist Annie Besant rhapsodized about 'his inborn sense of worth' and the 'exquisite beauty' of his spiritual message. The Victorians had conflicted views on the religious beliefs and practices of the Indian sub-continent, blending fascination and suspicion. But within two generations, legions of young Westerners would be following the 'hippie trail' to India, and the Beatles would be meditating at the feet of the guru Maharishi Mahesh Yogi. Journalist Mick Brown's vivid account charts the eccentric history of the West's evolving love affair with Indian religion through a curious cast of scholars, seekers, charlatans and saints. From Edwin Arnold, whose epic poem about the life of the Buddha became a best-seller in Victorian Britain, to the occultist and magician Aleister Crowley; and from spiritual teachers Jiddu Krishnamurti, Meher Baba and Ramana Maharshi to the controversial guru Rajneesh, The Nirvana Express is an exhilarating, sometimes troubling journey through the West's search for enlightenment.
Space and Irish Lesbian Fiction by Amy Jeffrey Pdf
Space and Irish Lesbian Fiction offers an original and much-needed study of Irish Lesbian fiction. Evaluating a wide body of Irish lesbian fiction ranging from the Victorian era to the contemporary age, this book advocates for women writers who have been largely ignored in Irish literary history and criticism. This volume examines the use and applications of space in Irish lesbian fiction. In recent years, it can be argued that Irish society has created a new ‘space’ for LGBT or queer people. The concept of space is, thus, important both symbolically and physically for lesbian literature. In asking, if Irish women writers have moved ‘out of the shadows’ so to speak, what space is open to the Irish lesbian author? How is spatiality reflected in lesbian representation throughout Irish literary history? Space and Irish Lesbian Fiction examines a diverse range of writers from the nineteenth century to the contemporary age, evaluating the contributions of largely unknown authors who have been overlooked alongside more established voices within Irish literature. The concept of liminality that this volume takes as its theme and focus engage with notions of intersectionality, thresholds, crossings and transitions. In suggesting the overlap between the indeterminate threshold of the liminal space and its ambiguously queer potentiality to examine the dynamics of space and its relationship to lesbianism, this ground-breaking project both locates and charts spaces of queer liminality in Irish lesbian fiction.
Author : David A. J. Richards Publisher : Cambridge University Press Page : 271 pages File Size : 40,5 Mb Release : 2016 Category : Law ISBN : 9781107129108
The Cambridge Companion to Latina/o American Literature by John Morán González Pdf
This Companion presents key texts, authors, themes, and contexts of Latina/o literature and highlights its increasing significance in world literature.
Author : David J. Skal Publisher : W. W. Norton & Company Page : 672 pages File Size : 52,5 Mb Release : 2016-10-04 Category : Biography & Autobiography ISBN : 9781631490118
Something in the Blood: The Untold Story of Bram Stoker, the Man Who Wrote Dracula by David J. Skal Pdf
A 2017 Edgar Award Finalist A revelatory biography exhumes the haunted origins of the man behind the immortal myth, bringing us "the closest we can get to understanding [Bram Stoker] and his iconic tale" (The New Yorker). In this groundbreaking portrait of the man who birthed an undying cultural icon, David J. Skal "pulls back the curtain to reveal the author who dreamed up this vampire" (TIME magazine). Examining the myriad anxieties plaguing the Victorian fin de siecle, Skal stages Bram Stoker’s infirm childhood against a grisly tableau of medical mysteries and horrors: cholera and famine fever, childhood opium abuse, frantic bloodletting, mesmeric quack cures, and the gnawing obsession with "bad blood" that pervades Dracula. In later years, Stoker’s ambiguous sexuality is explored through his passionate youthful correspondence with Walt Whitman, his adoration of the actor Sir Henry Irving, and his romantic rivalry with lifelong acquaintance Oscar Wilde—here portrayed as a stranger-than-fiction doppelgänger. Recalling the psychosexual contours of Stoker’s life and art in splendidly gothic detail, Something in the Blood is the definitive biography for years to come.
The basis of the PBS American Experience documentary Stonewall Uprising. In 1969, a series of riots over police action against The Stonewall Inn, a gay bar in New York City's Greenwich Village, changed the longtime landscape of the homosexual in society literally overnight. Since then the event itself has become the stuff of legend, with relatively little hard information available on the riots themselves. Now, based on hundreds of interviews, an exhaustive search of public and previously sealed files, and over a decade of intensive research into the history and the topic, Stonewall: The Riots That Sparked the Gay Revolution brings this singular event to vivid life in this, the definitive story of one of history's most singular events. A Randy Shilts / Publishing Triangle Award Finalist "Riveting...Not only the definitive examination of the riots but an absorbing history of pre-Stonewall America, and how the oppression and pent-up rage of those years finally ignited on a hot New York night." - Boston Globe
In this first publication of six plays by the flamboyantly uninhibited author, poet, and playwright Mercedes de Acosta (1893–1968), theater historian Robert A. Schanke rescues these lost theatrical writings from the dusty margins of obscurity. Often autobiographical, always rife with gender struggle, and still decidedly stageworthy, Women in Turmoil: Six Plays by Mercedes de Acosta constitutes a significant find for the canon of gay and lesbian drama. In her 1960 autobiography Here Lies the Heart, de Acosta notes that as she was contemplating marriage to a man in 1920, she was "in a strange turmoil about world affairs, my own writing, suffrage, sex, and my inner spiritual development." The voice in these plays is that of a lesbian in turmoil, marginalized and ignored. Her same-sex desires and struggles for acceptance fueled her writings, and nowhere is that more evident than in the plays contained herein. The women characters struggle with unfulfilling marriages, divorce, unrequited sexual desire, suppressed identity, and a longing for recognition. Of the six plays, only the first two were ever produced. Jehanne d’Arc (1922) premiered in Paris with de Acosta’s lover at the time, Eva Le Gallienne, starring and Norman Bel Geddes designing the set and lights. In 1934, de Acosta adapted it into a screenplay for Greta Garbo, then her lover, but it was never filmed. Portraying rampant anti-Semitism in a small New England town, Jacob Slovak (1923) was performed both on Broadway and in London, with the London production starring John Gielgud and Ralph Richardson. The Mother of Christ (1924) is a long one-act play written for the internationally known actress Eleonora Duse. After Duse’s death, several other actresses including Eva Bartok, Jeanne Eagels, and Lillian Gish explored productions of the play. Igor Stravinsky wrote a score, Norman Bel Geddes designed a set, and Gladys Calthrop designed costumes. However, the play was never produced. Her most autobiographical play, World Without End (1925), and her most sensational play, The Dark Light (1926), both unfold through plots of sibling rivalry, incest, and suicide. With overtones of Ibsen, Illusion (1928) continues the themes of de Acosta’s previous plays with her rough and seedy cast of characters, but here the playwright’s drama grows to incorporate a yearning for belonging as well as strong elements of class conflict. What notoriety remains associated with de Acosta has less to do with her writing than with her infamous romances with the likes of Greta Garbo, Marlene Dietrich, Isadora Duncan, Alla Nazimova, Eva Le Gallienne, Tamara Karsavina, Pola Negri, and Ona Munson. Through this collection of six powerfully poignant dramas, editor Robert A. Schanke strives to correct myths about Mercedes de Acosta and to restore both her name and her literary achievements to their proper place in history. Robert A. Schanke has authored the original biography, “That Furious Lesbian:” The Story of Mercedes de Acosta, also available from Southern Illinois University Press.
Charts LA's gay history, from the first missionary encounters with Native American cross-gendered 'two spirits' to cross-dressing frontier women in search of their fortunes, and from the 1960s gay liberation movement to the creation of gay marketing in the 1990s.
Reclaiming the Archive: Feminism and Film History brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches—including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis—by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined. Essays in Reclaiming the Archive investigate the different models available in feminist film history and how those feminist strategies might serve as paradigmatic for other sites of feminist intervention. Chapters have an international focus and range chronologically from early cinema to post-feminist texts, organized around the key areas of reception, stars, and authorship. A final section examines the very definitions of feminism (post-feminism), cinema (transmedia), and archives (virtual and online) in place today. The essays in Reclaiming the Archive prove that a significant heritage of film studies lies in the study of feminism in film and feminist film theory. Scholars of film history and feminist studies will appreciate the breadth of work in this volume.
Queer Theatre and the Legacy of Cal Yeomans by R. Schanke Pdf
A forgotten yet award-winning playwright, Cal Yeomans was one of the founders of gay theater whose work was fueled by gay liberation and extinguished by the AIDS epidemic. Schanke's examination of his life and legacy allows a rare exploration into this pivotal moment of gay American history.
Author : Amy L. Stone,Jaime Cantrell Publisher : State University of New York Press Page : 374 pages File Size : 50,8 Mb Release : 2015-11-20 Category : Social Science ISBN : 9781438459059
Out of the Closet, Into the Archives by Amy L. Stone,Jaime Cantrell Pdf
The first book to focus on the experience of LGBT archival research. Finalist for the 2016 Lambda Literary Award in LGBT Anthology presented by the Lambda Literary Foundation Out of the Closet, Into the Archives takes readers inside the experience of how it feels to do queer archival research and queer research in the archive. The archive, much like the closet, exposes various levels of public and privateness—recognition, awareness, refusal, impulse, disclosure, framing, silence, cultural intelligibility—each mediated and determined through subjective insider/outsider ways of knowing. The contributors draw on their experiences conducting research in disciplines such as sociology, African American studies, English, communications, performance studies, anthropology, and women’s and gender studies. These essays challenge scholars to engage with their affective experience of being in the archive, illuminating how the space of the archive requires a different kind of deeply personal, embodied research. “Out of the Closet, Into the Archives represents the exciting directions for scholarship enabled by this rapid growth of new LGBTQ archives. Although mindful of critiques of the archive as an institution of power and attentive to experiences and ephemeralities that can escape it, the essays published here practice forms of the archival turn that put relentless curiosity and unapologetic passion to use as methods for intellectual invention.” — from the Foreword by Ann Cvetkovich Amy L. Stone is Associate Professor of Sociology and Anthropology at Trinity University and author of Gay Rights at the Ballot Box. Jaime Cantrell is Visiting Assistant Professor of English at the University of Mississippi.