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Part I. Krzhizhanovsky on theater -- Part II. That third guy -- Part III. Krzhizhanovsky on Shaw and Shakespeare -- Part IV. Krzhizhanovsky on Pushkin.
In the winter of 2004, a shy woman named Emma sits in Toby’s office. She wants to share this wonderful new book she’s reading, but Toby, her therapist, is concerned with other things. Emma is transgender, and has sought out Toby for approval for hormone replacement therapy. Emma has shown up at the therapy sessions as an outgoing, confident young woman named Katina, and a depressed, submissive workaholic named Ed. She has little or no memory of her actions when presenting as these other two people. And then Toby asks about her childhood . . . As the story unfolds, we discover clues to Emma’s troubled past and how and why these other two people may have come into existence. As Toby juggles treating three separate people, each with their own unique personalities and memories, he begins to wonder if Emma is merely acting out to get attention, or if she actually has Dissociative Identity Disorder. Is she just a troubled woman in need of help? And is “the third person” in her brain protecting her, or derailing her chances of ever finding peace? The Third Person is a riveting memoir from newcomer Emma Grove. Drawn in thick, emotive lines, with the refined style of a comics vet, Grove has created a singular, gripping depiction of the intersection of identities and trauma. The Third Person is a testament to the importance of having the space to heal and live authentically.
The Third Man Factor tells the revealing story behind an extraordinary idea: that people at the very edge of death, often adventurers or explorers, experience a benevolent presence beside them who encourages them to make one final effort to survive. If only a handful of people had ever experienced the Third Man, it might be dismissed as an unusual delusion shared by a few overstressed minds. But the amazing thing is this: over the years, the experience has occurred again and again, to mountaineers, divers, polar explorers, prisoners of war, solo sailors, aviators, astronauts and 9/11 survivors. All have escaped traumatic events only to tell strikingly similar stories of having experienced the close presence of a helper or guardian. The mysterious force has been explained as everything from hallucination to divine intervention. Recent neurological research suggests something else. In The Third Man Factor John Geiger combines history, scientific analysis and great adventure stories to explain this secret to survival, a Third Man who — in the words of legendary Italian climber Reinhold Messner — ‘leads you out of the impossible.’
Gordon's critically acclaimed and richly entertaining exploration of the birthplace of rock and roll is peopled with Delta bluesmen, manic deejays, matinee cowboys and Elvis.
The Third Man and The Fallen Idol by Graham Greene Pdf
'Graham Greene has wit and grace and character and story and a transcendent universal compassion that places him for all time in the top ranks of world literature' John le Carré The Third Man, Graham Greene's most iconic tale, takes place in post-war Vienna, a 'smashed dreary city' occupied by the four Allied powers. Rollo Martins, a second-rate novelist, arrives penniless to visit his friend and hero, Harry Lime. But Harry has died in suspicious circumstances, and the police are closing in on his associates... The Fallen Idol is the chilling story of a small boy caught up in the games that adults play. Left in the care of the butler and his wife whilst his parents go on a fortnight's holiday, Philip realises too late the danger of lies and deceit. But the truth is even deadlier. WITH AN INTRODUCTION BY IAN THOMSON
All discourses aimed at asserting the value of human life as such—whether philosophical, ethical, or political—assume the notion of personhood as their indispensable point of departure. This is all the more true today. In bioethics, for example, Catholic and secular thinkers may disagree on what constitutes a person and its genesis, but they certainly agree on its decisive importance: human life is considered to be untouchable only when based on personhood. In the legal sphere as well the enjoyment of subjective rights continues to be increasingly linked to the qualification of personhood, which appears to be the only one capable of bridging the gap between human being and citizen, right and life, and soul and body opened up at the very origins of Western civilization. The radical and alarming thesis put forward in this book is that the notion of person is unable to bridge this gap because it is precisely what creates this breach. Its primary effect is to create a separation in both the human race and the individual between a rational, voluntary part endowed with particular value and another, purely biological part that is thrust by the first into the inferior dimension of the animal or the thing. In opposition to the performative power of the person, whose dual origins can be traced back to ancient Rome and Christianity, Esposito pursues his strikingly original and innovative philosophical inquiry by inviting reflection on the category of the impersonal: the third person, in removing itself from the exclusionary mechanism of the person, points toward the orginary unity of the living being.
A Fresh Look at the Holy Spirit. Recent decades have recognized pneumatology—the theology of the Holy Spirit—as a critical component in Christian thought, worthy of increased attention. While scholarly discussion about the Spirit is both creative and lively, it does sometimes occur in outlying areas of doctrine and practice rather than within its context of the doctrine of God. The Third Person of the Trinity represents the proceedings of the 2020 Los Angeles Theology Conference, which examined pneumatology as a core component of the doctrine of the Trinity, offering constructive proposals for understanding the doctrine of the Holy Spirit with theological and historical depth, ecumenical scope, and analytic clarity. The twelve diverse essays in this collection include discussions on: Understanding the Holy Spirit’s presence in creation. The mystery of the Trinity and the procession of the Spirit. An exploration of a Black American pneumatology of freedom. Exploring pneumatology alongside sorrow and suffering. Each of the essays collected in this volume engage with Scripture as well as with others in the field—theologians both past and present, from different confessions—in order to provide constructive resources for contemporary systematic theology and to forge a theology for the future.
Use of the Third Person for Self-Reference by Jesus and Yahweh by Rod Elledge Pdf
While an individual referring to themselves in the third person may sound unusual, this phenomenon (known as illeism) is consistently and extensively reflected in the direct speech of both Jesus and Yahweh. This in turn raises various questions: why are Jesus and Yahweh presented as speaking in such a manner? Who else employs illeism in the Bible? Does it occur in the Ancient Near Eastern texts, and, if so, who utilises it? And lastly, is there a relationship between the illeism as used by Yahweh, and the illeism as used by Jesus? Elledge addresses an issue in Biblical texts often neglects by scholarship: conducting an extensive survey of the use of illeism in the Bible and the Ancient Near Eastern Texts, and presenting evidence that this phenomenon, as used by Jesus, reflects both royal and divine themes that are apparent across several different religions and cultures. Through Elledge's examinations of illeism in Classical Antiquity, Ancient Near Eastern texts and the Old and New testament, this book provides a fresh perspective on the divine use of the third person, contributing substantial analysis to the on-going discussion of Jesus' divinity and self-understanding.
Sixteen years after this 1992 story, and forced outing remains a hot button in gay politics. When an activist's claims that men he's outed are stalking him don't ring true, Albany's only gay PI drops his protection detail - and the client winds up dead. Strachey peels back the layers of his client's double cross only to find...a triple cross. (Filmed for release by HereTV in 2005.)
Contemporary Second- and Third-Person Autobiographical Writing by Christina Schönberger-Stepien Pdf
This book explores 21st-century uses of the second- and third-person perspective in Anglophone autobiographical narratives by canonical male writers. Through detailed readings of contemporary autobiographical works by Paul Auster, Julian Barnes, J.M. Coetzee, and Salman Rushdie, the study demonstrates the multiple aesthetic, rhetorical, and un/ethical implications of the choice of narrative perspective as well as the uncommon step of articulating the self from a perspective which is not I. Drawing on (rhetorical) narratology and autobiography theory, the book engages with questions and tensions of subjectivity and relationality, the interplay of distance and proximity resulting from the narrative perspective, and its effects on the relationship between autobiographer, text, and reader. In addition, the book traces relevant guiding principles that the authors use to navigate their self-narratives in relation to others, such as questions of embodiment, visuality, grief, ethics, and politics. Situating the narratives in their socio-political and cultural context, the book uncovers to what extent these autobiographical narratives reflect the authors’ position between self-withdrawal and self-promotion as well as their response to questions of male agency, self-stylisation, and celebrity status.
**SOON TO BE A MAJOR FILM STARRING HELENA BONHAM-CARTER** FROM THE WALTER SCOTT PRIZE-WINNING AUTHOR OF THE GALLOWS POLE COMES A POWERFUL NEW NOVEL A TIMES BOOK OF THE YEAR _______________________ 'What a radical thing, these days, to have written a book so full of warmth and kindness ... Gorgeous' - Max Porter, author of Lanny 'Glorious ... Leaves an indelible impression ... A moving and subtle novel in many ways, infused with a love of the minute pleasures in life, and the lasting regrets' – Scotland on Sunday _______________________ One summer following the Second World War, Robert Appleyard sets out on foot from his Durham village. Sixteen and the son of a coal miner, he makes his way across the northern countryside until he reaches the former smuggling village of Robin Hood's Bay. There he meets Dulcie, an eccentric, worldly, older woman who lives in a ramshackle cottage facing out to sea. Staying with Dulcie, Robert's life opens into one of rich food, sea-swimming, sunburn and poetry. The two come from different worlds, yet as the summer months pass, they form an unlikely friendship that will profoundly alter their futures. _______________________ An i Book of the Year A Reading Agency Book of the Year A BBC Radio 2 Book Club Pick A BBC Radio 4 'Book at Bedtime' An Observer Pick for 2019
Third Person by Pat Harrigan,Noah Wardrip-Fruin Pdf
Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire. The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives—featuring an ongoing and intricately developed storyline, many characters, and multiple settings—did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors—media and television scholars, novelists, comic creators, game designers, and others—investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment; narrative techniques for a 3,000,000-page novel; continuity (or the impossibility of it) in Doctor Who; managing multiple intertwined narratives in superhero comics; the spatial experience of the Final Fantasy role-playing games; World of Warcraft adventure texts created by designers and fans; and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.