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Author : Mick Goodrick
Publisher : Hal Leonard Corporation
Page : 122 pages
File Size : 41,8 Mb
Release : 1987
Category : Music
ISBN : 9780881885897
General Reference
Author : Mick Goodrick,Tim Miller
Publisher : Berklee Press Publications
Page : 0 pages
File Size : 50,6 Mb
Release : 2012
Category : Music
ISBN : 0876391285
Jazz guitarist Goodrick teams with Miller to explain his system of Generic Modality Compression, a way of studying harmony which allows guitarists to discover fresh and unusual chord voicings. With an introduction and appendix.
Author : Steve Khan
Publisher : Alfred Music Publishing
Page : 84 pages
File Size : 48,6 Mb
Release : 1997
Category : Music
ISBN : 1576235645
Contemporary Chord Khancepts presents information for guitarists of all styles-from Rock, Latin, and Funk to Country, Jazz, and Alternative. Steve shares his approach to chord construction, an area he has become known for on guitar. In this book, he has taken a complex subject and broken it down into simple building blocks and small study units. You will learn to extend your sense of harmony by the superimposition of chord forms which are familiar, as well as a world of new ones. Your ability to express yourself and create textures and musical moods will improve immediately. The text is accompanied by two CD's full of performed examples, play-along tracks, and five completely new compositions by Steve only available in this package. For guitarists, the Khancepts in this book will serve as an unlimited source of reference materials and ideas for as long as you enjoy playing the instrument. Book jacket.
Author : MILES OKAZAKI
Publisher : Mel Bay Publications
Page : 166 pages
File Size : 42,8 Mb
Release : 2015-02-25
Category : Music
ISBN : 9781619114869
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique andthe exhaustive tables of melodic and rhythmic possibilities.It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing twosimultaneous tempos. The book concludes with a study of polyrhythm, playingone rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to beinclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else?s. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma,method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Author : Ted Greene
Publisher : Alfred Music
Page : 116 pages
File Size : 42,6 Mb
Release : 1992-03-06
Category : Music
ISBN : 1457455293
Ted Greene’s Chord Chemistry was originally published in 1971 and has become the classic chord reference book for two generations of guitarists. Whether you are just beginning to search beyond basic barre chords or are already an advanced player looking for new sounds and ideas this is the book that will get you there. Designed to inspire creativity this book is a musical treasure chest filled with exciting new ideas and sounds.
Author : Mick Goodrick
Publisher : Unknown
Page : 128 pages
File Size : 52,6 Mb
Release : 2003
Category : Guitar
ISBN : 0971185816
Author : JIMMY WYBLE
Publisher : Mel Bay Publications
Page : 96 pages
File Size : 55,6 Mb
Release : 2016-01-13
Category : Music
ISBN : 9781610654449
This collection of etudes, written during the 1970's, was composed as a result of Jimmy Wyble's explorations into the musical worlds of counterpoint, harmony and chord melody improvisation for the jazz guitar. the right and left hand fingerings presented in this book were also developed as techniques needed to improvise jazz in two lines. Jimmy uses very standard jazz guitar chord shapes in these etudes; however, these shapes move through the harmony in lines rather than block chord structures. This broken chord technique creates a unique contrapuntal sound that separates Jimmy from the rest of the fingerstyle jazz guitar world. It is hoped that jazz and classical guitarists playing and working through these etudes will see many familiar chord shapes moving in new ways and creating new sounds. These new harmonic sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. Written in notation and tablature. 92 pages.
Author : Joseph Weidlich,Charlie Parker
Publisher : Hal Leonard Corporation
Page : 180 pages
File Size : 43,7 Mb
Release : 2008-07-01
Category : Music
ISBN : 1574242334
Guitarskole for jazzguitar baseret på Charlie Parkers soli
Author : Adam Kadmon
Publisher : Carl Fischer, L.L.C.
Page : 270 pages
File Size : 53,9 Mb
Release : 1995
Category : Guitar
ISBN : 0825821711
Skalaer og akkorder for guitar vist i gribebrætsdiagrammer
Author : Mick Goodrick
Publisher : Unknown
Page : 128 pages
File Size : 49,5 Mb
Release : 1987-11
Category : Electronic
ISBN : 1974800695
Author : Anonim
Publisher : Hal Leonard Corporation
Page : 84 pages
File Size : 55,7 Mb
Release : 1992
Category : Music
ISBN : 0793509629
Guitarskole.
Author : Joe Pass
Publisher : Mel Bay Publications
Page : 61 pages
File Size : 42,8 Mb
Release : 2010-10-07
Category : Music
ISBN : 9781609749088
This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.
Author : Ted Greene
Publisher : Alfred Music Publishing
Page : 140 pages
File Size : 43,5 Mb
Release : 1985-03
Category : Music
ISBN : 0769209726
A book that clearly explains the principles of jazz soloing. Logically organized, with hundreds of musical examples, this method is the result of many years of Ted's teaching and research.
Author : Graham Tippett
Publisher : Graham Tippett
Page : 59 pages
File Size : 48,9 Mb
Release : 2017-05-08
Category : Music
ISBN : 8210379456XXX
If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes.
Author : Arnie Berle
Publisher : Guitar Books
Page : 130 pages
File Size : 43,5 Mb
Release : 1986
Category : Music
ISBN : 0825610567
(Music Sales America). Practical examples and exercises take guitar players from basic theory and simple accompaniment patterns to advanced chord soloing and comping in this book. A complete survey of chord theory and technique!