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Author : Jack J. Spector
Publisher : McGraw-Hill Companies
Page : 288 pages
File Size : 46,5 Mb
Release : 1973
Category : Psychology
ISBN : UOM:39015040125315
Author : Jack J. Spector
Publisher : Unknown
Page : 128 pages
File Size : 44,9 Mb
Release : 1974
Category : Electronic
ISBN : LCCN:70016827
Author : Sarah Kofman
Publisher : Columbia University Press
Page : 258 pages
File Size : 55,5 Mb
Release : 1988
Category : Art
ISBN : 0231063121
Author : Jacques Rancière
Publisher : Polity
Page : 103 pages
File Size : 48,5 Mb
Release : 2009
Category : Philosophy
ISBN : 9780745646442
This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a certain idea of the power of that thought which does not think, and the power of that speech which remains silent. From this it does not follow that the Freudian unconscious was already prefigured by the aesthetic unconscious. Freud's 'aesthetic' analyses reveal instead a tension between the two forms of unconscious. In this concise and brilliant text Rancière brings out this tension and shows us what is at stake in this confrontation.
Author : Kojin Karatani
Publisher : Oxford University Press
Page : 208 pages
File Size : 47,7 Mb
Release : 2017-05-17
Category : Literary Collections
ISBN : 9780190622985
Nation and Aesthetics is a unique attempt to examine the ambiguous nature of nationalism and nation by examining them through aesthetics. In this translation by Jonathan E. Abel, Darwin H. Tsen, and Hiroki Yoshikuni, Karatani grasps the modern social formation as a nexus of three different "modes of exchange", namely capital-nation-state. Nation here plays the role of complementing capitalism and the state. Benedict Anderson defined nation as an "imagined community". Through rethinking Kant, Karatani suggests that "imagination" here is not a mere fancy, but very real, in the sense that it mediates state and capital. Usually imagination is regarded as fancying what is not present here. Kant grasped imagination as a faculty to imagine what we can understand but cannot sense; that is, to say, a faculty to mediate reason and sensibility. This observation provided the foundation to Modern aesthetics, which in the course of time became an important source of nationalism. In Italy, Germany, and Japan, nationalism appeared as fascism. They found in aesthetics a moment to go beyond capitalism and the state. The key to go beyond nation, Karatani argues, lies also in the thoughts of Kant, a cosmopolitan and an advocate of a world republic. It is well-known that the League of Nations was formed after First World War under the influence of his "Perpetual Peace". Karatani draws attention to the overlooked fact that around the same time Freud made a radical revision of his notion of the "superego". Karatani introduces article nine of Japan's postwar constitution, which renounces the right to wage war, as a crystallization of Kant's ideal of peace and Freud's superego. By providing a unique explanation of, and ways to counter, current nationalistic and imperialistic tendencies, Nation and Aesthetics argues that theories of Kant and Freud, which are usually understood to contrast, are deeply linked and suggest ways to go beyond capital-nation-state.
Author : George Hagman
Publisher : Rodopi
Page : 177 pages
File Size : 42,8 Mb
Release : 2011-07
Category : Philosophy
ISBN : 9789042033009
"George Hagman looks anew at psychoanalytic ideas about art and beauty through the lens of current developmental psychology that recognizes the importance of attachment and affiliative motivational systems. In dialogue with theorists such as Freud, Ehrenzweig, Kris, Rank, Winnicott, Kohut, and many others, Hagman brings the psychoanalytic understanding of aesthetic experience into the 21st century. He amends and extends old concepts and offers a wealth of stimulating new ideas regarding the creative process, the ideal, beauty, ugliness, and -perhaps his most original contribution-the sublime. Especially welcome is his grounding of aesthetic experience in intersubjectivity and health rather than individualism and pathology. His emphasis on form rather than the content of an individual's aesthetic experience is a stimulating new direction for psychoanalytic theory of art. With this work Hagman stands in the company of his predecessors with this deeply-learned, sensitively conceived, and provocative general theory of human aesthetic experience."Ellen Dissanayake, author of "Art and Intimacy: How the Arts Began" and "Homo Aestheticus: Where Art Comes From and Why."
Author : Sigmund Freud
Publisher : Stanford University Press
Page : 324 pages
File Size : 46,5 Mb
Release : 1997
Category : Art
ISBN : 0804729735
Despite Freud's enormous influence on twentieth-century interpretations of the humanities, there has never before been in English a complete collection of his writings on art and literature. These fourteen essays cover the entire range of his work on these subjects, in chronological order beginning with his first published analysis of a work of literature, the 1907 "Delusion and Dreams in Jensen's Gradiva" and concluding with the 1940 posthumous publication of "Medusa's Head." Many of the essays included in this collection have been crucial in contemporary literary and art criticism and theory. Among the subjects Freud engages are Shakespeare's Hamlet, The Merchant of Venice, King Lear, and Macbeth, Goethe's Dichtung und Wahrheit, Michelangelo's Moses, E. T. A. Hoffman's "The Sand Man," Dostoevsky's The Brothers Karamazov, fairy tales, the effect of and the meaning of beauty, mythology, and the games of aestheticization. All texts are drawn from The Standard Edition of the Complete Psychological Works of Sigmund Freud, edited by James Strachey. The volume includes the notes prepared for that edition by the editor. In addition to the writings on Jensen's Gradiva and Medusa, the essays are: "Psychopathic Characters on the Stage," "The Antithetical Meaning of Primal Words," "The Occurrence in Dreams of Material from Fairy Tales," "The Theme of the Three Caskets," "The Moses of Michelangelo," "Some Character Types Met with in Psycho-analytic Work," "On Transience," "A Mythological Parallel to a Visual Obsession," "A Childhood Recollection from Dichtung und Wahrheit," "The Uncanny," "Dostoevsky and Parricide," and "The Goethe Prize."
Author : Whitney Davis
Publisher : Columbia University Press
Page : 368 pages
File Size : 44,8 Mb
Release : 2010-09-22
Category : Philosophy
ISBN : 9780231146906
The pioneering work of Johann Winckelmann (1717-1768) identified a homoerotic appreciation of male beauty in classical Greek sculpture, a fascination that had endured in Western art since the Greeks. After Winckelmann, however, sometimes the value (even the possibility) of queer beauty in art was denied. Several theorists after Winckelmann, notably the philosopher Immanuel Kant, broke sexual attraction and aesthetic appreciation into separate or dueling domains. In turn, sexual desire and aesthetic pleasure conceived as discrete categories had to be profoundly rethought by later writers. Davis argues that these disjunct domains could be rejoined by such innovative thinkers as John Addington Symonds, Michel Foucault, and Richard Wollheim, who reclaimed earlier insights about the mutual implication of sexuality and aesthetics. Addressing texts by Arthur Schopenhauer, Charles Darwin, Oscar Wilde, Vernon Lee, and Sigmund Freud, among many others, Davis criticizes modern approaches, such as Kantian idealism, Darwinism, psychoanalysis, and analytic aesthetics, for either reducing aesthetics to a question of sexuality or for removing sexuality from the aesthetic field altogether. Despite these schematic reductions, sexuality always returns to aesthetics, and aesthetic considerations always recur in sexuality. Davis particularly shows that formal philosophies of art since the late-eighteenth century have had to respond to nonstandard sexuality, especially homoeroticism, and that theories of nonstandard sexuality have drawn on aesthetics in significant ways. Many of the most imaginative and penetrating critics wrestled productively, though often inconclusively and "against themselves," with the aesthetic making of new forms of sexual life and new forms of art made from reconstituted sexualities. Through a critique that confronts history, philosophy, science, psychology, and dominant theories of art and sexuality, Davis challenges privileged types of sexual and aesthetic creation imagined in modern culture-and still assumed today.
Author : Nicky Glover
Publisher : Harris Meltzer Trust
Page : 331 pages
File Size : 44,9 Mb
Release : 2018-05-31
Category : Psychology
ISBN : 9781912567195
This is a book to which the attention of students of art theory and criticism, and all those interested in the important application of psychoanalysis to other fields of study, should be drawn. Psychoanalytic Aesthetics rethinks the classical account of the relation between art and madness, creativity and psychoneurosis, and the distinction between the primary and secondary processes. It covers a great deal of ground and reviews many psychoanalytic writers (predominantly of the British tradition) on aesthetics, as well as many of the aestheticians using a psychoanalytic background. It is well written and there is an impressive grasp of the many writers covered. More than this, the book is also a work of psychoanalytic scholarship, being a masterly overview of psychoanalytic schools of thought, and an in-depth study of the British object-relations schools. It amply achieves its overriding goal to demonstrate that the work of the British School presents a significant contribution to psychoanalytic aesthetics and criticism, updating Freud, Kris and the classical contributions to the field. It is therefore potentially a very useful source book for future scholars of both psychoanalysis and of aesthetics.
Author : Philip Rieff
Publisher : University of Chicago Press
Page : 468 pages
File Size : 52,8 Mb
Release : 1979-05-15
Category : Psychology
ISBN : 0226716392
Now a classic, this book was hailed upon its original publication in 1959 as "An event to be acclaimed . . . a book of genuine brilliance on Freud's cultural importance . . . a permanently valuable contribution to the human sciences."—Alastair MacIntyre, Manchester Guardian "This remarkably subtle and substantial book, with its nicely ordered sequences of skilled dissections and refined appraisals, is one of those rare products of profound analytic thought. . . . The author weighs each major article of the psychoanalytic canon in the scales of his sensitive understanding, then gives a superbly balanced judgement."—Henry A. Murray, American Sociological Review "Rieff's tremendous scholarship and rich reflections fill his pages with memorable treasures."—Robert W. White, Scientific American "Philip Rieff's book is a brilliant and beautifully reasoned example of what Freud's influence has really been: an increasing intellectual vigilance about human nature. . . . What the analyst does for the patient—present the terms for his new choices as a human being—Mr. Rieff does in respect to the cultural significance of Freudianism. His style has the same closeness, the same undertone of hypertense alertness. Again and again he makes brilliant points."—Alfred Kazin, The Reporter
Author : Ruth Ronen
Publisher : SUNY Press
Page : 199 pages
File Size : 46,7 Mb
Release : 2009-01-15
Category : Philosophy
ISBN : 9780791476673
Places anxiety at the heart of the aesthetic experience.
Author : Willy Apollon,Richard Feldstein
Publisher : State University of New York Press
Page : 384 pages
File Size : 51,9 Mb
Release : 1996-01-25
Category : Biography & Autobiography
ISBN : 9780791495087
In this volume, psychoanalysts, cultural theorists, and literary critics demonstrate the relevance of the unconscious economy to the field of cultural studies, applying psychoanalytic criticism to political and aesthetic issues related to the legal and ideological superstructure of contemporary society.These writers have adopted a variety of rhetorical positions when engaging cultural issues that deal with representation, ideology, class, and gender. Contributors include Willy Apollon, Richard Feldstein, Slavoj Zizek, Juliet Flower MacCannell, Judith Roof, Ellie Ragland, Elizabeth J. Bellamy, Bruce Fink, Maire Jaanus, Elizabeth Bronfen, Hanjo Berressem, Peter Widmer, Danielle Bergeron, Lucie Cantin, and Catherine Portuges.
Author : Lesley Chamberlain
Publisher : Seven Stories Press
Page : 356 pages
File Size : 45,9 Mb
Release : 2011-01-04
Category : Biography & Autobiography
ISBN : 9781609800116
Widely acclaimed for giving "an understanding of the connection between Nietzsche’s personal experience and his most famous ideas" (Christopher Lehmann-Haupt, New York Times) in her biography of Nietzsche, Nietzsche in Turin, Chamberlain now renders a similar service to readers of Freud. In this book, part biography, part literary criticism, she takes the reader into the mind of Freud, toward a better understanding of the thinker, his work, and art itself. The very idea of the subconcious as a constant, active presence in our daily lives was Freud’s greatest contribution and has allowed generations of people to experience their lives more deeply. His rigorous exploration of the dynamism and structures of the subconscious, Chamberlain argues, was in itself an important work of art. Using Freud’s own writing on art and the aesthetic theories of thinkers ranging from Nietzsche to Lionel Trilling, Chamberlain examines Freud’s art and shows how his imaginative creations have revolutionized not only mental health, but our thinking about art in general, by opening up the individual subconscious as a subject. In elegant, accessible prose she describes how "Freud split the aesthetic atom, releasing a vast energy for individual creativity."
Author : Fernanda Negrete
Publisher : State University of New York Press
Page : 348 pages
File Size : 50,6 Mb
Release : 2020-10-01
Category : Philosophy
ISBN : 9781438480220
In The Aesthetic Clinic, Fernanda Negrete brings together contemporary women writers and artists well known for their formal experimentation—Louise Bourgeois, Sophie Calle, Lygia Clark, Marguerite Duras, Roni Horn, and Clarice Lispector—to argue that the aesthetic experiences afforded by their work are underwritten by a tenacious and uniquely feminine ethics of desire. To elaborate this ethics, Negrete looks to notions of sublimation and feminine sexuality developed by Freud, Baudelaire, Mallarmé, and Nietzsche, and their reinvention with and after Jacques Lacan, including in the schizoanalysis of Gilles Deleuze and Félix Guattari. But she also highlights how psychoanalytic theory draws on writing and other creative practices to conceive of unconscious processes and the transformation sought through analysis. Thus, the "aesthetic clinic" of the book's title (a term Negrete adopts from Deleuze) is not an applied psychoanalysis or schizoanalysis. Rather, The Aesthetic Clinic privileges the call and constraints issued by each woman's individual work. Engaging an artwork here is less about retrieving a hidden meaning through interpretation than about receiving a precise transmission of sensation, a jouissance irreducible to meaning. Not only do art and literature serve an urgent clinical function in Negrete's reading but sublimation itself requires an embrace of femininity.
Author : Charles Baudouin
Publisher : Routledge
Page : 328 pages
File Size : 44,7 Mb
Release : 2015-04-17
Category : Psychology
ISBN : 9781317575542
Originally published in 1924, this title is substantially a continuation of Baudouin’s earlier work Studies in Psychoanalysis, being an application of psychoanalysis to the theory of aesthetics, as illustrated by a detailed study of the works of the Belgian poet Emile Verhaeren. The ‘interpretation’ Freud has supplied for dreams Baudouin attempts – and archives – for the imagery of the artistic creator. The work is in part based upon private documents supplied to the author by Madame Verhaeren, an autograph letter, and a previously unpublished poem.
