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The great spectacles of ancient Rome have become proverbial for their cruelty, bloodlust and glory. In the arena, the games were savage and brutal. Gladiators fought each other to the death, wild animals were put to fight each other and criminals were executed by barbaric means. Military victories were marked by the Triumphs when generals pa...
This was Rome, a city of bloodshed and laughter, of food and starvation. But why was so much wealth, time and trouble lavished on free entertainments? The Age of the Gladiators explores many savage spectacles of Ancient Rome, many of which have become proverbial for their cruelty, bloodlust and glory. From Gladiator fights in grand amphitheaters to chariot racing at the Circus Maximus, Romans had their pick of extreme spectator sports. Rupert Matthews explores the development of these customs, from religious rites into opportunities to bolster political esteem. Were Romans truly free citizens, governed by a fair democracy? And if not, what part did these free entertainments play in the political chess game? This fascinating book reveals all.
In ancient Rome, gladiators entertained audiences by battling each other -- sometimes to the death. Talk about awesome action Action Files: Gladiators introduces children to the colorful history of these brave warriors. The book brings history to life, explaining and illustrating the different types of gladiators, their armor and weapons, and much more. The 3-D lenticular cover, detailed fact book, information cards, reusable stickers, giant pull-out poster, and activities combine to make this an educational and entertaining read. An online component lets readers expand the fun onto the Internet.
Of all aspects of Roman culture, the gladiatorial contests for which the Romans built their amphitheatres are at once the most fascinating and the most difficult for us to come to terms with. They have been seen variously as sacrifices to the gods or, at funerals, to the souls of the deceased; as a mechanism for introducing young Romans to the horrors of fighting; and as a direct substitute for warfare after the imposition of peace. In this original and authoritative study, Thomas Wiedemann argues that gladiators were part of the mythical struggle of order and civilisation against the forces of nature, barbarism and law breaking, representing the possibility of a return to new life from the point of death; that Christian Romans rejected gladiatorial games not on humanitarian grounds, but because they were a rival representation of a possible resurrection.
The games comprised gladiatorial fights, staged animal hunts (venationes) and the executions of convicted criminals and prisoners of war. Besides entertaining the crowd, the games delivered a powerful message of Roman power: as a reminder of the wars in which Rome had acquired its empire, the distant regions of its far-flung empire (from where they had obtained wild beasts for the venatio), and the inevitability of Roman justice for criminals and those foreigners who had dared to challenge the empire's authority. Though we might see these games as bloodthirsty, cruel and reprehensible condemning any alien culture out of hand for a sport that offends our sensibilities smacks of cultural chauvinism. Instead one should judge an ancient sport by the standards of its contemporary cultural context. This book offers a fascinating, and fair historical appraisal of gladiatorial combat, which will bring the games alive to the reader and help them see them through the eyes of the ancient Romans. It will answer questions about gladiatorial combat such as: What were its origins? Why did it disappear? Who were gladiators? How did they become gladiators? What was there training like? How did the Romans view gladiators? How were gladiator shows produced and advertised? What were the different styles of gladiatorial fighting? Did gladiator matches have referees? Did every match end in the death of at least one gladiator? Were gladiator games mere entertainment or did they play a larger role in Roman society? What was their political significance?
Mave knows where she stands in life. She's an Andinna. A member of the winged, horned, and tailed warrior race that the Elvasi Empire defeated in the Hundred Year War and then enslaved. She's a slave, and has been one for a thousand years, the personal property of the Empress of the Elvasi Empire, since the end of the War. She's a gladiator, thrown onto the sands of the Colosseum to die, though it backfired on those who wanted her dead. She's the Champion of the Colosseum, and has been for roughly nine hundred years. All of these things have marked her as an outcast among her own people. Hated, distrusted, and despised, she knows the name of her people, but not much else. But she knows where she stands. Keeping her head down and her blades sharp has carried her this far, and she refuses to acknowledge the deepest wishes she holds in her heart. Those will only get her killed.Alone, she's stood against everything they have ever thrown at her, refusing to give them what they want.What Mave doesn't know is that it's all about to change. The Gladiator's Downfall is a 129,000+, full-length novel. Age of the Andinna is a reverse harem epic fantasy series. The female lead will collect her lovers as the series progresses.There is triggering content in this series including but not limited to: abuse, violence, mature language, and sexual content. It's recommended for mature audiences.
Gladiators fought each other in huge arenas in Ancient Rome. Their battles were fierce, violent and gory. Discover a brutal age when bloodshed and death were used for entertainment. This is the lowest reading level WOW! Facts set, with a reading age of 7-7.5 and an interest age of 10-14. This set uses different text types like tables, bullet points and diagrams in order to communicate in an effective and engaging way. Additionally, readers need not feel the pressure of completing a continued narrative as the books are divided into standalone chapters and the text is broken up with colourful images and fun facts. Readers will enjoy such interesting subjects as the human body, movie monsters and unusual animals of the sea.
The ruins of Pompeii reveal more graphically than anywhere else in the Roman world the vital role that gladiators and gladiatorial combat played in society. The Vesuvian eruption not only sealed the oldest amphitheatre to survive from antiquity, but also grafitti, elaborate weaponry, stone monuments and paintings which all testify to the popularity of gladiators, several of which are known to us by name. In addition, the discovery of a training barracks allows us to locate physically the place of gladiators in the city. This book, now available in English translation, presents the evidence from Pompeii in full colour photographs, accompanied by reconstruction drawings and an informative text that takes us through the streets of Pompeii as the gladiators would have known it.
Rome, 61 BC RECRUITED as a gladiator, young Marcus Cornelius Primus faces a new life of brutal training, governed by strict rules, as he learns the skills of an elite warrior. But Marcus cannot simply forget his past. His father lies murdered by soldiers and his mother has been kidnapped and forced into slavery. Marcus is determined to find his father's old commander, Pompeius the Great, to seek justice for his family and set his mother free. Yet, unbeknown to him, Marcus is hiding a life-threatening secret. And if the Romans discover it, there will be no escape . . .
Author : Charles River,Charles River Charles River Editors Publisher : Unknown Page : 44 pages File Size : 52,7 Mb Release : 2013-11 Category : History ISBN : 1494211416
The Roman Gladiators by Charles River,Charles River Charles River Editors Pdf
*Includes pictures of art depicting important people, places, and events. *Describes the different classes of Roman gladiators and the armor and weaponry they used. *Describes gladiatorial combat and the myths and misconceptions about the fight. *Includes footnotes and a bibliography for further reading. “He vows to endure to be burned, to be bound, to be beaten, and to be killed by the sword." - The gladiator's oath, according to Petronius in the Satyricon. Gladiators are somewhat synonymous with ancient Rome, and even thousands of years after they performed on the sands, when people are asked about Roman culture, many think about and refer to the bloody spectacles of men fighting to the death in the arena. Gladiatorial combat is often regarded as barbaric, and most find it very difficult to comprehend how people could have enjoyed watching something so violent, but nevertheless, the spectacle still intrigues and fascinates people today, whether in movies like Gladiator or television shows about Spartacus. Gladiatorial combat traces its origins back to the early Republican period from the 5th-3rd century B.C., but it's still unclear where these combats first appeared. Credit has been given to both the Etruscans in northern Italy and the Campanians in southern Italy, though the first recorded gladiatorial combat occurred in the 3rd century B.C. at the funeral of D. Junius Brutus Pera. His sons organized a combat between three different pairs of gladiators who fought at their father's grave, but exactly what these first gladiatorial combats were supposed to represent remains unclear. Some believe that the spilling of human blood was a way of offering a sacrifice to the dead, while others suggest that the contests themselves were a funeral offering in honor of the dead. Gladiatorial combat began in the Republican period and was associated with death and burial, but due to its popularity it became an organized form of entertainment in the Imperial Age, and even as the gladiators were considered low class, they were also admired, leading to some Roman men and women volunteering to become gladiators. Whatever the original role of gladiatorial combats, they thrilled Roman audiences for many centuries. Each match usually pitted one type of gladiator against a different type of gladiator, with each having their own kind of armor, weaponry and fighting style. For example, the retiarius was a gladiator that used a net, dagger and trident as his offensive weapons, while only wearing a protective guard over his left arm for protection. The retiarius would typically fight against the secutor, a gladiator armed with a sword, large shield, helmet and protective covering on his right arm and left leg. Therefore, a retiarius sacrificed armor for quickness in battle, while the secutor did the opposite. Although people often think of gladiators fighting to the death, the outcome of gladiatorial combats was not always fatal for one of the participants. If a gladiator fought well, the sponsor of the show could spare him, particularly if the crowd desired it. The fact that the outcome of matches was never the same and the crowd could help determine the result of the match certainly added to the Roman public's pleasure, making it a lot less surprising that such an abhorrent spectacle still fascinated the modern world. The Roman Gladiators: The History and Legacy of Ancient Rome's Most Famous Warriors examines the history of the gladiators and the games they participated in, explaining what life and death was like for the men who fought in Rome's most famous form of entertainment. Along with pictures depicting important people, places, and events, you will learn about gladiators like you never have before.
An analysis of the lives of ancient Rome's gladiators explores how they were both despised and hero-worshiped, chronicling how tens of thousands of gladiators perished publicly over the course of six hundred years.
The Gladiator is an icon of Roman culture, of sports economy, and of brave and brutal combat. This title in the Conquerors and Combatants series reveals the importance of gladiators as cultural heroes, enslaved athletes who were vital to the economy, and as political actors whose victories and sacrifices both entertained and subdued the Roman population. Illustrations, photos, and artifacts complement details about the gladiators lives, fighting styles, revolts, and political impacts. In Gladiators readers discover who gladiators were, how they shaped their society, and why they remain glorified icons of combat and culture.
