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Aidan De Brune was the first person to walk around the perimeter of Australia. He set off in 1921, unaccompanied and unassisted and walked 10,000 miles (16,000 kilometres) from Sydney to Sydney, anticlockwise. Everywhere he walked, he asked people to sign his travel diary, as evidence of his presence in the places he visited. He was also a journalist and he regularly wrote articles during his walk, which appeared in the Sydney Daily Mail and other newspapers.He was a prolific writer of serialised mystery stories, which were syndicated in newspapers throughout Australia and New Zealand. He was also an accomplished musician who gave music lessons and at one time played piano accompaniments to silent films in London.
In A Tramp's Wallet, Sam Pickering spends six months roaming Australia and New Zealand, tramping landscapes pocked by sheep stations, art galleries and bakeries, and always libraries, their dusty shelves troves quick with life and literature. The saunterings of one of America's best and most popular essayists stretch the seams of A Tramp's Wallet. Far from the hoes and saws that prune days into convention, life flourishes, and this book is weedy and rankly rich with thought and description. "Lord," St. Odo of Cluny said on his deathbed, "I have loved the beauty of thy house." Pickering records his love of that house, and, if truth must out, his love for a few neglected out buildings-barns and backhouses, even the ramshackled huts of thought.
Funding Philanthropy investigates Dr Barnardo’s practices as the leading Victorian figure in child rescue in London, particularly focusing on devices associated with story-telling and public spectacle that facilitated evoking emotional responses that would lead to active support from constituents across boundaries of age, class or race.
THE COMPLETE RAFFLES SERIES - A Novel & 45+ Short Stories: The Amateur Cracksman, The Black Mask, A Thief in the Night, Mr. Justice Raffles, Mrs. Raffles, R. Holmes & Co. by E. W. Hornung,John Kendrick Bangs Pdf
This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. THE ORIGINAL SERIES by E. W. HORNUNG The Amateur Cracksman The Ides of March A Costume Piece Gentlemen and Players Le Premier Pas Wilful Murder . . . The Black Mask; or Raffles: Further Adventures No Sinecure A Jubilee Present The Fate of Faustina The Last Laugh To Catch a Thief . . . A Thief in the Night Out of Paradise The Chest of Silver The Rest Cure The Criminologists' Club The Field of Philippi . . . Mr. Justice Raffles (Novel) THE SEQUELS TO THE ORIGINAL SERIES by JOHN KENDRICK BANGS Mrs. Raffles The Adventure of the Herald Personal The Adventure of the Newport Villa The Adventure of Mrs. Gaster's Maid The Pearl Rope of Mrs. Gushington-andrews . . . R. Holmes and Co. Introducing Mr. Raffles Holmes The Adventure of The Dorrington Ruby Seal The Adventure of Mrs. Burlingame's Diamond Stomacher The Adventure of The Missing Pendants . . . E. W. Hornung (1866–1921) was an English author and poet and also brother-in-law to Sir Arthur Conan Doyle. Hornung is known for writing the A. J. Raffles series about a gentleman thief based on a deliberate inversion of the Sherlock Holmes series. Hornung dedicated his creation as a form of flattery to Doyle. John Kendrick Bangs (1862–1922) was an American author, editor and satirist. He is famous for "Bangsian Fantasy" genre in which famous literary characters or historical individuals meet and interact in the afterlife.
Irish playwright J.M. Synge created influential but misunderstood representations of travellers or 'tinkers'. This work traces the history of the 'tinker' back to medieval Irish historiography and English Renaissance literature and forward to contemporary US screen depictions.
In the 1880s, fashionable Londoners left their elegant homes and clubs in Mayfair and Belgravia and crowded into omnibuses bound for midnight tours of the slums of East London. A new word burst into popular usage to describe these descents into the precincts of poverty to see how the poor lived: slumming. In this captivating book, Seth Koven paints a vivid portrait of the practitioners of slumming and their world: who they were, why they went, what they claimed to have found, how it changed them, and how slumming, in turn, powerfully shaped both Victorian and twentieth-century understandings of poverty and social welfare, gender relations, and sexuality. The slums of late-Victorian London became synonymous with all that was wrong with industrial capitalist society. But for philanthropic men and women eager to free themselves from the starched conventions of bourgeois respectability and domesticity, slums were also places of personal liberation and experimentation. Slumming allowed them to act on their irresistible "attraction of repulsion" for the poor and permitted them, with society's approval, to get dirty and express their own "dirty" desires for intimacy with slum dwellers and, sometimes, with one another. Slumming elucidates the histories of a wide range of preoccupations about poverty and urban life, altruism and sexuality that remain central in Anglo-American culture, including the ethics of undercover investigative reporting, the connections between cross-class sympathy and same-sex desire, and the intermingling of the wish to rescue the poor with the impulse to eroticize and sexually exploit them. By revealing the extent to which politics and erotics, social and sexual categories overflowed their boundaries and transformed one another, Koven recaptures the ethical dilemmas that men and women confronted--and continue to confront--in trying to "love thy neighbor as thyself."
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.