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The American President in Film and Television by Gregory Frame Pdf
Why are US presidents everywhere on screen? This book sheds new light on fictional representations of the American president in film and TV from the early 1990s to the present. The influence of changes in American politics and society - including 9/11, the economic crisis, and the election of the first African American president - are explored.
Author : Peter C. Rollins,John E. O'Connor Publisher : University Press of Kentucky Page : 458 pages File Size : 51,7 Mb Release : 2010-09-12 Category : History ISBN : 9780813127927
Hollywood's White House by Peter C. Rollins,John E. O'Connor Pdf
" Winner of the 2003 Ray and Pat Browne Book Award, given by the Popular Culture Association The contributors to Hollywood's White House examine the historical accuracy of these presidential depictions, illuminate their influence, and uncover how they reflect the concerns of their times and the social and political visions of the filmmakers. The volume, which includes a comprehensive filmography and a bibliography, is ideal for historians and film enthusiasts.
The West Wing by Peter C. Rollins,John E. O'Connor Pdf
Eminent scholars Peter C. Rollins and John O'Connor make an important contribution to the field with an eclectic mix of essays, which translate visual language into on-screen politics. While the series may be criticized as "idealistic," its clever techniques of camera work, lighting, editing, and mise en scene reflect America's best image of itself, and entertains a loyal audience that desperately wants to believe in the nobility of the American dream. This collection introduces readers to the sensibilities to appreciate the show's nuances and the necessary knowledge to avoid any misreadings. It will be of interest to students of politics, popular culture, fans and critics alike.
Film and the American Presidency by Jeff Menne,Christian B. Long Pdf
The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.
Mr. Sorkin Goes to Washington by Melissa Crawley Pdf
Before the unprecedented televised presidential debates of 1960, most Americans were able to relate to their leaders in little more than an historical context. In the era of televised elections, however, the media have allowed Americans to witness the paternal, moral and intellectual qualities of their president up close. Television has been so critical to this process of political socialization that, for many Americans, the televised image of the president is the president. As the acclaimed television drama The West Wing demonstrates, fictional representations of the presidency can also be significant civic forces. This book examines how film and television drama contribute to shaping the presidency and the way most Americans understand it, and particularly the processes of political education. The text discusses The West Wing's didactic potential, its representation of White House politics, and its depiction of race and gender, with commentary on how fictional representations of the presidency become important elements of American political consciousness.
Cinematic depictions of real U.S. presidents from Abraham Lincoln to George W. Bush explore how Hollywood movies represent American history and politics on screen. Morgan and his contributors show how films blend myth and reality to present a positive message about presidents as the epitome of America's values and idealism until unpopular foreign wars in Vietnam and Iraq led to a darker portrayal of the imperial presidency, operated by Richard Nixon and Bush 43. This exciting new collection further considers how Hollywood has continually reinterpreted historically significant presidents, notably Abraham Lincoln, Theodore Roosevelt, and Franklin D. Roosevelt, to fit the times in which movies about them were made.
Jimi Hendrix and the Cultural Politics of Popular Music by Aaron Lefkovitz Pdf
This book, on Jimi Hendrix’s life, times, visual-cultural prominence, and popular music, with a particular emphasis on Hendrix’s relationships to the cultural politics of race, gender, sexuality, ethnicity, class, and nation. Hendrix, an itinerant “Gypsy” and “Voodoo child” whose racialized “freak” visual image continues to internationally circulate, exploited the exoticism of his race, gender, and sexuality and Gypsy and Voodoo transnational political cultures and religion. Aaron E. Lefkovitz argues that Hendrix can be located in a legacy of black-transnational popular musicians, from Chuck Berry to the hip hop duo Outkast, confirming while subverting established white supremacist and hetero-normative codes and conventions. Focusing on Hendrix’s transnational biography and centrality to US and international visual cultural and popular music histories, this book links Hendrix to traditions of blackface minstrelsy, international freak show spectacles, black popular music’s global circulation, and visual-cultural racial, gender, and sexual stereotypes, while noting Hendrix’s place in 1960s countercultural, US-exceptionalist, cultural Cold War, and rock histories.
The Routledge Companion to Cinema and Politics by Yannis Tzioumakis,Claire Molloy Pdf
The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.
The President is Missing by Bill Clinton,PRESIDENT BILL. PATTERSON CLINTON (JAMES.),James Patterson Pdf
'The political thriller of the decade' Lee Child 'A bullet train of a thriller' A.J. Finn 'A first-rate collaboration... Engrossing from page one' David Baldacci 'This book moves like Air Force One. Big and fast' Michael Connelly 'A big, splashy juggernaut of a novel... truly authentic' Harlan Coben ________________________ THE GLOBAL NUMBER ONE BESTSELLER The President is missing. The world is in shock. Terrorists are planning a devastating attack. And they have help from traitors inside the White House. The only thing standing in their way is a President determined to save his people. Even if it means putting himself in mortal danger . . . ________________________ More praise for The President is Missing 'Relentless in its plotting and honest in its examination of issues' Jeffrey Deaver 'Guarantee of political authenticity. The literary running mates have earned a second term' Guardian 'A brilliant, tricksy first chapter . . . unmistakably shows that their partnership works' Sunday Times 'A high-octane collaboration . . . the addictive qualities are undeniable' Telegraph 'Fast-paced and well-engineered' Financial Times 'A vigorous, fast-moving thriller that takes the reader into the corridors of power' i Newspaper 'A high-tension thriller . . . Bill Clinton's insider perspective and James Patterson's pacy plotting combine to irresistibly page-turning effect' Mail
Mr. Sorkin Goes to Washington by Melissa Crawley Pdf
Before the unprecedented televised presidential debates of 1960, most Americans were able to relate to their leaders in little more than an historical context. In the era of televised elections, however, the media have allowed Americans to witness the paternal, moral and intellectual qualities of their president up close. Television has been so critical to this process of political socialization that, for many Americans, the televised image of the president is the president. As the acclaimed television drama The West Wing demonstrates, fictional representations of the presidency can also be significant civic forces. This book examines how film and television drama contribute to shaping the presidency and the way most Americans understand it, and particularly the processes of political education. The text discusses The West Wing's didactic potential, its representation of White House politics, and its depiction of race and gender, with commentary on how fictional representations of the presidency become important elements of American political consciousness.
The Representation of the American Presidency in Recent Hollywood Movies by Marie Axland Pdf
Thesis (M.A.) from the year 1998 in the subject American Studies - Culture and Applied Geography, grade: 1,0, LMU Munich, 300 entries in the bibliography, language: English, abstract: In Hollywood film history, the U.S. president has had many images - a brave leader, an incompetent fool, a lovable hero. One thing is for certain: No matter what era, Presidents, whether fictional or real, are frequent fodder for filmmakers. After Vietnam and the revelations of Watergate, however, the number of films with presidential portrayals steadily decreased, and the depictions that did appear generally cast a corrupt or inept Chief Executive. It is therefore more than surprising why filmmakers today have decided to produce such an incredibly large number of films as compared to the last two decades. Presidents have been portrayed as minor characters in dozens of Hollywood films, either for inspirational purposes or simply to keep the plot moving. Lately, not only the number of President films has increased significantly, but there is also a clear tendency to let the Presidents move towards center stage, and they are now often pictured as the protagonists. This phenomenon opens up a whole range of questions: How are the Presidents depicted? Is there a certain trend in the portrayals? Or are those portrayed all different from each other? Are there differences or similarities to older characterizations? What does this tell us about Hollywood’s view of the Presidency? Has it suddenly changed? And what are the reasons for such a sudden boost in the number of films? By taking a closer look at a selection of Hollywood productions, this paper provides an attempt to find answers to these questions. Of the string of fictional Presidents that American filmmakers have recently created, some are more loathsome than their real-life counterparts, others more heroic. Both types seem designed to connect with audiences’ hopes and fears - what the Hollywood dream factory does best. Interestingly, the portrayals have been all over the map: genial, kind-hearted impostor (Dave); reluctant, alien-fighting hero (Independence Day); pompous, delusional incompetent (Mars Attacks!); sympathetic, romantic widower (The American President); distracted, workaholic father (First Kid); promiscuous, murderous hypocrite (Absolute Power); tough defender of family and country (Air Force One), to name only a few. By discussing a selection of presidential films, this thesis examines Hollywood’s portrayal of the American Presidency.
Philip Roth's bestselling alternate history—the chilling story of what happens to one family when America elects a charismatic, isolationist president—is soon to be an HBO limited series. In an extraordinary feat of narrative invention, Philip Roth imagines an alternate history where Franklin D. Roosevelt loses the 1940 presidential election to heroic aviator and rabid isolationist Charles A. Lindbergh. Shortly thereafter, Lindbergh negotiates a cordial “understanding” with Adolf Hitler, while the new government embarks on a program of folksy anti-Semitism. For one boy growing up in Newark, Lindbergh’s election is the first in a series of ruptures that threaten to destroy his small, safe corner of America–and with it, his mother, his father, and his older brother. "A terrific political novel . . . Sinister, vivid, dreamlike . . . creepily plausible. . . You turn the pages, astonished and frightened.” — The New York Times Book Review
Author : Mark Sachleben,Kevan M. Yenerall Publisher : Peter Lang Page : 364 pages File Size : 55,8 Mb Release : 2004 Category : Performing Arts ISBN : 0820462489
Seeing the Bigger Picture by Mark Sachleben,Kevan M. Yenerall Pdf
Sachleben (political science, Western New England College) and Yenerall (political science, Clarion U.) hope to "tap into the appeal of movies and television" in order to raise interest in politics and illuminate features of contemporary political debates. Topically arranging their material into chapters covering liberal and alternative ideologies, the American presidency, civil rights and social justice, campaigns and elections, and war, the authors typically offer brief discussion of the broad outlines of their topic, summarize some plots or plot points of movie or television show, and then point towards its political relevance. Annotation 2004 Book News, Inc., Portland, OR (booknews.com).
Constructing Presidential Legacy by Cullinane Michael Patrick Cullinane Pdf
What do we remember about US Presidents, and how do we come to commemorate their legacies?Few personalities loom larger than the President of the United States. Their accomplishments and failures are forensically documented, and their personal lives are under constant scrutiny from the media. But how does a president's legacy emerge, and how to do we come to commemorate it? In Constructing Presidential Legacy, world-leading experts take a multi-disciplinary approach to explore how presidents are remembered. They look at multiple presidents, including Washington, Jefferson, Lincoln, the Roosevelts, Kennedy, Lyndon Johnson, Eisenhower, Reagan, Obama and Trump. Discover how presidential legacies are constructed during and after a President's time in the Whitehouse, and how they are portrayed in media such as film, museums, public art, political invocations, pop culture, literature and evolving technological advancements.
