The American Roman Noir

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The American Roman Noir

Author : William Marling
Publisher : University of Georgia Press
Page : 329 pages
File Size : 42,8 Mb
Release : 1998-10-01
Category : Performing Arts
ISBN : 9780820320816

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The American Roman Noir by William Marling Pdf

In The American Roman Noir, William Marling reads classic hard-boiled fiction and film in the contexts of narrative theories and American social and cultural history. His search for the origins of the dark narratives that emerged during the 1920s and 1930s leads to a sweeping critique of Jazz-Age and Depression-era culture. Integrating economic history, biography, consumer product design, narrative analysis, and film scholarship, Marling makes new connections between events of the 1920s and 1930s and the modes, styles, and genres of their representation. At the center of Marling's approach is the concept of "prodigality": how narrative represents having, and having had, too much. Never before in the country, he argues, did wealth impinge on the national conscience as in the 1920s, and never was such conscience so sharply rebuked as in the 1930s. What, asks Marling, were the paradigms that explained accumulation and windfall, waste and failure? Marling first establishes a theoretical and historical context for the notion of prodigality. Among the topics he discusses are such watershed events as the trial of Sacco and Vanzetti and the premiere of the first sound movie, The Jazz Singer; technology's alteration of Americans' perceptive and figurative habits; and the shift from synecdochical to metonymical values entailed by a consumer society. Marling then considers six noir classics, relating them to their authors' own lives and to the milieu of prodigality that produced them and which they sought to explain: Dashiell Hammett's Red Harvest and The Maltese Falcon, James M. Cain's The Postman Always Rings Twice and Double Indemnity, and Raymond Chandler's The Big Sleep and Farewell My Lovely. Reading these narratives first as novels, then as films, Marling shows how they employed the prodigality fabula's variations and ancillary value systems to help Americans adapt--for better or worse--to a society driven by economic and technological forces beyond their control.

The Roman Noir in Post-war French Culture

Author : Claire Gorrara
Publisher : Oxford Studies in Modern European Culture
Page : 160 pages
File Size : 41,5 Mb
Release : 2003
Category : Fiction
ISBN : 0199246092

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The Roman Noir in Post-war French Culture by Claire Gorrara Pdf

All the novelists studied were published initially in popular collections, such as the Serie noire, but they have been chosen for the innovation of their work and the exciting ways in which they resist tired conventions and offer new ways of representing social reality." "One of the first English-language studies of this popular genre, The Roman Noir in Post-War French Culture offers much more than close readings of these fascinating texts; it demonstrates the important contribution of the roman noir to the cultural histories of post-war France."--Jacket.

Rome Noir

Author : Chiara Stangalino,Maxim Jakubowski
Publisher : Akashic Books
Page : 281 pages
File Size : 41,7 Mb
Release : 2009
Category : Fiction
ISBN : 9781933354644

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Rome Noir by Chiara Stangalino,Maxim Jakubowski Pdf

Looks beyond the tourist facade of Italy's capital. This is the real city of Fellini, Pasolini and countless other major artists who devoted their lives to depicting the grandeur and decadence of this ever fascinating metropolis.

The Cambridge Companion to American Crime Fiction

Author : Catherine Ross Nickerson
Publisher : Cambridge University Press
Page : 207 pages
File Size : 49,8 Mb
Release : 2010-07-08
Category : Literary Criticism
ISBN : 9780521136068

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The Cambridge Companion to American Crime Fiction by Catherine Ross Nickerson Pdf

This Companion examines the range of American crime fiction from execution sermons of the Colonial era to television programmes like The Sopranos.

French and American Noir

Author : Alistair Rolls,Deborah Walker
Publisher : Springer
Page : 229 pages
File Size : 43,8 Mb
Release : 2009-08-21
Category : Literary Criticism
ISBN : 9780230244825

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French and American Noir by Alistair Rolls,Deborah Walker Pdf

A longstanding misconception surrounding the term French noir suggests that the post-war French thriller and film noir were a development of, or response to, a pre-existing American tradition. This book challenges this misconception, examining the complexity of this trans-Atlantic exchange and refocusing debate to include a Franco-French lineage.

Men Alone

Author : Jopi Nyman
Publisher : BRILL
Page : 390 pages
File Size : 51,6 Mb
Release : 2022-02-28
Category : Literary Criticism
ISBN : 9789004490000

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Men Alone by Jopi Nyman Pdf

This study examines masculinity and individualism in four American novels of the 1920s and 1930s usually regarded as belonging to the genre of hard-boiled fiction. The novels under study are Red Harvest by Dashiell Hammett, The Postman Always Rings Twice by James M. Cain, They Shoot Horses, Don't They? by Horace McCoy, and To Have and Have Not by Ernest Hemingway. In this first full-length study of gender in hard-boiled fiction the genre is discussed as a representation of the ideologies of masculinity and individualism. Hard-boiled fiction is located in its historical and cultural context and it is argued that the genre, with its explicit emphasis on masculinity and masculine virtues, attempts to reaffirm a masculine order. The study argues that this emphasis is a counter-reaction to more general changes in the gender relations of the period. Indeed, hard-boiled fiction is argued to be an attempt to reconstruct a masculine identity based on anti-modern values generally accepted in the cultural context of the genre.

Crime Scenes

Author : Anne Mullen,Emer O'Beirne
Publisher : Rodopi
Page : 340 pages
File Size : 42,5 Mb
Release : 2000
Category : History
ISBN : 9042012331

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Crime Scenes by Anne Mullen,Emer O'Beirne Pdf

The essays in this collection are based on papers given at a conference on detective fiction in European culture, held at the University of Exeter in September 1997. The range of topics covered is designed to show not only the presence and variety of narratives of detection across different European countries and their different media (although there is a predictable emphasis on the novel). It also illustrates the fertility of the genre, its openness to a spectrum of readings with different emphases, formal as well as thematic. Approaches to detective fiction have often tended to confine them-selves to 'symptomatic' interpretation, where details of the fictional world represented are used to diagnose a specific set of social preoccupations and priorities operative at the time of writing. Such approaches can yield valuable insights. Nonetheless there is a risk of limiting the value of the genre as a whole solely to its role as a mirror held up to society. In this perspective, issues of structure and style are sidelined, or, if addressed, are praised to the extent that they approach invisibility -- concision, spareness, realism are the qualities singled out for praise. The genre also gives much scope for formal innovation -- and indeed has often attracted already established 'mainstream' writers and filmmakers for just this reason. The eclectic diversity of the detective narratives considered in this volume reveal the malleability of the traditional constraints of the genre. The essays bear rich testimony to the value of considering the interplay of thematic and structural issues, even in the most apparently unselfconscious and popular (or populist) forms of narrative. The patterns of reassurance, the triumph of intellect and the ordered, rational world 'of old' are now challenged by the need to foreground the problems, ambiguities and uncertainties of the self and of society. The plurality of meanings and the antithetical imperatives explored in these detective narratives confirm that the most recent forms of the genre are not mere palimpsests of their 'golden age' precursors. The subversion of traditional expectations and the implementation of diverse stylistic devices take the genre beyond mere homage and pastiche. The role of the reader/spectator and critic in conferring meaning is a crucial one.

Encyclopedia of Gothic Literature

Author : Mary Ellen Snodgrass
Publisher : Infobase Publishing
Page : 497 pages
File Size : 53,9 Mb
Release : 2014-05-14
Category : Gothic revival (Literature)
ISBN : 9781438109114

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Encyclopedia of Gothic Literature by Mary Ellen Snodgrass Pdf

Presents an alphabetical reference guide detailing the lives and works of authors associated with Gothic literature.

Re-Viewing British Cinema, 1900-1992

Author : Wheeler Winston Dixon
Publisher : State University of New York Press
Page : 308 pages
File Size : 52,5 Mb
Release : 1994-07-01
Category : Social Science
ISBN : 9781438401263

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Re-Viewing British Cinema, 1900-1992 by Wheeler Winston Dixon Pdf

Re-Viewing British Cinema, 1900–1992 is a collection of essays on British cinema history and practice. It offers both the casual reader and the film scholar a different view of British filmmaking during the past century. Arranged in chronological order, the book explores those areas of British cinema that have not been fully examined in other works and also offers fresh interpretations of a number of classic films. From the work of Frederic Villiers, the pioneering British newsreel cameraman who at the turn of the century brought home images of battlefield carnage, to essays on the British "B" film and the long-forgotten "Independent Frame" method of film production, to new readings of classics such as The Red Shoes, Passport to Pimlico, and Peeping Tom, the authors offer a look behind the scenes of the British film industry and engage the reader in some of the most compelling interpretational and historical issues of recent film history and critical theory. In addition, the volume contains a number of interviews with such key directors as Stephen Frears, Terence Davies, Wendy Toye, and Lindsay Anderson and also pays particular attention to the work of early twentieth-century British feminist filmmakers whose films have often been ignored by conventional film theory and history. It also offers new material on the British "film noir," the English horror film, and the pioneering gay director Brian Desmond Hurst. Taken as a whole, this book presents an entirely new series of viewpoints on British film practice, theory, and reception and affords a fresh and vibrant view of the British film medium.

The Noir Thriller

Author : Lee Horsley
Publisher : Springer
Page : 329 pages
File Size : 42,6 Mb
Release : 2016-01-03
Category : Literary Criticism
ISBN : 9780230280755

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The Noir Thriller by Lee Horsley Pdf

What is literary noir? How do British and American noir thrillers relate to their historical contexts? In considering such questions, this study ranges over hundreds of novels, analysing the politics and poetics of noir from the hard-boiled fiction of Hammett, Chandler and Cain to the exciting diversity of nineties thrillers, with sections on the tough investigators, gangsters and victims of the Depression years: the first-person killers, femmes fatales and black protagonists of mid-century; the game-players, voyeurs and consumers of contemporary thrillers and future noir.

The Best American Noir of the Century

Author : Otto Penzler,James Ellroy
Publisher : Houghton Mifflin Harcourt
Page : 755 pages
File Size : 44,9 Mb
Release : 2011
Category : Fiction
ISBN : 9780547577449

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The Best American Noir of the Century by Otto Penzler,James Ellroy Pdf

A treasure trove of a hundred years' worth of the finest noir writing selected by James Ellroy

The American Detective Novel in Translation

Author : Daniel Peter LINDER MOLIN
Publisher : Ediciones Universidad de Salamanca
Page : 524 pages
File Size : 48,7 Mb
Release : 2011-09-01
Category : Fiction
ISBN : 9788478008476

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The American Detective Novel in Translation by Daniel Peter LINDER MOLIN Pdf

Empleando una metodología propia de los estudios descriptivos de traduc- ción, se analiza un corpus de cuatro novelas del autor norteamericano Raymond Chandler (The Big Sleep, 1939; Farewell, My Lovely, 1940; The Little Sister, 1949; y The Long Goodbye, 1954) y las traducciones al español publica- das en Argentina y España.

The Roman Noir in Post-war French Culture

Author : Claire Gorrara
Publisher : Unknown
Page : 136 pages
File Size : 53,6 Mb
Release : 2003
Category : Detective and mystery stories, French
ISBN : 0191697559

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The Roman Noir in Post-war French Culture by Claire Gorrara Pdf

Populist and widely disseminated, the French roman noir has a reputation as a minor genre with its roots in American popular culture. This study challenges such preconceptions and examines the genre as a critical response to concerns and debates in post-war French society.

USA Noir

Author : Dennis Lehane,George Pelecanos,Susan Straight
Publisher : Akashic Books
Page : 619 pages
File Size : 44,8 Mb
Release : 2013-10-14
Category : Fiction
ISBN : 9781617751998

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USA Noir by Dennis Lehane,George Pelecanos,Susan Straight Pdf

“All the heavy hitters, from Michael Connelly in Los Angeles to Joyce Carol Oates in suburban New Jersey . . . an important anthology.”—The New York Times Book Review (Editors’ Choice) Features Dennis Lehane’s story “Animal Rescue,” the inspiration for the movie The Drop starring Tom Hardy. Launched with the summer 2004 award-winning bestseller Brooklyn Noir, the groundbreaking Akashic Noir series now includes over sixty volumes and counting. The stories in USA Noir “represent the best of the U.S.-based anthologies, and the list of contributors include virtually anyone who’s made the best-seller list with a work of crime fiction in the last decade . . . a must-have anthology” (Booklist, starred review). Featuring stories by: Dennis Lehane, Don Winslow, Michael Connelly, George Pelecanos, Susan Straight, Jonathan Safran Foer, Laura Lippman, Pete Hamill, Joyce Carol Oates, Lee Child, T. Jefferson Parker, Lawrence Block, Terrance Hayes, Jerome Charyn, Jeffery Deaver, Maggie Estep, Bayo Ojikutu, Tim McLoughlin, Barbara DeMarco-Barrett, Reed Farrel Coleman, Megan Abbott, Elyssa East, James W. Hall, J. Malcolm Garcia, Julie Smith, Joseph Bruchac, Pir Rothenberg, Luis Alberto Urrea, Domenic Stansberry, John O’Brien, S.J. Rozan, Asali Solomon, William Kent Krueger, Tim Broderick, Bharti Kirchner, Karen Karbo, and Lisa Sandlin. One of Zoom Street Magazine’s Favorite Books of 2014 One of “100 Best Books for Readers Young and Old,” HispanicBusiness.com “Perhaps the single most impressive feature of the collection is its range of voices, from Joyce Carol Oates’ faux innocent young family to Megan Abbott’s impressionable high school kids to the chorus of peremptory voices S.J. Rozan plants in a haunted thief’s head. Eat your heart out, Walt Whitman: These are the folks who hear America singing, and moaning and screaming.”—Kirkus Reviews

The Origins of Cool in Postwar America

Author : Joel Dinerstein
Publisher : University of Chicago Press
Page : 550 pages
File Size : 46,6 Mb
Release : 2018-09-26
Category : History
ISBN : 9780226599069

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The Origins of Cool in Postwar America by Joel Dinerstein Pdf

Cool. It was a new word and a new way to be, and in a single generation, it became the supreme compliment of American culture. The Origins of Cool in Postwar America uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the "white Negro" and black cool. We come to understand how the cool worlds of Beat writers and Method actors emerged from the intersections of film noir, jazz, and existentialism. Out of this mix, Dinerstein sketches nuanced definitions of cool that unite concepts from African-American and Euro-American culture: the stylish stoicism of the ethical rebel loner; the relaxed intensity of the improvising jazz musician; the effortless, physical grace of the Method actor. To be cool is not to be hip and to be hot is definitely not to be cool. This is the first work to trace the history of cool during the Cold War by exploring the intersections of film noir, jazz, existential literature, Method acting, blues, and rock and roll. Dinerstein reveals that they came together to create something completely new—and that something is cool.