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A writer’s suicide sends ripples through the world she left behind: “A wonderful book…moving and tender and tough and unsentimental, all at the same time.”—Chicago Tribune An accomplished author with a string of devoted lovers, Anna Hand savors life in all of its bittersweet, fleeting moments. So when she gets a letter and discovers her brother has a daughter he never knew about, she sees a major part of life that has passed her by: a child to love. Desperate to unite this young girl with her father, Anna moves back to Charlotte, North Carolina, to rediscover her family and convince him to accept her. Caught between the politics of her upper-crust family and love for a married man, Anna finds her health in serious danger. When her bad days catch up with her good ones, she must finally face the disease that had been hiding just beneath the surface. Not willing to resign herself to months of aggressive treatment, and knowing the outcome will be the same regardless, she takes matters into her own hands, and surrenders her body to the sea. But it isn't only Anna's death that shocks her family. The papers she left behind may lead her sister Helen to discover more about Anna than she, or any of the Hand family, need to know… "Gilchrist excels in drawing the bonds of love and resentment in sexual and family relationships, and no one who encounters her characters here or in her earlier works will want to miss reading about them again." —Publishers Weekly
Russia, 1905. Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the almost-living portrait that the Tsar intends to acquire and the opium-infused manuscripts she wrote just before her death, one of which opens a trapdoor to a wild feminist fairytale. Across the city, Clementine, an anarchist seamstress, and Father Gapón, the charismatic leader of the proletariat, tip the country ever closer to revolution. Boullosa lifts the voices of coachmen, sailors, maids, and seamstresses in this playful, polyphonic, and subversive revision of the Russian revolution, told through the lens of Tolstoy’s most beloved work.
Why are so many fictional characters named Anna (or a variant), and what does this signify? The startling prevalence of Hannah/Anna/Anne moves from biblical literature (Old Testament Hannah and New Testament St. Anne) to classics (Anna Karenina and Anne Elliot) to popular fiction (Anna Dunlop in Sue Miller's The Good Mother), children's literature (Anne of Green Gables), films (Hannah and Her Sisters), and horror (Annie Wilkes in Stephen King's Misery). Does this represent a conscious or unconscious search for the ultimate or missing mother harking back to mythical and religious traditions? Here twenty-two essayists--literary scholars, writers, historians, classicists, feminist theorists--rise to the challenge, examining Annas in individual literary works or making intriguing connections. Universals and particulars are sorted out as the related names and themes cross time, culture, gender, and racial borders. In the process, much new and fascinating literary criticism is revealed about dozens of authors, including Anthony Trollope, John Berryman, Sean O'Faolain, Edith Wharton, Elizabeth Bowen, Anne Sexton, Arnold Bennett, Doris Lessing, Tillie Olsen, Toni Morrison, Gwendolyn Brooks, Mona Simpson, Mary Lavin, and, yes, Sigmund Freud.
From the moment she holds her baby niece, Rose is on a mission. Terrified that her baby niece will fall victim to the sexual abuse rampant in the family, Rose tells us in her own warm, funny, down-to-earth voice, how she reluctantly agrees to join a therapy group, hoping she can find out how to prevent disaster and see that baby Jenny grows up unharmed. In the group, she meets new friends who will become like family: Josie, who "sees" the future; Tammy, with a suspicious bruise on her neck; good and steady Marg, whose father is threatening to burn down her apartment house; and sweet, grieving, spiritual Sally. Rose's own chronic problem, she confesses, is picking wrong men. Josie finds a small magazine picture of a little town in northern Ontario. She sees, with her second sight, a resort hotel to be built in this town and a sunnier life for the group. As they begin to take the first painful steps of emotional recovery, an intense fantasy about this unknown town and dream hotel becomes the secret life of the group. Deep friendships evolve as the women help one another through the roller coasters of their recovery process. Despite setbacks, they cling to their dream of moving up north and running their own hotel.
The riveting inside story of the British royal family since the death of Princess Diana, from the Queen’s tightening grip to the defection of Harry and Meghan—by the #1 New York Times bestselling author of The Diana Chronicles "Never again," became Queen Elizabeth II's mantra shortly after Diana's death. More specifically, there could never be "another Diana"—a member of the family whose global popularity upstaged, outshone, and posed an existential threat to the British monarchy. Picking up where The Diana Chronicles left off, The Palace Papers reveals how the royal family reinvented itself after the traumatic years when Diana's blazing celebrity ripped through the House of Windsor like a comet. Tina Brown takes readers on a tour de force journey that shows the Queen's stoic resolve as she coped with the passing of Princess Margaret, the Queen Mother, and her partner for seven decades, Prince Philip, and triumphed in her Jubilee years even as the family dramas raged around her. She explores Prince Charles's determination to make Camilla his queen, the tension between two princes on "different paths," the ascendance of the resolute Kate Middleton, the disturbing allegations surrounding Prince Andrew and Jeffrey Epstein, and Harry and Meghan's stunning decision to "step back" as senior royals. Despite the fragile monarchy's best efforts, "never again" seems fast approaching. Full of powerful revelations, nuanced details, and searing insight, The Palace Papers will irrevocably change how the world perceives and understands the royal family.
Follows a young Chinese American girl, as she navigates relationships with family, friends, and her fourth-grade classroom, and finds a true best friend.
From Cotton Fields to Mission Fields: The Anna Knight Story by Dorothy Knight Marsh Pdf
"From Cotton Fields to Mission Fields is a compelling and inspiring memoir about Anna Knight, a mixed-race woman who was born in the beginning of post-abolition America and whose life was dedicated to education and to her faith throughout her life. Accomplishing what others could not with so little, this woman of courage and determination, too white to be black and too black to be white, stood up against the moonshiners who threatened her."--Page 4 cover
Pioneer African American Educators in Washington, D.C.: Anna J. Cooper, Mary Church Terrell, and Eva B. Dykes by Marina Bacher Pdf
Anna J. Cooper, Mary Church Terrell, and Eva B. Dykes shaped the educational landscape in Washington, D.C., in the late nineteenth and early twentieth centuries. These three pioneer educators serve as examples to describe the societal circles they were involved in. The many facets of their educational achievements are analyzed in the context of the educational elite of Washington. Cooper, Terrell, and Dykes not only had to live with race discrimination but also with gender discrimination. Unpublished archive material is used to illustrate how they interacted and how they treated each other. Marina Bacher is a scholar, author, and educator. (Series: American Studies in Austria, Vol. 18) [Subject: Education, Sociology, History]
A mesmerizing debut novel that reimagines Tolstoy's classic tragedy, Anna Karenina, for our time Vivacious thirty-seven-year-old Anna K. is comfortably married to Alex, an older, prominent businessman from her tight-knit Russian-Jewish immigrant community in Queens. But a longing for freedom is reignited in this bookish, overly romantic, and imperious woman when she meets her cousin Katia Zavurov's boyfriend, an outsider and aspiring young writer on whom she pins her hopes for escape. As they begin a reckless affair, Anna enters into a tailspin that alienates her from her husband, family, and entire world. In nearby Rego Park's Bukharian-Jewish community, twenty-seven-year-old pharmacist Lev Gavrilov harbors two secret passions: French movies and the lovely Katia. Lev's restless longing to test the boundaries of his sheltered life powerfully collides with Anna's. But will Lev's quest result in life's affirmation rather than its destruction? Exploring struggles of identity, fidelity, and community, What Happened to Anna K. is a remarkable retelling of the Anna Karenina story brought vividly to life by an exciting young writer.
From acclaimed Nigerian storyteller Atinuke, the first in a series of chapter books set in contemporary West Africa introduces a little girl who has enchanted young readers. Anna Hibiscus lives in Africa, amazing Africa, with her mother and father, her twin baby brothers (Double and Trouble), and lots of extended family in a big white house with a beautiful garden in a compound in a city. Anna is never lonely—there are always cousins to play and fight with, aunties and uncles laughing and shouting, and parents and grandparents close by. Readers will happily follow as she goes on a seaside vacation, helps plan a party for Auntie Comfort from Canada (will she remember her Nigerian ways?), learns firsthand what it’s really like to be a child selling oranges outside the gate, and longs to see sweet snow. Nigerian storyteller Atinuke’s debut book for children and its sequels, with their charming (and abundant) gray-scale drawings by Lauren Tobia, are newly published in the US by Candlewick Press, joining other celebrated Atinuke stories in captivating young readers.
Della Cruscan Poetry, Women and the Fashionable Newspaper by Claire Knowles Pdf
This book explores Della Cruscan poetry in the late eighteenth-century literary scene. A sociable, ornate, and deeply theatrical type of poetry, Della Cruscanism was associated with writers like Robert Merry, Mary Robinson, and Hannah Cowley. While Merry is the poet most commonly associated with the Della Cruscan school, this book argues that Della Cruscanism was a movement dominated by female poets and that this was one of the key reasons for the later disavowal and downgrading of its poetic accomplishments. It offers a close examination of these women writers and their role in shaping the poetic culture of the fashionable newspaper. In doing so, this study offers the first account of the feminization of the fashionable newspaper and of popular literary culture in the final years of the eighteenth century.
NEW YORK TIMES BESTSELLER A superb love story from Anna Quindlen, the #1 New York Times bestselling author of Rise and Shine, Blessings, and A Short Guide to a Happy Life Still Life with Bread Crumbs begins with an imagined gunshot and ends with a new tin roof. Between the two is a wry and knowing portrait of Rebecca Winter, a photographer whose work made her an unlikely heroine for many women. Her career is now descendent, her bank balance shaky, and she has fled the city for the middle of nowhere. There she discovers, in a tree stand with a roofer named Jim Bates, that what she sees through a camera lens is not all there is to life. Brilliantly written, powerfully observed, Still Life with Bread Crumbs is a deeply moving and often very funny story of unexpected love, and a stunningly crafted journey into the life of a woman, her heart, her mind, her days, as she discovers that life is a story with many levels, a story that is longer and more exciting than she ever imagined. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. “There comes a moment in every novelist’s career when she . . . ventures into new territory, breaking free into a marriage of tone and style, of plot and characterization, that’s utterly her own. Anna Quindlen’s marvelous romantic comedy of manners is just such a book. . . . Taken as a whole, Quindlen’s writings represent a generous and moving interrogation of women’s experience across the lines of class and race. [Still Life with Bread Crumbs] proves all the more moving because of its light, sophisticated humor. Quindlen’s least overtly political novel, it packs perhaps the most serious punch. . . . Quindlen has delivered a novel that will have staying power all its own.”—The New York Times Book Review “[A] wise tale about second chances, starting over, and going after what is most important in life.”—Minneapolis Star Tribune “Quindlen’s astute observations . . . are the sorts of details every writer and reader lives for.”—Chicago Tribune “[Anna] Quindlen’s seventh novel offers the literary equivalent of comfort food. . . . She still has her finger firmly planted on the pulse of her generation.”—NPR “Enchanting . . . [The protagonist’s] photographs are celebrated for turning the ‘minutiae of women’s lives into unforgettable images,’ and Quindlen does the same here with her enveloping, sure-handed storytelling.”—People “Charming . . . a hot cup of tea of a story, smooth and comforting about the vulnerabilities of growing older . . . a pleasure.”—USA Today “With spare, elegant prose, [Quindlen] crafts a poignant glimpse into the inner life of an aging woman who discovers that reality contains much more color than her own celebrated black-and-white images.”—Library Journal “Quindlen has always excelled at capturing telling details in a story, and she does so again in this quiet, powerful novel, showing the charged emotions that teem beneath the surface of daily life.”—Publishers Weekly “Quindlen presents instantly recognizable characters who may be appealingly warm and nonthreatening, but that only serves to drive home her potent message that it’s never too late to embrace life’s second chances.”—Booklist “Profound . . . engaging.”—Kirkus Reviews
