The Antonio Ii Badile Album Of Drawings The Origins Of Collecting Drawings In Early Modern Northern Italy

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The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy

Author : Evelyn Karet
Publisher : Routledge
Page : 359 pages
File Size : 42,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351546676

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The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy by Evelyn Karet Pdf

Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.

The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy

Author : Evelyn Karet
Publisher : Routledge
Page : 394 pages
File Size : 43,6 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351546669

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The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy by Evelyn Karet Pdf

Evelyn Karet's in-depth study of the Antonio II Badile Album - the earliest known example of an art collection pasted onto the pages of a book - is both focused and broad in its appeal to those interested in the early modern era. The provenance of the album is traced from its assemblage to the seventeenth-century collection of Conte Lodovico Moscardo to its dismantling by the dealer Francis Matthiesen in the 1950s, establishing that the volume conserved in the Frits Lugt Collection is not an original but a replica produced by Matthiesen. Although Antonio II must be celebrated as the collector of the drawings, new paleographic analysis has identified the actual compiler of the album after Antonio?s death providing a terminus post quem in the late 1530s or early 1540s. Karet enlarges the focus from the album itself to the historic tradition of collecting drawings in northern Italy in the early modern era before Vasari, for which the album provides a new point of reference. Throughout the book, Karet discusses the Badile family, examines the individual drawings in the book, investigates the contacts between artists and humanists, their rich, diverse collections and the humanist mind-set that fostered the appreciation of drawings. She explores notable early drawing collections in northern Italy and the role of northern Italy as a center of collection in the sixteenth and seventeenth centuries. The book concludes with two appendices: a reconstruction of the original album, including a discussion of the reconstruction process, suggestions about what the album originally looked like, and a page-by-page guide to its contents; and a detailed analysis of Francis Matthiesen's career. This book opens up new areas of inquiry into an overlooked subject.

Hidden Faces: Covered Portraits of the Renaissance

Author : Alison Manges Nogueira
Publisher : Metropolitan Museum of Art
Page : 235 pages
File Size : 49,7 Mb
Release : 2024-04-02
Category : Art
ISBN : 9781588397751

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Hidden Faces: Covered Portraits of the Renaissance by Alison Manges Nogueira Pdf

Many small Renaissance portraits were richly adorned with covers or backs bearing allegorical figures, mythological scenes, or emblems that celebrated the sitter and invited the viewer to decipher their meaning. Hidden Faces includes seventy objects, ranging in format from covered paintings to miniature boxes, that illuminate the symbiotic relationship between the portrait and its pair. Texts by thirteen distinguished scholars vividly illustrate that the other “faces” of these portraits represent some of the most innovative images of the Renaissance, created by masters such as Hans Memling and Titian. Uniting works that have in some cases been separated for centuries, this fascinating volume shows how the multifaceted format unveiled the sitter’s identity, both by physically revealing the portrait and reading the significance behind its cover.

Strokes of Genius

Author : Jean Goldman,Nicolas Schwed,Art Institute of Chicago
Publisher : Yale University Press
Page : 201 pages
File Size : 46,7 Mb
Release : 2014-01-01
Category : Art
ISBN : 9780300207774

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Strokes of Genius by Jean Goldman,Nicolas Schwed,Art Institute of Chicago Pdf

"Strokes of Genius: Italian Drawings from the Goldman Collection was published in conjunction with an exhibition of the same title organized by and presented at the Art Institute of Chicago from November 1, 2014, to February 1, 2015."

Italian Architectural Drawings from the Cronstedt Collection in the Nationalmuseum, Stockholm

Author : Anna Bortolozzi,Nationalmuseum (Sweden)
Publisher : Hatje Cantz Verlag
Page : 161 pages
File Size : 42,6 Mb
Release : 2021-01-05
Category : Art
ISBN : 9783775748025

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Italian Architectural Drawings from the Cronstedt Collection in the Nationalmuseum, Stockholm by Anna Bortolozzi,Nationalmuseum (Sweden) Pdf

Dieser Band stellt die erste umfassende Untersuchung italienischer Architekturzeichnungen aus der Sammlung Cronstedt im Nationalmuseum Stockholm vor. Besprochen werden rund 180 Zeichnungen aus der Zeit zwischen 1570 und 1620. Darunter befinden sich Werke von Francesco da Capriani daVolterra, Carlo Maderno und anderen in Rom ansässigen Architekten, die für Kirchen, Kapellen, Paläste, Gärten und Brunnen angefertigt wurden – viele von ihnen stellen die wichtigsten und doch kaum bekannten Quellen für die Architektur des Spätmanierismus und Frühbarock dar. Ebenfalls enthalten sind Pläne und Detailzeichnungen französischer Künstler, die viele antike Monumente ebenso akribisch dokumentierten wie die Bauten der Renaissancebaumeister Bramante, Antonio da Sangallo, Michelangelo und Vignola. Italian Architectural Drawings kommt aufgrund aktueller Forschungsergebnisse zu ganz neuen Zuschreibungen, die auf einer genauen Analyse der Zeichnungen (Papier, Medium, Technik, Montage) beruhen. Ergänzende Vergleichsabbildungen und eine fotografische Bestandsaufnahme der Wasserzeichen runden diesen Band ab.

News on the Rialto

Author : Anonim
Publisher : Unknown
Page : 78 pages
File Size : 54,5 Mb
Release : 2006
Category : Venice (Italy)
ISBN : UOM:39015072466033

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News on the Rialto by Anonim Pdf

The Drawings of Stefano Da Verona and His Circle and the Origins of Collecting in Italy

Author : Evelyn Karet
Publisher : American Philosophical Society
Page : 250 pages
File Size : 54,9 Mb
Release : 2002
Category : Art
ISBN : 0871692449

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The Drawings of Stefano Da Verona and His Circle and the Origins of Collecting in Italy by Evelyn Karet Pdf

In this comprehensive catalogue of the work of the 15th-century painter and draftsman, Stefano da Verona (1375-ca. 1438), Karet reviews past scholarship and corrects old misunderstandings that produced an inconsistent, heterogeneous and misinformed corpus. Her attributions are based on stylistic arguments, technical analysis, and the relationship of the drawings to a limited number of secure paintings by this important Late Gothic North Italian painter. The restricted but sound body of works Stefano da Verona executed is compiled in rich catalogue entries that include discussions of style, iconography, patronage, paper and sketchbook analysis, important issues of workshop production and of the history of drawings and collectionism.

Ludovico Carracci and the Art of Drawing

Author : Babette Bohn
Publisher : Unknown
Page : 650 pages
File Size : 44,9 Mb
Release : 2004
Category : Art
ISBN : UOM:39015060670430

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Ludovico Carracci and the Art of Drawing by Babette Bohn Pdf

The primary goal of Ludovico Carracci and the Art of Drawing is to provide a ground-breaking model for a new kind of book on Italian drawings. In addition to covering the traditional scholarly terrain of chronology, style, and connoisseurship, this book utilizes up-to-date art historical methods, including considerations of the historical context of Bologna, its impact on Ludovico's art, and a new portrayal of the role of women and women artists in the city. Bologna is perhaps the last great artistic capital in Europe that...still offers the specialist the possibility for ground breaking studies. This quotation from a recent exhibition at the Metropolitan Museum testifies to the rich possibilities for research in this field. In 1983, Sydney Freedberg wrote a book on the three pivotal innovators in Italian painting at the turn of the seventeenth century: Caravaggio, Annibale Carracci, and the latter's cousin Ludovico Carracci (1555-1619). The dramatic intensity of Ludovico's paintings exerted a seminal influence on the direction of Italian Baroque painting. His highly individual renditions of his subjects make him one of the great interpreters of Italian art. Working in Bologna, the second city of the papal states, during the period of the Counter Reformation, Ludovico was well positioned to reshape religious painting during a period that demanded change. Ludovico was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality, because he conceived his original subjects and planned his dramatic compositions in these sheets. Like most Italian artists of the early modern period, Ludovico developed his ideas in drawings and began painting only after his conceptions had been finalized. Thus his drawings reveal how he thought, how his ideas changed, and which features of a composition were most important or challenging to his creative imagination. Such drawings as these have tremendous appeal to modern audiences, who are attracted by the excitement of watching the creative process in progress, rather than seeing only the painting that represents the end of that process. The Carracci have always been considered some of the most important draftsmen in Italian art, for their revival of drawing the human figure from life in the course of designing paintings. But Ludovico's drawings were not only preparatory studies for pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right, made for sale to a new audience of private collectors in Bologna. This book will be indispensable for university libraries, museum libraries, and the private libraries of all scholars, dealers, and collectors with a serious interest in Italian art. As a study of a major artist that breaks new methodological ground, the book will bring together fresh insights on the artist and his culture with a useful compendium of illustrations and will provide a model for future studies of draftsmen from the early modern period.

An Italian Journey

Author : Linda Wolk-Simon,Carmen Bambach,Stijn Alsteens,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 270 pages
File Size : 42,9 Mb
Release : 2010
Category : Art
ISBN : 9781588393791

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An Italian Journey by Linda Wolk-Simon,Carmen Bambach,Stijn Alsteens,Metropolitan Museum of Art (New York, N.Y.) Pdf

Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.

Drawing in Early Renaissance Italy

Author : Francis Ames-Lewis
Publisher : Yale University Press
Page : 14 pages
File Size : 48,9 Mb
Release : 2000-01-01
Category : Art
ISBN : 0300079818

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Drawing in Early Renaissance Italy by Francis Ames-Lewis Pdf

Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.

Arte lombarda

Author : Anonim
Publisher : Unknown
Page : 124 pages
File Size : 40,6 Mb
Release : 1999
Category : Art
ISBN : UVA:X006012319

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Arte lombarda by Anonim Pdf

Timeless Renaissance

Author : Ricardo De Mambro Santos
Publisher : Unknown
Page : 0 pages
File Size : 43,8 Mb
Release : 2011
Category : Art
ISBN : 1930957653

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Timeless Renaissance by Ricardo De Mambro Santos Pdf

Timeless Renaissance features 74 recently rediscovered drawings from the 16th through the early 18th centuries. The book offers a fascinating glimpse of Count Allessandro Maggiori (1764-1834) as an art collector and reveals the cultural and historical importance of the collection he assembled in his villa near Monte San Giusto. All of the works were clearly influenced by Raphael's 16th-century Renaissance ideals of beauty, which were further developed throughout the 17th century by Bolognese masters such as Annibale Carracci, Guido Reni, and Domenichino. The Maggiori collection embraces this Neo-Renaissance, or "Timeless Renaissance." Mostly gathered in the years of the Napoleonic dominion over the Italian peninsula, the drawings selected by Maggiori subtly reveal the emergence of Italian collective identity and a new civic awareness before Italy became an autonomous state. Deeply indebted to the seats of Catholicism in Rome and Bologna, the works represent a tradition opposed to the ideals of post-revolutionary France. They are distinctly Italian.

Italian Renaissance Drawings at the Morgan Library & Museum

Author : Pierpont Morgan Library,Rhoda Eitel-Porter,John Marciari
Publisher : Unknown
Page : 427 pages
File Size : 49,7 Mb
Release : 2019
Category : Drawing
ISBN : 0875981917

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Italian Renaissance Drawings at the Morgan Library & Museum by Pierpont Morgan Library,Rhoda Eitel-Porter,John Marciari Pdf

The first catalogue to survey the Morgan?s collection of Italian Renaissance drawings, this monumental study also constitutes an introduction to Italian Renaissance draftsmanship for students and enthusiasts. It includes introductory essays on drawing in Renaissance Italy and on the formation of the Morgan?s collection. More than 120 detailed catalogue entries offer highly focused explorations of individual sheets, but these are grouped into chapters with introductory essays that provide context on key moments in the evolution of Renaissance drawing and on the distinct characteristics of different regional schools.00The related exhibition 'Invention and Design: Early Italian Drawings at the Morgan', organized by John Marciari, is on view February 15 through May 19, 2019. While the newly published catalogue covers drawings from around 1350?1600, the exhibition focuses on the earlier material, illuminating the origins and evolution of Italian drawing by artists born before 1500.00Exhibition: Pierpont Morgan Library, New York, USA (15.02.-193.05.2019).

Italian Fifteenth- to Seventeenth-century Drawings

Author : Anna Forlani Tempesti,Metropolitan Museum of Art (New York, N.Y.)
Publisher : Princeton University Press
Page : 388 pages
File Size : 48,9 Mb
Release : 1991
Category : Art
ISBN : 0691040931

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Italian Fifteenth- to Seventeenth-century Drawings by Anna Forlani Tempesti,Metropolitan Museum of Art (New York, N.Y.) Pdf

Perhaps more than any other collector of his generation in the United States, Robert Lehman was interested in acquiring early drawings. He made a great effort to add drawings to the collection of paintings, sculpture, ceramics, glass, and other objects that his father, Philip Lehman, had begun assembling. The 116 Italian drawings analyzed and discussed in this volume are among the more than 2,000 works of art from the collection now housed in the Robert Lehman Wing of The Metropolitan Museum of Art. Robert Lehman's collection demonstrates the variety of drawings produced in Italy from the fifteenth to the seventeenth century, a period when the purposes and techniques of drawings, as well as the aims and abilities of the artist who made them, became increasingly sophisticated. The volume includes an elaborate design for an equestrian monument by Antonio Pollaiuolo, a magnificent study of a bear by Leonardo da Vinci, a cartoon by Luca Signorelli, a study for a vault fresco by Taddeo Zuccaro, and many other drawings that are among the best Italian examples to have survived from that era. Most types of drawings, in a wide variety of techniques, are represented—figure studies, grand compositions, landscapes, cartoons, modelli, and even sculptors' studies. -- Metropolitan Museum of Art website.

Italian Master Drawings at the Philadelphia Museum of Art

Author : Philadelphia Museum of Art,Mimi Cazort
Publisher : Pennsylvania State University Press
Page : 287 pages
File Size : 45,5 Mb
Release : 2004
Category : Architecture
ISBN : 9780271025384

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Italian Master Drawings at the Philadelphia Museum of Art by Philadelphia Museum of Art,Mimi Cazort Pdf

The Philadelphia Museum of Art is fortunate to have a collection of Italian drawings that encompasses a broad sweep of Italy's art history, ranging from Renaissance and Baroque to Futurist and contemporary works by such famed artists as Parmigianino, Francesco Salviati, Guercino, Giovanni Benedetto Castiglione, Pompeo Batoni, and Amedeo Modigliani. With this publication, eighty of these drawings are provided with commentary, complete scholarly analysis, and biographies of the artists by the renowned scholar Mimi Cazort. The volume opens with an illustrated essay by Ann Percy, the Museum's Curator of Drawings, who offers the first full account of the people and events that shaped the formation of this exceptional but little-published collection.